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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D04FA2 it is the complementary color #2FB05D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D04FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D04FA2 shade: #D54F9D, #E661B0, #F773C3, #FF85D6 and #FF97E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D04FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D04FA2 shade: #D04FA2, #BF3D8F, #AE2B7C, #9D1969 and #8C0756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D04FA2 shade: #D04EA1, #D04E7E, #D04E5B and #D04E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D04FA2 shade: #D04EA1, #D04EC5, #B84ED0, #954ED0 and #724ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D04FA2 shade matches the following richer shades: #D04EA1, #E23CA7 and #F429AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D04FA2 shade: #D04EA1, #BE609C, #AC7297, #998492 and #87968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D04FA2 shade: #B84ED0, #D04EC5, #D04EA2, #D04E80 and #D04E5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D04FA2 shade: #A02B76, #C1338E, #D04EA1, #D96EB3 and #E18FC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D04FA2 shade: #D04FA2, #D0954E and #4ED0C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D04FA2 shade: #D04FA2, #A2D04E and #4EA2D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D04FA2 shade: #D04FA2, #D0954E, #4ED07B and #4E88D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D04FA2 shade: #D04FA2, #D0BC4E, #4ED07B and #4E61D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

Complementary color

CMYK 73 / 0 / 47 / 31

HEX #2FB05D

RGB 47 176 93

HSL 141.4, 0.58%, 0.44%

LAB 63.71, -52.91, 32.7

 

CMYK 0 / 63 / 26 / 16

HEX #D54F9D

RGB 213 79 157

HSL 325.07, 0.61%, 0.57%

LAB 54.21, 60.21, -14.99

 

CMYK 0 / 58 / 23 / 10

HEX #E661B0

RGB 230 97 176

HSL 324.36, 0.73%, 0.64%

LAB 60.34, 59.89, -16.48

 

CMYK 0 / 53 / 21 / 3

HEX #F773C3

RGB 247 115 195

HSL 323.64, 0.89%, 0.71%

LAB 66.5, 59.37, -17.72

 

CMYK 0 / 48 / 16 / 0

HEX #FF85D6

RGB 255 133 214

HSL 320.16, 1%, 0.76%

LAB 71.48, 56.01, -20.66

 

CMYK 0 / 41 / 9 / 0

HEX #FF97E9

RGB 255 151 233

HSL 312.69, 1%, 0.8%

LAB 75.62, 50.09, -24.78

 

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

CMYK 0 / 68 / 25 / 25

HEX #BF3D8F

RGB 191 61 143

HSL 322.15, 0.52%, 0.49%

LAB 47.49, 59.47, -17.21

 

CMYK 0 / 75 / 29 / 32

HEX #AE2B7C

RGB 174 43 124

HSL 322.9, 0.6%, 0.43%

LAB 41.5, 58.94, -15.04

 

CMYK 0 / 84 / 33 / 38

HEX #9D1969

RGB 157 25 105

HSL 323.64, 0.73%, 0.36%

LAB 35.76, 57.52, -12.17

 

CMYK 0 / 95 / 39 / 45

HEX #8C0756

RGB 140 7 86

HSL 324.36, 0.9%, 0.29%

LAB 30.4, 54.76, -8.32

 

CMYK 0 / 63 / 23 / 18

HEX #D04EA1

RGB 208 78 161

HSL 321.69, 0.58%, 0.56%

LAB 53.42, 59.74, -18.61

 

CMYK 0 / 63 / 39 / 18

HEX #D04E7E

RGB 208 78 126

HSL 337.85, 0.58%, 0.56%

LAB 52.25, 55.48, 0.39

 

CMYK 0 / 63 / 56 / 18

HEX #D04E5B

RGB 208 78 91

HSL 354, 0.58%, 0.56%

LAB 51.4, 52.27, 20.13

 

CMYK 0 / 63 / 63 / 18

HEX #D04E4E

RGB 208 78 78

HSL 0, 0.58%, 0.56%

LAB 51.16, 51.36, 27.51

 

CMYK 0 / 63 / 23 / 18

HEX #D04EA1

RGB 208 78 161

HSL 321.69, 0.58%, 0.56%

LAB 53.42, 59.74, -18.61

 

CMYK 0 / 63 / 5 / 18

HEX #D04EC5

RGB 208 78 197

HSL 305.08, 0.58%, 0.56%

LAB 54.96, 65.1, -37.13

 

CMYK 12 / 63 / 0 / 18

HEX #B84ED0

RGB 184 78 208

HSL 288.92, 0.58%, 0.56%

LAB 52.05, 61.17, -48.24

 

CMYK 28 / 63 / 0 / 18

HEX #954ED0

RGB 149 78 208

HSL 272.77, 0.58%, 0.56%

LAB 47.49, 53.02, -55.81

 

CMYK 45 / 63 / 0 / 18

HEX #724ED0

RGB 114 78 208

HSL 256.62, 0.58%, 0.56%

LAB 43.62, 45.5, -62.24

 

CMYK 0 / 63 / 23 / 18

HEX #D04EA1

RGB 208 78 161

HSL 321.69, 0.58%, 0.56%

LAB 53.42, 59.74, -18.61

 

CMYK 0 / 73 / 26 / 11

HEX #E23CA7

RGB 226 60 167

HSL 321.33, 0.74%, 0.56%

LAB 54.23, 71.84, -20.63

 

