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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D021AC it is the complementary color #2FDE53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D021AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D021AC shade: #D521A7, #E633BA, #F745CD, #FF57E0 and #FF69F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D021AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D021AC shade: #D021AC, #BF0F99, #AE0086, #9D0073 and #8C0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D021AC shade: #CF20AB, #CF207C, #CF204D and #CF2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D021AC shade: #CF20AB, #C420CF, #9520CF, #6620CF and #3720CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D021AC shade matches the following richer shades: #CF20AB and #E30DB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D021AC shade: #CF20AB, #BC34A0, #A94795, #955B89 and #826E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D021AC shade: #9520CF, #C420CF, #CF20AC, #CF207E and #CF204F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D021AC shade: #881570, #AC1B8E, #CF20AB, #E039BE and #E65DC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D021AC shade: #D021AC, #CF6620 and #20CFAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D021AC shade: #D021AC, #ACCF20 and #20ACCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D021AC shade: #D021AC, #CF6620, #20CF43 and #2089CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D021AC shade: #D021AC, #CF9B20, #20CF43 and #2055CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

Complementary color

CMYK 79 / 0 / 63 / 13

HEX #2FDE53

RGB 47 222 83

HSL 132.34, 0.73%, 0.53%

LAB 78.15, -69.79, 54.67

 

CMYK 0 / 85 / 22 / 16

HEX #D521A7

RGB 213 33 167

HSL 315.33, 0.73%, 0.48%

LAB 49.53, 75.81, -28.08

 

CMYK 0 / 78 / 19 / 10

HEX #E633BA

RGB 230 51 186

HSL 314.75, 0.78%, 0.55%

LAB 54.8, 77.71, -30.77

 

CMYK 0 / 72 / 17 / 3

HEX #F745CD

RGB 247 69 205

HSL 314.16, 0.92%, 0.62%

LAB 60.28, 78.83, -32.93

 

CMYK 0 / 66 / 12 / 0

HEX #FF57E0

RGB 255 87 224

HSL 311.07, 1%, 0.67%

LAB 64.53, 77.24, -36.93

 

CMYK 0 / 59 / 5 / 0

HEX #FF69F3

RGB 255 105 243

HSL 304.8, 1%, 0.71%

LAB 67.9, 73.09, -42.21

 

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

CMYK 0 / 92 / 20 / 25

HEX #BF0F99

RGB 191 15 153

HSL 312.95, 0.85%, 0.4%

LAB 43.83, 72.46, -28.9

 

CMYK 0 / 100 / 23 / 32

HEX #AE0086

RGB 174 0 134

HSL 313.79, 1%, 0.34%

LAB 39.1, 68.35, -24.92

 

CMYK 0 / 100 / 27 / 38

HEX #9D0073

RGB 157 0 115

HSL 316.05, 1%, 0.31%

LAB 34.81, 62.68, -19.97

 

CMYK 0 / 100 / 31 / 45

HEX #8C0060

RGB 140 0 96

HSL 318.86, 1%, 0.27%

LAB 30.45, 56.92, -14.79

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AB

RGB 207 32 171

HSL 312.34, 0.73%, 0.47%

LAB 48.56, 75.26, -32.03

 

CMYK 0 / 85 / 40 / 19

HEX #CF207C

RGB 207 32 124

HSL 328.46, 0.73%, 0.47%

LAB 46.65, 69.96, -6.68

 

CMYK 0 / 85 / 63 / 19

HEX #CF204D

RGB 207 32 77

HSL 344.57, 0.73%, 0.47%

LAB 45.41, 66.37, 20.63

 

CMYK 0 / 85 / 85 / 19

HEX #CF2020

RGB 207 32 32

HSL 0, 0.73%, 0.47%

LAB 44.81, 64.59, 46.16

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AB

RGB 207 32 171

HSL 312.34, 0.73%, 0.47%

LAB 48.56, 75.26, -32.03

 

CMYK 5 / 85 / 0 / 19

HEX #C420CF

RGB 196 32 207

HSL 296.23, 0.73%, 0.47%

LAB 48.6, 78.36, -53.08

 

CMYK 28 / 85 / 0 / 19

HEX #9520CF

RGB 149 32 207

HSL 280.11, 0.73%, 0.47%

LAB 41.1, 70.66, -65.57

 

CMYK 51 / 85 / 0 / 19

HEX #6620CF

RGB 102 32 207

HSL 264, 0.73%, 0.47%

LAB 34.73, 64.48, -76.27

 

CMYK 73 / 85 / 0 / 19

HEX #3720CF

RGB 55 32 207

HSL 247.89, 0.73%, 0.47%

LAB 30.28, 60.46, -83.77

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AB

RGB 207 32 171

HSL 312.34, 0.73%, 0.47%

LAB 48.56, 75.26, -32.03

 

CMYK 0 / 94 / 19 / 11

HEX #E30DB7

RGB 227 13 183

HSL 312.34, 0.89%, 0.47%

LAB 51.88, 83.26, -33.62

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AB

RGB 207 32 171

HSL 312.34, 0.73%, 0.47%

LAB 48.56, 75.26, -32.03

 

