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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D01E7B it is the complementary color #2FE184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D01E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D01E7B shade: #D51E76, #E63089, #F7429C, #FF54AF and #FF66C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D01E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D01E7B shade: #D01E7B, #BF0C68, #AE0055, #9D0042 and #8C002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D01E7B shade: #D21E7C, #D21E4B and #D21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D01E7B shade: #D21E7C, #D21EAC, #C71ED2, #961ED2 and #661ED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D01E7B shade matches the following richer shades: #D21E7C and #E50B7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D01E7B shade: #D21E7C, #BE317B, #AB457A, #985879 and #846C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D01E7B shade: #C61ED2, #D21EAE, #D21E7E, #D21E4E and #D21E1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D01E7B shade: #8A1451, #AE1967, #D21E7C, #E23790 and #E85BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D01E7B shade: #D01E7B, #D2961E and #1EC6D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D01E7B shade: #D01E7B, #7ED21E and #1E7ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D01E7B shade: #D01E7B, #D2961E, #1ED272 and #1E5AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D01E7B shade: #D01E7B, #D2CC1E, #1ED272 and #1E24D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

Complementary color

CMYK 79 / 0 / 41 / 12

HEX #2FE184

RGB 47 225 132

HSL 148.65, 0.75%, 0.53%

LAB 79.68, -63.64, 33.45

 

CMYK 0 / 86 / 45 / 16

HEX #D51E76

RGB 213 30 118

HSL 331.15, 0.75%, 0.48%

LAB 47.47, 71.23, -1.65

 

CMYK 0 / 79 / 40 / 10

HEX #E63089

RGB 230 48 137

HSL 330.66, 0.78%, 0.55%

LAB 52.67, 73.03, -5.14

 

CMYK 0 / 73 / 37 / 3

HEX #F7429C

RGB 247 66 156

HSL 330.17, 0.92%, 0.61%

LAB 58.1, 74.02, -7.98

 

CMYK 0 / 67 / 31 / 0

HEX #FF54AF

RGB 255 84 175

HSL 328.07, 1%, 0.66%

LAB 62.25, 72.04, -12.65

 

CMYK 0 / 60 / 24 / 0

HEX #FF66C2

RGB 255 102 194

HSL 323.92, 1%, 0.7%

LAB 65.48, 67.28, -18.59

 

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

CMYK 0 / 94 / 46 / 25

HEX #BF0C68

RGB 191 12 104

HSL 329.16, 0.88%, 0.4%

LAB 41.75, 67.62, -1.87

 

CMYK 0 / 100 / 51 / 32

HEX #AE0055

RGB 174 0 85

HSL 330.69, 1%, 0.34%

LAB 37.22, 63.47, 3.2

 

CMYK 0 / 100 / 58 / 38

HEX #9D0042

RGB 157 0 66

HSL 334.78, 1%, 0.31%

LAB 33.05, 58.09, 9.2

 

CMYK 0 / 100 / 66 / 45

HEX #8C002F

RGB 140 0 47

HSL 339.86, 1%, 0.27%

LAB 28.85, 52.73, 15.56

 

CMYK 0 / 86 / 41 / 18

HEX #D21E7C

RGB 210 30 124

HSL 328.67, 0.75%, 0.47%

LAB 47.09, 71.06, -5.96

 

CMYK 0 / 86 / 64 / 18

HEX #D21E4B

RGB 210 30 75

HSL 345, 0.75%, 0.47%

LAB 45.82, 67.45, 22.52

 

CMYK 0 / 86 / 86 / 18

HEX #D21E1E

RGB 210 30 30

HSL 0, 0.75%, 0.47%

LAB 45.25, 65.78, 47.78

 

CMYK 0 / 86 / 41 / 18

HEX #D21E7C

RGB 210 30 124

HSL 328.67, 0.75%, 0.47%

LAB 47.09, 71.06, -5.96

 

CMYK 0 / 86 / 18 / 18

HEX #D21EAC

RGB 210 30 172

HSL 312.67, 0.75%, 0.47%

LAB 49.02, 76.38, -31.86

 

CMYK 5 / 86 / 0 / 18

HEX #C71ED2

RGB 199 30 210

HSL 296.33, 0.75%, 0.47%

LAB 49.16, 79.73, -53.88

 

CMYK 29 / 86 / 0 / 18

HEX #961ED2

RGB 150 30 210

HSL 280, 0.75%, 0.47%

LAB 41.32, 71.89, -66.94

 

CMYK 51 / 86 / 0 / 18

HEX #661ED2

RGB 102 30 210

HSL 264, 0.75%, 0.47%

LAB 34.82, 65.83, -77.86

 

CMYK 0 / 86 / 41 / 18

HEX #D21E7C

RGB 210 30 124

HSL 328.67, 0.75%, 0.47%

LAB 47.09, 71.06, -5.96

 

CMYK 0 / 95 / 45 / 10

HEX #E50B7D

RGB 229 11 125

HSL 328.62, 0.91%, 0.47%

LAB 49.95, 77.94, -1.93

 

