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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D02BE5 it is the complementary color #2FD41A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D02BE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D02BE5 shade: #D52BE0, #E63DF3, #F74FFF, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D02BE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D02BE5 shade: #D02BE5, #BF19D2, #AE07BF, #9D00AC and #8C0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D02BE5 shade: #D02AE5, #E52AC7, #E52A95, #E52A62 and #E52A30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D02BE5 shade: #D02AE5, #9D2AE5, #6B2AE5, #382AE5 and #2A2AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D02BE5 shade matches the following richer shades: #D02AE5 and #DF16F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D02BE5 shade: #D02AE5, #C13DD1, #B250BE, #A264AA and #937797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D02BE5 shade: #6B2AE5, #9D2AE5, #CF2AE5, #E52AC9 and #E52A97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D02BE5 shade: #9715A7, #B819CC, #D02AE5, #D84EE9 and #E073EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D02BE5 shade: #D02BE5, #E5392A and #2AE584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D02BE5 shade: #D02BE5, #E5CF2A and #2AE5CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D02BE5 shade: #D02BE5, #E5392A, #3FE52A and #2AD5E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D02BE5 shade: #D02BE5, #E5712A, #3FE52A and #2A9DE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

Complementary color

CMYK 78 / 0 / 88 / 17

HEX #2FD41A

RGB 47 212 26

HSL 113.23, 0.78%, 0.47%

LAB 74.68, -70.91, 69.59

 

CMYK 5 / 81 / 0 / 12

HEX #D52BE0

RGB 213 43 224

HSL 296.35, 0.74%, 0.52%

LAB 53.23, 81.71, -55.22

 

CMYK 5 / 75 / 0 / 5

HEX #E63DF3

RGB 230 61 243

HSL 295.71, 0.88%, 0.6%

LAB 58.63, 83.23, -57.11

 

CMYK 3 / 69 / 0 / 0

HEX #F74FFF

RGB 247 79 255

HSL 297.27, 1%, 0.65%

LAB 63.82, 82.94, -55.33

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

CMYK 9 / 88 / 0 / 18

HEX #BF19D2

RGB 191 25 210

HSL 293.84, 0.79%, 0.46%

LAB 47.53, 79.25, -56.58

 

CMYK 9 / 96 / 0 / 25

HEX #AE07BF

RGB 174 7 191

HSL 294.46, 0.93%, 0.39%

LAB 42.63, 75.7, -53.59

 

CMYK 9 / 100 / 0 / 33

HEX #9D00AC

RGB 157 0 172

HSL 294.77, 1%, 0.34%

LAB 38.1, 70.74, -49.79

 

CMYK 8 / 100 / 0 / 40

HEX #8C0099

RGB 140 0 153

HSL 294.9, 1%, 0.3%

LAB 33.72, 64.97, -45.54

 

CMYK 9 / 82 / 0 / 10

HEX #D02AE5

RGB 208 42 229

HSL 293.26, 0.78%, 0.53%

LAB 52.64, 81.86, -59.03

 

CMYK 0 / 82 / 13 / 10

HEX #E52AC7

RGB 229 42 199

HSL 309.63, 0.78%, 0.53%

LAB 54.49, 81.34, -38.78

 

CMYK 0 / 82 / 35 / 10

HEX #E52A95

RGB 229 42 149

HSL 325.67, 0.78%, 0.53%

LAB 52.38, 75.42, -12.76

 

CMYK 0 / 82 / 57 / 10

HEX #E52A62

RGB 229 42 98

HSL 342.03, 0.78%, 0.53%

LAB 50.92, 71.13, 15.9

 

CMYK 0 / 82 / 79 / 10

HEX #E52A30

RGB 229 42 48

HSL 358.07, 0.78%, 0.53%

LAB 50.13, 68.76, 44.37

 

CMYK 9 / 82 / 0 / 10

HEX #D02AE5

RGB 208 42 229

HSL 293.26, 0.78%, 0.53%

LAB 52.64, 81.86, -59.03

 

CMYK 31 / 82 / 0 / 10

HEX #9D2AE5

RGB 157 42 229

HSL 276.9, 0.78%, 0.53%

LAB 44.92, 73.56, -71.92

 

CMYK 53 / 82 / 0 / 10

HEX #6B2AE5

RGB 107 42 229

HSL 260.86, 0.78%, 0.53%

LAB 38.62, 67.01, -82.49

 

CMYK 76 / 82 / 0 / 10

HEX #382AE5

RGB 56 42 229

HSL 244.49, 0.78%, 0.53%

LAB 34.3, 62.68, -89.77

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 9 / 82 / 0 / 10

HEX #D02AE5

RGB 208 42 229

HSL 293.26, 0.78%, 0.53%

LAB 52.64, 81.86, -59.03

 

CMYK 10 / 91 / 0 / 3

HEX #DF16F8

RGB 223 22 248

HSL 293.36, 0.94%, 0.53%

LAB 55.11, 90.71, -65.6

 

