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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D06277 it is the complementary color #2F9D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D06277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D06277 shade: #D56272, #E67485, #F78698, #FF98AB and #FFAABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D06277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D06277 shade: #D06277, #BF5064, #AE3E51, #9D2C3E and #8C1A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D06277 shade: #D06277 and #D06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D06277 shade: #D06277, #D06295, #D062B2, #D062D0 and #B262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D06277 shade matches the following richer shades: #D06277, #E1516D and #F14163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D06277 shade: #D06277, #C07281, #AF838B, #9F9396 and #8EA4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D06277 shade: #D062B3, #D06295, #D06278, #D06962 and #D08762

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D06277 shade: #AC334A, #C7425B, #D06277, #DA8292 and #E3A1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D06277 shade: #D06277, #D0D062 and #62A4D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D06277 shade: #D06277, #78D062 and #6278D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D06277 shade: #D06277, #D0D062, #62D0BA and #6262D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D06277 shade: #D06277, #AFD062, #62D0BA and #8362D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

Complementary color

CMYK 70 / 0 / 13 / 38

HEX #2F9D88

RGB 47 157 136

HSL 168.55, 0.54%, 0.4%

LAB 58.5, -35.76, 2.07

 

CMYK 0 / 54 / 46 / 16

HEX #D56272

RGB 213 98 114

HSL 351.65, 0.58%, 0.61%

LAB 56.18, 46.72, 13.22

 

CMYK 0 / 50 / 42 / 10

HEX #E67485

RGB 230 116 133

HSL 351.05, 0.7%, 0.68%

LAB 62.51, 45.75, 11.44

 

CMYK 0 / 46 / 38 / 3

HEX #F78698

RGB 247 134 152

HSL 350.44, 0.88%, 0.75%

LAB 68.82, 44.78, 9.91

 

CMYK 0 / 40 / 33 / 0

HEX #FF98AB

RGB 255 152 171

HSL 348.93, 1%, 0.8%

LAB 73.97, 40.69, 6.83

 

CMYK 0 / 33 / 25 / 0

HEX #FFAABE

RGB 255 170 190

HSL 345.88, 1%, 0.83%

LAB 78.3, 33.83, 2.67

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 58 / 48 / 25

HEX #BF5064

RGB 191 80 100

HSL 349.19, 0.46%, 0.53%

LAB 49.17, 46.36, 11.24

 

CMYK 0 / 64 / 53 / 32

HEX #AE3E51

RGB 174 62 81

HSL 349.82, 0.47%, 0.46%

LAB 42.82, 47.11, 13.61

 

CMYK 0 / 72 / 61 / 38

HEX #9D2C3E

RGB 157 44 62

HSL 350.44, 0.56%, 0.39%

LAB 36.59, 47.52, 16.6

 

CMYK 0 / 81 / 69 / 45

HEX #8C1A2B

RGB 140 26 43

HSL 351.05, 0.69%, 0.33%

LAB 30.61, 47.24, 20.47

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 53 / 53 / 18

HEX #D06262

RGB 208 98 98

HSL 0, 0.54%, 0.6%

LAB 55.1, 43.47, 20.97

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 53 / 28 / 18

HEX #D06295

RGB 208 98 149

HSL 332.18, 0.54%, 0.6%

LAB 56.4, 49.03, -7.08

 

CMYK 0 / 53 / 14 / 18

HEX #D062B2

RGB 208 98 178

HSL 316.36, 0.54%, 0.6%

LAB 57.42, 53.2, -22.37

 

CMYK 0 / 53 / 0 / 18

HEX #D062D0

RGB 208 98 208

HSL 300, 0.54%, 0.6%

LAB 58.69, 58.17, -37.54

 

CMYK 14 / 53 / 0 / 18

HEX #B262D0

RGB 178 98 208

HSL 283.64, 0.54%, 0.6%

LAB 54.82, 50.08, -43.91

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 64 / 52 / 12

HEX #E1516D

RGB 225 81 109

HSL 348.33, 0.71%, 0.6%

LAB 55.07, 57.94, 14.9

 

CMYK 0 / 73 / 59 / 5

HEX #F14163

RGB 241 65 99

HSL 348.41, 0.86%, 0.6%

LAB 55.46, 67.96, 21.82

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 41 / 33 / 25

HEX #C07281

RGB 192 114 129

HSL 348.46, 0.38%, 0.6%

LAB 56.91, 32.56, 5.07

 

