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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D05299 it is the complementary color #2FAD66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D05299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D05299 shade: #D55294, #E664A7, #F776BA, #FF88CD and #FF9AE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D05299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D05299 shade: #D05299, #BF4086, #AE2E73, #9D1C60 and #8C0A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D05299 shade: #D05399, #D05378, #D05356 and #D05353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D05299 shade: #D05399, #D053BB, #C353D0, #A153D0 and #8053D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D05299 shade matches the following richer shades: #D05399, #E2419C and #F32F9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D05299 shade: #D05399, #BE6597, #AC7695, #9B8893 and #899A90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D05299 shade: #C353D0, #D053BB, #D0539A, #D05378 and #D05357

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D05299 shade: #A32D70, #C43686, #D05399, #D973AC and #E294C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D05299 shade: #D05299, #D0A253 and #53CCD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D05299 shade: #D05299, #9AD053 and #539AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D05299 shade: #D05299, #D0A253, #53D089 and #5381D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D05299 shade: #D05299, #D0C853, #53D089 and #535BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

Complementary color

CMYK 73 / 0 / 41 / 32

HEX #2FAD66

RGB 47 173 102

HSL 146.19, 0.57%, 0.43%

LAB 62.89, -50.19, 26.93

 

CMYK 0 / 62 / 31 / 16

HEX #D55294

RGB 213 82 148

HSL 329.77, 0.61%, 0.58%

LAB 54.36, 57.81, -9.46

 

CMYK 0 / 57 / 27 / 10

HEX #E664A7

RGB 230 100 167

HSL 329.08, 0.72%, 0.65%

LAB 60.54, 57.36, -11.01

 

CMYK 0 / 52 / 25 / 3

HEX #F776BA

RGB 247 118 186

HSL 328.37, 0.89%, 0.72%

LAB 66.73, 56.75, -12.3

 

CMYK 0 / 47 / 20 / 0

HEX #FF88CD

RGB 255 136 205

HSL 325.21, 1%, 0.77%

LAB 71.74, 53.24, -15.28

 

CMYK 0 / 40 / 12 / 0

HEX #FF9AE0

RGB 255 154 224

HSL 318.42, 1%, 0.8%

LAB 75.92, 47.13, -19.42

 

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

CMYK 0 / 66 / 30 / 25

HEX #BF4086

RGB 191 64 134

HSL 326.93, 0.5%, 0.5%

LAB 47.58, 57.15, -11.66

 

CMYK 0 / 74 / 34 / 32

HEX #AE2E73

RGB 174 46 115

HSL 327.66, 0.58%, 0.43%

LAB 41.52, 56.86, -9.44

 

CMYK 0 / 82 / 39 / 38

HEX #9D1C60

RGB 157 28 96

HSL 328.37, 0.7%, 0.36%

LAB 35.68, 55.77, -6.54

 

CMYK 0 / 93 / 45 / 45

HEX #8C0A4D

RGB 140 10 77

HSL 329.08, 0.87%, 0.29%

LAB 30.23, 53.4, -2.63

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 60 / 42 / 18

HEX #D05378

RGB 208 83 120

HSL 342.24, 0.57%, 0.57%

LAB 52.9, 52.65, 4.91

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 60 / 60 / 18

HEX #D05353

RGB 208 83 83

HSL 0, 0.57%, 0.57%

LAB 52.09, 49.46, 25.76

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 60 / 10 / 18

HEX #D053BB

RGB 208 83 187

HSL 310.08, 0.57%, 0.57%

LAB 55.26, 61.42, -30.9

 

CMYK 6 / 60 / 0 / 18

HEX #C353D0

RGB 195 83 208

HSL 293.76, 0.57%, 0.57%

LAB 54.39, 61.63, -44.44

 

CMYK 23 / 60 / 0 / 18

HEX #A153D0

RGB 161 83 208

HSL 277.44, 0.57%, 0.57%

LAB 49.88, 53.33, -51.89

 

CMYK 38 / 60 / 0 / 18

HEX #8053D0

RGB 128 83 208

HSL 261.6, 0.57%, 0.57%

LAB 46.08, 45.69, -58.2

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 71 / 31 / 11

HEX #E2419C

RGB 226 65 156

HSL 326.09, 0.74%, 0.57%

LAB 54.4, 68.92, -13.91

 

CMYK 0 / 81 / 35 / 5

HEX #F32F9E

RGB 243 47 158

HSL 326.02, 0.89%, 0.57%

LAB 55.64, 78.43, -12.92

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 47 / 21 / 25

HEX #BE6597

RGB 190 101 151

HSL 326.29, 0.41%, 0.57%

LAB 54.54, 41.86, -11.29

 

