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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D042E5 it is the complementary color #2FBD1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D042E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D042E5 shade: #D542E0, #E654F3, #F766FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D042E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D042E5 shade: #D042E5, #BF30D2, #AE1EBF, #9D0CAC and #8C0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D042E5 shade: #D043E5, #E543CE, #E543A2, #E54377 and #E5434B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D042E5 shade: #D043E5, #A443E5, #7943E5, #4D43E5 and #4343E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D042E5 shade matches the following richer shades: #D043E5 and #DD31F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D042E5 shade: #D043E5, #C354D4, #B765C3, #AA76B1 and #9D88A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D042E5 shade: #7943E5, #A443E5, #D043E5, #E543D0 and #E543A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D042E5 shade: #A71ABC, #C71FE0, #D043E5, #D967EA and #E28BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D042E5 shade: #D042E5, #E54D43 and #43E58E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D042E5 shade: #D042E5, #E5D043 and #43E5D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D042E5 shade: #D042E5, #E54D43, #58E543 and #43DAE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D042E5 shade: #D042E5, #E57E43, #58E543 and #43AAE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

Complementary color

CMYK 75 / 0 / 86 / 26

HEX #2FBD1A

RGB 47 189 26

HSL 112.27, 0.76%, 0.42%

LAB 67.33, -64.01, 63.17

 

CMYK 5 / 71 / 0 / 12

HEX #D542E0

RGB 213 66 224

HSL 295.82, 0.72%, 0.57%

LAB 55.51, 75.15, -51.59

 

CMYK 5 / 65 / 0 / 5

HEX #E654F3

RGB 230 84 243

HSL 295.09, 0.87%, 0.64%

LAB 61.34, 75.54, -52.8

 

CMYK 3 / 60 / 0 / 0

HEX #F766FF

RGB 247 102 255

HSL 296.86, 1%, 0.7%

LAB 66.9, 74.34, -50.46

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

CMYK 9 / 77 / 0 / 18

HEX #BF30D2

RGB 191 48 210

HSL 292.96, 0.64%, 0.51%

LAB 49.31, 74.06, -53.72

 

CMYK 9 / 84 / 0 / 25

HEX #AE1EBF

RGB 174 30 191

HSL 293.66, 0.73%, 0.43%

LAB 43.78, 72.31, -51.73

 

CMYK 9 / 93 / 0 / 33

HEX #9D0CAC

RGB 157 12 172

HSL 294.38, 0.87%, 0.36%

LAB 38.57, 69.36, -49.05

 

CMYK 8 / 100 / 0 / 40

HEX #8C0099

RGB 140 0 153

HSL 294.9, 1%, 0.3%

LAB 33.72, 64.97, -45.54

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 0 / 71 / 10 / 10

HEX #E543CE

RGB 229 67 206

HSL 308.52, 0.76%, 0.58%

LAB 57.2, 75.5, -38.53

 

CMYK 0 / 71 / 29 / 10

HEX #E543A2

RGB 229 67 162

HSL 324.81, 0.76%, 0.58%

LAB 55.36, 69.72, -15.93

 

CMYK 0 / 71 / 48 / 10

HEX #E54377

RGB 229 67 119

HSL 340.74, 0.76%, 0.58%

LAB 54.03, 65.35, 7.6

 

CMYK 0 / 71 / 67 / 10

HEX #E5434B

RGB 229 67 75

HSL 357.04, 0.76%, 0.58%

LAB 53.15, 62.34, 32.52

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 28 / 71 / 0 / 10

HEX #A443E5

RGB 164 67 229

HSL 275.93, 0.76%, 0.58%

LAB 48.96, 65.85, -65.3

 

CMYK 47 / 71 / 0 / 10

HEX #7943E5

RGB 121 67 229

HSL 260, 0.76%, 0.58%

LAB 43.85, 58.2, -73.84

 

CMYK 66 / 71 / 0 / 10

HEX #4D43E5

RGB 77 67 229

HSL 243.7, 0.76%, 0.58%

LAB 40, 52.06, -80.31

 

CMYK 71 / 71 / 0 / 10

HEX #4343E5

RGB 67 67 229

HSL 240, 0.76%, 0.58%

LAB 39.35, 51, -81.39

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 11 / 80 / 0 / 3

HEX #DD31F7

RGB 221 49 247

HSL 292.12, 0.93%, 0.58%

LAB 56.37, 85.41, -63.04

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 8 / 60 / 0 / 17

HEX #C354D4

RGB 195 84 212

HSL 292.03, 0.6%, 0.58%

LAB 54.76, 61.92, -46.14

 