CMYK 9 / 82 / 0 / 10

HEX #D02AE5

RGB 208 42 229

HSL 293.26, 0.78%, 0.53%

LAB 52.64, 81.86, -59.03

 

CMYK 8 / 71 / 0 / 18

HEX #C13DD1

RGB 193 61 209

HSL 293.51, 0.62%, 0.53%

LAB 51.01, 70.12, -50.4

 

CMYK 6 / 58 / 0 / 25

HEX #B250BE

RGB 178 80 190

HSL 293.45, 0.46%, 0.53%

LAB 50.59, 55.36, -40.26

 

CMYK 5 / 41 / 0 / 33

HEX #A264AA

RGB 162 100 170

HSL 293.14, 0.29%, 0.53%

LAB 51.49, 36.59, -27.38

 

CMYK 3 / 21 / 0 / 41

HEX #937797

RGB 147 119 151

HSL 292.5, 0.13%, 0.53%

LAB 53.63, 16.83, -13.16

 

CMYK 53 / 82 / 0 / 10

HEX #6B2AE5

RGB 107 42 229

HSL 260.86, 0.78%, 0.53%

LAB 38.62, 67.01, -82.49

 

CMYK 31 / 82 / 0 / 10

HEX #9D2AE5

RGB 157 42 229

HSL 276.9, 0.78%, 0.53%

LAB 44.92, 73.56, -71.92

 

CMYK 10 / 82 / 0 / 10

HEX #CF2AE5

RGB 207 42 229

HSL 292.94, 0.78%, 0.53%

LAB 52.49, 81.68, -59.3

 

CMYK 0 / 82 / 12 / 10

HEX #E52AC9

RGB 229 42 201

HSL 308.98, 0.78%, 0.53%

LAB 54.59, 81.61, -39.78

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 10 / 87 / 0 / 35

HEX #9715A7

RGB 151 21 167

HSL 293.42, 0.78%, 0.37%

LAB 37.67, 66.08, -47.55

 

CMYK 10 / 88 / 0 / 20

HEX #B819CC

RGB 184 25 204

HSL 293.3, 0.78%, 0.45%

LAB 45.97, 77.12, -55.69

 

CMYK 9 / 82 / 0 / 10

HEX #D02AE5

RGB 208 42 229

HSL 293.26, 0.78%, 0.53%

LAB 52.64, 81.86, -59.03

 

CMYK 7 / 67 / 0 / 9

HEX #D84EE9

RGB 216 78 233

HSL 293.42, 0.78%, 0.61%

LAB 57.97, 73.01, -52.7

 

CMYK 6 / 52 / 0 / 7

HEX #E073EE

RGB 224 115 238

HSL 293.17, 0.78%, 0.69%

LAB 65.19, 59.8, -44

 

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

CMYK 0 / 75 / 82 / 10

HEX #E5392A

RGB 229 57 42

HSL 4.81, 0.78%, 0.53%

LAB 51.56, 64.43, 48.89

 

CMYK 82 / 0 / 42 / 10

HEX #2AE584

RGB 42 229 132

HSL 148.88, 0.78%, 0.53%

LAB 80.85, -65.53, 34.96

 

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

CMYK 0 / 10 / 82 / 10

HEX #E5CF2A

RGB 229 207 42

HSL 52.94, 0.78%, 0.53%

LAB 82.62, -8.32, 76.46

 

CMYK 82 / 0 / 10 / 10

HEX #2AE5CF

RGB 42 229 207

HSL 172.94, 0.78%, 0.53%

LAB 82.4, -48.7, -1.88

 

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

CMYK 0 / 75 / 82 / 10

HEX #E5392A

RGB 229 57 42

HSL 4.81, 0.78%, 0.53%

LAB 51.56, 64.43, 48.89

 

CMYK 72 / 0 / 82 / 10

HEX #3FE52A

RGB 63 229 42

HSL 113.26, 0.78%, 0.53%

LAB 80.33, -72.94, 71.17

 

CMYK 82 / 7 / 0 / 10

HEX #2AD5E5

RGB 42 213 229

HSL 185.13, 0.78%, 0.53%

LAB 78.31, -35.3, -19.69

 

CMYK 9 / 81 / 0 / 10

HEX #D02BE5

RGB 208 43 229

HSL 293.23, 0.78%, 0.53%

LAB 52.72, 81.63, -58.91

 

CMYK 0 / 51 / 82 / 10

HEX #E5712A

RGB 229 113 42

HSL 22.78, 0.78%, 0.53%

LAB 60.46, 40.82, 57.09

 

CMYK 72 / 0 / 82 / 10

HEX #3FE52A

RGB 63 229 42

HSL 113.26, 0.78%, 0.53%

LAB 80.33, -72.94, 71.17

 

CMYK 82 / 31 / 0 / 10

HEX #2A9DE5

RGB 42 157 229

HSL 203.1, 0.78%, 0.53%

LAB 61.88, -6.38, -45.09

 

Description

Color code: HEX #D02BE5 | qconv.com Color code: HEX #D02BE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 43 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 43 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 81 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 81% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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