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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D01CF8 it is the complementary color #2FE307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D01CF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D01CF8 shade: #D51CF3, #E62EFF, #F740FF, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D01CF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D01CF8 shade: #D01CF8, #BF0AE5, #AE00D2, #9D00BF and #8C00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D01CF8 shade: #D01BF8, #F81BE5, #F81BA9, #F81B6E and #F81B32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D01CF8 shade: #D01BF8, #941BF8, #591BF8, #1D1BF8 and #1B1BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D01CF8 shade matches the following richer shades: #D01BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D01CF8 shade: #D01BF8, #C42EE5, #B841D2, #AC54BF and #A067AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D01CF8 shade: #5A1BF8, #951BF8, #D01BF8, #F81BE6 and #F81BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D01CF8 shade: #9A06BB, #BB07E3, #D01BF8, #D843F9 and #E06BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D01CF8 shade: #D01CF8, #F81F1B and #1BF877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D01CF8 shade: #D01CF8, #F8D01B and #1BF8D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D01CF8 shade: #D01CF8, #F81F1B, #44F81B and #1BF4F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D01CF8 shade: #D01CF8, #F8611B, #44F81B and #1BB2F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

Complementary color

CMYK 79 / 0 / 97 / 11

HEX #2FE307

RGB 47 227 7

HSL 109.09, 0.94%, 0.46%

LAB 79.36, -75.68, 75.98

 

CMYK 12 / 88 / 0 / 5

HEX #D51CF3

RGB 213 28 243

HSL 291.63, 0.9%, 0.53%

LAB 53.44, 87.59, -65.6

 

CMYK 10 / 82 / 0 / 0

HEX #E62EFF

RGB 230 46 255

HSL 292.82, 1%, 0.59%

LAB 58.03, 88.93, -64.73

 

CMYK 3 / 75 / 0 / 0

HEX #F740FF

RGB 247 64 255

HSL 297.49, 1%, 0.63%

LAB 62.22, 87.53, -57.88

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

CMYK 17 / 96 / 0 / 10

HEX #BF0AE5

RGB 191 10 229

HSL 289.59, 0.92%, 0.47%

LAB 48.2, 84.17, -66.35

 

CMYK 17 / 100 / 0 / 18

HEX #AE00D2

RGB 174 0 210

HSL 289.71, 1%, 0.41%

LAB 43.73, 79.49, -62.86

 

CMYK 18 / 100 / 0 / 25

HEX #9D00BF

RGB 157 0 191

HSL 289.32, 1%, 0.37%

LAB 39.46, 73.91, -58.85

 

CMYK 19 / 100 / 0 / 33

HEX #8C00AC

RGB 140 0 172

HSL 288.84, 1%, 0.34%

LAB 35.11, 68.21, -54.78

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 0 / 89 / 8 / 3

HEX #F81BE5

RGB 248 27 229

HSL 305.16, 0.94%, 0.54%

LAB 58.41, 91.44, -49.44

 

CMYK 0 / 89 / 32 / 3

HEX #F81BA9

RGB 248 27 169

HSL 321.45, 0.94%, 0.54%

LAB 55.69, 84.31, -19.22

 

CMYK 0 / 89 / 56 / 3

HEX #F81B6E

RGB 248 27 110

HSL 337.47, 0.94%, 0.54%

LAB 53.88, 79.36, 13.3

 

CMYK 0 / 89 / 80 / 3

HEX #F81B32

RGB 248 27 50

HSL 353.76, 0.94%, 0.54%

LAB 52.92, 76.63, 47.33

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 40 / 89 / 0 / 3

HEX #941BF8

RGB 148 27 248

HSL 272.85, 0.94%, 0.54%

LAB 44.03, 79.98, -84.15

 

CMYK 64 / 89 / 0 / 3

HEX #591BF8

RGB 89 27 248

HSL 256.83, 0.94%, 0.54%

LAB 37.27, 74.82, -95.53

 

CMYK 88 / 89 / 0 / 3

HEX #1D1BF8

RGB 29 27 248

HSL 240.54, 0.94%, 0.54%

LAB 33.61, 72.45, -101.73

 

CMYK 89 / 89 / 0 / 3

HEX #1B1BF8

RGB 27 27 248

HSL 240, 0.94%, 0.54%

LAB 33.55, 72.42, -101.83

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 14 / 80 / 0 / 10

HEX #C42EE5

RGB 196 46 229

HSL 289.18, 0.78%, 0.54%

LAB 51.09, 78.79, -61.63

 

