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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFEA8F it is the complementary color #301570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFEA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFEA8F shade: #D4EA8A, #E5FC9D, #F6FFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFEA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFEA8F shade: #CFEA8F, #BED87C, #ADC669, #9CB456 and #8BA243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFEA8F shade: #CFEA90, #E7EA90, #EAD490, #EABC90 and #EAA390

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFEA8F shade: #CFEA90, #B7EA90, #9EEA90, #90EA99 and #90EAB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFEA8F shade matches the following richer shades: #CFEA90 and #D3F585

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFEA8F shade: #CFEA90, #CBDF9A, #C6D4A5, #C2CAB0 and #BEBFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFEA8F shade: #EAD390, #E8EA90, #D0EA90, #B8EA90 and #A0EA90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFEA8F shade: #B1DD4A, #C0E36D, #CFEA90, #DEF0B2 and #EDF7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFEA8F shade: #CFEA8F, #90EABB and #DF90EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFEA8F shade: #CFEA8F, #90D0EA and #EA90D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFEA8F shade: #CFEA8F, #90EABB, #A990EA and #EA90BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFEA8F shade: #CFEA8F, #90EAD6, #A990EA and #EA90A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

Complementary color

CMYK 57 / 81 / 0 / 56

HEX #301570

RGB 48 21 112

HSL 257.8, 0.68%, 0.26%

LAB 17.15, 36.79, -47.37

 

CMYK 9 / 0 / 41 / 8

HEX #D4EA8A

RGB 212 234 138

HSL 73.75, 0.7%, 0.73%

LAB 89.24, -21.96, 44.14

 

CMYK 9 / 0 / 38 / 1

HEX #E5FC9D

RGB 229 252 157

HSL 74.53, 0.94%, 0.8%

LAB 95.46, -22.1, 43.02

 

CMYK 4 / 0 / 31 / 0

HEX #F6FFB0

RGB 246 255 176

HSL 66.84, 1%, 0.85%

LAB 97.73, -15.01, 36.84

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

CMYK 12 / 0 / 43 / 15

HEX #BED87C

RGB 190 216 124

HSL 76.96, 0.54%, 0.67%

LAB 82.65, -23.15, 42.4

 

CMYK 13 / 0 / 47 / 22

HEX #ADC669

RGB 173 198 105

HSL 76.13, 0.45%, 0.59%

LAB 76.25, -23, 43.56

 

CMYK 13 / 0 / 52 / 29

HEX #9CB456

RGB 156 180 86

HSL 75.32, 0.39%, 0.52%

LAB 69.74, -22.79, 44.7

 

CMYK 14 / 0 / 59 / 36

HEX #8BA243

RGB 139 162 67

HSL 74.53, 0.41%, 0.45%

LAB 63.12, -22.49, 45.76

 

CMYK 12 / 0 / 38 / 8

HEX #CFEA90

RGB 207 234 144

HSL 78, 0.68%, 0.74%

LAB 88.98, -23.14, 40.79

 

CMYK 1 / 0 / 38 / 8

HEX #E7EA90

RGB 231 234 144

HSL 62, 0.68%, 0.74%

LAB 90.71, -14.06, 43.35

 

CMYK 0 / 9 / 38 / 8

HEX #EAD490

RGB 234 212 144

HSL 45.33, 0.68%, 0.74%

LAB 85.3, -1.81, 36.43

 

CMYK 0 / 20 / 38 / 8

HEX #EABC90

RGB 234 188 144

HSL 29.33, 0.68%, 0.74%

LAB 79.31, 10.69, 28.52

 

CMYK 0 / 30 / 38 / 8

HEX #EAA390

RGB 234 163 144

HSL 12.67, 0.68%, 0.74%

LAB 73.35, 23.97, 20.44

 

CMYK 12 / 0 / 38 / 8

HEX #CFEA90

RGB 207 234 144

HSL 78, 0.68%, 0.74%

LAB 88.98, -23.14, 40.79

 

CMYK 22 / 0 / 38 / 8

HEX #B7EA90

RGB 183 234 144

HSL 94, 0.68%, 0.74%

LAB 87.45, -31.82, 38.51

 

CMYK 32 / 0 / 38 / 8

HEX #9EEA90

RGB 158 234 144

HSL 110.67, 0.68%, 0.74%

LAB 86.07, -40.25, 36.45

 

CMYK 38 / 0 / 35 / 8

HEX #90EA99

RGB 144 234 153

HSL 126, 0.68%, 0.74%

LAB 85.54, -43.21, 31.09

 

CMYK 38 / 0 / 24 / 8

HEX #90EAB1

RGB 144 234 177

HSL 142, 0.68%, 0.74%

LAB 85.98, -39.04, 19.36

 

CMYK 12 / 0 / 38 / 8

HEX #CFEA90

RGB 207 234 144

HSL 78, 0.68%, 0.74%

LAB 88.98, -23.14, 40.79

 

CMYK 14 / 0 / 46 / 4

HEX #D3F585

RGB 211 245 133

HSL 78.21, 0.85%, 0.74%

LAB 92.06, -28.12, 50.05

 

