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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D059C3 it is the complementary color #2FA63C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D059C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D059C3 shade: #D559BE, #E66BD1, #F77DE4, #FF8FF7 and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D059C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D059C3 shade: #D059C3, #BF47B0, #AE359D, #9D238A and #8C1177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D059C3 shade: #D058C3, #D058A2, #D05882, #D05862 and #D05858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D059C3 shade: #D058C3, #BD58D0, #9C58D0, #7C58D0 and #5C58D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D059C3 shade matches the following richer shades: #D058C3, #E147D0 and #F335DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D059C3 shade: #D058C3, #BF69B5, #AD7BA8, #9C8C9A and #8B9D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D059C3 shade: #9C58D0, #BC58D0, #D058C4, #D058A4 and #D05884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D059C3 shade: #A62F99, #C738B7, #D058C3, #D978CE and #E298DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D059C3 shade: #D059C3, #D07C58 and #58D0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D059C3 shade: #D059C3, #C4D058 and #58C4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D059C3 shade: #D059C3, #D07C58, #58D064 and #58ACD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D059C3 shade: #D059C3, #D0A058, #58D064 and #5888D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

Complementary color

CMYK 72 / 0 / 64 / 35

HEX #2FA63C

RGB 47 166 60

HSL 126.55, 0.56%, 0.42%

LAB 60.07, -54, 44.38

 

CMYK 0 / 58 / 11 / 16

HEX #D559BE

RGB 213 89 190

HSL 311.13, 0.6%, 0.59%

LAB 57.08, 60.63, -29.74

 

CMYK 0 / 53 / 9 / 10

HEX #E66BD1

RGB 230 107 209

HSL 310.24, 0.71%, 0.66%

LAB 63.29, 60.22, -30.72

 

CMYK 0 / 49 / 8 / 3

HEX #F77DE4

RGB 247 125 228

HSL 309.34, 0.88%, 0.73%

LAB 69.5, 59.66, -31.53

 

CMYK 0 / 44 / 3 / 0

HEX #FF8FF7

RGB 255 143 247

HSL 304.29, 1%, 0.78%

LAB 74.58, 56.41, -33.99

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

CMYK 0 / 63 / 8 / 25

HEX #BF47B0

RGB 191 71 176

HSL 307.5, 0.48%, 0.51%

LAB 50.35, 60.28, -32.36

 

CMYK 0 / 70 / 10 / 32

HEX #AE359D

RGB 174 53 157

HSL 308.43, 0.53%, 0.45%

LAB 44.2, 60.07, -30.94

 

CMYK 0 / 78 / 12 / 38

HEX #9D238A

RGB 157 35 138

HSL 309.34, 0.64%, 0.38%

LAB 38.21, 59.17, -29.02

 

CMYK 0 / 88 / 15 / 45

HEX #8C1177

RGB 140 17 119

HSL 310.24, 0.78%, 0.31%

LAB 32.5, 57.17, -26.37

 

CMYK 0 / 58 / 6 / 18

HEX #D058C3

RGB 208 88 195

HSL 306.5, 0.56%, 0.58%

LAB 56.42, 60.52, -33.7

 

CMYK 0 / 58 / 22 / 18

HEX #D058A2

RGB 208 88 162

HSL 323, 0.56%, 0.58%

LAB 55.07, 55.51, -16.68

 

CMYK 0 / 58 / 38 / 18

HEX #D05882

RGB 208 88 130

HSL 339, 0.56%, 0.58%

LAB 54.03, 51.45, 0.6

 

CMYK 0 / 58 / 53 / 18

HEX #D05862

RGB 208 88 98

HSL 355, 0.56%, 0.58%

LAB 53.25, 48.3, 18.47

 

CMYK 0 / 58 / 58 / 18

HEX #D05858

RGB 208 88 88

HSL 0, 0.56%, 0.58%

LAB 53.05, 47.51, 24.09

 

CMYK 0 / 58 / 6 / 18

HEX #D058C3

RGB 208 88 195

HSL 306.5, 0.56%, 0.58%

LAB 56.42, 60.52, -33.7

 

CMYK 9 / 58 / 0 / 18

HEX #BD58D0

RGB 189 88 208

HSL 290.5, 0.56%, 0.58%

LAB 54.4, 57.85, -44.48

 

CMYK 25 / 58 / 0 / 18

HEX #9C58D0

RGB 156 88 208

HSL 274, 0.56%, 0.58%

LAB 50.22, 49.57, -51.39

 

CMYK 40 / 58 / 0 / 18

HEX #7C58D0

RGB 124 88 208

HSL 258, 0.56%, 0.58%

LAB 46.74, 42.01, -57.16

 

CMYK 56 / 58 / 0 / 18

HEX #5C58D0

RGB 92 88 208

HSL 242, 0.56%, 0.58%

LAB 43.96, 35.39, -61.79

 

CMYK 0 / 58 / 6 / 18

HEX #D058C3

RGB 208 88 195

HSL 306.5, 0.56%, 0.58%

LAB 56.42, 60.52, -33.7

 

CMYK 0 / 68 / 8 / 12

HEX #E147D0

RGB 225 71 208

HSL 306.62, 0.72%, 0.58%

LAB 57.14, 73.53, -39.8

 

