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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D014EC it is the complementary color #2FEB13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D014EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D014EC shade: #D514E7, #E626FA, #F738FF, #FF4AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D014EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D014EC shade: #D014EC, #BF02D9, #AE00C6, #9D00B3 and #8C00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D014EC shade: #D013EC, #EC13CE, #EC1393, #EC1359 and #EC131E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D014EC shade: #D013EC, #9513EC, #5B13EC, #2013EC and #1313EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D014EC shade matches the following richer shades: #D013EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D014EC shade: #D013EC, #C028D7, #B13CC3, #A251AE and #936699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D014EC shade: #5B13EC, #9513EC, #CF13EC, #EC13CF and #EC1395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D014EC shade: #8D0DA0, #AE10C6, #D013EC, #D739EF and #DF5FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D014EC shade: #D014EC, #EC2213 and #13EC78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D014EC shade: #D014EC, #ECCF13 and #13ECCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D014EC shade: #D014EC, #EC2213, #30EC13 and #13DDEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D014EC shade: #D014EC, #EC6313, #30EC13 and #139CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

Complementary color

CMYK 80 / 0 / 92 / 8

HEX #2FEB13

RGB 47 235 19

HSL 112.22, 0.85%, 0.5%

LAB 81.88, -77.71, 76.81

 

CMYK 8 / 91 / 0 / 9

HEX #D514E7

RGB 213 20 231

HSL 294.88, 0.84%, 0.49%

LAB 52.3, 86.77, -60.67

 

CMYK 8 / 85 / 0 / 2

HEX #E626FA

RGB 230 38 250

HSL 294.34, 0.95%, 0.56%

LAB 57.18, 89.74, -63.32

 

CMYK 3 / 78 / 0 / 0

HEX #F738FF

RGB 247 56 255

HSL 297.59, 1%, 0.61%

LAB 61.5, 89.61, -59.03

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

CMYK 12 / 99 / 0 / 15

HEX #BF02D9

RGB 191 2 217

HSL 292.74, 0.98%, 0.43%

LAB 47.14, 82.87, -61.21

 

CMYK 12 / 100 / 0 / 22

HEX #AE00C6

RGB 174 0 198

HSL 292.73, 1%, 0.39%

LAB 42.88, 77.51, -57.28

 

CMYK 12 / 100 / 0 / 30

HEX #9D00B3

RGB 157 0 179

HSL 292.63, 1%, 0.35%

LAB 38.59, 71.88, -53.18

 

CMYK 13 / 100 / 0 / 37

HEX #8C00A0

RGB 140 0 160

HSL 292.5, 1%, 0.31%

LAB 34.22, 66.14, -49

 

CMYK 12 / 92 / 0 / 7

HEX #D013EC

RGB 208 19 236

HSL 292.26, 0.85%, 0.5%

LAB 51.76, 86.9, -64.41

 

CMYK 0 / 92 / 13 / 7

HEX #EC13CE

RGB 236 19 206

HSL 308.29, 0.85%, 0.5%

LAB 54.82, 87.21, -42.2

 

CMYK 0 / 92 / 38 / 7

HEX #EC1393

RGB 236 19 147

HSL 324.61, 0.85%, 0.5%

LAB 52.29, 80.62, -11.57

 

CMYK 0 / 92 / 62 / 7

HEX #EC1359

RGB 236 19 89

HSL 340.65, 0.85%, 0.5%

LAB 50.71, 76.31, 21.33

 

CMYK 0 / 92 / 87 / 7

HEX #EC131E

RGB 236 19 30

HSL 356.96, 0.85%, 0.5%

LAB 49.97, 74.24, 53.8

 

CMYK 12 / 92 / 0 / 7

HEX #D013EC

RGB 208 19 236

HSL 292.26, 0.85%, 0.5%

LAB 51.76, 86.9, -64.41

 

CMYK 37 / 92 / 0 / 7

HEX #9513EC

RGB 149 19 236

HSL 275.94, 0.85%, 0.5%

LAB 42.63, 79.06, -79.67

 

CMYK 61 / 92 / 0 / 7

HEX #5B13EC

RGB 91 19 236

HSL 259.91, 0.85%, 0.5%

LAB 35.49, 73.9, -91.7

 

CMYK 86 / 92 / 0 / 7

HEX #2013EC

RGB 32 19 236

HSL 243.59, 0.85%, 0.5%

LAB 31.41, 71.53, -98.6

 

CMYK 92 / 92 / 0 / 7

HEX #1313EC

RGB 19 19 236

HSL 240, 0.85%, 0.5%

LAB 31.02, 71.33, -99.26

 

CMYK 12 / 92 / 0 / 7

HEX #D013EC

RGB 208 19 236

HSL 292.26, 0.85%, 0.5%

LAB 51.76, 86.9, -64.41

 

CMYK 12 / 92 / 0 / 7

HEX #D013EC

RGB 208 19 236

HSL 292.26, 0.85%, 0.5%

LAB 51.76, 86.9, -64.41

 

