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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE755 it is the complementary color #3018AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE755 shade: #D4E750, #E5F963, #F6FF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE755 shade: #CFE755, #BED542, #ADC32F, #9CB11C and #8B9F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE755 shade: #CFE755, #E7D755, #E7B055, #E78955 and #E76255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE755 shade: #CFE755, #A8E755, #80E755, #59E755 and #55E779

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE755 shade matches the following richer shades: #CFE755 and #D9F646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE755 shade: #CFE755, #C4D765, #BAC775, #AFB884 and #A5A894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE755 shade: #E7AF55, #E7D655, #D1E755, #AAE755 and #83E755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE755 shade: #B0CC1D, #C5E231, #CFE755, #D9EC7A and #E3F19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE755 shade: #CFE755, #55E788 and #C255E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE755 shade: #CFE755, #55D1E7 and #E755D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE755 shade: #CFE755, #55E788, #6B55E7 and #E755B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE755 shade: #CFE755, #55E7B4, #6B55E7 and #E75588

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

Complementary color

CMYK 72 / 86 / 0 / 33

HEX #3018AA

RGB 48 24 170

HSL 249.86, 0.75%, 0.38%

LAB 24.27, 52.63, -71.84

 

CMYK 8 / 0 / 65 / 9

HEX #D4E750

RGB 212 231 80

HSL 67.55, 0.76%, 0.61%

LAB 87.84, -25.5, 68.42

 

CMYK 8 / 0 / 60 / 2

HEX #E5F963

RGB 229 249 99

HSL 68, 0.93%, 0.68%

LAB 94.02, -26.05, 67.77

 

CMYK 4 / 0 / 54 / 0

HEX #F6FF76

RGB 246 255 118

HSL 63.94, 1%, 0.73%

LAB 96.99, -20.85, 63.36

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 11 / 0 / 69 / 16

HEX #BED542

RGB 190 213 66

HSL 69.39, 0.64%, 0.55%

LAB 81.25, -26.59, 66.48

 

CMYK 11 / 0 / 76 / 24

HEX #ADC32F

RGB 173 195 47

HSL 68.92, 0.61%, 0.47%

LAB 74.9, -25.87, 66.45

 

CMYK 12 / 0 / 84 / 31

HEX #9CB11C

RGB 156 177 28

HSL 68.46, 0.73%, 0.4%

LAB 68.46, -24.97, 65.55

 

CMYK 13 / 0 / 94 / 38

HEX #8B9F09

RGB 139 159 9

HSL 68, 0.89%, 0.33%

LAB 61.92, -23.84, 63.24

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 0 / 7 / 63 / 9

HEX #E7D755

RGB 231 215 85

HSL 53.42, 0.75%, 0.62%

LAB 85.12, -9.6, 64.02

 

CMYK 0 / 24 / 63 / 9

HEX #E7B055

RGB 231 176 85

HSL 37.4, 0.75%, 0.62%

LAB 75.26, 10.58, 53.25

 

CMYK 0 / 41 / 63 / 9

HEX #E78955

RGB 231 137 85

HSL 21.37, 0.75%, 0.62%

LAB 66.16, 31.28, 42.78

 

CMYK 0 / 58 / 63 / 9

HEX #E76255

RGB 231 98 85

HSL 5.34, 0.75%, 0.62%

LAB 58.4, 50.75, 33.37

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 27 / 0 / 63 / 9

HEX #A8E755

RGB 168 231 85

HSL 85.89, 0.75%, 0.62%

LAB 85.06, -42.02, 62.65

 

CMYK 45 / 0 / 63 / 9

HEX #80E755

RGB 128 231 85

HSL 102.33, 0.75%, 0.62%

LAB 83.12, -55.34, 59.98

 

CMYK 61 / 0 / 63 / 9

HEX #59E755

RGB 89 231 85

HSL 118.36, 0.75%, 0.62%

LAB 81.8, -65.46, 58.14

 

CMYK 63 / 0 / 48 / 9

HEX #55E779

RGB 85 231 121

HSL 134.79, 0.75%, 0.62%

LAB 82.09, -61.8, 42.13

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 12 / 0 / 72 / 4

HEX #D9F646

RGB 217 246 70

HSL 69.89, 0.91%, 0.62%

LAB 92.18, -31.08, 76.45

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 9 / 0 / 53 / 16

HEX #C4D765

RGB 196 215 101

HSL 70, 0.59%, 0.62%

LAB 82.53, -22.64, 53.35

 