CMYK 12 / 69 / 0 / 18

HEX #B841D2

RGB 184 65 210

HSL 289.24, 0.62%, 0.54%

LAB 50.24, 66.91, -52.28

 

CMYK 10 / 56 / 0 / 25

HEX #AC54BF

RGB 172 84 191

HSL 289.35, 0.46%, 0.54%

LAB 50.54, 52.06, -40.98

 

CMYK 7 / 40 / 0 / 33

HEX #A067AC

RGB 160 103 172

HSL 289.57, 0.29%, 0.54%

LAB 52.01, 34.7, -27.76

 

CMYK 64 / 89 / 0 / 3

HEX #5A1BF8

RGB 90 27 248

HSL 257.1, 0.94%, 0.54%

LAB 37.36, 74.89, -95.38

 

CMYK 40 / 89 / 0 / 3

HEX #951BF8

RGB 149 27 248

HSL 273.12, 0.94%, 0.54%

LAB 44.16, 80.09, -83.92

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 0 / 89 / 7 / 3

HEX #F81BE6

RGB 248 27 230

HSL 304.89, 0.94%, 0.54%

LAB 58.47, 91.57, -49.92

 

CMYK 0 / 89 / 31 / 3

HEX #F81BAB

RGB 248 27 171

HSL 320.9, 0.94%, 0.54%

LAB 55.77, 84.51, -20.28

 

CMYK 18 / 97 / 0 / 27

HEX #9A06BB

RGB 154 6 187

HSL 289.06, 0.94%, 0.38%

LAB 38.88, 72.12, -57.47

 

CMYK 18 / 97 / 0 / 11

HEX #BB07E3

RGB 187 7 227

HSL 289.09, 0.94%, 0.46%

LAB 47.32, 83.52, -66.67

 

CMYK 16 / 89 / 0 / 3

HEX #D01BF8

RGB 208 27 248

HSL 289.14, 0.94%, 0.54%

LAB 52.92, 87.81, -69.27

 

CMYK 13 / 73 / 0 / 2

HEX #D843F9

RGB 216 67 249

HSL 289.12, 0.94%, 0.62%

LAB 57.51, 79.71, -62.35

 

CMYK 10 / 57 / 0 / 2

HEX #E06BFA

RGB 224 107 250

HSL 289.09, 0.93%, 0.7%

LAB 64.37, 65.76, -51.9

 

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

CMYK 0 / 88 / 89 / 3

HEX #F81F1B

RGB 248 31 27

HSL 1.09, 0.94%, 0.54%

LAB 52.97, 75.54, 58.39

 

CMYK 89 / 0 / 52 / 3

HEX #1BF877

RGB 27 248 119

HSL 144.98, 0.94%, 0.54%

LAB 86.36, -74.96, 48.17

 

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

CMYK 0 / 16 / 89 / 3

HEX #F8D01B

RGB 248 208 27

HSL 49.14, 0.94%, 0.54%

LAB 84.56, -1.07, 82.04

 

CMYK 89 / 0 / 16 / 3

HEX #1BF8D0

RGB 27 248 208

HSL 169.14, 0.94%, 0.54%

LAB 87.93, -57.12, 5.63

 

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

CMYK 0 / 88 / 89 / 3

HEX #F81F1B

RGB 248 31 27

HSL 1.09, 0.94%, 0.54%

LAB 52.97, 75.54, 58.39

 

CMYK 73 / 0 / 89 / 3

HEX #44F81B

RGB 68 248 27

HSL 108.87, 0.94%, 0.54%

LAB 86.23, -78.37, 79.46

 

CMYK 89 / 2 / 0 / 3

HEX #1BF4F8

RGB 27 244 248

HSL 181.09, 0.94%, 0.54%

LAB 87.83, -44.6, -15.41

 

CMYK 16 / 89 / 0 / 3

HEX #D01CF8

RGB 208 28 248

HSL 289.09, 0.94%, 0.54%

LAB 52.97, 87.66, -69.19

 

CMYK 0 / 61 / 89 / 3

HEX #F8611B

RGB 248 97 27

HSL 19, 0.94%, 0.54%

LAB 60.41, 55.01, 63.75

 

CMYK 73 / 0 / 89 / 3

HEX #44F81B

RGB 68 248 27

HSL 108.87, 0.94%, 0.54%

LAB 86.23, -78.37, 79.46

 

CMYK 89 / 28 / 0 / 3

HEX #1BB2F8

RGB 27 178 248

HSL 199, 0.94%, 0.54%

LAB 68.64, -12.3, -44.87

 

Description

Color code: HEX #D01CF8 | qconv.com Color code: HEX #D01CF8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 28 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 28 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 89 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 89% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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