CMYK 12 / 0 / 38 / 8

HEX #CFEA90

RGB 207 234 144

HSL 78, 0.68%, 0.74%

LAB 88.98, -23.14, 40.79

 

CMYK 9 / 0 / 31 / 13

HEX #CBDF9A

RGB 203 223 154

HSL 77.39, 0.52%, 0.74%

LAB 85.91, -17.99, 31.68

 

CMYK 7 / 0 / 22 / 17

HEX #C6D4A5

RGB 198 212 165

HSL 77.87, 0.35%, 0.74%

LAB 82.81, -12.76, 21.72

 

CMYK 4 / 0 / 13 / 21

HEX #C2CAB0

RGB 194 202 176

HSL 78.46, 0.2%, 0.74%

LAB 80.09, -7.35, 12.05

 

CMYK 1 / 0 / 2 / 25

HEX #BEBFBB

RGB 190 191 187

HSL 75, 0.03%, 0.74%

LAB 77.16, -1.08, 1.88

 

CMYK 0 / 10 / 38 / 8

HEX #EAD390

RGB 234 211 144

HSL 44.67, 0.68%, 0.74%

LAB 85.04, -1.3, 36.1

 

CMYK 1 / 0 / 38 / 8

HEX #E8EA90

RGB 232 234 144

HSL 61.33, 0.68%, 0.74%

LAB 90.79, -13.68, 43.46

 

CMYK 11 / 0 / 38 / 8

HEX #D0EA90

RGB 208 234 144

HSL 77.33, 0.68%, 0.74%

LAB 89.05, -22.77, 40.89

 

CMYK 21 / 0 / 38 / 8

HEX #B8EA90

RGB 184 234 144

HSL 93.33, 0.68%, 0.74%

LAB 87.51, -31.47, 38.6

 

CMYK 32 / 0 / 38 / 8

HEX #A0EA90

RGB 160 234 144

HSL 109.33, 0.68%, 0.74%

LAB 86.17, -39.61, 36.6

 

CMYK 20 / 0 / 67 / 13

HEX #B1DD4A

RGB 177 221 74

HSL 77.96, 0.68%, 0.58%

LAB 82.68, -34.98, 64.64

 

CMYK 15 / 0 / 52 / 11

HEX #C0E36D

RGB 192 227 109

HSL 77.8, 0.68%, 0.66%

LAB 85.63, -29.2, 53.23

 

CMYK 12 / 0 / 38 / 8

HEX #CFEA90

RGB 207 234 144

HSL 78, 0.68%, 0.74%

LAB 88.98, -23.14, 40.79

 

CMYK 8 / 0 / 26 / 6

HEX #DEF0B2

RGB 222 240 178

HSL 77.42, 0.67%, 0.82%

LAB 92.16, -16.14, 28.06

 

CMYK 4 / 0 / 14 / 3

HEX #EDF7D5

RGB 237 247 213

HSL 77.65, 0.68%, 0.9%

LAB 95.72, -9.07, 15.23

 

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

CMYK 38 / 0 / 20 / 8

HEX #90EABB

RGB 144 234 187

HSL 148.67, 0.68%, 0.74%

LAB 86.19, -37.12, 14.45

 

CMYK 5 / 38 / 0 / 8

HEX #DF90EA

RGB 223 144 234

HSL 292.67, 0.68%, 0.74%

LAB 70.58, 44.13, -33.39

 

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

CMYK 38 / 11 / 0 / 8

HEX #90D0EA

RGB 144 208 234

HSL 197.33, 0.68%, 0.74%

LAB 80.17, -13.85, -19.25

 

CMYK 0 / 38 / 11 / 8

HEX #EA90D0

RGB 234 144 208

HSL 317.33, 0.68%, 0.74%

LAB 70.87, 42.96, -18.52

 

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

CMYK 38 / 0 / 20 / 8

HEX #90EABB

RGB 144 234 187

HSL 148.67, 0.68%, 0.74%

LAB 86.19, -37.12, 14.45

 

CMYK 28 / 38 / 0 / 8

HEX #A990EA

RGB 169 144 234

HSL 256.67, 0.68%, 0.74%

LAB 65.22, 28.29, -42.15

 

CMYK 0 / 38 / 19 / 8

HEX #EA90BE

RGB 234 144 190

HSL 329.33, 0.68%, 0.74%

LAB 70.29, 40.14, -9.4

 

CMYK 12 / 0 / 39 / 8

HEX #CFEA8F

RGB 207 234 143

HSL 77.8, 0.68%, 0.74%

LAB 88.97, -23.26, 41.26

 

CMYK 38 / 0 / 9 / 8

HEX #90EAD6

RGB 144 234 214

HSL 166.67, 0.68%, 0.74%

LAB 86.82, -31.46, 1.22

 

CMYK 28 / 38 / 0 / 8

HEX #A990EA

RGB 169 144 234

HSL 256.67, 0.68%, 0.74%

LAB 65.22, 28.29, -42.15

 

CMYK 0 / 38 / 30 / 8

HEX #EA90A3

RGB 234 144 163

HSL 347.33, 0.68%, 0.74%

LAB 69.53, 36.35, 4.55

 

Description

Color code: HEX #CFEA8F | qconv.com Color code: HEX #CFEA8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 234 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 234 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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