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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D050F4 it is the complementary color #2FAF0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D050F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D050F4 shade: #D550EF, #E662FF, #F774FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D050F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D050F4 shade: #D050F4, #BF3EE1, #AE2CCE, #9D1ABB and #8C08A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D050F4 shade: #D152F4, #F452EC, #F452C0, #F45295 and #F45269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D050F4 shade: #D152F4, #A552F4, #7952F4 and #5252F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D050F4 shade matches the following richer shades: #D152F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D050F4 shade: #D152F4, #C861E5, #C070D6, #B87FC7 and #AF8EB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D050F4 shade: #7852F4, #A352F4, #CE52F4, #F452EF and #F452C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D050F4 shade: #B60FE5, #C62CF2, #D152F4, #DB79F6 and #E5A0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D050F4 shade: #D050F4, #F45258 and #52F48E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D050F4 shade: #D050F4, #F4CE52 and #52F4CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D050F4 shade: #D050F4, #F45258, #78F452 and #52F4EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D050F4 shade: #D050F4, #F47E52, #78F452 and #52C9F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

Complementary color

CMYK 73 / 0 / 94 / 31

HEX #2FAF0B

RGB 47 175 11

HSL 106.83, 0.88%, 0.36%

LAB 62.75, -60.17, 61.92

 

CMYK 11 / 67 / 0 / 6

HEX #D550EF

RGB 213 80 239

HSL 290.19, 0.83%, 0.63%

LAB 58.15, 72.65, -55.8

 

CMYK 10 / 62 / 0 / 0

HEX #E662FF

RGB 230 98 255

HSL 290.45, 1%, 0.69%

LAB 63.98, 72.04, -55.22

 

CMYK 3 / 55 / 0 / 0

HEX #F774FF

RGB 247 116 255

HSL 296.55, 1%, 0.73%

LAB 69.1, 68.33, -46.98

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

CMYK 15 / 72 / 0 / 12

HEX #BF3EE1

RGB 191 62 225

HSL 287.48, 0.73%, 0.56%

LAB 51.79, 72.22, -58.28

 

CMYK 16 / 79 / 0 / 19

HEX #AE2CCE

RGB 174 44 206

HSL 288.15, 0.65%, 0.49%

LAB 45.98, 71.35, -56.9

 

CMYK 16 / 86 / 0 / 27

HEX #9D1ABB

RGB 157 26 187

HSL 288.82, 0.76%, 0.42%

LAB 40.4, 69.56, -54.98

 

CMYK 17 / 95 / 0 / 34

HEX #8C08A8

RGB 140 8 168

HSL 289.5, 0.91%, 0.35%

LAB 35.16, 66.47, -52.31

 

CMYK 14 / 66 / 0 / 4

HEX #D152F4

RGB 209 82 244

HSL 287.04, 0.88%, 0.64%

LAB 58.15, 71.92, -58.61

 

CMYK 0 / 66 / 3 / 4

HEX #F452EC

RGB 244 82 236

HSL 302.96, 0.88%, 0.64%

LAB 62.78, 78.26, -46.49

 

CMYK 0 / 66 / 21 / 4

HEX #F452C0

RGB 244 82 192

HSL 319.26, 0.88%, 0.64%

LAB 60.85, 71.96, -24.69

 

CMYK 0 / 66 / 39 / 4

HEX #F45295

RGB 244 82 149

HSL 335.19, 0.88%, 0.64%

LAB 59.38, 66.95, -2.06

 

CMYK 0 / 66 / 57 / 4

HEX #F45269

RGB 244 82 105

HSL 351.48, 0.88%, 0.64%

LAB 58.31, 63.17, 22.19

 

CMYK 14 / 66 / 0 / 4

HEX #D152F4

RGB 209 82 244

HSL 287.04, 0.88%, 0.64%

LAB 58.15, 71.92, -58.61

 

CMYK 32 / 66 / 0 / 4

HEX #A552F4

RGB 165 82 244

HSL 270.74, 0.88%, 0.64%

LAB 52.47, 62.78, -68.05

 

CMYK 50 / 66 / 0 / 4

HEX #7952F4

RGB 121 82 244

HSL 254.44, 0.88%, 0.64%

LAB 47.79, 54.66, -75.86

 

CMYK 66 / 66 / 0 / 4

HEX #5252F4

RGB 82 82 244

HSL 240, 0.88%, 0.64%

LAB 44.74, 48.96, -80.97

 

CMYK 14 / 66 / 0 / 4

HEX #D152F4

RGB 209 82 244

HSL 287.04, 0.88%, 0.64%

LAB 58.15, 71.92, -58.61

 

CMYK 14 / 66 / 0 / 4

HEX #D152F4

RGB 209 82 244

HSL 287.04, 0.88%, 0.64%

LAB 58.15, 71.92, -58.61

 

CMYK 13 / 58 / 0 / 10

HEX #C861E5

RGB 200 97 229

HSL 286.82, 0.72%, 0.64%

LAB 58.5, 60.45, -49.76

 

