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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0419E it is the complementary color #2FBE61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0419E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0419E shade: #D54199, #E653AC, #F765BF, #FF77D2 and #FF89E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0419E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0419E shade: #D0419E, #BF2F8B, #AE1D78, #9D0B65 and #8C0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0419E shade: #D0439F, #D04379, #D04353 and #D04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0419E shade: #D0439F, #D043C5, #B543D0, #8F43D0 and #6943D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0419E shade matches the following richer shades: #D0439F, #E330A5 and #F61DAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0419E shade: #D0439F, #BD5699, #AA6993, #977C8E and #848F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0419E shade: #B443D0, #D043C7, #D043A1, #D0437C and #D04356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0419E shade: #9A2772, #BB2F8A, #D0439F, #D864B0 and #E185C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0419E shade: #D0419E, #D08E43 and #43D0C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0419E shade: #D0419E, #A1D043 and #43A1D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0419E shade: #D0419E, #D08E43, #43D072 and #4385D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0419E shade: #D0419E, #D0B943, #43D072 and #435BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

Complementary color

CMYK 75 / 0 / 49 / 25

HEX #2FBE61

RGB 47 190 97

HSL 140.98, 0.6%, 0.46%

LAB 68.24, -57.29, 36.38

 

CMYK 0 / 69 / 28 / 16

HEX #D54199

RGB 213 65 153

HSL 324.32, 0.64%, 0.55%

LAB 52.09, 65.16, -15.84

 

CMYK 0 / 64 / 25 / 10

HEX #E653AC

RGB 230 83 172

HSL 323.67, 0.75%, 0.61%

LAB 58.03, 65.27, -17.69

 

CMYK 0 / 59 / 23 / 3

HEX #F765BF

RGB 247 101 191

HSL 323.01, 0.9%, 0.68%

LAB 64.03, 65.05, -19.21

 

CMYK 0 / 53 / 18 / 0

HEX #FF77D2

RGB 255 119 210

HSL 319.85, 1%, 0.73%

LAB 68.83, 62.01, -22.48

 

CMYK 0 / 46 / 10 / 0

HEX #FF89E5

RGB 255 137 229

HSL 313.22, 1%, 0.77%

LAB 72.77, 56.38, -26.96

 

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

CMYK 0 / 75 / 27 / 25

HEX #BF2F8B

RGB 191 47 139

HSL 321.67, 0.61%, 0.47%

LAB 45.6, 63.83, -17.69

 

CMYK 0 / 83 / 31 / 32

HEX #AE1D78

RGB 174 29 120

HSL 322.34, 0.71%, 0.4%

LAB 39.97, 62.38, -14.9

 

CMYK 0 / 93 / 36 / 38

HEX #9D0B65

RGB 157 11 101

HSL 323.01, 0.87%, 0.33%

LAB 34.7, 59.69, -11.23

 

CMYK 0 / 100 / 41 / 45

HEX #8C0052

RGB 140 0 82

HSL 324.86, 1%, 0.27%

LAB 29.87, 55.44, -6.47

 

CMYK 0 / 68 / 24 / 18

HEX #D0439F

RGB 208 67 159

HSL 320.85, 0.6%, 0.54%

LAB 51.76, 63.85, -19.98

 

CMYK 0 / 68 / 42 / 18

HEX #D04379

RGB 208 67 121

HSL 337.02, 0.6%, 0.54%

LAB 50.46, 59.45, 0.78

 

CMYK 0 / 68 / 60 / 18

HEX #D04353

RGB 208 67 83

HSL 353.19, 0.6%, 0.54%

LAB 49.56, 56.27, 22.47

 

CMYK 0 / 68 / 68 / 18

HEX #D04343

RGB 208 67 67

HSL 0, 0.6%, 0.54%

LAB 49.29, 55.32, 31.61

 

CMYK 0 / 68 / 24 / 18

HEX #D0439F

RGB 208 67 159

HSL 320.85, 0.6%, 0.54%

LAB 51.76, 63.85, -19.98

 

CMYK 0 / 68 / 5 / 18

HEX #D043C5

RGB 208 67 197

HSL 304.68, 0.6%, 0.54%

LAB 53.44, 69.33, -39.51

 

CMYK 13 / 68 / 0 / 18

HEX #B543D0

RGB 181 67 208

HSL 288.51, 0.6%, 0.54%

LAB 49.97, 65.11, -51.6

 

CMYK 31 / 68 / 0 / 18

HEX #8F43D0

RGB 143 67 208

HSL 272.34, 0.6%, 0.54%

LAB 44.81, 57.04, -60.16

 

CMYK 50 / 68 / 0 / 18

HEX #6943D0

RGB 105 67 208

HSL 256.17, 0.6%, 0.54%

LAB 40.53, 49.82, -67.32

 

CMYK 0 / 68 / 24 / 18

HEX #D0439F

RGB 208 67 159

HSL 320.85, 0.6%, 0.54%

LAB 51.76, 63.85, -19.98

 

CMYK 0 / 79 / 27 / 11

HEX #E330A5

RGB 227 48 165

HSL 320.78, 0.76%, 0.54%

LAB 53.13, 75.26, -21.13

 