CMYK 0 / 86 / 41 / 18

HEX #D21E7C

RGB 210 30 124

HSL 328.67, 0.75%, 0.47%

LAB 47.09, 71.06, -5.96

 

CMYK 0 / 74 / 35 / 25

HEX #BE317B

RGB 190 49 123

HSL 328.51, 0.59%, 0.47%

LAB 45.04, 61.07, -8.79

 

CMYK 0 / 60 / 29 / 33

HEX #AB457A

RGB 171 69 122

HSL 328.82, 0.43%, 0.47%

LAB 44.69, 47.42, -9.04

 

CMYK 0 / 42 / 20 / 40

HEX #985879

RGB 152 88 121

HSL 329.06, 0.27%, 0.47%

LAB 45.68, 30.97, -7.23

 

CMYK 0 / 18 / 9 / 48

HEX #846C78

RGB 132 108 120

HSL 330, 0.1%, 0.47%

LAB 48.24, 11.64, -3.09

 

CMYK 6 / 86 / 0 / 18

HEX #C61ED2

RGB 198 30 210

HSL 296, 0.75%, 0.47%

LAB 48.99, 79.56, -54.16

 

CMYK 0 / 86 / 17 / 18

HEX #D21EAE

RGB 210 30 174

HSL 312, 0.75%, 0.47%

LAB 49.11, 76.64, -32.9

 

CMYK 0 / 86 / 40 / 18

HEX #D21E7E

RGB 210 30 126

HSL 328, 0.75%, 0.47%

LAB 47.15, 71.25, -7.09

 

CMYK 0 / 86 / 63 / 18

HEX #D21E4E

RGB 210 30 78

HSL 344, 0.75%, 0.47%

LAB 45.88, 67.61, 20.75

 

CMYK 0 / 86 / 86 / 18

HEX #D21E1E

RGB 210 30 30

HSL 0, 0.75%, 0.47%

LAB 45.25, 65.78, 47.78

 

CMYK 0 / 86 / 41 / 46

HEX #8A1451

RGB 138 20 81

HSL 328.98, 0.75%, 0.31%

LAB 30.63, 51.32, -4.72

 

CMYK 0 / 86 / 41 / 32

HEX #AE1967

RGB 174 25 103

HSL 328.59, 0.75%, 0.39%

LAB 39.02, 61.46, -5.65

 

CMYK 0 / 86 / 41 / 18

HEX #D21E7C

RGB 210 30 124

HSL 328.67, 0.75%, 0.47%

LAB 47.09, 71.06, -5.96

 

CMYK 0 / 76 / 36 / 11

HEX #E23790

RGB 226 55 144

HSL 328.77, 0.75%, 0.55%

LAB 52.86, 70.79, -9.12

 

CMYK 0 / 61 / 29 / 9

HEX #E85BA4

RGB 232 91 164

HSL 328.94, 0.75%, 0.63%

LAB 59.27, 61.54, -11.15

 

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

CMYK 0 / 29 / 86 / 18

HEX #D2961E

RGB 210 150 30

HSL 40, 0.75%, 0.47%

LAB 66.22, 13.04, 65.17

 

CMYK 86 / 6 / 0 / 18

HEX #1EC6D2

RGB 30 198 210

HSL 184, 0.75%, 0.47%

LAB 73.1, -34.91, -17.34

 

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

CMYK 40 / 0 / 86 / 18

HEX #7ED21E

RGB 126 210 30

HSL 88, 0.75%, 0.47%

LAB 76.45, -51.07, 71.26

 

CMYK 86 / 40 / 0 / 18

HEX #1E7ED2

RGB 30 126 210

HSL 208, 0.75%, 0.47%

LAB 51.67, 3.87, -50.66

 

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

CMYK 0 / 29 / 86 / 18

HEX #D2961E

RGB 210 150 30

HSL 40, 0.75%, 0.47%

LAB 66.22, 13.04, 65.17

 

CMYK 86 / 0 / 46 / 18

HEX #1ED272

RGB 30 210 114

HSL 148, 0.75%, 0.47%

LAB 74.56, -63.22, 35.83

 

CMYK 86 / 57 / 0 / 18

HEX #1E5AD2

RGB 30 90 210

HSL 220, 0.75%, 0.47%

LAB 41.6, 26.8, -66.91

 

CMYK 0 / 86 / 41 / 18

HEX #D01E7B

RGB 208 30 123

HSL 328.65, 0.75%, 0.47%

LAB 46.67, 70.5, -6.01

 

CMYK 0 / 3 / 86 / 18

HEX #D2CC1E

RGB 210 204 30

HSL 58, 0.75%, 0.47%

LAB 80.17, -15.23, 76.56

 

CMYK 86 / 0 / 46 / 18

HEX #1ED272

RGB 30 210 114

HSL 148, 0.75%, 0.47%

LAB 74.56, -63.22, 35.83

 

CMYK 86 / 83 / 0 / 18

HEX #1E24D2

RGB 30 36 210

HSL 238, 0.75%, 0.47%

LAB 29.89, 58.48, -86.2

 

Description

Color code: HEX #D01E7B | qconv.com Color code: HEX #D01E7B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 30 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 30 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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