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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D05975 it is the complementary color #2FA68A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D05975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D05975 shade: #D55970, #E66B83, #F77D96, #FF8FA9 and #FFA1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D05975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D05975 shade: #D05975, #BF4762, #AE354F, #9D233C and #8C1129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D05975 shade: #D05874 and #D05858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D05975 shade: #D05874, #D05894, #D058B5, #CB58D0 and #AA58D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D05975 shade matches the following richer shades: #D05874, #E1476B and #F33562

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D05975 shade: #D05874, #BF697D, #AD7B86, #9C8C90 and #8B9D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D05975 shade: #D058B6, #D05896, #D05876, #D05A58 and #D07A58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D05975 shade: #A62F4B, #C7385A, #D05874, #D9788F and #E298AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D05975 shade: #D05975, #D0CA58 and #58A6D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D05975 shade: #D05975, #76D058 and #5876D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D05975 shade: #D05975, #D0CA58, #58D0B2 and #585ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D05975 shade: #D05975, #B2D058, #58D0B2 and #7658D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

Complementary color

CMYK 72 / 0 / 17 / 35

HEX #2FA68A

RGB 47 166 138

HSL 165.88, 0.56%, 0.42%

LAB 61.4, -39.27, 5.14

 

CMYK 0 / 58 / 47 / 16

HEX #D55970

RGB 213 89 112

HSL 348.87, 0.6%, 0.59%

LAB 54.51, 50.79, 12.06

 

CMYK 0 / 53 / 43 / 10

HEX #E66B83

RGB 230 107 131

HSL 348.29, 0.71%, 0.66%

LAB 60.76, 49.93, 10.12

 

CMYK 0 / 49 / 39 / 3

HEX #F77D96

RGB 247 125 150

HSL 347.7, 0.88%, 0.73%

LAB 67.01, 49.03, 8.47

 

CMYK 0 / 44 / 34 / 0

HEX #FF8FA9

RGB 255 143 169

HSL 346.07, 1%, 0.78%

LAB 72.07, 45.01, 5.21

 

CMYK 0 / 37 / 26 / 0

HEX #FFA1BC

RGB 255 161 188

HSL 342.77, 1%, 0.82%

LAB 76.3, 38.24, 0.85

 

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

CMYK 0 / 63 / 49 / 25

HEX #BF4762

RGB 191 71 98

HSL 346.5, 0.48%, 0.51%

LAB 47.58, 50.3, 10.22

 

CMYK 0 / 70 / 55 / 32

HEX #AE354F

RGB 174 53 79

HSL 347.11, 0.53%, 0.45%

LAB 41.39, 50.72, 12.89

 

CMYK 0 / 78 / 62 / 38

HEX #9D233C

RGB 157 35 60

HSL 347.7, 0.64%, 0.38%

LAB 35.39, 50.59, 16.3

 

CMYK 0 / 88 / 71 / 45

HEX #8C1129

RGB 140 17 41

HSL 348.29, 0.78%, 0.31%

LAB 29.75, 49.48, 20.7

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

CMYK 0 / 58 / 58 / 18

HEX #D05858

RGB 208 88 88

HSL 0, 0.56%, 0.58%

LAB 53.05, 47.51, 24.09

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

CMYK 0 / 58 / 29 / 18

HEX #D05894

RGB 208 88 148

HSL 330, 0.56%, 0.58%

LAB 54.58, 53.63, -9.21

 

CMYK 0 / 58 / 13 / 18

HEX #D058B5

RGB 208 88 181

HSL 313.5, 0.56%, 0.58%

LAB 55.81, 58.3, -26.58

 

CMYK 2 / 58 / 0 / 18

HEX #CB58D0

RGB 203 88 208

HSL 297.5, 0.56%, 0.58%

LAB 56.32, 61.42, -41.33

 

CMYK 18 / 58 / 0 / 18

HEX #AA58D0

RGB 170 88 208

HSL 281, 0.56%, 0.58%

LAB 51.93, 53.05, -48.56

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

CMYK 0 / 68 / 52 / 12

HEX #E1476B

RGB 225 71 107

HSL 345.97, 0.72%, 0.58%

LAB 53.57, 61.74, 14.02

 

CMYK 0 / 78 / 60 / 5

HEX #F33562

RGB 243 53 98

HSL 345.79, 0.89%, 0.58%

LAB 54.54, 72.03, 21.24

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

CMYK 0 / 45 / 35 / 25

HEX #BF697D

RGB 191 105 125

HSL 346.05, 0.4%, 0.58%

LAB 54.72, 36.5, 4.25

 