CMYK 0 / 88 / 31 / 4

HEX #F61DAA

RGB 246 29 170

HSL 321.01, 0.92%, 0.54%

LAB 55.46, 83.71, -20.2

 

CMYK 0 / 68 / 24 / 18

HEX #D0439F

RGB 208 67 159

HSL 320.85, 0.6%, 0.54%

LAB 51.76, 63.85, -19.98

 

CMYK 0 / 54 / 19 / 26

HEX #BD5699

RGB 189 86 153

HSL 320.97, 0.44%, 0.54%

LAB 51.58, 49.38, -16.96

 

CMYK 0 / 38 / 14 / 33

HEX #AA6993

RGB 170 105 147

HSL 321.23, 0.28%, 0.54%

LAB 52.68, 32.22, -12

 

CMYK 0 / 18 / 6 / 41

HEX #977C8E

RGB 151 124 142

HSL 320, 0.11%, 0.54%

LAB 55.02, 13.62, -5.8

 

CMYK 8 / 0 / 5 / 44

HEX #848F88

RGB 132 143 136

HSL 141.82, 0.05%, 0.54%

LAB 58.35, -5.39, 2.35

 

CMYK 13 / 68 / 0 / 18

HEX #B443D0

RGB 180 67 208

HSL 288.09, 0.6%, 0.54%

LAB 49.82, 64.89, -51.84

 

CMYK 0 / 68 / 4 / 18

HEX #D043C7

RGB 208 67 199

HSL 303.83, 0.6%, 0.54%

LAB 53.54, 69.64, -40.5

 

CMYK 0 / 68 / 23 / 18

HEX #D043A1

RGB 208 67 161

HSL 320, 0.6%, 0.54%

LAB 51.83, 64.11, -21.04

 

CMYK 0 / 68 / 40 / 18

HEX #D0437C

RGB 208 67 124

HSL 335.74, 0.6%, 0.54%

LAB 50.55, 59.76, -0.9

 

CMYK 0 / 68 / 59 / 18

HEX #D04356

RGB 208 67 86

HSL 351.91, 0.6%, 0.54%

LAB 49.61, 56.48, 20.74

 

CMYK 0 / 75 / 26 / 40

HEX #9A2772

RGB 154 39 114

HSL 320.87, 0.6%, 0.38%

LAB 37, 53.77, -16.02

 

CMYK 0 / 75 / 26 / 27

HEX #BB2F8A

RGB 187 47 138

HSL 321, 0.6%, 0.46%

LAB 44.85, 62.71, -18.3

 

CMYK 0 / 68 / 24 / 18

HEX #D0439F

RGB 208 67 159

HSL 320.85, 0.6%, 0.54%

LAB 51.76, 63.85, -19.98

 

CMYK 0 / 54 / 19 / 15

HEX #D864B0

RGB 216 100 176

HSL 320.69, 0.6%, 0.62%

LAB 58.83, 54.35, -18.96

 

CMYK 0 / 41 / 14 / 12

HEX #E185C1

RGB 225 133 193

HSL 320.87, 0.61%, 0.7%

LAB 67, 43.33, -16.12

 

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

CMYK 0 / 32 / 68 / 18

HEX #D08E43

RGB 208 142 67

HSL 31.91, 0.6%, 0.54%

LAB 64.29, 18.01, 48.87

 

CMYK 68 / 0 / 4 / 18

HEX #43D0C7

RGB 67 208 199

HSL 176.17, 0.6%, 0.54%

LAB 76.33, -38.99, -6.5

 

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

CMYK 23 / 0 / 68 / 18

HEX #A1D043

RGB 161 208 67

HSL 80, 0.6%, 0.54%

LAB 77.93, -35.67, 62.12

 

CMYK 68 / 23 / 0 / 18

HEX #43A1D0

RGB 67 161 208

HSL 200, 0.6%, 0.54%

LAB 62.71, -12.84, -32.1

 

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

CMYK 0 / 32 / 68 / 18

HEX #D08E43

RGB 208 142 67

HSL 31.91, 0.6%, 0.54%

LAB 64.29, 18.01, 48.87

 

CMYK 68 / 0 / 45 / 18

HEX #43D072

RGB 67 208 114

HSL 140, 0.6%, 0.54%

LAB 74.52, -57.85, 35.9

 

CMYK 68 / 36 / 0 / 18

HEX #4385D0

RGB 67 133 208

HSL 211.91, 0.6%, 0.54%

LAB 54.58, 3.19, -44.85

 

CMYK 0 / 69 / 24 / 18

HEX #D0419E

RGB 208 65 158

HSL 320.98, 0.6%, 0.54%

LAB 51.45, 64.46, -19.85

 

CMYK 0 / 11 / 68 / 18

HEX #D0B943

RGB 208 185 67

HSL 50.21, 0.6%, 0.54%

LAB 75.15, -4.99, 60.38

 

CMYK 68 / 0 / 45 / 18

HEX #43D072

RGB 67 208 114

HSL 140, 0.6%, 0.54%

LAB 74.52, -57.85, 35.9

 

CMYK 68 / 56 / 0 / 18

HEX #435BD0

RGB 67 91 208

HSL 229.79, 0.6%, 0.54%

LAB 43.11, 29.36, -63.24

 

Description

Color code: HEX #D0419E | qconv.com Color code: HEX #D0419E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 65 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 65 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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