CMYK 0 / 78 / 9 / 5

HEX #F335DE

RGB 243 53 222

HSL 306.63, 0.89%, 0.58%

LAB 58.86, 84.75, -44.84

 

CMYK 0 / 58 / 6 / 18

HEX #D058C3

RGB 208 88 195

HSL 306.5, 0.56%, 0.58%

LAB 56.42, 60.52, -33.7

 

CMYK 0 / 45 / 5 / 25

HEX #BF69B5

RGB 191 105 181

HSL 306.98, 0.4%, 0.58%

LAB 56.6, 45.03, -25.56

 

CMYK 0 / 29 / 3 / 32

HEX #AD7BA8

RGB 173 123 168

HSL 306, 0.23%, 0.58%

LAB 57.92, 26.97, -16.25

 

CMYK 0 / 10 / 1 / 39

HEX #9C8C9A

RGB 156 140 154

HSL 307.5, 0.07%, 0.58%

LAB 60.03, 8.58, -5.24

 

CMYK 11 / 0 / 10 / 38

HEX #8B9D8D

RGB 139 157 141

HSL 126.67, 0.08%, 0.58%

LAB 62.95, -9.55, 6.22

 

CMYK 25 / 58 / 0 / 18

HEX #9C58D0

RGB 156 88 208

HSL 274, 0.56%, 0.58%

LAB 50.22, 49.57, -51.39

 

CMYK 10 / 58 / 0 / 18

HEX #BC58D0

RGB 188 88 208

HSL 290, 0.56%, 0.58%

LAB 54.26, 57.6, -44.7

 

CMYK 0 / 58 / 6 / 18

HEX #D058C4

RGB 208 88 196

HSL 306, 0.56%, 0.58%

LAB 56.46, 60.69, -34.2

 

CMYK 0 / 58 / 21 / 18

HEX #D058A4

RGB 208 88 164

HSL 322, 0.56%, 0.58%

LAB 55.14, 55.79, -17.74

 

CMYK 0 / 58 / 37 / 18

HEX #D05884

RGB 208 88 132

HSL 338, 0.56%, 0.58%

LAB 54.09, 51.68, -0.5

 

CMYK 0 / 72 / 8 / 35

HEX #A62F99

RGB 166 47 153

HSL 306.55, 0.56%, 0.42%

LAB 41.91, 59.67, -32.23

 

CMYK 0 / 72 / 8 / 22

HEX #C738B7

RGB 199 56 183

HSL 306.71, 0.56%, 0.5%

LAB 49.96, 68.91, -36.97

 

CMYK 0 / 58 / 6 / 18

HEX #D058C3

RGB 208 88 195

HSL 306.5, 0.56%, 0.58%

LAB 56.42, 60.52, -33.7

 

CMYK 0 / 45 / 5 / 15

HEX #D978CE

RGB 217 120 206

HSL 306.8, 0.56%, 0.66%

LAB 63.87, 49.64, -28.28

 

CMYK 0 / 33 / 4 / 11

HEX #E298DA

RGB 226 152 218

HSL 306.49, 0.56%, 0.74%

LAB 72.02, 37.89, -22.36

 

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

CMYK 0 / 40 / 58 / 18

HEX #D07C58

RGB 208 124 88

HSL 18, 0.56%, 0.58%

LAB 60.36, 29.16, 33.44

 

CMYK 58 / 0 / 17 / 18

HEX #58D0AC

RGB 88 208 172

HSL 162, 0.56%, 0.58%

LAB 76.17, -42.26, 7.85

 

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

CMYK 6 / 0 / 58 / 18

HEX #C4D058

RGB 196 208 88

HSL 66, 0.56%, 0.58%

LAB 80.49, -20.28, 56.88

 

CMYK 58 / 6 / 0 / 18

HEX #58C4D0

RGB 88 196 208

HSL 186, 0.56%, 0.58%

LAB 73.62, -27.38, -15.37

 

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

CMYK 0 / 40 / 58 / 18

HEX #D07C58

RGB 208 124 88

HSL 18, 0.56%, 0.58%

LAB 60.36, 29.16, 33.44

 

CMYK 58 / 0 / 52 / 18

HEX #58D064

RGB 88 208 100

HSL 126, 0.56%, 0.58%

LAB 74.89, -55.63, 43.36

 

CMYK 58 / 17 / 0 / 18

HEX #58ACD0

RGB 88 172 208

HSL 198, 0.56%, 0.58%

LAB 66.62, -15.08, -26

 

CMYK 0 / 57 / 6 / 18

HEX #D059C3

RGB 208 89 195

HSL 306.55, 0.56%, 0.58%

LAB 56.58, 60.08, -33.44

 

CMYK 0 / 23 / 58 / 18

HEX #D0A058

RGB 208 160 88

HSL 36, 0.56%, 0.58%

LAB 68.94, 9.66, 43.88

 

CMYK 58 / 0 / 52 / 18

HEX #58D064

RGB 88 208 100

HSL 126, 0.56%, 0.58%

LAB 74.89, -55.63, 43.36

 

CMYK 58 / 35 / 0 / 18

HEX #5888D0

RGB 88 136 208

HSL 216, 0.56%, 0.58%

LAB 56.32, 5.22, -42.03

 

Description

Color code: HEX #D059C3 | qconv.com Color code: HEX #D059C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 89 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 89 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 6 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 6% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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