CMYK 7 / 0 / 41 / 22

HEX #BAC775

RGB 186 199 117

HSL 69.51, 0.42%, 0.62%

LAB 77.62, -17.09, 39.5

 

CMYK 5 / 0 / 28 / 28

HEX #AFB884

RGB 175 184 132

HSL 70.38, 0.27%, 0.62%

LAB 72.93, -11.83, 25.44

 

CMYK 2 / 0 / 12 / 34

HEX #A5A894

RGB 165 168 148

HSL 69, 0.1%, 0.62%

LAB 68.13, -4.69, 9.97

 

CMYK 0 / 24 / 63 / 9

HEX #E7AF55

RGB 231 175 85

HSL 36.99, 0.75%, 0.62%

LAB 75.02, 11.11, 52.98

 

CMYK 0 / 7 / 63 / 9

HEX #E7D655

RGB 231 214 85

HSL 53.01, 0.75%, 0.62%

LAB 84.86, -9.1, 63.75

 

CMYK 10 / 0 / 63 / 9

HEX #D1E755

RGB 209 231 85

HSL 69.04, 0.75%, 0.62%

LAB 87.66, -26.38, 66.2

 

CMYK 26 / 0 / 63 / 9

HEX #AAE755

RGB 170 231 85

HSL 85.07, 0.75%, 0.62%

LAB 85.18, -41.3, 62.81

 

CMYK 43 / 0 / 63 / 9

HEX #83E755

RGB 131 231 85

HSL 101.1, 0.75%, 0.62%

LAB 83.25, -54.43, 60.15

 

CMYK 14 / 0 / 86 / 20

HEX #B0CC1D

RGB 176 204 29

HSL 69.6, 0.75%, 0.46%

LAB 77.58, -29.55, 73.57

 

CMYK 13 / 0 / 78 / 11

HEX #C5E231

RGB 197 226 49

HSL 69.83, 0.75%, 0.54%

LAB 85.24, -30.69, 75.92

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 8 / 0 / 48 / 7

HEX #D9EC7A

RGB 217 236 122

HSL 70, 0.75%, 0.7%

LAB 89.93, -22.67, 52.73

 

CMYK 6 / 0 / 34 / 5

HEX #E3F19E

RGB 227 241 158

HSL 70.12, 0.75%, 0.78%

LAB 92.45, -17.41, 38.59

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 63 / 0 / 41 / 9

HEX #55E788

RGB 85 231 136

HSL 140.96, 0.75%, 0.62%

LAB 82.3, -59.41, 35.01

 

CMYK 16 / 63 / 0 / 9

HEX #C255E7

RGB 194 85 231

HSL 284.79, 0.75%, 0.62%

LAB 55.82, 64.87, -55.18

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 63 / 10 / 0 / 9

HEX #55D1E7

RGB 85 209 231

HSL 189.04, 0.75%, 0.62%

LAB 78.05, -27.7, -21.07

 

CMYK 0 / 63 / 10 / 9

HEX #E755D1

RGB 231 85 209

HSL 309.04, 0.75%, 0.62%

LAB 59.97, 69.92, -35.88

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 63 / 0 / 41 / 9

HEX #55E788

RGB 85 231 136

HSL 140.96, 0.75%, 0.62%

LAB 82.3, -59.41, 35.01

 

CMYK 54 / 63 / 0 / 9

HEX #6B55E7

RGB 107 85 231

HSL 249.04, 0.75%, 0.62%

LAB 46.17, 46.9, -71.25

 

CMYK 0 / 63 / 22 / 9

HEX #E755B4

RGB 231 85 180

HSL 320.96, 0.75%, 0.62%

LAB 58.77, 65.79, -21.16

 

CMYK 10 / 0 / 63 / 9

HEX #CFE755

RGB 207 231 85

HSL 69.86, 0.75%, 0.62%

LAB 87.52, -27.17, 66.01

 

CMYK 63 / 0 / 22 / 9

HEX #55E7B4

RGB 85 231 180

HSL 159.04, 0.75%, 0.62%

LAB 83.11, -50.78, 13.48

 

CMYK 54 / 63 / 0 / 9

HEX #6B55E7

RGB 107 85 231

HSL 249.04, 0.75%, 0.62%

LAB 46.17, 46.9, -71.25

 

CMYK 0 / 63 / 41 / 9

HEX #E75588

RGB 231 85 136

HSL 339.04, 0.75%, 0.62%

LAB 57.33, 60.62, 2.31

 

Description

Color code: HEX #CFE755 | qconv.com Color code: HEX #CFE755 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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