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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D03CC6 it is the complementary color #2FC339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D03CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D03CC6 shade: #D53CC1, #E64ED4, #F760E7, #FF72FA and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D03CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D03CC6 shade: #D03CC6, #BF2AB3, #AE18A0, #9D068D and #8C007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D03CC6 shade: #D03EC6, #D03E9F, #D03E78, #D03E50 and #D03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D03CC6 shade: #D03EC6, #B33ED0, #8B3ED0, #643ED0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D03CC6 shade matches the following richer shades: #D03EC6, #E42BD7 and #F717E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D03CC6 shade: #D03EC6, #BD51B6, #A965A5, #967894 and #838C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D03CC6 shade: #8C3ED0, #B33ED0, #D03EC7, #D03EA0 and #D03E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D03CC6 shade: #97258F, #B82DAF, #D03EC6, #D85FD0 and #E080DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D03CC6 shade: #D03CC6, #D0653E and #3ED0A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D03CC6 shade: #D03CC6, #C7D03E and #3EC7D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D03CC6 shade: #D03CC6, #D0653E, #3ED048 and #3EA9D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D03CC6 shade: #D03CC6, #D0913E, #3ED048 and #3E7DD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

Complementary color

CMYK 76 / 0 / 71 / 24

HEX #2FC339

RGB 47 195 57

HSL 124.05, 0.61%, 0.47%

LAB 69.42, -63.89, 55.71

 

CMYK 0 / 72 / 9 / 16

HEX #D53CC1

RGB 213 60 193

HSL 307.84, 0.65%, 0.54%

LAB 53.2, 72.26, -37.53

 

CMYK 0 / 66 / 8 / 10

HEX #E64ED4

RGB 230 78 212

HSL 307.11, 0.75%, 0.6%

LAB 59, 72.8, -39.11

 

CMYK 0 / 61 / 6 / 3

HEX #F760E7

RGB 247 96 231

HSL 306.36, 0.9%, 0.67%

LAB 64.89, 72.89, -40.36

 

CMYK 0 / 55 / 2 / 0

HEX #FF72FA

RGB 255 114 250

HSL 302.13, 1%, 0.72%

LAB 69.61, 70.41, -43.37

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

CMYK 0 / 78 / 6 / 25

HEX #BF2AB3

RGB 191 42 179

HSL 304.83, 0.64%, 0.46%

LAB 46.96, 70.76, -39.46

 

CMYK 0 / 86 / 8 / 32

HEX #AE18A0

RGB 174 24 160

HSL 305.6, 0.76%, 0.39%

LAB 41.52, 68.67, -36.97

 

CMYK 0 / 96 / 10 / 38

HEX #9D068D

RGB 157 6 141

HSL 306.36, 0.93%, 0.32%

LAB 36.41, 65.31, -33.71

 

CMYK 0 / 100 / 13 / 45

HEX #8C007A

RGB 140 0 122

HSL 307.71, 1%, 0.27%

LAB 31.76, 60.23, -29.42

 

CMYK 0 / 70 / 5 / 18

HEX #D03EC6

RGB 208 62 198

HSL 304.11, 0.61%, 0.53%

LAB 52.88, 71.23, -40.98

 

CMYK 0 / 70 / 24 / 18

HEX #D03E9F

RGB 208 62 159

HSL 320.14, 0.61%, 0.53%

LAB 51.1, 65.67, -20.98

 

CMYK 0 / 70 / 42 / 18

HEX #D03E78

RGB 208 62 120

HSL 336.16, 0.61%, 0.53%

LAB 49.75, 61.23, 0.35

 

CMYK 0 / 70 / 62 / 18

HEX #D03E50

RGB 208 62 80

HSL 352.6, 0.61%, 0.53%

LAB 48.8, 57.99, 23.28

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3E

RGB 208 62 62

HSL 0, 0.61%, 0.53%

LAB 48.51, 56.99, 33.59

 

CMYK 0 / 70 / 5 / 18

HEX #D03EC6

RGB 208 62 198

HSL 304.11, 0.61%, 0.53%

LAB 52.88, 71.23, -40.98

 

CMYK 14 / 70 / 0 / 18

HEX #B33ED0

RGB 179 62 208

HSL 288.08, 0.61%, 0.53%

LAB 48.99, 66.62, -53.19

 

CMYK 33 / 70 / 0 / 18

HEX #8B3ED0

RGB 139 62 208

HSL 271.64, 0.61%, 0.53%

LAB 43.49, 58.53, -62.33

 

CMYK 52 / 70 / 0 / 18

HEX #643ED0

RGB 100 62 208

HSL 255.62, 0.61%, 0.53%

LAB 39.09, 51.61, -69.7

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 0 / 70 / 5 / 18

HEX #D03EC6

RGB 208 62 198

HSL 304.11, 0.61%, 0.53%

LAB 52.88, 71.23, -40.98

 

CMYK 0 / 81 / 6 / 11

HEX #E42BD7

RGB 228 43 215

HSL 304.22, 0.77%, 0.53%

LAB 55.2, 83.14, -46.82

 

CMYK 0 / 91 / 6 / 3

HEX #F717E8

RGB 247 23 232

HSL 304.02, 0.93%, 0.53%

LAB 58.24, 92.14, -51.41

 

