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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D01CA7 it is the complementary color #2FE358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D01CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D01CA7 shade: #D51CA2, #E62EB5, #F740C8, #FF52DB and #FF64EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D01CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D01CA7 shade: #D01CA7, #BF0A94, #AE0081, #9D006E and #8C005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D01CA7 shade: #CE1CA6, #CE1C76, #CE1C46 and #CE1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D01CA7 shade: #CE1CA6, #C71CCE, #971CCE, #671CCE and #371CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D01CA7 shade matches the following richer shades: #CE1CA6 and #E109B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D01CA7 shade: #CE1CA6, #BB2F9B, #A84291, #965587 and #83687D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D01CA7 shade: #961CCE, #C61CCE, #CE1CA8, #CE1C78 and #CE1C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D01CA7 shade: #86126B, #AA1789, #CE1CA6, #E331BA and #E855C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D01CA7 shade: #D01CA7, #CE661C and #1CCEAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D01CA7 shade: #D01CA7, #A8CE1C and #1CA8CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D01CA7 shade: #D01CA7, #CE661C, #1CCE43 and #1C84CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D01CA7 shade: #D01CA7, #CE9C1C, #1CCE43 and #1C4FCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

Complementary color

CMYK 79 / 0 / 61 / 11

HEX #2FE358

RGB 47 227 88

HSL 133.67, 0.76%, 0.54%

LAB 79.75, -70.78, 54.35

 

CMYK 0 / 87 / 24 / 16

HEX #D51CA2

RGB 213 28 162

HSL 316.54, 0.77%, 0.47%

LAB 48.99, 76.12, -25.94

 

CMYK 0 / 80 / 21 / 10

HEX #E62EB5

RGB 230 46 181

HSL 315.98, 0.79%, 0.54%

LAB 54.15, 78.33, -28.88

 

CMYK 0 / 74 / 19 / 3

HEX #F740C8

RGB 247 64 200

HSL 315.41, 0.92%, 0.61%

LAB 59.54, 79.69, -31.24

 

CMYK 0 / 68 / 14 / 0

HEX #FF52DB

RGB 255 82 219

HSL 312.49, 1%, 0.66%

LAB 63.68, 78.31, -35.45

 

CMYK 0 / 61 / 7 / 0

HEX #FF64EE

RGB 255 100 238

HSL 306.58, 1%, 0.7%

LAB 66.94, 74.35, -40.96

 

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

CMYK 0 / 95 / 23 / 25

HEX #BF0A94

RGB 191 10 148

HSL 314.25, 0.9%, 0.39%

LAB 43.41, 72.38, -26.53

 

CMYK 0 / 100 / 26 / 32

HEX #AE0081

RGB 174 0 129

HSL 315.52, 1%, 0.34%

LAB 38.87, 67.75, -22.19

 

CMYK 0 / 100 / 30 / 38

HEX #9D006E

RGB 157 0 110

HSL 317.96, 1%, 0.31%

LAB 34.59, 62.1, -17.14

 

CMYK 0 / 100 / 35 / 45

HEX #8C005B

RGB 140 0 91

HSL 321, 1%, 0.27%

LAB 30.23, 56.37, -11.86

 

CMYK 0 / 86 / 19 / 19

HEX #CE1CA6

RGB 206 28 166

HSL 313.48, 0.76%, 0.46%

LAB 47.89, 75.16, -30.13

 

CMYK 0 / 86 / 43 / 19

HEX #CE1C76

RGB 206 28 118

HSL 329.66, 0.76%, 0.46%

LAB 45.99, 69.95, -3.99

 

CMYK 0 / 86 / 66 / 19

HEX #CE1C46

RGB 206 28 70

HSL 345.84, 0.76%, 0.46%

LAB 44.79, 66.54, 24.12

 

CMYK 0 / 86 / 86 / 19

HEX #CE1C1C

RGB 206 28 28

HSL 0, 0.76%, 0.46%

LAB 44.28, 65.05, 47.6

 

CMYK 0 / 86 / 19 / 19

HEX #CE1CA6

RGB 206 28 166

HSL 313.48, 0.76%, 0.46%

LAB 47.89, 75.16, -30.13

 

CMYK 3 / 86 / 0 / 19

HEX #C71CCE

RGB 199 28 206

HSL 297.64, 0.76%, 0.46%

LAB 48.8, 79.46, -52.17

 

CMYK 27 / 86 / 0 / 19

HEX #971CCE

RGB 151 28 206

HSL 281.46, 0.76%, 0.46%

LAB 41, 71.72, -65.14

 

CMYK 50 / 86 / 0 / 19

HEX #671CCE

RGB 103 28 206

HSL 265.28, 0.76%, 0.46%

LAB 34.34, 65.57, -76.33

 

CMYK 73 / 86 / 0 / 19

HEX #371CCE

RGB 55 28 206

HSL 249.1, 0.76%, 0.46%

LAB 29.66, 61.67, -84.21

 

CMYK 0 / 86 / 19 / 19

HEX #CE1CA6

RGB 206 28 166

HSL 313.48, 0.76%, 0.46%

LAB 47.89, 75.16, -30.13

 

CMYK 0 / 96 / 22 / 12

HEX #E109B0

RGB 225 9 176

HSL 313.61, 0.92%, 0.46%

LAB 51.08, 82.36, -30.8

 

