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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D05255 it is the complementary color #2FADAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D05255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D05255 shade: #D55250, #E66463, #F77676, #FF8889 and #FF9A9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D05255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D05255 shade: #D05255, #BF4042, #AE2E2F, #9D1C1C and #8C0A09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D05255 shade: #D05356 and #D05353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D05255 shade: #D05356, #D05378, #D05399, #D053BB and #C353D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D05255 shade matches the following richer shades: #D05356, #E24145 and #F32F34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D05255 shade: #D05356, #BE6567, #AC7678, #9B8889 and #899A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D05255 shade: #D0539A, #D05378, #D05357, #D07053 and #D09153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D05255 shade: #A32D30, #C43639, #D05356, #D97376 and #E29495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D05255 shade: #D05255, #BBD053 and #5389D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D05255 shade: #D05255, #57D053 and #5357D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D05255 shade: #D05255, #BBD053, #53D0CC and #6853D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D05255 shade: #D05255, #96D053, #53D0CC and #8D53D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

Complementary color

CMYK 73 / 0 / 2 / 32

HEX #2FADAA

RGB 47 173 170

HSL 178.57, 0.57%, 0.43%

LAB 64.48, -33.64, -8.26

 

CMYK 0 / 62 / 62 / 16

HEX #D55250

RGB 213 82 80

HSL 0.9, 0.61%, 0.57%

LAB 52.69, 51.43, 28.45

 

CMYK 0 / 57 / 57 / 10

HEX #E66463

RGB 230 100 99

HSL 0.46, 0.72%, 0.65%

LAB 58.82, 50.43, 25.93

 

CMYK 0 / 52 / 52 / 3

HEX #F77676

RGB 247 118 118

HSL 0, 0.89%, 0.72%

LAB 64.99, 49.36, 23.77

 

CMYK 0 / 47 / 46 / 0

HEX #FF8889

RGB 255 136 137

HSL 359.5, 1%, 0.77%

LAB 69.95, 45.08, 20.04

 

CMYK 0 / 40 / 39 / 0

HEX #FF9A9C

RGB 255 154 156

HSL 358.81, 1%, 0.8%

LAB 74.04, 37.91, 15.2

 

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

CMYK 0 / 66 / 65 / 25

HEX #BF4042

RGB 191 64 66

HSL 359.06, 0.5%, 0.5%

LAB 45.82, 50.88, 27.26

 

CMYK 0 / 74 / 73 / 32

HEX #AE2E2F

RGB 174 46 47

HSL 359.53, 0.58%, 0.43%

LAB 39.85, 51.36, 30.67

 

CMYK 0 / 82 / 82 / 38

HEX #9D1C1C

RGB 157 28 28

HSL 0, 0.7%, 0.36%

LAB 34.15, 51.17, 34.66

 

CMYK 0 / 93 / 94 / 45

HEX #8C0A09

RGB 140 10 9

HSL 0.46, 0.88%, 0.29%

LAB 28.93, 49.78, 38.41

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 60 / 60 / 18

HEX #D05353

RGB 208 83 83

HSL 0, 0.57%, 0.57%

LAB 52.09, 49.46, 25.76

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 60 / 42 / 18

HEX #D05378

RGB 208 83 120

HSL 342.24, 0.57%, 0.57%

LAB 52.9, 52.65, 4.91

 

CMYK 0 / 60 / 26 / 18

HEX #D05399

RGB 208 83 153

HSL 326.4, 0.57%, 0.57%

LAB 53.92, 56.52, -13.15

 

CMYK 0 / 60 / 10 / 18

HEX #D053BB

RGB 208 83 187

HSL 310.08, 0.57%, 0.57%

LAB 55.26, 61.42, -30.9

 

CMYK 6 / 60 / 0 / 18

HEX #C353D0

RGB 195 83 208

HSL 293.76, 0.57%, 0.57%

LAB 54.39, 61.63, -44.44

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 71 / 69 / 11

HEX #E24145

RGB 226 65 69

HSL 358.51, 0.74%, 0.57%

LAB 52.26, 61.84, 34.79

 

CMYK 0 / 81 / 79 / 5

HEX #F32F34

RGB 243 47 52

HSL 358.47, 0.89%, 0.57%

LAB 53.31, 71.5, 46.33

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 47 / 46 / 25

HEX #BE6567

RGB 190 101 103

HSL 358.65, 0.41%, 0.57%

LAB 53.2, 35.73, 15.03

 

CMYK 0 / 31 / 30 / 33

HEX #AC7678

RGB 172 118 120

HSL 357.78, 0.25%, 0.57%

LAB 55.16, 21.49, 7.49

 

