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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE75E it is the complementary color #3018A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE75E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE75E shade: #D4E759, #E5F96C, #F6FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE75E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE75E shade: #CFE75E, #BED54B, #ADC338, #9CB125 and #8B9F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE75E shade: #CFE75F, #E7DA5F, #E7B65F, #E7915F and #E76C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE75E shade: #CFE75F, #ABE75F, #86E75F, #61E75F and #5FE782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE75E shade matches the following richer shades: #CFE75F and #D9F650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE75E shade: #CFE75F, #C6D86E, #BCC97D, #B2BB8C and #A9AC9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE75E shade: #E7B55F, #E7DA5F, #D0E75F, #ACE75F and #88E75F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE75E shade: #B5D420, #C5E23B, #CFE75F, #DAEC83 and #E5F2A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE75E shade: #CFE75E, #5FE791 and #C75FE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE75E shade: #CFE75E, #5FD0E7 and #E75FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE75E shade: #CFE75E, #5FE791, #765FE7 and #E75FB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE75E shade: #CFE75E, #5FE7BA, #765FE7 and #E75F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

Complementary color

CMYK 70 / 85 / 0 / 37

HEX #3018A1

RGB 48 24 161

HSL 250.51, 0.74%, 0.36%

LAB 23.19, 50.02, -68.18

 

CMYK 8 / 0 / 61 / 9

HEX #D4E759

RGB 212 231 89

HSL 68.03, 0.75%, 0.63%

LAB 87.91, -24.92, 64.91

 

CMYK 8 / 0 / 57 / 2

HEX #E5F96C

RGB 229 249 108

HSL 68.51, 0.92%, 0.7%

LAB 94.09, -25.4, 64.08

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF7F

RGB 246 255 127

HSL 64.22, 1%, 0.75%

LAB 97.08, -20.12, 59.46

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

CMYK 11 / 0 / 65 / 16

HEX #BED54B

RGB 190 213 75

HSL 70, 0.62%, 0.56%

LAB 81.32, -26.05, 63.1

 

CMYK 11 / 0 / 71 / 24

HEX #ADC338

RGB 173 195 56

HSL 69.5, 0.55%, 0.49%

LAB 74.95, -25.43, 63.47

 

CMYK 12 / 0 / 79 / 31

HEX #9CB125

RGB 156 177 37

HSL 69, 0.65%, 0.42%

LAB 68.49, -24.65, 63.19

 

CMYK 13 / 0 / 89 / 38

HEX #8B9F12

RGB 139 159 18

HSL 68.51, 0.8%, 0.35%

LAB 61.94, -23.66, 61.78

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75F

RGB 207 231 95

HSL 70.59, 0.74%, 0.64%

LAB 87.6, -26.47, 61.97

 

CMYK 0 / 6 / 59 / 9

HEX #E7DA5F

RGB 231 218 95

HSL 54.26, 0.74%, 0.64%

LAB 85.99, -10.46, 60.69

 

CMYK 0 / 21 / 59 / 9

HEX #E7B65F

RGB 231 182 95

HSL 38.38, 0.74%, 0.64%

LAB 76.84, 8.09, 50.32

 

CMYK 0 / 37 / 59 / 9

HEX #E7915F

RGB 231 145 95

HSL 22.06, 0.74%, 0.64%

LAB 68.07, 27.75, 39.86

 

CMYK 0 / 53 / 59 / 9

HEX #E76C5F

RGB 231 108 95

HSL 5.74, 0.74%, 0.64%

LAB 60.37, 46.69, 30.24

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75F

RGB 207 231 95

HSL 70.59, 0.74%, 0.64%

LAB 87.6, -26.47, 61.97

 

CMYK 26 / 0 / 59 / 9

HEX #ABE75F

RGB 171 231 95

HSL 86.47, 0.74%, 0.64%

LAB 85.32, -40.12, 58.79

 

CMYK 42 / 0 / 59 / 9

HEX #86E75F

RGB 134 231 95

HSL 102.79, 0.74%, 0.64%

LAB 83.47, -52.57, 56.19

 

CMYK 58 / 0 / 59 / 9

HEX #61E75F

RGB 97 231 95

HSL 119.12, 0.74%, 0.64%

LAB 82.12, -62.61, 54.3

 

CMYK 59 / 0 / 44 / 9

HEX #5FE782

RGB 95 231 130

HSL 135.44, 0.74%, 0.64%

LAB 82.48, -58.35, 38.28

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75F

RGB 207 231 95

HSL 70.59, 0.74%, 0.64%

LAB 87.6, -26.47, 61.97

 

CMYK 12 / 0 / 67 / 4

HEX #D9F650

RGB 217 246 80

HSL 70.48, 0.9%, 0.64%

LAB 92.24, -30.55, 73.03

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75F

RGB 207 231 95

HSL 70.59, 0.74%, 0.64%

LAB 87.6, -26.47, 61.97

 