CMYK 0 / 72 / 15 / 26

HEX #BC34A0

RGB 188 52 160

HSL 312.35, 0.57%, 0.47%

LAB 46.56, 64.27, -28.87

 

CMYK 0 / 58 / 12 / 34

HEX #A94795

RGB 169 71 149

HSL 312.24, 0.41%, 0.47%

LAB 45.79, 49.89, -23.73

 

CMYK 0 / 39 / 8 / 42

HEX #955B89

RGB 149 91 137

HSL 312.41, 0.24%, 0.47%

LAB 46.55, 30.98, -15.6

 

CMYK 0 / 15 / 3 / 49

HEX #826E7E

RGB 130 110 126

HSL 312, 0.08%, 0.47%

LAB 48.77, 10.86, -5.91

 

CMYK 28 / 85 / 0 / 19

HEX #9520CF

RGB 149 32 207

HSL 280.11, 0.73%, 0.47%

LAB 41.1, 70.66, -65.57

 

CMYK 5 / 85 / 0 / 19

HEX #C420CF

RGB 196 32 207

HSL 296.23, 0.73%, 0.47%

LAB 48.6, 78.36, -53.08

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AC

RGB 207 32 172

HSL 312, 0.73%, 0.47%

LAB 48.61, 75.39, -32.55

 

CMYK 0 / 85 / 39 / 19

HEX #CF207E

RGB 207 32 126

HSL 327.77, 0.73%, 0.47%

LAB 46.72, 70.15, -7.8

 

CMYK 0 / 85 / 62 / 19

HEX #CF204F

RGB 207 32 79

HSL 343.89, 0.73%, 0.47%

LAB 45.45, 66.49, 19.44

 

CMYK 0 / 85 / 18 / 47

HEX #881570

RGB 136 21 112

HSL 312.52, 0.73%, 0.31%

LAB 31.67, 54.4, -23.27

 

CMYK 0 / 84 / 17 / 33

HEX #AC1B8E

RGB 172 27 142

HSL 312.41, 0.73%, 0.39%

LAB 40.42, 65.13, -27.81

 

CMYK 0 / 85 / 17 / 19

HEX #CF20AB

RGB 207 32 171

HSL 312.34, 0.73%, 0.47%

LAB 48.56, 75.26, -32.03

 

CMYK 0 / 75 / 15 / 12

HEX #E039BE

RGB 224 57 190

HSL 312.22, 0.73%, 0.55%

LAB 54.54, 75.24, -33.56

 

CMYK 0 / 60 / 13 / 10

HEX #E65DC9

RGB 230 93 201

HSL 312.7, 0.73%, 0.63%

LAB 60.67, 65.18, -30.27

 

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

CMYK 0 / 51 / 85 / 19

HEX #CF6620

RGB 207 102 32

HSL 24, 0.73%, 0.47%

LAB 54.94, 37.45, 54.95

 

CMYK 85 / 0 / 17 / 19

HEX #20CFAC

RGB 32 207 172

HSL 168, 0.73%, 0.47%

LAB 74.77, -49.48, 5.69

 

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

CMYK 17 / 0 / 85 / 19

HEX #ACCF20

RGB 172 207 32

HSL 72, 0.73%, 0.47%

LAB 78.17, -32.5, 73.32

 

CMYK 85 / 17 / 0 / 19

HEX #20ACCF

RGB 32 172 207

HSL 192, 0.73%, 0.47%

LAB 65.21, -22.96, -27.73

 

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

CMYK 0 / 51 / 85 / 19

HEX #CF6620

RGB 207 102 32

HSL 24, 0.73%, 0.47%

LAB 54.94, 37.45, 54.95

 

CMYK 85 / 0 / 68 / 19

HEX #20CF43

RGB 32 207 67

HSL 132, 0.73%, 0.47%

LAB 73.11, -68.43, 55.67

 

CMYK 85 / 34 / 0 / 19

HEX #2089CF

RGB 32 137 207

HSL 204, 0.73%, 0.47%

LAB 54.77, -3.7, -44.04

 

CMYK 0 / 84 / 17 / 18

HEX #D021AC

RGB 208 33 172

HSL 312.34, 0.73%, 0.47%

LAB 48.85, 75.4, -32.15

 

CMYK 0 / 25 / 85 / 19

HEX #CF9B20

RGB 207 155 32

HSL 42.17, 0.73%, 0.47%

LAB 67.14, 9.07, 65.24

 

CMYK 85 / 0 / 68 / 19

HEX #20CF43

RGB 32 207 67

HSL 132, 0.73%, 0.47%

LAB 73.11, -68.43, 55.67

 

CMYK 85 / 59 / 0 / 19

HEX #2055CF

RGB 32 85 207

HSL 221.83, 0.73%, 0.47%

LAB 40.1, 29.05, -67.63

 

Description

Color code: HEX #D021AC | qconv.com Color code: HEX #D021AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 33 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 33 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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