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Color name
HEX #D02DA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D02DA8 it is the complementary color #2FD257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D02DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D02DA8 shade: #D52DA3, #E63FB6, #F751C9, #FF63DC and #FF75EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D02DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D02DA8 shade: #D02DA8, #BF1B95, #AE0982, #9D006F and #8C005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D02DA8 shade: #D12EA9, #D12E7D, #D12E51 and #D12E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D02DA8 shade: #D12EA9, #CD2ED1, #A12ED1, #752ED1 and #492ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D02DA8 shade matches the following richer shades: #D12EA9, #E619B4 and #FA05BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D02DA8 shade: #D12EA9, #BC439F, #A85794, #936C8A and #7F807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D02DA8 shade: #A02ED1, #CC2ED1, #D12EAB, #D12E80 and #D12E54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D02DA8 shade: #8D1F72, #AF268E, #D12EA9, #D950B7 and #E072C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D02DA8 shade: #D02DA8, #D1752E and #2ED1B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D02DA8 shade: #D02DA8, #ABD12E and #2EABD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D02DA8 shade: #D02DA8, #D1752E, #2ED154 and #2E8AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D02DA8 shade: #D02DA8, #D1A62E, #2ED154 and #2E59D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

Complementary color

CMYK 78 / 0 / 59 / 18

HEX #2FD257

RGB 47 210 87

HSL 134.72, 0.64%, 0.5%

LAB 74.44, -65.49, 48.66

 

CMYK 0 / 79 / 23 / 16

HEX #D52DA3

RGB 213 45 163

HSL 317.86, 0.67%, 0.51%

LAB 50.3, 72.59, -24.52

 

CMYK 0 / 73 / 21 / 10

HEX #E63FB6

RGB 230 63 182

HSL 317.25, 0.77%, 0.57%

LAB 55.84, 73.74, -26.84

 

CMYK 0 / 67 / 19 / 3

HEX #F751C9

RGB 247 81 201

HSL 316.63, 0.91%, 0.64%

LAB 61.55, 74.27, -28.7

 

CMYK 0 / 61 / 14 / 0

HEX #FF63DC

RGB 255 99 220

HSL 313.46, 1%, 0.69%

LAB 66.02, 72.07, -32.38

 

CMYK 0 / 54 / 6 / 0

HEX #FF75EF

RGB 255 117 239

HSL 306.96, 1%, 0.73%

LAB 69.62, 67.31, -37.32

 

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

CMYK 0 / 86 / 22 / 25

HEX #BF1B95

RGB 191 27 149

HSL 315.37, 0.75%, 0.43%

LAB 44.28, 70.1, -25.79

 

CMYK 0 / 95 / 25 / 32

HEX #AE0982

RGB 174 9 130

HSL 316, 0.9%, 0.36%

LAB 39.25, 66.89, -22.22

 

CMYK 0 / 100 / 29 / 38

HEX #9D006F

RGB 157 0 111

HSL 317.58, 1%, 0.31%

LAB 34.63, 62.22, -17.71

 

CMYK 0 / 100 / 34 / 45

HEX #8C005C

RGB 140 0 92

HSL 320.57, 1%, 0.27%

LAB 30.27, 56.47, -12.45

 

CMYK 0 / 78 / 19 / 18

HEX #D12EA9

RGB 209 46 169

HSL 314.72, 0.64%, 0.5%

LAB 49.95, 72.18, -28.66

 

CMYK 0 / 78 / 40 / 18

HEX #D12E7D

RGB 209 46 125

HSL 330.92, 0.64%, 0.5%

LAB 48.25, 67.15, -4.87

 

CMYK 0 / 78 / 61 / 18

HEX #D12E51

RGB 209 46 81

HSL 347.12, 0.64%, 0.5%

LAB 47.11, 63.64, 20.49

 

CMYK 0 / 78 / 78 / 18

HEX #D12E2E

RGB 209 46 46

HSL 0, 0.64%, 0.5%

LAB 46.59, 61.99, 40.59

 

CMYK 0 / 78 / 19 / 18

HEX #D12EA9

RGB 209 46 169

HSL 314.72, 0.64%, 0.5%

LAB 49.95, 72.18, -28.66

 

CMYK 2 / 78 / 0 / 18

HEX #CD2ED1

RGB 205 46 209

HSL 298.53, 0.64%, 0.5%

LAB 51.31, 77.12, -49.82

 

CMYK 23 / 78 / 0 / 18

HEX #A12ED1

RGB 161 46 209

HSL 282.33, 0.64%, 0.5%

LAB 44.43, 68.97, -61.25

 

CMYK 44 / 78 / 0 / 18

HEX #752ED1

RGB 117 46 209

HSL 266.13, 0.64%, 0.5%

LAB 38.44, 61.83, -71.25

 

CMYK 65 / 78 / 0 / 18

HEX #492ED1

RGB 73 46 209

HSL 249.94, 0.64%, 0.5%

LAB 33.93, 56.39, -78.84

 

CMYK 0 / 78 / 19 / 18

HEX #D12EA9

RGB 209 46 169

HSL 314.72, 0.64%, 0.5%

LAB 49.95, 72.18, -28.66

 

CMYK 0 / 89 / 22 / 10

HEX #E619B4

RGB 230 25 180

HSL 314.63, 0.8%, 0.5%

LAB 52.74, 82.15, -30.48

 

