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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE730 it is the complementary color #3018CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE730 shade: #D4E72B, #E5F93E, #F6FF51, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE730 shade: #CFE730, #BED51D, #ADC30A, #9CB100 and #8B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE730 shade: #CFE732, #E7CE32, #E79D32, #E76C32 and #E73B32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE730 shade: #CFE732, #9EE732, #6DE732, #3CE732 and #32E758

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE730 shade matches the following richer shades: #CFE732 and #DDF91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE730 shade: #CFE732, #C1D444, #B4C257, #A6AF69 and #989D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE730 shade: #E79B32, #E7CC32, #D2E732, #A1E732 and #71E732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE730 shade: #9DB115, #BDD619, #CFE732, #D8EB57 and #E0F07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE730 shade: #CFE730, #32E76B and #B432E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE730 shade: #CFE730, #32D2E7 and #E732D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE730 shade: #CFE730, #32E76B, #4732E7 and #E732AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE730 shade: #CFE730, #32E7A1, #4732E7 and #E73277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

Complementary color

CMYK 77 / 88 / 0 / 19

HEX #3018CF

RGB 48 24 207

HSL 247.87, 0.79%, 0.45%

LAB 28.87, 62.95, -86.13

 

CMYK 8 / 0 / 81 / 9

HEX #D4E72B

RGB 212 231 43

HSL 66.06, 0.8%, 0.54%

LAB 87.64, -27.16, 79.98

 

CMYK 8 / 0 / 75 / 2

HEX #E5F93E

RGB 229 249 62

HSL 66.42, 0.94%, 0.61%

LAB 93.78, -28.07, 80.78

 

CMYK 4 / 0 / 68 / 0

HEX #F6FF51

RGB 246 255 81

HSL 63.1, 1%, 0.66%

LAB 96.7, -23.22, 77.81

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

CMYK 11 / 0 / 86 / 16

HEX #BED51D

RGB 190 213 29

HSL 67.5, 0.76%, 0.47%

LAB 81.08, -28.05, 76.87

 

CMYK 11 / 0 / 95 / 24

HEX #ADC30A

RGB 173 195 10

HSL 67.14, 0.9%, 0.4%

LAB 74.78, -26.88, 74.18

 

CMYK 12 / 0 / 100 / 31

HEX #9CB100

RGB 156 177 0

HSL 67.12, 1%, 0.35%

LAB 68.4, -25.51, 69.9

 

CMYK 13 / 0 / 100 / 38

HEX #8B9F00

RGB 139 159 0

HSL 67.55, 1%, 0.31%

LAB 61.9, -23.99, 64.5

 

CMYK 10 / 0 / 78 / 9

HEX #CFE732

RGB 207 231 50

HSL 67.96, 0.79%, 0.55%

LAB 87.31, -28.95, 77.76

 

CMYK 0 / 11 / 78 / 9

HEX #E7CE32

RGB 231 206 50

HSL 51.71, 0.79%, 0.55%

LAB 82.57, -6.71, 74.25

 

CMYK 0 / 32 / 78 / 9

HEX #E79D32

RGB 231 157 50

HSL 35.47, 0.79%, 0.55%

LAB 70.41, 18.94, 63.19

 

CMYK 0 / 53 / 78 / 9

HEX #E76C32

RGB 231 108 50

HSL 19.23, 0.79%, 0.55%

LAB 59.84, 44.32, 53.15

 

CMYK 0 / 74 / 78 / 9

HEX #E73B32

RGB 231 59 50

HSL 2.98, 0.79%, 0.55%

LAB 52.23, 64.62, 45.56

 

CMYK 10 / 0 / 78 / 9

HEX #CFE732

RGB 207 231 50

HSL 67.96, 0.79%, 0.55%

LAB 87.31, -28.95, 77.76

 

CMYK 32 / 0 / 78 / 9

HEX #9EE732

RGB 158 231 50

HSL 84.2, 0.79%, 0.55%

LAB 84.3, -47.76, 73.91

 

CMYK 53 / 0 / 78 / 9

HEX #6DE732

RGB 109 231 50

HSL 100.44, 0.79%, 0.55%

LAB 82.18, -63.26, 71.17

 

CMYK 74 / 0 / 78 / 9

HEX #3CE732

RGB 60 231 50

HSL 116.69, 0.79%, 0.55%

LAB 80.93, -73.57, 69.54

 

CMYK 78 / 0 / 62 / 9

HEX #32E758

RGB 50 231 88

HSL 132.6, 0.79%, 0.55%

LAB 81.04, -71.68, 55.81

 