CMYK 0 / 83 / 30 / 4

HEX #F429AC

RGB 244 41 172

HSL 321.28, 0.9%, 0.56%

LAB 55.88, 81.43, -20.75

 

CMYK 0 / 63 / 23 / 18

HEX #D04EA1

RGB 208 78 161

HSL 321.69, 0.58%, 0.56%

LAB 53.42, 59.74, -18.61

 

CMYK 0 / 49 / 18 / 25

HEX #BE609C

RGB 190 96 156

HSL 321.7, 0.42%, 0.56%

LAB 53.72, 45.19, -15.46

 

CMYK 0 / 34 / 12 / 33

HEX #AC7297

RGB 172 114 151

HSL 321.72, 0.26%, 0.56%

LAB 55.11, 28.59, -10.66

 

CMYK 0 / 14 / 5 / 40

HEX #998492

RGB 153 132 146

HSL 320, 0.09%, 0.56%

LAB 57.42, 10.51, -4.55

 

CMYK 10 / 0 / 6 / 41

HEX #87968D

RGB 135 150 141

HSL 144, 0.07%, 0.56%

LAB 60.68, -7.18, 2.91

 

CMYK 12 / 63 / 0 / 18

HEX #B84ED0

RGB 184 78 208

HSL 288.92, 0.58%, 0.56%

LAB 52.05, 61.17, -48.24

 

CMYK 0 / 63 / 5 / 18

HEX #D04EC5

RGB 208 78 197

HSL 305.08, 0.58%, 0.56%

LAB 54.96, 65.1, -37.13

 

CMYK 0 / 63 / 22 / 18

HEX #D04EA2

RGB 208 78 162

HSL 321.23, 0.58%, 0.56%

LAB 53.46, 59.88, -19.14

 

CMYK 0 / 63 / 38 / 18

HEX #D04E80

RGB 208 78 128

HSL 336.92, 0.58%, 0.56%

LAB 52.31, 55.69, -0.72

 

CMYK 0 / 63 / 55 / 18

HEX #D04E5D

RGB 208 78 93

HSL 353.08, 0.58%, 0.56%

LAB 51.44, 52.43, 18.99

 

CMYK 0 / 73 / 26 / 37

HEX #A02B76

RGB 160 43 118

HSL 321.54, 0.58%, 0.4%

LAB 38.74, 54.49, -15.76

 

CMYK 0 / 74 / 26 / 24

HEX #C1338E

RGB 193 51 142

HSL 321.55, 0.58%, 0.48%

LAB 46.52, 63.43, -18.06

 

CMYK 0 / 63 / 23 / 18

HEX #D04EA1

RGB 208 78 161

HSL 321.69, 0.58%, 0.56%

LAB 53.42, 59.74, -18.61

 

CMYK 0 / 49 / 18 / 15

HEX #D96EB3

RGB 217 110 179

HSL 321.31, 0.58%, 0.64%

LAB 60.92, 50.27, -17.5

 

CMYK 0 / 36 / 13 / 12

HEX #E18FC4

RGB 225 143 196

HSL 321.22, 0.58%, 0.72%

LAB 69.21, 38.58, -14.46

 

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

CMYK 0 / 28 / 63 / 18

HEX #D0954E

RGB 208 149 78

HSL 32.77, 0.58%, 0.56%

LAB 66.1, 14.89, 45.55

 

CMYK 63 / 0 / 3 / 18

HEX #4ED0C9

RGB 78 208 201

HSL 176.77, 0.58%, 0.56%

LAB 76.65, -36.78, -7.08

 

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

CMYK 22 / 0 / 63 / 18

HEX #A2D04E

RGB 162 208 78

HSL 81.23, 0.58%, 0.56%

LAB 78.08, -34.5, 57.87

 

CMYK 63 / 22 / 0 / 18

HEX #4EA2D0

RGB 78 162 208

HSL 201.23, 0.58%, 0.56%

LAB 63.35, -11.56, -31.07

 

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

CMYK 0 / 28 / 63 / 18

HEX #D0954E

RGB 208 149 78

HSL 32.77, 0.58%, 0.56%

LAB 66.1, 14.89, 45.55

 

CMYK 63 / 0 / 41 / 18

HEX #4ED07B

RGB 78 208 123

HSL 140.77, 0.58%, 0.56%

LAB 74.93, -54.27, 31.91

 

CMYK 63 / 35 / 0 / 18

HEX #4E88D0

RGB 78 136 208

HSL 213.23, 0.58%, 0.56%

LAB 55.87, 3.29, -42.78

 

CMYK 0 / 62 / 22 / 18

HEX #D04FA2

RGB 208 79 162

HSL 321.4, 0.58%, 0.56%

LAB 53.61, 59.46, -18.9

 

CMYK 0 / 10 / 63 / 18

HEX #D0BC4E

RGB 208 188 78

HSL 50.77, 0.58%, 0.56%

LAB 76.02, -5.89, 56.64

 

CMYK 63 / 0 / 41 / 18

HEX #4ED07B

RGB 78 208 123

HSL 140.77, 0.58%, 0.56%

LAB 74.93, -54.27, 31.91

 

CMYK 63 / 53 / 0 / 18

HEX #4E61D0

RGB 78 97 208

HSL 231.23, 0.58%, 0.56%

LAB 45.25, 27.31, -59.74

 

Description

Color code: HEX #D04FA2 | qconv.com Color code: HEX #D04FA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 79 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 79 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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