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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFFE5E it is the complementary color #3001A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFFE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFFE5E shade: #D4FE59, #E5FF6C, #F6FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFFE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFFE5E shade: #CFFE5E, #BEEC4B, #ADDA38, #9CC825 and #8BB612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFFE5E shade: #CFFE5D, #FAFE5D, #FED75D, #FEAB5D and #FE7F5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFFE5E shade: #CFFE5D, #A3FE5D, #78FE5D, #5DFE6D and #5DFE99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFFE5E shade matches the following richer shades: #CFFE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFFE5E shade: #CFFE5D, #C9F16A, #C4E477, #BED784 and #B9C991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFFE5E shade: #FED65D, #FBFE5D, #D0FE5D, #A5FE5D and #7AFE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFFE5E shade: #B6FE0B, #C3FE34, #CFFE5D, #DBFE86 and #E7FFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFFE5E shade: #CFFE5E, #5DFEAB and #EB5DFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFFE5E shade: #CFFE5E, #5DD0FE and #FE5DD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFFE5E shade: #CFFE5E, #5DFEAB, #8A5DFE and #FE5DB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFFE5E shade: #CFFE5E, #5DFEDB, #8A5DFE and #FE5D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

Complementary color

CMYK 70 / 99 / 0 / 37

HEX #3001A1

RGB 48 1 161

HSL 257.63, 0.99%, 0.32%

LAB 20.92, 56.88, -71.95

 

CMYK 17 / 0 / 65 / 0

HEX #D4FE59

RGB 212 254 89

HSL 75.27, 0.99%, 0.67%

LAB 94.14, -35.6, 71.52

 

CMYK 10 / 0 / 58 / 0

HEX #E5FF6C

RGB 229 255 108

HSL 70.61, 1%, 0.71%

LAB 95.69, -28.22, 65.86

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF7F

RGB 246 255 127

HSL 64.22, 1%, 0.75%

LAB 97.08, -20.12, 59.46

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

CMYK 19 / 0 / 68 / 7

HEX #BEEC4B

RGB 190 236 75

HSL 77.14, 0.81%, 0.61%

LAB 87.7, -36.74, 69.68

 

CMYK 21 / 0 / 74 / 15

HEX #ADDA38

RGB 173 218 56

HSL 76.67, 0.69%, 0.54%

LAB 81.46, -36.21, 69.75

 

CMYK 22 / 0 / 82 / 22

HEX #9CC825

RGB 156 200 37

HSL 76.2, 0.69%, 0.46%

LAB 75.15, -35.52, 69.12

 

CMYK 24 / 0 / 90 / 29

HEX #8BB612

RGB 139 182 18

HSL 75.73, 0.82%, 0.39%

LAB 68.74, -34.63, 67.35

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5D

RGB 207 254 93

HSL 77.52, 0.99%, 0.68%

LAB 93.86, -37.23, 69.57

 

CMYK 2 / 0 / 63 / 0

HEX #FAFE5D

RGB 250 254 93

HSL 61.49, 0.99%, 0.68%

LAB 96.82, -20.5, 73.6

 

CMYK 0 / 15 / 63 / 0

HEX #FED75D

RGB 254 215 93

HSL 45.47, 0.99%, 0.68%

LAB 87.22, 0.39, 63.5

 

CMYK 0 / 33 / 63 / 0

HEX #FEAB5D

RGB 254 171 93

HSL 29.07, 0.99%, 0.68%

LAB 76.67, 23.22, 51.72

 

CMYK 0 / 50 / 63 / 0

HEX #FE7F5D

RGB 254 127 93

HSL 12.67, 0.99%, 0.68%

LAB 67.31, 45.72, 40.69

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5D

RGB 207 254 93

HSL 77.52, 0.99%, 0.68%

LAB 93.86, -37.23, 69.57

 

CMYK 36 / 0 / 63 / 0

HEX #A3FE5D

RGB 163 254 93

HSL 93.91, 0.99%, 0.68%

LAB 91.44, -52.81, 66.26

 

CMYK 53 / 0 / 63 / 0

HEX #78FE5D

RGB 120 254 93

HSL 109.94, 0.99%, 0.68%

LAB 89.7, -65.45, 63.87

 

CMYK 63 / 0 / 57 / 0

HEX #5DFE6D

RGB 93 254 109

HSL 125.96, 0.99%, 0.68%

LAB 89.07, -69.9, 56.19

 

CMYK 63 / 0 / 40 / 0

HEX #5DFE99

RGB 93 254 153

HSL 142.36, 0.99%, 0.68%

LAB 89.63, -63.58, 36.19

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5D

RGB 207 254 93

HSL 77.52, 0.99%, 0.68%

LAB 93.86, -37.23, 69.57

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5D

RGB 207 254 93

HSL 77.52, 0.99%, 0.68%

LAB 93.86, -37.23, 69.57

 

