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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D04591 it is the complementary color #2FBA6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D04591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D04591 shade: #D5458C, #E6579F, #F769B2, #FF7BC5 and #FF8DD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D04591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D04591 shade: #D04591, #BF337E, #AE216B, #9D0F58 and #8C0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D04591 shade: #D04390, #D0436A, #D04344 and #D04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D04591 shade: #D04390, #D043B6, #C443D0, #9E43D0 and #7843D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D04591 shade matches the following richer shades: #D04390, #E33092 and #F61D94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D04591 shade: #D04390, #BD568F, #AA698D, #977C8B and #848F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D04591 shade: #C443D0, #D043B6, #D04391, #D0436B and #D04346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D04591 shade: #9A2766, #BB2F7C, #D04390, #D864A4 and #E185B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D04591 shade: #D04591, #D09F43 and #43C9D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D04591 shade: #D04591, #91D043 and #4391D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D04591 shade: #D04591, #D09F43, #43D083 and #4375D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D04591 shade: #D04591, #D0C943, #43D083 and #434AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

Complementary color

CMYK 75 / 0 / 41 / 27

HEX #2FBA6E

RGB 47 186 110

HSL 147.19, 0.6%, 0.46%

LAB 67.16, -53.59, 28.33

 

CMYK 0 / 68 / 34 / 16

HEX #D5458C

RGB 213 69 140

HSL 330.42, 0.63%, 0.55%

LAB 52.17, 62.15, -7.99

 

CMYK 0 / 62 / 31 / 10

HEX #E6579F

RGB 230 87 159

HSL 329.79, 0.74%, 0.62%

LAB 58.17, 62.03, -9.92

 

CMYK 0 / 57 / 28 / 3

HEX #F769B2

RGB 247 105 178

HSL 329.15, 0.9%, 0.69%

LAB 64.24, 61.64, -11.51

 

CMYK 0 / 52 / 23 / 0

HEX #FF7BC5

RGB 255 123 197

HSL 326.36, 1%, 0.74%

LAB 69.08, 58.34, -14.84

 

CMYK 0 / 45 / 15 / 0

HEX #FF8DD8

RGB 255 141 216

HSL 320.53, 1%, 0.78%

LAB 73.07, 52.41, -19.36

 

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

CMYK 0 / 73 / 34 / 25

HEX #BF337E

RGB 191 51 126

HSL 327.86, 0.58%, 0.47%

LAB 45.57, 61.01, -9.83

 

CMYK 0 / 81 / 39 / 32

HEX #AE216B

RGB 174 33 107

HSL 328.51, 0.68%, 0.41%

LAB 39.83, 59.96, -6.98

 

CMYK 0 / 90 / 44 / 38

HEX #9D0F58

RGB 157 15 88

HSL 329.15, 0.83%, 0.34%

LAB 34.43, 57.79, -3.25

 

CMYK 0 / 100 / 51 / 45

HEX #8C0045

RGB 140 0 69

HSL 330.43, 1%, 0.27%

LAB 29.43, 54.26, 1.53

 

CMYK 0 / 68 / 31 / 18

HEX #D04390

RGB 208 67 144

HSL 327.23, 0.6%, 0.54%

LAB 51.2, 61.98, -11.92

 

CMYK 0 / 68 / 49 / 18

HEX #D0436A

RGB 208 67 106

HSL 343.4, 0.6%, 0.54%

LAB 50.06, 58.05, 9.27

 

CMYK 0 / 68 / 67 / 18

HEX #D04344

RGB 208 67 68

HSL 359.57, 0.6%, 0.54%

LAB 49.3, 55.37, 31.04

 

CMYK 0 / 68 / 68 / 18

HEX #D04343

RGB 208 67 67

HSL 0, 0.6%, 0.54%

LAB 49.29, 55.32, 31.61

 

CMYK 0 / 68 / 31 / 18

HEX #D04390

RGB 208 67 144

HSL 327.23, 0.6%, 0.54%

LAB 51.2, 61.98, -11.92

 

CMYK 0 / 68 / 13 / 18

HEX #D043B6

RGB 208 67 182

HSL 311.06, 0.6%, 0.54%

LAB 52.73, 67.05, -31.95

 

CMYK 6 / 68 / 0 / 18

HEX #C443D0

RGB 196 67 208

HSL 294.89, 0.6%, 0.54%

LAB 52.18, 68.41, -47.94

 

CMYK 24 / 68 / 0 / 18

HEX #9E43D0

RGB 158 67 208

HSL 278.72, 0.6%, 0.54%

LAB 46.76, 60.15, -56.92

 

CMYK 42 / 68 / 0 / 18

HEX #7843D0

RGB 120 67 208

HSL 262.55, 0.6%, 0.54%

LAB 42.09, 52.52, -64.7

 

CMYK 0 / 68 / 31 / 18

HEX #D04390

RGB 208 67 144

HSL 327.23, 0.6%, 0.54%

LAB 51.2, 61.98, -11.92

 

CMYK 0 / 79 / 36 / 11

HEX #E33092

RGB 227 48 146

HSL 327.15, 0.76%, 0.54%

LAB 52.42, 73.18, -10.94

 

CMYK 0 / 88 / 40 / 4

HEX #F61D94

RGB 246 29 148

HSL 327.1, 0.92%, 0.54%

LAB 54.67, 81.57, -8.41

 