CMYK 0 / 29 / 23 / 32

HEX #AD7B86

RGB 173 123 134

HSL 346.8, 0.23%, 0.58%

LAB 56.85, 21.11, 1.8

 

CMYK 0 / 10 / 8 / 39

HEX #9C8C90

RGB 156 140 144

HSL 345, 0.07%, 0.58%

LAB 59.74, 6.7, 0.05

 

CMYK 11 / 0 / 3 / 38

HEX #8B9D99

RGB 139 157 153

HSL 166.67, 0.08%, 0.58%

LAB 63.26, -7.17, -0.08

 

CMYK 0 / 58 / 13 / 18

HEX #D058B6

RGB 208 88 182

HSL 313, 0.56%, 0.58%

LAB 55.85, 58.45, -27.1

 

CMYK 0 / 58 / 28 / 18

HEX #D05896

RGB 208 88 150

HSL 329, 0.56%, 0.58%

LAB 54.65, 53.89, -10.28

 

CMYK 0 / 58 / 43 / 18

HEX #D05876

RGB 208 88 118

HSL 345, 0.56%, 0.58%

LAB 53.7, 50.16, 7.25

 

CMYK 0 / 57 / 58 / 18

HEX #D05A58

RGB 208 90 88

HSL 1, 0.56%, 0.58%

LAB 53.41, 46.56, 24.56

 

CMYK 0 / 41 / 58 / 18

HEX #D07A58

RGB 208 122 88

HSL 17, 0.56%, 0.58%

LAB 59.92, 30.23, 32.89

 

CMYK 0 / 72 / 55 / 35

HEX #A62F4B

RGB 166 47 75

HSL 345.88, 0.56%, 0.42%

LAB 38.98, 50.21, 11.87

 

CMYK 0 / 72 / 55 / 22

HEX #C7385A

RGB 199 56 90

HSL 345.73, 0.56%, 0.5%

LAB 46.59, 58.14, 13.95

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

CMYK 0 / 45 / 34 / 15

HEX #D9788F

RGB 217 120 143

HSL 345.77, 0.56%, 0.66%

LAB 61.8, 40.26, 4.45

 

CMYK 0 / 33 / 25 / 11

HEX #E298AA

RGB 226 152 170

HSL 345.41, 0.56%, 0.74%

LAB 70.54, 30.18, 2

 

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

CMYK 0 / 3 / 58 / 18

HEX #D0CA58

RGB 208 202 88

HSL 57, 0.56%, 0.58%

LAB 79.82, -12.37, 56.39

 

CMYK 58 / 20 / 0 / 18

HEX #58A6D0

RGB 88 166 208

HSL 201, 0.56%, 0.58%

LAB 64.88, -11.85, -28.68

 

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

CMYK 43 / 0 / 58 / 18

HEX #76D058

RGB 118 208 88

HSL 105, 0.56%, 0.58%

LAB 75.86, -48.9, 50.39

 

CMYK 58 / 43 / 0 / 18

HEX #5876D0

RGB 88 118 208

HSL 225, 0.56%, 0.58%

LAB 51.37, 16.11, -49.89

 

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

CMYK 0 / 3 / 58 / 18

HEX #D0CA58

RGB 208 202 88

HSL 57, 0.56%, 0.58%

LAB 79.82, -12.37, 56.39

 

CMYK 58 / 0 / 14 / 18

HEX #58D0B2

RGB 88 208 178

HSL 165, 0.56%, 0.58%

LAB 76.31, -40.84, 4.84

 

CMYK 58 / 55 / 0 / 18

HEX #585ED0

RGB 88 94 208

HSL 237, 0.56%, 0.58%

LAB 45.13, 30.97, -59.91

 

CMYK 0 / 57 / 44 / 18

HEX #D05975

RGB 208 89 117

HSL 345.88, 0.56%, 0.58%

LAB 53.86, 49.59, 8.06

 

CMYK 14 / 0 / 58 / 18

HEX #B2D058

RGB 178 208 88

HSL 75, 0.56%, 0.58%

LAB 79.2, -27.48, 55.09

 

CMYK 58 / 0 / 14 / 18

HEX #58D0B2

RGB 88 208 178

HSL 165, 0.56%, 0.58%

LAB 76.31, -40.84, 4.84

 

CMYK 43 / 58 / 0 / 18

HEX #7658D0

RGB 118 88 208

HSL 255, 0.56%, 0.58%

LAB 46.16, 40.68, -58.13

 

Description

Color code: HEX #D05975 | qconv.com Color code: HEX #D05975 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 89 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 89 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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