CMYK 11 / 81 / 0 / 16

HEX #C028D7

RGB 192 40 215

HSL 292.11, 0.69%, 0.5%

LAB 49.04, 77.21, -57

 

CMYK 9 / 69 / 0 / 24

HEX #B13CC3

RGB 177 60 195

HSL 292, 0.53%, 0.5%

LAB 47.65, 64.56, -47.84

 

CMYK 7 / 53 / 0 / 32

HEX #A251AE

RGB 162 81 174

HSL 292.26, 0.36%, 0.5%

LAB 47.78, 47.49, -35.52

 

CMYK 4 / 33 / 0 / 40

HEX #936699

RGB 147 102 153

HSL 292.94, 0.2%, 0.5%

LAB 49.5, 27.12, -20.62

 

CMYK 61 / 92 / 0 / 7

HEX #5B13EC

RGB 91 19 236

HSL 259.91, 0.85%, 0.5%

LAB 35.49, 73.9, -91.7

 

CMYK 37 / 92 / 0 / 7

HEX #9513EC

RGB 149 19 236

HSL 275.94, 0.85%, 0.5%

LAB 42.63, 79.06, -79.67

 

CMYK 12 / 92 / 0 / 7

HEX #CF13EC

RGB 207 19 236

HSL 291.98, 0.85%, 0.5%

LAB 51.6, 86.75, -64.68

 

CMYK 0 / 92 / 12 / 7

HEX #EC13CF

RGB 236 19 207

HSL 308.02, 0.85%, 0.5%

LAB 54.87, 87.34, -42.69

 

CMYK 0 / 92 / 37 / 7

HEX #EC1395

RGB 236 19 149

HSL 324.06, 0.85%, 0.5%

LAB 52.36, 80.81, -12.65

 

CMYK 12 / 92 / 0 / 37

HEX #8D0DA0

RGB 141 13 160

HSL 292.24, 0.85%, 0.34%

LAB 34.98, 64.56, -47.76

 

CMYK 12 / 92 / 0 / 22

HEX #AE10C6

RGB 174 16 198

HSL 292.09, 0.85%, 0.42%

LAB 43.43, 75.88, -56.39

 

CMYK 12 / 92 / 0 / 7

HEX #D013EC

RGB 208 19 236

HSL 292.26, 0.85%, 0.5%

LAB 51.76, 86.9, -64.41

 

CMYK 10 / 76 / 0 / 6

HEX #D739EF

RGB 215 57 239

HSL 292.09, 0.85%, 0.58%

LAB 55.69, 80.88, -59.71

 

CMYK 8 / 61 / 0 / 5

HEX #DF5FF2

RGB 223 95 242

HSL 292.24, 0.85%, 0.66%

LAB 61.9, 69.34, -51.41

 

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

CMYK 0 / 86 / 92 / 7

HEX #EC2213

RGB 236 34 19

HSL 4.15, 0.85%, 0.5%

LAB 50.72, 71.78, 58.73

 

CMYK 92 / 0 / 49 / 7

HEX #13EC78

RGB 19 236 120

HSL 147.93, 0.85%, 0.5%

LAB 82.64, -71.44, 43.09

 

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

CMYK 0 / 12 / 92 / 7

HEX #ECCF13

RGB 236 207 19

HSL 51.98, 0.85%, 0.5%

LAB 83.18, -5.8, 81.75

 

CMYK 92 / 0 / 12 / 7

HEX #13ECCF

RGB 19 236 207

HSL 171.98, 0.85%, 0.5%

LAB 84.29, -52.9, 0.87

 

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

CMYK 0 / 86 / 92 / 7

HEX #EC2213

RGB 236 34 19

HSL 4.15, 0.85%, 0.5%

LAB 50.72, 71.78, 58.73

 

CMYK 80 / 0 / 92 / 7

HEX #30EC13

RGB 48 236 19

HSL 111.98, 0.85%, 0.5%

LAB 82.2, -77.87, 77.09

 

CMYK 92 / 6 / 0 / 7

HEX #13DDEC

RGB 19 221 236

HSL 184.15, 0.85%, 0.5%

LAB 80.69, -38.15, -19.85

 

CMYK 12 / 92 / 0 / 7

HEX #D014EC

RGB 208 20 236

HSL 292.22, 0.85%, 0.5%

LAB 51.8, 86.79, -64.35

 

CMYK 0 / 58 / 92 / 7

HEX #EC6313

RGB 236 99 19

HSL 22.12, 0.85%, 0.5%

LAB 58.79, 49.71, 64.03

 

CMYK 80 / 0 / 92 / 7

HEX #30EC13

RGB 48 236 19

HSL 111.98, 0.85%, 0.5%

LAB 82.2, -77.87, 77.09

 

CMYK 92 / 34 / 0 / 7

HEX #139CEC

RGB 19 156 236

HSL 202.12, 0.85%, 0.5%

LAB 61.63, -4.72, -49.37

 

Description

Color code: HEX #D014EC | qconv.com Color code: HEX #D014EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 20 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 20 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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