CMYK 0 / 68 / 31 / 18

HEX #D04390

RGB 208 67 144

HSL 327.23, 0.6%, 0.54%

LAB 51.2, 61.98, -11.92

 

CMYK 0 / 54 / 24 / 26

HEX #BD568F

RGB 189 86 143

HSL 326.8, 0.44%, 0.54%

LAB 51.22, 47.92, -11.59

 

CMYK 0 / 38 / 17 / 33

HEX #AA698D

RGB 170 105 141

HSL 326.77, 0.28%, 0.54%

LAB 52.48, 31.22, -8.78

 

CMYK 0 / 18 / 8 / 41

HEX #977C8B

RGB 151 124 139

HSL 326.67, 0.11%, 0.54%

LAB 54.93, 13.05, -4.2

 

CMYK 8 / 0 / 4 / 44

HEX #848F89

RGB 132 143 137

HSL 147.27, 0.05%, 0.54%

LAB 58.37, -5.19, 1.81

 

CMYK 6 / 68 / 0 / 18

HEX #C443D0

RGB 196 67 208

HSL 294.89, 0.6%, 0.54%

LAB 52.18, 68.41, -47.94

 

CMYK 0 / 68 / 13 / 18

HEX #D043B6

RGB 208 67 182

HSL 311.06, 0.6%, 0.54%

LAB 52.73, 67.05, -31.95

 

CMYK 0 / 68 / 30 / 18

HEX #D04391

RGB 208 67 145

HSL 326.81, 0.6%, 0.54%

LAB 51.23, 62.1, -12.47

 

CMYK 0 / 68 / 49 / 18

HEX #D0436B

RGB 208 67 107

HSL 342.98, 0.6%, 0.54%

LAB 50.08, 58.13, 8.7

 

CMYK 0 / 68 / 66 / 18

HEX #D04346

RGB 208 67 70

HSL 358.72, 0.6%, 0.54%

LAB 49.33, 55.48, 29.91

 

CMYK 0 / 75 / 34 / 40

HEX #9A2766

RGB 154 39 102

HSL 327.13, 0.6%, 0.38%

LAB 36.52, 52.27, -9.17

 

CMYK 0 / 75 / 34 / 27

HEX #BB2F7C

RGB 187 47 124

HSL 327, 0.6%, 0.46%

LAB 44.31, 61.04, -10.57

 

CMYK 0 / 68 / 31 / 18

HEX #D04390

RGB 208 67 144

HSL 327.23, 0.6%, 0.54%

LAB 51.2, 61.98, -11.92

 

CMYK 0 / 54 / 24 / 15

HEX #D864A4

RGB 216 100 164

HSL 326.9, 0.6%, 0.62%

LAB 58.41, 52.64, -12.68

 

CMYK 0 / 41 / 19 / 12

HEX #E185B7

RGB 225 133 183

HSL 327.39, 0.61%, 0.7%

LAB 66.67, 41.78, -10.99

 

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

CMYK 0 / 24 / 68 / 18

HEX #D09F43

RGB 208 159 67

HSL 39.15, 0.6%, 0.54%

LAB 68.47, 8.8, 53.39

 

CMYK 68 / 3 / 0 / 18

HEX #43C9D0

RGB 67 201 208

HSL 182.98, 0.6%, 0.54%

LAB 74.52, -33.21, -14.06

 

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

CMYK 30 / 0 / 68 / 18

HEX #91D043

RGB 145 208 67

HSL 86.81, 0.6%, 0.54%

LAB 77, -41.65, 60.87

 

CMYK 68 / 30 / 0 / 18

HEX #4391D0

RGB 67 145 208

HSL 206.81, 0.6%, 0.54%

LAB 58.04, -3.86, -39.39

 

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

CMYK 0 / 24 / 68 / 18

HEX #D09F43

RGB 208 159 67

HSL 39.15, 0.6%, 0.54%

LAB 68.47, 8.8, 53.39

 

CMYK 68 / 0 / 37 / 18

HEX #43D083

RGB 67 208 131

HSL 147.23, 0.6%, 0.54%

LAB 74.79, -54.85, 27.56

 

CMYK 68 / 44 / 0 / 18

HEX #4375D0

RGB 67 117 208

HSL 218.72, 0.6%, 0.54%

LAB 50.06, 12.95, -52.03

 

CMYK 0 / 67 / 30 / 18

HEX #D04591

RGB 208 69 145

HSL 327.19, 0.6%, 0.54%

LAB 51.51, 61.33, -12.05

 

CMYK 0 / 3 / 68 / 18

HEX #D0C943

RGB 208 201 67

HSL 57.02, 0.6%, 0.54%

LAB 79.38, -13.19, 64.68

 

CMYK 68 / 0 / 37 / 18

HEX #43D083

RGB 67 208 131

HSL 147.23, 0.6%, 0.54%

LAB 74.79, -54.85, 27.56

 

CMYK 68 / 64 / 0 / 18

HEX #434AD0

RGB 67 74 208

HSL 237.02, 0.6%, 0.54%

LAB 38.98, 39.96, -69.98

 

Description

Color code: HEX #D04591 | qconv.com Color code: HEX #D04591 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 69 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 69 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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