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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D03181 it is the complementary color #2FCE7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D03181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D03181 shade: #D5317C, #E6438F, #F755A2, #FF67B5 and #FF79C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D03181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D03181 shade: #D03181, #BF1F6E, #AE0D5B, #9D0048 and #8C0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D03181 shade: #D02F80, #D02F55 and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D03181 shade: #D02F80, #D02FAB, #C92FD0, #9E2FD0 and #722FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D03181 shade matches the following richer shades: #D02F80, #E41B80 and #F90680

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D03181 shade: #D02F80, #BB4480, #A75880, #926D80 and #7D827F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D03181 shade: #C82FD0, #D02FAD, #D02F82, #D02F57 and #D0322F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D03181 shade: #8D2057, #AE286B, #D02F80, #D75195 and #DF72A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D03181 shade: #D03181, #D09D2F and #2FC2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D03181 shade: #D03181, #82D02F and #2F82D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D03181 shade: #D03181, #D09D2F, #2FD07D and #2F62D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D03181 shade: #D03181, #D0CD2F, #2FD07D and #2F32D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

Complementary color

CMYK 77 / 0 / 39 / 19

HEX #2FCE7E

RGB 47 206 126

HSL 149.81, 0.63%, 0.5%

LAB 73.71, -57.96, 28.65

 

CMYK 0 / 77 / 42 / 16

HEX #D5317C

RGB 213 49 124

HSL 332.56, 0.66%, 0.51%

LAB 49.25, 67.22, -2.7

 

CMYK 0 / 71 / 38 / 10

HEX #E6438F

RGB 230 67 143

HSL 332.02, 0.77%, 0.58%

LAB 54.89, 67.89, -5.42

 

CMYK 0 / 66 / 34 / 3

HEX #F755A2

RGB 247 85 162

HSL 331.48, 0.91%, 0.65%

LAB 60.68, 68.03, -7.64

 

CMYK 0 / 60 / 29 / 0

HEX #FF67B5

RGB 255 103 181

HSL 329.21, 1%, 0.7%

LAB 65.2, 65.23, -11.65

 

CMYK 0 / 53 / 22 / 0

HEX #FF79C8

RGB 255 121 200

HSL 324.63, 1%, 0.74%

LAB 68.83, 59.69, -16.9

 

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

CMYK 0 / 84 / 42 / 25

HEX #BF1F6E

RGB 191 31 110

HSL 330.38, 0.72%, 0.44%

LAB 43.04, 64.99, -3.73

 

CMYK 0 / 93 / 48 / 32

HEX #AE0D5B

RGB 174 13 91

HSL 330.93, 0.86%, 0.37%

LAB 37.92, 62.43, 0.36

 

CMYK 0 / 100 / 54 / 38

HEX #9D0048

RGB 157 0 72

HSL 332.48, 1%, 0.31%

LAB 33.21, 58.52, 5.46

 

CMYK 0 / 100 / 62 / 45

HEX #8C0035

RGB 140 0 53

HSL 337.29, 1%, 0.27%

LAB 28.99, 53.09, 11.69

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 0 / 77 / 59 / 18

HEX #D02F55

RGB 208 47 85

HSL 345.84, 0.63%, 0.5%

LAB 47.1, 63.32, 17.99

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 0 / 77 / 18 / 18

HEX #D02FAB

RGB 208 47 171

HSL 313.79, 0.63%, 0.5%

LAB 49.96, 71.95, -29.83

 

CMYK 3 / 77 / 0 / 18

HEX #C92FD0

RGB 201 47 208

HSL 297.39, 0.63%, 0.5%

LAB 50.69, 75.93, -50.26

 

CMYK 24 / 77 / 0 / 18

HEX #9E2FD0

RGB 158 47 208

HSL 281.37, 0.63%, 0.5%

LAB 44.03, 67.92, -61.34

 

CMYK 45 / 77 / 0 / 18

HEX #722FD0

RGB 114 47 208

HSL 264.97, 0.63%, 0.5%

LAB 38.14, 60.75, -71.19

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 0 / 88 / 44 / 11

HEX #E41B80

RGB 228 27 128

HSL 329.85, 0.79%, 0.5%

LAB 50.5, 76.09, -2.97

 

CMYK 0 / 98 / 49 / 2

HEX #F90680

RGB 249 6 128

HSL 329.88, 0.95%, 0.5%

LAB 53.84, 82.87, 2.41

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 0 / 64 / 32 / 27

HEX #BB4480

RGB 187 68 128

HSL 329.75, 0.47%, 0.5%

LAB 47.31, 53.57, -8.5

 