CMYK 17 / 0 / 56 / 5

HEX #C9F16A

RGB 201 241 106

HSL 77.78, 0.83%, 0.68%

LAB 90.03, -32.58, 59.84

 

CMYK 14 / 0 / 48 / 11

HEX #C4E477

RGB 196 228 119

HSL 77.61, 0.67%, 0.68%

LAB 86.28, -27.17, 49.4

 

CMYK 12 / 0 / 39 / 16

HEX #BED784

RGB 190 215 132

HSL 78.07, 0.51%, 0.68%

LAB 82.49, -21.72, 38.21

 

CMYK 8 / 0 / 28 / 21

HEX #B9C991

RGB 185 201 145

HSL 77.14, 0.34%, 0.68%

LAB 78.54, -14.92, 26.24

 

CMYK 0 / 16 / 63 / 0

HEX #FED65D

RGB 254 214 93

HSL 45.09, 0.99%, 0.68%

LAB 86.97, 0.9, 63.23

 

CMYK 1 / 0 / 63 / 0

HEX #FBFE5D

RGB 251 254 93

HSL 61.12, 0.99%, 0.68%

LAB 96.9, -20.1, 73.7

 

CMYK 18 / 0 / 63 / 0

HEX #D0FE5D

RGB 208 254 93

HSL 77.14, 0.99%, 0.68%

LAB 93.92, -36.85, 69.66

 

CMYK 35 / 0 / 63 / 0

HEX #A5FE5D

RGB 165 254 93

HSL 93.17, 0.99%, 0.68%

LAB 91.54, -52.15, 66.4

 

CMYK 52 / 0 / 63 / 0

HEX #7AFE5D

RGB 122 254 93

HSL 109.19, 0.99%, 0.68%

LAB 89.77, -64.94, 63.96

 

CMYK 28 / 0 / 96 / 0

HEX #B6FE0B

RGB 182 254 11

HSL 77.78, 0.99%, 0.52%

LAB 92.07, -49.67, 87.75

 

CMYK 23 / 0 / 80 / 0

HEX #C3FE34

RGB 195 254 52

HSL 77.52, 0.99%, 0.6%

LAB 92.9, -43.91, 81.93

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5D

RGB 207 254 93

HSL 77.52, 0.99%, 0.68%

LAB 93.86, -37.23, 69.57

 

CMYK 14 / 0 / 47 / 0

HEX #DBFE86

RGB 219 254 134

HSL 77.5, 0.98%, 0.76%

LAB 95.02, -29.25, 53.32

 

CMYK 9 / 0 / 31 / 0

HEX #E7FFAF

RGB 231 255 175

HSL 78, 1%, 0.84%

LAB 96.66, -20.59, 35.72

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

CMYK 63 / 0 / 33 / 0

HEX #5DFEAB

RGB 93 254 171

HSL 149.07, 0.99%, 0.68%

LAB 89.93, -60.35, 27.59

 

CMYK 7 / 63 / 0 / 0

HEX #EB5DFE

RGB 235 93 254

HSL 292.92, 0.99%, 0.68%

LAB 63.87, 75.04, -54.8

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

CMYK 63 / 18 / 0 / 0

HEX #5DD0FE

RGB 93 208 254

HSL 197.14, 0.99%, 0.68%

LAB 78.81, -19.07, -32.19

 

CMYK 0 / 63 / 18 / 0

HEX #FE5DD0

RGB 254 93 208

HSL 317.14, 0.99%, 0.68%

LAB 64.53, 72.5, -27.97

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

CMYK 63 / 0 / 33 / 0

HEX #5DFEAB

RGB 93 254 171

HSL 149.07, 0.99%, 0.68%

LAB 89.93, -60.35, 27.59

 

CMYK 46 / 63 / 0 / 0

HEX #8A5DFE

RGB 138 93 254

HSL 256.77, 0.99%, 0.68%

LAB 52.27, 54.59, -74.07

 

CMYK 0 / 63 / 31 / 0

HEX #FE5DB0

RGB 254 93 176

HSL 329.07, 0.99%, 0.68%

LAB 63.37, 68.45, -11.56

 

CMYK 19 / 0 / 63 / 0

HEX #CFFE5E

RGB 207 254 94

HSL 77.63, 0.99%, 0.68%

LAB 93.86, -37.16, 69.19

 

CMYK 63 / 0 / 14 / 0

HEX #5DFEDB

RGB 93 254 219

HSL 166.96, 0.99%, 0.68%

LAB 90.93, -50.02, 4.37

 

CMYK 46 / 63 / 0 / 0

HEX #8A5DFE

RGB 138 93 254

HSL 256.77, 0.99%, 0.68%

LAB 52.27, 54.59, -74.07

 

CMYK 0 / 63 / 50 / 0

HEX #FE5D80

RGB 254 93 128

HSL 346.96, 0.99%, 0.68%

LAB 62.05, 63.64, 14.2

 

Description

Color code: HEX #CFFE5E | qconv.com Color code: HEX #CFFE5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 254 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 254 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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