CMYK 0 / 98 / 24 / 2

HEX #FA05BE

RGB 250 5 190

HSL 314.69, 0.96%, 0.5%

LAB 56.24, 88.93, -30.58

 

CMYK 0 / 78 / 19 / 18

HEX #D12EA9

RGB 209 46 169

HSL 314.72, 0.64%, 0.5%

LAB 49.95, 72.18, -28.66

 

CMYK 0 / 64 / 15 / 26

HEX #BC439F

RGB 188 67 159

HSL 314.38, 0.47%, 0.5%

LAB 48.52, 58.51, -25.23

 

CMYK 0 / 48 / 12 / 34

HEX #A85794

RGB 168 87 148

HSL 314.81, 0.32%, 0.5%

LAB 48.61, 41.45, -18.8

 

CMYK 0 / 27 / 6 / 42

HEX #936C8A

RGB 147 108 138

HSL 313.85, 0.15%, 0.5%

LAB 50.41, 20.67, -10.38

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 23 / 78 / 0 / 18

HEX #A02ED1

RGB 160 46 209

HSL 281.96, 0.64%, 0.5%

LAB 44.28, 68.8, -61.49

 

CMYK 2 / 78 / 0 / 18

HEX #CC2ED1

RGB 204 46 209

HSL 298.16, 0.64%, 0.5%

LAB 51.15, 76.93, -50.09

 

CMYK 0 / 78 / 18 / 18

HEX #D12EAB

RGB 209 46 171

HSL 313.99, 0.64%, 0.5%

LAB 50.04, 72.45, -29.7

 

CMYK 0 / 78 / 39 / 18

HEX #D12E80

RGB 209 46 128

HSL 329.82, 0.64%, 0.5%

LAB 48.35, 67.44, -6.55

 

CMYK 0 / 78 / 60 / 18

HEX #D12E54

RGB 209 46 84

HSL 346.01, 0.64%, 0.5%

LAB 47.17, 63.83, 18.73

 

CMYK 0 / 78 / 19 / 45

HEX #8D1F72

RGB 141 31 114

HSL 314.73, 0.64%, 0.34%

LAB 33.68, 53.08, -21.33

 

CMYK 0 / 78 / 19 / 31

HEX #AF268E

RGB 175 38 142

HSL 314.45, 0.64%, 0.42%

LAB 41.93, 63.04, -25.42

 

CMYK 0 / 78 / 19 / 18

HEX #D12EA9

RGB 209 46 169

HSL 314.72, 0.64%, 0.5%

LAB 49.95, 72.18, -28.66

 

CMYK 0 / 63 / 16 / 15

HEX #D950B7

RGB 217 80 183

HSL 314.89, 0.64%, 0.58%

LAB 56, 64.47, -27.35

 

CMYK 0 / 49 / 12 / 12

HEX #E072C5

RGB 224 114 197

HSL 314.73, 0.64%, 0.66%

LAB 63.27, 53.24, -24.06

 

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

CMYK 0 / 44 / 78 / 18

HEX #D1752E

RGB 209 117 46

HSL 26.13, 0.64%, 0.5%

LAB 58.49, 30.89, 52.54

 

CMYK 78 / 0 / 13 / 18

HEX #2ED1B6

RGB 46 209 182

HSL 170.06, 0.64%, 0.5%

LAB 75.8, -46.51, 1.83

 

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

CMYK 18 / 0 / 78 / 18

HEX #ABD12E

RGB 171 209 46

HSL 73.99, 0.64%, 0.5%

LAB 78.73, -33.34, 70.22

 

CMYK 78 / 18 / 0 / 18

HEX #2EABD1

RGB 46 171 209

HSL 193.99, 0.64%, 0.5%

LAB 65.21, -20.55, -28.83

 

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

CMYK 0 / 44 / 78 / 18

HEX #D1752E

RGB 209 117 46

HSL 26.13, 0.64%, 0.5%

LAB 58.49, 30.89, 52.54

 

CMYK 78 / 0 / 60 / 18

HEX #2ED154

RGB 46 209 84

HSL 133.99, 0.64%, 0.5%

LAB 74.08, -65.66, 49.59

 

CMYK 78 / 34 / 0 / 18

HEX #2E8AD1

RGB 46 138 209

HSL 206.13, 0.64%, 0.5%

LAB 55.44, -2.24, -44.08

 

CMYK 0 / 78 / 19 / 18

HEX #D02DA8

RGB 208 45 168

HSL 314.72, 0.64%, 0.5%

LAB 49.63, 72.1, -28.57

 

CMYK 0 / 21 / 78 / 18

HEX #D1A62E

RGB 209 166 46

HSL 44.17, 0.64%, 0.5%

LAB 70.19, 4.49, 63.56

 

CMYK 78 / 0 / 60 / 18

HEX #2ED154

RGB 46 209 84

HSL 133.99, 0.64%, 0.5%

LAB 74.08, -65.66, 49.59

 

CMYK 78 / 57 / 0 / 18

HEX #2E59D1

RGB 46 89 209

HSL 224.17, 0.64%, 0.5%

LAB 41.73, 28.41, -66.09

 

Description

Color code: HEX #D02DA8 | qconv.com Color code: HEX #D02DA8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 45 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 45 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 19 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 19% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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