CMYK 0 / 47 / 23 / 35

HEX #A75880

RGB 167 88 128

HSL 329.62, 0.31%, 0.5%

LAB 47.95, 37.39, -7.86

 

CMYK 0 / 25 / 12 / 43

HEX #926D80

RGB 146 109 128

HSL 329.19, 0.15%, 0.5%

LAB 50.22, 17.87, -4.75

 

CMYK 4 / 0 / 2 / 49

HEX #7D827F

RGB 125 130 127

HSL 144, 0.02%, 0.5%

LAB 53.88, -2.46, 0.97

 

CMYK 4 / 77 / 0 / 18

HEX #C82FD0

RGB 200 47 208

HSL 297.02, 0.63%, 0.5%

LAB 50.53, 75.73, -50.53

 

CMYK 0 / 77 / 17 / 18

HEX #D02FAD

RGB 208 47 173

HSL 313.04, 0.63%, 0.5%

LAB 50.05, 72.22, -30.87

 

CMYK 0 / 77 / 38 / 18

HEX #D02F82

RGB 208 47 130

HSL 329.07, 0.63%, 0.5%

LAB 48.33, 67.11, -7.81

 

CMYK 0 / 77 / 58 / 18

HEX #D02F57

RGB 208 47 87

HSL 345.09, 0.63%, 0.5%

LAB 47.15, 63.45, 16.82

 

CMYK 0 / 76 / 77 / 18

HEX #D0322F

RGB 208 50 47

HSL 1.12, 0.63%, 0.5%

LAB 46.84, 60.51, 40.24

 

CMYK 0 / 77 / 38 / 45

HEX #8D2057

RGB 141 32 87

HSL 329.72, 0.63%, 0.34%

LAB 32.67, 49.3, -5.56

 

CMYK 0 / 77 / 39 / 32

HEX #AE286B

RGB 174 40 107

HSL 330, 0.63%, 0.42%

LAB 40.54, 57.94, -5.92

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 0 / 62 / 31 / 16

HEX #D75195

RGB 215 81 149

HSL 329.55, 0.63%, 0.58%

LAB 54.56, 58.95, -9.72

 

CMYK 0 / 49 / 24 / 13

HEX #DF72A9

RGB 223 114 169

HSL 329.72, 0.63%, 0.66%

LAB 62.16, 48.76, -9.84

 

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

CMYK 0 / 25 / 77 / 18

HEX #D09D2F

RGB 208 157 47

HSL 40.99, 0.63%, 0.5%

LAB 67.82, 8.92, 60.97

 

CMYK 77 / 7 / 0 / 18

HEX #2FC2D0

RGB 47 194 208

HSL 185.22, 0.63%, 0.5%

LAB 72.06, -32.26, -17.82

 

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

CMYK 38 / 0 / 77 / 18

HEX #82D02F

RGB 130 208 47

HSL 89.07, 0.63%, 0.5%

LAB 76.11, -48.19, 66.65

 

CMYK 77 / 38 / 0 / 18

HEX #2F82D0

RGB 47 130 208

HSL 209.07, 0.63%, 0.5%

LAB 53.08, 2.27, -47.25

 

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

CMYK 0 / 25 / 77 / 18

HEX #D09D2F

RGB 208 157 47

HSL 40.99, 0.63%, 0.5%

LAB 67.82, 8.92, 60.97

 

CMYK 77 / 0 / 40 / 18

HEX #2FD07D

RGB 47 208 125

HSL 149.07, 0.63%, 0.5%

LAB 74.32, -58.87, 29.96

 

CMYK 77 / 53 / 0 / 18

HEX #2F62D0

RGB 47 98 208

HSL 220.99, 0.63%, 0.5%

LAB 44.08, 22.33, -61.71

 

CMYK 0 / 76 / 38 / 18

HEX #D03181

RGB 208 49 129

HSL 329.81, 0.63%, 0.5%

LAB 48.5, 66.43, -6.95

 

CMYK 0 / 1 / 77 / 18

HEX #D0CD2F

RGB 208 205 47

HSL 58.88, 0.63%, 0.5%

LAB 80.34, -16.08, 72.4

 

CMYK 77 / 0 / 40 / 18

HEX #2FD07D

RGB 47 208 125

HSL 149.07, 0.63%, 0.5%

LAB 74.32, -58.87, 29.96

 

CMYK 77 / 76 / 0 / 18

HEX #2F32D0

RGB 47 50 208

HSL 238.88, 0.63%, 0.5%

LAB 32.79, 51.86, -80.21

 

Description

Color code: HEX #D03181 | qconv.com Color code: HEX #D03181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 49 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 49 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 38 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 38% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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