CMYK 0 / 86 / 19 / 19

HEX #CE1CA6

RGB 206 28 166

HSL 313.48, 0.76%, 0.46%

LAB 47.89, 75.16, -30.13

 

CMYK 0 / 75 / 17 / 27

HEX #BB2F9B

RGB 187 47 155

HSL 313.71, 0.6%, 0.46%

LAB 45.59, 64.95, -27.42

 

CMYK 0 / 61 / 14 / 34

HEX #A84291

RGB 168 66 145

HSL 313.53, 0.44%, 0.46%

LAB 44.61, 51.26, -23.16

 

CMYK 0 / 43 / 10 / 41

HEX #965587

RGB 150 85 135

HSL 313.85, 0.28%, 0.46%

LAB 45.26, 34.32, -16.35

 

CMYK 0 / 21 / 5 / 49

HEX #83687D

RGB 131 104 125

HSL 313.33, 0.11%, 0.46%

LAB 47.24, 14.59, -7.57

 

CMYK 27 / 86 / 0 / 19

HEX #961CCE

RGB 150 28 206

HSL 281.12, 0.76%, 0.46%

LAB 40.85, 71.57, -65.4

 

CMYK 4 / 86 / 0 / 19

HEX #C61CCE

RGB 198 28 206

HSL 297.3, 0.76%, 0.46%

LAB 48.63, 79.29, -52.45

 

CMYK 0 / 86 / 18 / 19

HEX #CE1CA8

RGB 206 28 168

HSL 312.81, 0.76%, 0.46%

LAB 47.98, 75.42, -31.17

 

CMYK 0 / 86 / 42 / 19

HEX #CE1C78

RGB 206 28 120

HSL 328.99, 0.76%, 0.46%

LAB 46.05, 70.13, -5.13

 

CMYK 0 / 86 / 65 / 19

HEX #CE1C49

RGB 206 28 73

HSL 344.83, 0.76%, 0.46%

LAB 44.85, 66.7, 22.34

 

CMYK 0 / 87 / 20 / 47

HEX #86126B

RGB 134 18 107

HSL 313.97, 0.76%, 0.3%

LAB 30.79, 53.95, -21.48

 

CMYK 0 / 86 / 19 / 33

HEX #AA1789

RGB 170 23 137

HSL 313.47, 0.76%, 0.38%

LAB 39.52, 64.86, -26.18

 

CMYK 0 / 86 / 19 / 19

HEX #CE1CA6

RGB 206 28 166

HSL 313.48, 0.76%, 0.46%

LAB 47.89, 75.16, -30.13

 

CMYK 0 / 78 / 18 / 11

HEX #E331BA

RGB 227 49 186

HSL 313.82, 0.76%, 0.54%

LAB 54.1, 77.57, -31.89

 

CMYK 0 / 63 / 15 / 9

HEX #E855C6

RGB 232 85 198

HSL 313.88, 0.76%, 0.62%

LAB 59.64, 68.55, -30.12

 

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

CMYK 0 / 50 / 86 / 19

HEX #CE661C

RGB 206 102 28

HSL 24.94, 0.76%, 0.46%

LAB 54.77, 36.95, 56.21

 

CMYK 86 / 0 / 16 / 19

HEX #1CCEAE

RGB 28 206 174

HSL 169.21, 0.76%, 0.46%

LAB 74.47, -48.82, 4.19

 

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

CMYK 18 / 0 / 86 / 19

HEX #A8CE1C

RGB 168 206 28

HSL 72.81, 0.76%, 0.46%

LAB 77.61, -33.76, 73.58

 

CMYK 86 / 18 / 0 / 19

HEX #1CA8CE

RGB 28 168 206

HSL 192.81, 0.76%, 0.46%

LAB 63.92, -21.51, -29.17

 

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

CMYK 0 / 50 / 86 / 19

HEX #CE661C

RGB 206 102 28

HSL 24.94, 0.76%, 0.46%

LAB 54.77, 36.95, 56.21

 

CMYK 86 / 0 / 67 / 19

HEX #1CCE43

RGB 28 206 67

HSL 133.15, 0.76%, 0.46%

LAB 72.76, -68.47, 55.27

 

CMYK 86 / 36 / 0 / 19

HEX #1C84CE

RGB 28 132 206

HSL 204.94, 0.76%, 0.46%

LAB 53.17, -1.41, -46

 

CMYK 0 / 87 / 20 / 18

HEX #D01CA7

RGB 208 28 167

HSL 313.67, 0.76%, 0.46%

LAB 48.3, 75.7, -30.06

 

CMYK 0 / 24 / 86 / 19

HEX #CE9C1C

RGB 206 156 28

HSL 43.15, 0.76%, 0.46%

LAB 67.26, 7.99, 66.38

 

CMYK 86 / 0 / 67 / 19

HEX #1CCE43

RGB 28 206 67

HSL 133.15, 0.76%, 0.46%

LAB 72.76, -68.47, 55.27

 

CMYK 86 / 62 / 0 / 19

HEX #1C4FCE

RGB 28 79 206

HSL 222.81, 0.76%, 0.46%

LAB 38.37, 32.3, -69.89

 

Description

Color code: HEX #D01CA7 | qconv.com Color code: HEX #D01CA7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 28 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 28 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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