CMYK 0 / 70 / 5 / 18

HEX #D03EC6

RGB 208 62 198

HSL 304.11, 0.61%, 0.53%

LAB 52.88, 71.23, -40.98

 

CMYK 0 / 57 / 4 / 26

HEX #BD51B6

RGB 189 81 182

HSL 303.89, 0.45%, 0.53%

LAB 51.93, 56.38, -33.41

 

CMYK 0 / 40 / 2 / 34

HEX #A965A5

RGB 169 101 165

HSL 303.53, 0.28%, 0.53%

LAB 52.35, 37.31, -23.06

 

CMYK 0 / 20 / 1 / 41

HEX #967894

RGB 150 120 148

HSL 304, 0.13%, 0.53%

LAB 54.09, 16.72, -10.7

 

CMYK 6 / 0 / 6 / 45

HEX #838C83

RGB 131 140 131

HSL 120, 0.04%, 0.53%

LAB 57.29, -5.07, 3.67

 

CMYK 33 / 70 / 0 / 18

HEX #8C3ED0

RGB 140 62 208

HSL 272.05, 0.61%, 0.53%

LAB 43.62, 58.72, -62.12

 

CMYK 14 / 70 / 0 / 18

HEX #B33ED0

RGB 179 62 208

HSL 288.08, 0.61%, 0.53%

LAB 48.99, 66.62, -53.19

 

CMYK 0 / 70 / 4 / 18

HEX #D03EC7

RGB 208 62 199

HSL 303.7, 0.61%, 0.53%

LAB 52.93, 71.39, -41.48

 

CMYK 0 / 70 / 23 / 18

HEX #D03EA0

RGB 208 62 160

HSL 319.73, 0.61%, 0.53%

LAB 51.14, 65.8, -21.5

 

CMYK 0 / 70 / 42 / 18

HEX #D03E79

RGB 208 62 121

HSL 335.75, 0.61%, 0.53%

LAB 49.78, 61.32, -0.21

 

CMYK 0 / 75 / 5 / 41

HEX #97258F

RGB 151 37 143

HSL 304.21, 0.61%, 0.37%

LAB 37.64, 57.96, -33.06

 

CMYK 0 / 76 / 5 / 28

HEX #B82DAF

RGB 184 45 175

HSL 303.88, 0.61%, 0.45%

LAB 45.86, 67.82, -38.92

 

CMYK 0 / 70 / 5 / 18

HEX #D03EC6

RGB 208 62 198

HSL 304.11, 0.61%, 0.53%

LAB 52.88, 71.23, -40.98

 

CMYK 0 / 56 / 4 / 15

HEX #D85FD0

RGB 216 95 208

HSL 303.97, 0.61%, 0.61%

LAB 59.29, 61.69, -36.54

 

CMYK 0 / 43 / 3 / 12

HEX #E080DA

RGB 224 128 218

HSL 303.75, 0.61%, 0.69%

LAB 66.78, 49.77, -30.42

 

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

CMYK 0 / 51 / 70 / 18

HEX #D0653E

RGB 208 101 62

HSL 16.03, 0.61%, 0.53%

LAB 55.14, 39.51, 41.23

 

CMYK 70 / 0 / 23 / 18

HEX #3ED0A0

RGB 62 208 160

HSL 160.27, 0.61%, 0.53%

LAB 75.25, -49.55, 12.87

 

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

CMYK 4 / 0 / 70 / 18

HEX #C7D03E

RGB 199 208 62

HSL 63.7, 0.61%, 0.53%

LAB 80.52, -20.69, 67.42

 

CMYK 70 / 4 / 0 / 18

HEX #3EC7D0

RGB 62 199 208

HSL 183.7, 0.61%, 0.53%

LAB 73.82, -32.94, -15.13

 

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

CMYK 0 / 51 / 70 / 18

HEX #D0653E

RGB 208 101 62

HSL 16.03, 0.61%, 0.53%

LAB 55.14, 39.51, 41.23

 

CMYK 70 / 0 / 65 / 18

HEX #3ED048

RGB 62 208 72

HSL 124.11, 0.61%, 0.53%

LAB 73.94, -64.28, 54.67

 

CMYK 70 / 19 / 0 / 18

HEX #3EA9D0

RGB 62 169 208

HSL 196.03, 0.61%, 0.53%

LAB 64.93, -17.88, -28.68

 

CMYK 0 / 71 / 5 / 18

HEX #D03CC6

RGB 208 60 198

HSL 304.05, 0.61%, 0.53%

LAB 52.64, 71.9, -41.35

 

CMYK 0 / 30 / 70 / 18

HEX #D0913E

RGB 208 145 62

HSL 34.11, 0.61%, 0.53%

LAB 64.97, 16.1, 51.93

 

CMYK 70 / 0 / 65 / 18

HEX #3ED048

RGB 62 208 72

HSL 124.11, 0.61%, 0.53%

LAB 73.94, -64.28, 54.67

 

CMYK 70 / 40 / 0 / 18

HEX #3E7DD0

RGB 62 125 208

HSL 214.11, 0.61%, 0.53%

LAB 52.11, 7.26, -48.77

 

Description

Color code: HEX #D03CC6 | qconv.com Color code: HEX #D03CC6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 60 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 60 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 5 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 5% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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