CMYK 0 / 25 / 21 / 31

HEX #AF838B

RGB 175 131 139

HSL 349.09, 0.22%, 0.6%

LAB 59.17, 18.14, 2.31

 

CMYK 0 / 8 / 6 / 38

HEX #9F9396

RGB 159 147 150

HSL 345, 0.06%, 0.6%

LAB 62.03, 4.98, 0.01

 

CMYK 13 / 0 / 2 / 36

HEX #8EA4A0

RGB 142 164 160

HSL 169.09, 0.11%, 0.6%

LAB 65.62, -8.48, -0.52

 

CMYK 0 / 53 / 14 / 18

HEX #D062B3

RGB 208 98 179

HSL 315.82, 0.54%, 0.6%

LAB 57.46, 53.35, -22.89

 

CMYK 0 / 53 / 28 / 18

HEX #D06295

RGB 208 98 149

HSL 332.18, 0.54%, 0.6%

LAB 56.4, 49.03, -7.08

 

CMYK 0 / 53 / 42 / 18

HEX #D06278

RGB 208 98 120

HSL 348, 0.54%, 0.6%

LAB 55.59, 45.58, 8.75

 

CMYK 0 / 50 / 53 / 18

HEX #D06962

RGB 208 105 98

HSL 3.82, 0.54%, 0.6%

LAB 56.48, 39.95, 22.81

 

CMYK 0 / 35 / 53 / 18

HEX #D08762

RGB 208 135 98

HSL 20.18, 0.54%, 0.6%

LAB 63.03, 24.06, 31.35

 

CMYK 0 / 70 / 57 / 33

HEX #AC334A

RGB 172 51 74

HSL 348.6, 0.54%, 0.44%

LAB 40.63, 50.48, 14.93

 

CMYK 0 / 67 / 54 / 22

HEX #C7425B

RGB 199 66 91

HSL 348.72, 0.54%, 0.52%

LAB 48, 54.4, 15.27

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 40 / 33 / 15

HEX #DA8292

RGB 218 130 146

HSL 349.09, 0.54%, 0.68%

LAB 64.12, 35.76, 6.09

 

CMYK 0 / 29 / 23 / 11

HEX #E3A1AE

RGB 227 161 174

HSL 348.18, 0.54%, 0.76%

LAB 72.81, 26.3, 3.09

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 0 / 53 / 18

HEX #D0D062

RGB 208 208 98

HSL 60, 0.54%, 0.6%

LAB 81.51, -14.62, 53.79

 

CMYK 53 / 21 / 0 / 18

HEX #62A4D0

RGB 98 164 208

HSL 204, 0.54%, 0.6%

LAB 64.73, -8.67, -28.89

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 42 / 0 / 53 / 18

HEX #78D062

RGB 120 208 98

HSL 108, 0.54%, 0.6%

LAB 76.06, -47.15, 46.01

 

CMYK 53 / 42 / 0 / 18

HEX #6278D0

RGB 98 120 208

HSL 228, 0.54%, 0.6%

LAB 52.49, 16.98, -48.06

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 0 / 0 / 53 / 18

HEX #D0D062

RGB 208 208 98

HSL 60, 0.54%, 0.6%

LAB 81.51, -14.62, 53.79

 

CMYK 53 / 0 / 11 / 18

HEX #62D0BA

RGB 98 208 186

HSL 168, 0.54%, 0.6%

LAB 76.83, -36.86, 1.33

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 0 / 53 / 43 / 18

HEX #D06277

RGB 208 98 119

HSL 348.55, 0.54%, 0.6%

LAB 55.56, 45.47, 9.3

 

CMYK 16 / 0 / 53 / 18

HEX #AFD062

RGB 175 208 98

HSL 78, 0.54%, 0.6%

LAB 79.1, -27.77, 50.37

 

CMYK 53 / 0 / 11 / 18

HEX #62D0BA

RGB 98 208 186

HSL 168, 0.54%, 0.6%

LAB 76.83, -36.86, 1.33

 

CMYK 37 / 53 / 0 / 18

HEX #8362D0

RGB 131 98 208

HSL 258, 0.54%, 0.6%

LAB 49.63, 37.93, -52.47

 

Description

Color code: HEX #D06277 | qconv.com Color code: HEX #D06277 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 98 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 98 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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