CMYK 6 / 48 / 0 / 24

HEX #B765C3

RGB 183 101 195

HSL 292.34, 0.44%, 0.58%

LAB 55.4, 47.31, -35.54

 

CMYK 4 / 33 / 0 / 31

HEX #AA76B1

RGB 170 118 177

HSL 292.88, 0.27%, 0.58%

LAB 56.76, 30.52, -23.22

 

CMYK 2 / 15 / 0 / 37

HEX #9D88A0

RGB 157 136 160

HSL 292.5, 0.11%, 0.58%

LAB 59.26, 12.4, -9.8

 

CMYK 47 / 71 / 0 / 10

HEX #7943E5

RGB 121 67 229

HSL 260, 0.76%, 0.58%

LAB 43.85, 58.2, -73.84

 

CMYK 28 / 71 / 0 / 10

HEX #A443E5

RGB 164 67 229

HSL 275.93, 0.76%, 0.58%

LAB 48.96, 65.85, -65.3

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 0 / 71 / 9 / 10

HEX #E543D0

RGB 229 67 208

HSL 307.78, 0.76%, 0.58%

LAB 57.3, 75.8, -39.52

 

CMYK 0 / 71 / 28 / 10

HEX #E543A4

RGB 229 67 164

HSL 324.07, 0.76%, 0.58%

LAB 55.43, 69.95, -16.99

 

CMYK 11 / 86 / 0 / 26

HEX #A71ABC

RGB 167 26 188

HSL 292.22, 0.76%, 0.42%

LAB 42.13, 71.42, -52.69

 

CMYK 11 / 86 / 0 / 12

HEX #C71FE0

RGB 199 31 224

HSL 292.23, 0.76%, 0.5%

LAB 50.1, 81.79, -60.37

 

CMYK 9 / 71 / 0 / 10

HEX #D043E5

RGB 208 67 229

HSL 292.22, 0.76%, 0.58%

LAB 55.16, 74.62, -55.01

 

CMYK 7 / 56 / 0 / 8

HEX #D967EA

RGB 217 103 234

HSL 292.21, 0.76%, 0.66%

LAB 61.99, 62.88, -46.87

 

CMYK 5 / 42 / 0 / 6

HEX #E28BEF

RGB 226 139 239

HSL 292.2, 0.76%, 0.74%

LAB 70.08, 48.56, -36.88

 

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

CMYK 0 / 66 / 71 / 10

HEX #E54D43

RGB 229 77 67

HSL 3.7, 0.76%, 0.58%

LAB 54.42, 58.17, 38.59

 

CMYK 71 / 0 / 38 / 10

HEX #43E58E

RGB 67 229 142

HSL 147.78, 0.76%, 0.58%

LAB 81.39, -60.68, 30.71

 

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

CMYK 0 / 9 / 71 / 10

HEX #E5D043

RGB 229 208 67

HSL 52.22, 0.76%, 0.58%

LAB 83.01, -7.88, 68.88

 

CMYK 71 / 0 / 9 / 10

HEX #43E5D0

RGB 67 229 208

HSL 172.22, 0.76%, 0.58%

LAB 82.8, -45.87, -1.78

 

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

CMYK 0 / 66 / 71 / 10

HEX #E54D43

RGB 229 77 67

HSL 3.7, 0.76%, 0.58%

LAB 54.42, 58.17, 38.59

 

CMYK 62 / 0 / 71 / 10

HEX #58E543

RGB 88 229 67

HSL 112.22, 0.76%, 0.58%

LAB 81.03, -66.59, 64.31

 

CMYK 71 / 5 / 0 / 10

HEX #43DAE5

RGB 67 218 229

HSL 184.07, 0.76%, 0.58%

LAB 80.18, -35.14, -16.84

 

CMYK 9 / 71 / 0 / 10

HEX #D042E5

RGB 208 66 229

HSL 292.27, 0.76%, 0.58%

LAB 55.03, 74.97, -55.2

 

CMYK 0 / 45 / 71 / 10

HEX #E57E43

RGB 229 126 67

HSL 21.85, 0.76%, 0.58%

LAB 63.33, 35.19, 48.59

 

CMYK 62 / 0 / 71 / 10

HEX #58E543

RGB 88 229 67

HSL 112.22, 0.76%, 0.58%

LAB 81.03, -66.59, 64.31

 

CMYK 71 / 26 / 0 / 10

HEX #43AAE5

RGB 67 170 229

HSL 201.85, 0.76%, 0.58%

LAB 66.21, -10.81, -38.25

 

Description

Color code: HEX #D042E5 | qconv.com Color code: HEX #D042E5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 66 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 66 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 71 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 71% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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