CMYK 0 / 31 / 13 / 33

HEX #AC7695

RGB 172 118 149

HSL 325.56, 0.25%, 0.57%

LAB 55.98, 26, -8.2

 

CMYK 0 / 12 / 5 / 39

HEX #9B8893

RGB 155 136 147

HSL 325.26, 0.09%, 0.57%

LAB 58.68, 9.16, -3.24

 

CMYK 11 / 0 / 6 / 40

HEX #899A90

RGB 137 154 144

HSL 144.71, 0.08%, 0.57%

LAB 62.03, -8.05, 3.19

 

CMYK 6 / 60 / 0 / 18

HEX #C353D0

RGB 195 83 208

HSL 293.76, 0.57%, 0.57%

LAB 54.39, 61.63, -44.44

 

CMYK 0 / 60 / 10 / 18

HEX #D053BB

RGB 208 83 187

HSL 310.08, 0.57%, 0.57%

LAB 55.26, 61.42, -30.9

 

CMYK 0 / 60 / 26 / 18

HEX #D0539A

RGB 208 83 154

HSL 325.92, 0.57%, 0.57%

LAB 53.95, 56.65, -13.69

 

CMYK 0 / 60 / 42 / 18

HEX #D05378

RGB 208 83 120

HSL 342.24, 0.57%, 0.57%

LAB 52.9, 52.65, 4.91

 

CMYK 0 / 60 / 58 / 18

HEX #D05357

RGB 208 83 87

HSL 358.08, 0.57%, 0.57%

LAB 52.16, 49.75, 23.5

 

CMYK 0 / 72 / 31 / 36

HEX #A32D70

RGB 163 45 112

HSL 325.93, 0.57%, 0.41%

LAB 39.3, 53.83, -11.12

 

CMYK 0 / 72 / 32 / 23

HEX #C43686

RGB 196 54 134

HSL 326.2, 0.57%, 0.49%

LAB 47.1, 62.24, -12.3

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 47 / 21 / 15

HEX #D973AC

RGB 217 115 172

HSL 326.47, 0.57%, 0.65%

LAB 61.65, 46.73, -12.4

 

CMYK 0 / 35 / 15 / 11

HEX #E294C0

RGB 226 148 192

HSL 326.15, 0.57%, 0.73%

LAB 70.28, 35.63, -10.61

 

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

CMYK 0 / 22 / 60 / 18

HEX #D0A253

RGB 208 162 83

HSL 37.92, 0.57%, 0.57%

LAB 69.38, 8.21, 46.88

 

CMYK 60 / 2 / 0 / 18

HEX #53CCD0

RGB 83 204 208

HSL 181.92, 0.57%, 0.57%

LAB 75.81, -32.15, -12.09

 

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

CMYK 26 / 0 / 60 / 18

HEX #9AD053

RGB 154 208 83

HSL 85.92, 0.57%, 0.57%

LAB 77.64, -37.09, 55.12

 

CMYK 60 / 26 / 0 / 18

HEX #539AD0

RGB 83 154 208

HSL 205.92, 0.57%, 0.57%

LAB 61.22, -6.19, -34.36

 

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

CMYK 0 / 22 / 60 / 18

HEX #D0A253

RGB 208 162 83

HSL 37.92, 0.57%, 0.57%

LAB 69.38, 8.21, 46.88

 

CMYK 60 / 0 / 34 / 18

HEX #53D089

RGB 83 208 137

HSL 145.92, 0.57%, 0.57%

LAB 75.3, -50.7, 25.19

 

CMYK 60 / 38 / 0 / 18

HEX #5381D0

RGB 83 129 208

HSL 217.92, 0.57%, 0.57%

LAB 54.13, 8.42, -45.52

 

CMYK 0 / 61 / 26 / 18

HEX #D05299

RGB 208 82 153

HSL 326.19, 0.57%, 0.57%

LAB 53.75, 56.96, -13.4

 

CMYK 0 / 4 / 60 / 18

HEX #D0C853

RGB 208 200 83

HSL 56.16, 0.57%, 0.57%

LAB 79.24, -11.71, 57.96

 

CMYK 60 / 0 / 34 / 18

HEX #53D089

RGB 83 208 137

HSL 145.92, 0.57%, 0.57%

LAB 75.3, -50.7, 25.19

 

CMYK 60 / 56 / 0 / 18

HEX #535BD0

RGB 83 91 208

HSL 236.16, 0.57%, 0.57%

LAB 44.05, 31.92, -61.66

 

Description

Color code: HEX #D05299 | qconv.com Color code: HEX #D05299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 82 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 82 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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