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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFEB5E it is the complementary color #3014A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFEB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFEB5E shade: #D4EB59, #E5FD6C, #F6FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFEB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFEB5E shade: #CFEB5E, #BED94B, #ADC738, #9CB525 and #8BA312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFEB5E shade: #D0EB60, #EBE160, #EBBC60, #EB9660 and #EB7160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFEB5E shade: #D0EB60, #AAEB60, #85EB60, #60EB61 and #60EB87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFEB5E shade matches the following richer shades: #D0EB60 and #D8FA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFEB5E shade: #D0EB60, #C7DD6F, #BECE7D, #B6C08B and #ADB29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFEB5E shade: #EBBB60, #EBE060, #D2EB60, #ADEB60 and #88EB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFEB5E shade: #B7DE1B, #C5E73B, #D0EB60, #DBF085 and #E6F4AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFEB5E shade: #CFEB5E, #60EB96 and #CD60EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFEB5E shade: #CFEB5E, #60D2EB and #EB60D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFEB5E shade: #CFEB5E, #60EB96, #7A60EB and #EB60B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFEB5E shade: #CFEB5E, #60EBBF, #7A60EB and #EB608C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

Complementary color

CMYK 70 / 88 / 0 / 37

HEX #3014A1

RGB 48 20 161

HSL 251.91, 0.78%, 0.35%

LAB 22.66, 51.59, -69.05

 

CMYK 10 / 0 / 62 / 8

HEX #D4EB59

RGB 212 235 89

HSL 69.45, 0.78%, 0.64%

LAB 88.99, -26.82, 66.07

 

CMYK 9 / 0 / 57 / 1

HEX #E5FD6C

RGB 229 253 108

HSL 69.93, 0.97%, 0.71%

LAB 95.16, -27.28, 65.27

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF7F

RGB 246 255 127

HSL 64.22, 1%, 0.75%

LAB 97.08, -20.12, 59.46

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

CMYK 12 / 0 / 65 / 15

HEX #BED94B

RGB 190 217 75

HSL 71.41, 0.65%, 0.57%

LAB 82.42, -27.96, 64.26

 

CMYK 13 / 0 / 72 / 22

HEX #ADC738

RGB 173 199 56

HSL 70.91, 0.56%, 0.5%

LAB 76.08, -27.36, 64.57

 

CMYK 14 / 0 / 80 / 29

HEX #9CB525

RGB 156 181 37

HSL 70.42, 0.66%, 0.43%

LAB 69.65, -26.6, 64.22

 

CMYK 15 / 0 / 89 / 36

HEX #8BA312

RGB 139 163 18

HSL 69.93, 0.8%, 0.35%

LAB 63.12, -25.63, 62.75

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 0 / 4 / 59 / 8

HEX #EBE160

RGB 235 225 96

HSL 55.68, 0.78%, 0.65%

LAB 88.14, -12.24, 62.73

 

CMYK 0 / 20 / 59 / 8

HEX #EBBC60

RGB 235 188 96

HSL 39.71, 0.78%, 0.65%

LAB 78.74, 6.67, 52.14

 

CMYK 0 / 36 / 59 / 8

HEX #EB9660

RGB 235 150 96

HSL 23.31, 0.78%, 0.65%

LAB 69.7, 26.79, 41.43

 

CMYK 0 / 52 / 59 / 8

HEX #EB7160

RGB 235 113 96

HSL 7.34, 0.78%, 0.65%

LAB 61.93, 45.78, 31.78

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 28 / 0 / 59 / 8

HEX #AAEB60

RGB 170 235 96

HSL 88.06, 0.78%, 0.65%

LAB 86.41, -42.15, 59.57

 

CMYK 43 / 0 / 59 / 8

HEX #85EB60

RGB 133 235 96

HSL 104.03, 0.78%, 0.65%

LAB 84.61, -54.37, 57.05

 

CMYK 59 / 0 / 59 / 8

HEX #60EB61

RGB 96 235 97

HSL 120.43, 0.78%, 0.65%

LAB 83.32, -64.04, 54.79

 

CMYK 59 / 0 / 43 / 8

HEX #60EB87

RGB 96 235 135

HSL 136.83, 0.78%, 0.65%

LAB 83.78, -58.86, 37.49

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 14 / 0 / 67 / 2

HEX #D8FA52

RGB 216 250 82

HSL 72.14, 0.94%, 0.65%

LAB 93.27, -32.67, 73.32

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 10 / 0 / 50 / 13

HEX #C7DD6F

RGB 199 221 111

HSL 72, 0.62%, 0.65%

LAB 84.49, -23.46, 51.06

 