CMYK 0 / 12 / 12 / 39

HEX #9B8889

RGB 155 136 137

HSL 356.84, 0.09%, 0.57%

LAB 58.4, 7.34, 2.09

 

CMYK 11 / 0 / 1 / 40

HEX #899A99

RGB 137 154 153

HSL 176.47, 0.08%, 0.57%

LAB 62.28, -6.22, -1.53

 

CMYK 0 / 60 / 26 / 18

HEX #D0539A

RGB 208 83 154

HSL 325.92, 0.57%, 0.57%

LAB 53.95, 56.65, -13.69

 

CMYK 0 / 60 / 42 / 18

HEX #D05378

RGB 208 83 120

HSL 342.24, 0.57%, 0.57%

LAB 52.9, 52.65, 4.91

 

CMYK 0 / 60 / 58 / 18

HEX #D05357

RGB 208 83 87

HSL 358.08, 0.57%, 0.57%

LAB 52.16, 49.75, 23.5

 

CMYK 0 / 46 / 60 / 18

HEX #D07053

RGB 208 112 83

HSL 13.92, 0.57%, 0.57%

LAB 57.68, 35.15, 32.85

 

CMYK 0 / 30 / 60 / 18

HEX #D09153

RGB 208 145 83

HSL 29.76, 0.57%, 0.57%

LAB 65.19, 17.42, 41.97

 

CMYK 0 / 72 / 71 / 36

HEX #A32D30

RGB 163 45 48

HSL 358.47, 0.57%, 0.41%

LAB 37.62, 48.23, 26.92

 

CMYK 0 / 72 / 71 / 23

HEX #C43639

RGB 196 54 57

HSL 358.73, 0.57%, 0.49%

LAB 45.18, 55.9, 32.03

 

CMYK 0 / 60 / 59 / 18

HEX #D05356

RGB 208 83 86

HSL 358.56, 0.57%, 0.57%

LAB 52.14, 49.67, 24.07

 

CMYK 0 / 47 / 46 / 15

HEX #D97376

RGB 217 115 118

HSL 358.24, 0.57%, 0.65%

LAB 60.18, 40.04, 16.52

 

CMYK 0 / 35 / 34 / 11

HEX #E29495

RGB 226 148 149

HSL 359.23, 0.57%, 0.73%

LAB 69.13, 29.53, 11.66

 

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

CMYK 10 / 0 / 60 / 18

HEX #BBD053

RGB 187 208 83

HSL 70.08, 0.57%, 0.57%

LAB 79.78, -24.29, 58.09

 

CMYK 60 / 34 / 0 / 18

HEX #5389D0

RGB 83 137 208

HSL 214.08, 0.57%, 0.57%

LAB 56.37, 3.64, -41.97

 

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

CMYK 58 / 0 / 60 / 18

HEX #57D053

RGB 87 208 83

HSL 118.08, 0.57%, 0.57%

LAB 74.67, -57.96, 50.96

 

CMYK 60 / 58 / 0 / 18

HEX #5357D0

RGB 83 87 208

HSL 238.08, 0.57%, 0.57%

LAB 43.08, 34.39, -63.25

 

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

CMYK 10 / 0 / 60 / 18

HEX #BBD053

RGB 187 208 83

HSL 70.08, 0.57%, 0.57%

LAB 79.78, -24.29, 58.09

 

CMYK 60 / 0 / 2 / 18

HEX #53D0CC

RGB 83 208 204

HSL 178.08, 0.57%, 0.57%

LAB 76.87, -35.13, -8.36

 

CMYK 50 / 60 / 0 / 18

HEX #6853D0

RGB 104 83 208

HSL 250.08, 0.57%, 0.57%

LAB 43.78, 40.67, -62.04

 

CMYK 0 / 61 / 59 / 18

HEX #D05255

RGB 208 82 85

HSL 358.57, 0.57%, 0.57%

LAB 51.95, 50.06, 24.41

 

CMYK 28 / 0 / 60 / 18

HEX #96D053

RGB 150 208 83

HSL 87.84, 0.57%, 0.57%

LAB 77.41, -38.56, 54.8

 

CMYK 60 / 0 / 2 / 18

HEX #53D0CC

RGB 83 208 204

HSL 178.08, 0.57%, 0.57%

LAB 76.87, -35.13, -8.36

 

CMYK 32 / 60 / 0 / 18

HEX #8D53D0

RGB 141 83 208

HSL 267.84, 0.57%, 0.57%

LAB 47.5, 48.62, -55.84

 

Description

Color code: HEX #D05255 | qconv.com Color code: HEX #D05255 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 82 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 82 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 59 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 59% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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