CMYK 10 / 48 / 0 / 16

HEX #C070D6

RGB 192 112 214

HSL 287.06, 0.55%, 0.64%

LAB 59.57, 47.92, -39.7

 

CMYK 8 / 36 / 0 / 22

HEX #B87FC7

RGB 184 127 199

HSL 287.5, 0.39%, 0.64%

LAB 61.21, 34.44, -28.76

 

CMYK 5 / 23 / 0 / 27

HEX #AF8EB9

RGB 175 142 185

HSL 286.05, 0.23%, 0.64%

LAB 63.31, 20.27, -17.73

 

CMYK 51 / 66 / 0 / 4

HEX #7852F4

RGB 120 82 244

HSL 254.07, 0.88%, 0.64%

LAB 47.7, 54.49, -76.01

 

CMYK 33 / 66 / 0 / 4

HEX #A352F4

RGB 163 82 244

HSL 270, 0.88%, 0.64%

LAB 52.23, 62.39, -68.44

 

CMYK 16 / 66 / 0 / 4

HEX #CE52F4

RGB 206 82 244

HSL 285.93, 0.88%, 0.64%

LAB 57.74, 71.28, -59.29

 

CMYK 0 / 66 / 2 / 4

HEX #F452EF

RGB 244 82 239

HSL 301.85, 0.88%, 0.64%

LAB 62.93, 78.73, -47.93

 

CMYK 0 / 66 / 20 / 4

HEX #F452C4

RGB 244 82 196

HSL 317.78, 0.88%, 0.64%

LAB 61, 72.49, -26.73

 

CMYK 21 / 93 / 0 / 10

HEX #B60FE5

RGB 182 15 229

HSL 286.82, 0.88%, 0.48%

LAB 46.9, 82.43, -68.52

 

CMYK 18 / 82 / 0 / 5

HEX #C62CF2

RGB 198 44 242

HSL 286.67, 0.88%, 0.56%

LAB 52.08, 81.91, -67.34

 

CMYK 14 / 66 / 0 / 4

HEX #D152F4

RGB 209 82 244

HSL 287.04, 0.88%, 0.64%

LAB 58.15, 71.92, -58.61

 

CMYK 11 / 51 / 0 / 4

HEX #DB79F6

RGB 219 121 246

HSL 287.04, 0.87%, 0.72%

LAB 66.05, 57.06, -47.09

 

CMYK 8 / 36 / 0 / 2

HEX #E5A0F9

RGB 229 160 249

HSL 286.52, 0.88%, 0.8%

LAB 75.23, 40.37, -34.32

 

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

CMYK 0 / 66 / 64 / 4

HEX #F45258

RGB 244 82 88

HSL 357.78, 0.88%, 0.64%

LAB 58.01, 62.09, 31.64

 

CMYK 66 / 0 / 42 / 4

HEX #52F48E

RGB 82 244 142

HSL 142.22, 0.88%, 0.64%

LAB 86.23, -63.74, 37.13

 

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

CMYK 0 / 16 / 66 / 4

HEX #F4CE52

RGB 244 206 82

HSL 45.93, 0.88%, 0.64%

LAB 83.96, 0.2, 64.39

 

CMYK 66 / 0 / 16 / 4

HEX #52F4CE

RGB 82 244 206

HSL 165.93, 0.88%, 0.64%

LAB 87.46, -50.65, 6.09

 

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

CMYK 0 / 66 / 64 / 4

HEX #F45258

RGB 244 82 88

HSL 357.78, 0.88%, 0.64%

LAB 58.01, 62.09, 31.64

 

CMYK 51 / 0 / 66 / 4

HEX #78F452

RGB 120 244 82

HSL 105.93, 0.88%, 0.64%

LAB 86.65, -62.79, 64.9

 

CMYK 66 / 0 / 2 / 4

HEX #52F4EF

RGB 82 244 239

HSL 178.15, 0.88%, 0.64%

LAB 88.32, -42.26, -9.9

 

CMYK 15 / 67 / 0 / 4

HEX #D050F4

RGB 208 80 244

HSL 286.83, 0.88%, 0.64%

LAB 57.73, 72.5, -59.29

 

CMYK 0 / 48 / 66 / 4

HEX #F47E52

RGB 244 126 82

HSL 16.3, 0.88%, 0.64%

LAB 65.56, 41.82, 44.07

 

CMYK 51 / 0 / 66 / 4

HEX #78F452

RGB 120 244 82

HSL 105.93, 0.88%, 0.64%

LAB 86.65, -62.79, 64.9

 

CMYK 66 / 18 / 0 / 4

HEX #52C9F4

RGB 82 201 244

HSL 195.93, 0.88%, 0.64%

LAB 76.13, -20.26, -30.99

 

Description

Color code: HEX #D050F4 | qconv.com Color code: HEX #D050F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 80 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 80 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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