CMYK 8 / 0 / 39 / 19

HEX #BECE7D

RGB 190 206 125

HSL 71.85, 0.45%, 0.65%

LAB 79.94, -18.11, 38.46

 

CMYK 5 / 0 / 28 / 25

HEX #B6C08B

RGB 182 192 139

HSL 71.32, 0.3%, 0.65%

LAB 75.77, -12.3, 25.63

 

CMYK 3 / 0 / 13 / 30

HEX #ADB29A

RGB 173 178 154

HSL 72.5, 0.13%, 0.65%

LAB 71.59, -6.06, 11.68

 

CMYK 0 / 20 / 59 / 8

HEX #EBBB60

RGB 235 187 96

HSL 39.28, 0.78%, 0.65%

LAB 78.49, 7.2, 51.85

 

CMYK 0 / 5 / 59 / 8

HEX #EBE060

RGB 235 224 96

HSL 55.25, 0.78%, 0.65%

LAB 87.88, -11.75, 62.45

 

CMYK 11 / 0 / 59 / 8

HEX #D2EB60

RGB 210 235 96

HSL 70.79, 0.78%, 0.65%

LAB 88.9, -27.11, 63.04

 

CMYK 26 / 0 / 59 / 8

HEX #ADEB60

RGB 173 235 96

HSL 86.76, 0.78%, 0.65%

LAB 86.58, -41.07, 59.8

 

CMYK 42 / 0 / 59 / 8

HEX #88EB60

RGB 136 235 96

HSL 102.73, 0.78%, 0.65%

LAB 84.74, -53.46, 57.23

 

CMYK 18 / 0 / 88 / 13

HEX #B7DE1B

RGB 183 222 27

HSL 72, 0.78%, 0.49%

LAB 83.12, -35.11, 78.71

 

CMYK 15 / 0 / 74 / 9

HEX #C5E73B

RGB 197 231 59

HSL 71.86, 0.78%, 0.57%

LAB 86.67, -32.59, 74.28

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 9 / 0 / 45 / 6

HEX #DBF085

RGB 219 240 133

HSL 71.78, 0.78%, 0.73%

LAB 91.27, -22.73, 49.19

 

CMYK 6 / 0 / 30 / 4

HEX #E6F4AA

RGB 230 244 170

HSL 71.35, 0.77%, 0.81%

LAB 93.64, -16.27, 34.19

 

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

CMYK 59 / 0 / 36 / 8

HEX #60EB96

RGB 96 235 150

HSL 143.31, 0.78%, 0.65%

LAB 84.02, -56.31, 30.27

 

CMYK 13 / 59 / 0 / 8

HEX #CD60EB

RGB 205 96 235

HSL 287.05, 0.78%, 0.65%

LAB 59.29, 63.3, -51.81

 

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

CMYK 59 / 11 / 0 / 8

HEX #60D2EB

RGB 96 210 235

HSL 190.79, 0.78%, 0.65%

LAB 78.8, -25.17, -22.05

 

CMYK 0 / 59 / 11 / 8

HEX #EB60D2

RGB 235 96 210

HSL 310.79, 0.78%, 0.65%

LAB 62.24, 66.6, -32.86

 

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

CMYK 59 / 0 / 36 / 8

HEX #60EB96

RGB 96 235 150

HSL 143.31, 0.78%, 0.65%

LAB 84.02, -56.31, 30.27

 

CMYK 48 / 59 / 0 / 8

HEX #7A60EB

RGB 122 96 235

HSL 251.22, 0.78%, 0.65%

LAB 50.1, 44.6, -67.06

 

CMYK 0 / 59 / 23 / 8

HEX #EB60B6

RGB 235 96 182

HSL 322.88, 0.78%, 0.65%

LAB 61.14, 62.58, -18.65

 

CMYK 12 / 0 / 60 / 8

HEX #CFEB5E

RGB 207 235 94

HSL 71.91, 0.78%, 0.65%

LAB 88.68, -28.43, 63.58

 

CMYK 59 / 0 / 19 / 8

HEX #60EBBF

RGB 96 235 191

HSL 161.01, 0.78%, 0.65%

LAB 84.83, -47.99, 10.19

 

CMYK 48 / 59 / 0 / 8

HEX #7A60EB

RGB 122 96 235

HSL 251.22, 0.78%, 0.65%

LAB 50.1, 44.6, -67.06

 

CMYK 0 / 59 / 40 / 8

HEX #EB608C

RGB 235 96 140

HSL 341.01, 0.78%, 0.65%

LAB 59.82, 57.56, 3.65

 

Description

Color code: HEX #CFEB5E | qconv.com Color code: HEX #CFEB5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 235 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 235 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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