CMYK 8 / 0 / 49 / 15

HEX #C6D86E

RGB 198 216 110

HSL 70.19, 0.58%, 0.64%

LAB 83.04, -21.51, 49.79

 

CMYK 6 / 0 / 38 / 21

HEX #BCC97D

RGB 188 201 125

HSL 70.26, 0.41%, 0.64%

LAB 78.43, -16.38, 36.5

 

CMYK 5 / 0 / 25 / 27

HEX #B2BB8C

RGB 178 187 140

HSL 71.49, 0.26%, 0.64%

LAB 74.13, -11.1, 22.82

 

CMYK 2 / 0 / 10 / 33

HEX #A9AC9B

RGB 169 172 155

HSL 70.59, 0.09%, 0.64%

LAB 69.69, -4.16, 8.37

 

CMYK 0 / 22 / 59 / 9

HEX #E7B55F

RGB 231 181 95

HSL 37.94, 0.74%, 0.64%

LAB 76.6, 8.62, 50.03

 

CMYK 0 / 6 / 59 / 9

HEX #E7DA5F

RGB 231 218 95

HSL 54.26, 0.74%, 0.64%

LAB 85.99, -10.46, 60.69

 

CMYK 10 / 0 / 59 / 9

HEX #D0E75F

RGB 208 231 95

HSL 70.15, 0.74%, 0.64%

LAB 87.67, -26.08, 62.07

 

CMYK 26 / 0 / 59 / 9

HEX #ACE75F

RGB 172 231 95

HSL 86.03, 0.74%, 0.64%

LAB 85.38, -39.75, 58.87

 

CMYK 41 / 0 / 59 / 9

HEX #88E75F

RGB 136 231 95

HSL 101.91, 0.74%, 0.64%

LAB 83.55, -51.95, 56.32

 

CMYK 15 / 0 / 85 / 17

HEX #B5D420

RGB 181 212 32

HSL 70.33, 0.74%, 0.48%

LAB 80.19, -31.18, 75.27

 

CMYK 13 / 0 / 74 / 11

HEX #C5E23B

RGB 197 226 59

HSL 70.42, 0.74%, 0.56%

LAB 85.29, -30.27, 72.98

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75F

RGB 207 231 95

HSL 70.59, 0.74%, 0.64%

LAB 87.6, -26.47, 61.97

 

CMYK 8 / 0 / 44 / 7

HEX #DAEC83

RGB 218 236 131

HSL 70.29, 0.73%, 0.72%

LAB 90.11, -21.39, 48.7

 

CMYK 5 / 0 / 31 / 5

HEX #E5F2A7

RGB 229 242 167

HSL 70.4, 0.74%, 0.8%

LAB 92.99, -16.04, 34.84

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

CMYK 59 / 0 / 37 / 9

HEX #5FE791

RGB 95 231 145

HSL 142.06, 0.74%, 0.64%

LAB 82.72, -55.85, 31.06

 

CMYK 14 / 59 / 0 / 9

HEX #C75FE7

RGB 199 95 231

HSL 285.88, 0.74%, 0.64%

LAB 58.13, 61.53, -51.47

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

CMYK 59 / 10 / 0 / 9

HEX #5FD0E7

RGB 95 208 231

HSL 190.15, 0.74%, 0.64%

LAB 78.06, -25.51, -21.03

 

CMYK 0 / 59 / 10 / 9

HEX #E75FD0

RGB 231 95 208

HSL 310.15, 0.74%, 0.64%

LAB 61.42, 65.66, -33.05

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

CMYK 59 / 0 / 37 / 9

HEX #5FE791

RGB 95 231 145

HSL 142.06, 0.74%, 0.64%

LAB 82.72, -55.85, 31.06

 

CMYK 49 / 59 / 0 / 9

HEX #765FE7

RGB 118 95 231

HSL 250.15, 0.74%, 0.64%

LAB 49.26, 43.23, -66.18

 

CMYK 0 / 59 / 22 / 9

HEX #E75FB5

RGB 231 95 181

HSL 322.06, 0.74%, 0.64%

LAB 60.35, 61.73, -19.33

 

CMYK 10 / 0 / 59 / 9

HEX #CFE75E

RGB 207 231 94

HSL 70.51, 0.74%, 0.64%

LAB 87.59, -26.54, 62.39

 

CMYK 59 / 0 / 19 / 9

HEX #5FE7BA

RGB 95 231 186

HSL 160.15, 0.74%, 0.64%

LAB 83.51, -47.61, 10.93

 

CMYK 49 / 59 / 0 / 9

HEX #765FE7

RGB 118 95 231

HSL 250.15, 0.74%, 0.64%

LAB 49.26, 43.23, -66.18

 

CMYK 0 / 59 / 39 / 9

HEX #E75F8D

RGB 231 95 141

HSL 339.71, 0.74%, 0.64%

LAB 59.06, 56.85, 1.9

 

Description

Color code: HEX #CFE75E | qconv.com Color code: HEX #CFE75E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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