CMYK 10 / 0 / 78 / 9

HEX #CFE732

RGB 207 231 50

HSL 67.96, 0.79%, 0.55%

LAB 87.31, -28.95, 77.76

 

CMYK 11 / 0 / 88 / 2

HEX #DDF91F

RGB 221 249 31

HSL 67.71, 0.95%, 0.55%

LAB 93.11, -32.2, 87.2

 

CMYK 10 / 0 / 78 / 9

HEX #CFE732

RGB 207 231 50

HSL 67.96, 0.79%, 0.55%

LAB 87.31, -28.95, 77.76

 

CMYK 9 / 0 / 68 / 17

HEX #C1D444

RGB 193 212 68

HSL 67.92, 0.63%, 0.55%

LAB 81.2, -24.78, 65.76

 

CMYK 7 / 0 / 55 / 24

HEX #B4C257

RGB 180 194 87

HSL 67.85, 0.47%, 0.55%

LAB 75.44, -19.94, 51.3

 

CMYK 5 / 0 / 40 / 31

HEX #A6AF69

RGB 166 175 105

HSL 67.71, 0.3%, 0.55%

LAB 69.32, -14.19, 34.8

 

CMYK 3 / 0 / 21 / 38

HEX #989D7C

RGB 152 157 124

HSL 69.09, 0.14%, 0.55%

LAB 63.54, -7.64, 16.7

 

CMYK 0 / 33 / 78 / 9

HEX #E79B32

RGB 231 155 50

HSL 34.81, 0.79%, 0.55%

LAB 69.94, 20, 62.76

 

CMYK 0 / 12 / 78 / 9

HEX #E7CC32

RGB 231 204 50

HSL 51.05, 0.79%, 0.55%

LAB 82.06, -5.69, 73.79

 

CMYK 9 / 0 / 78 / 9

HEX #D2E732

RGB 210 231 50

HSL 66.96, 0.79%, 0.55%

LAB 87.53, -27.74, 78.03

 

CMYK 30 / 0 / 78 / 9

HEX #A1E732

RGB 161 231 50

HSL 83.2, 0.79%, 0.55%

LAB 84.46, -46.68, 74.11

 

CMYK 51 / 0 / 78 / 9

HEX #71E732

RGB 113 231 50

HSL 99.12, 0.79%, 0.55%

LAB 82.32, -62.16, 71.35

 

CMYK 11 / 0 / 88 / 31

HEX #9DB115

RGB 157 177 21

HSL 67.69, 0.79%, 0.39%

LAB 68.51, -24.73, 67.12

 

CMYK 12 / 0 / 88 / 16

HEX #BDD619

RGB 189 214 25

HSL 67.94, 0.79%, 0.47%

LAB 81.28, -29.02, 77.73

 

CMYK 10 / 0 / 78 / 9

HEX #CFE732

RGB 207 231 50

HSL 67.96, 0.79%, 0.55%

LAB 87.31, -28.95, 77.76

 

CMYK 8 / 0 / 63 / 8

HEX #D8EB57

RGB 216 235 87

HSL 67.7, 0.79%, 0.63%

LAB 89.25, -25.37, 67.24

 

CMYK 7 / 0 / 49 / 6

HEX #E0F07B

RGB 224 240 123

HSL 68.21, 0.8%, 0.71%

LAB 91.5, -21.79, 54.27

 

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

CMYK 78 / 0 / 54 / 9

HEX #32E76B

RGB 50 231 107

HSL 138.9, 0.79%, 0.55%

LAB 81.23, -69.3, 47.57

 

CMYK 22 / 78 / 0 / 9

HEX #B432E7

RGB 180 50 231

HSL 283.09, 0.79%, 0.55%

LAB 49.2, 75.26, -65.94

 

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

CMYK 78 / 9 / 0 / 9

HEX #32D2E7

RGB 50 210 231

HSL 186.96, 0.79%, 0.55%

LAB 77.6, -32.6, -21.83

 

CMYK 0 / 78 / 9 / 9

HEX #E732D2

RGB 231 50 210

HSL 306.96, 0.79%, 0.55%

LAB 56.01, 81.4, -42.66

 

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

CMYK 78 / 0 / 54 / 9

HEX #32E76B

RGB 50 231 107

HSL 138.9, 0.79%, 0.55%

LAB 81.23, -69.3, 47.57

 

CMYK 69 / 78 / 0 / 9

HEX #4732E7

RGB 71 50 231

HSL 246.96, 0.79%, 0.55%

LAB 36.73, 60.73, -86.86

 

CMYK 0 / 78 / 25 / 9

HEX #E732AD

RGB 231 50 173

HSL 319.23, 0.79%, 0.55%

LAB 54.33, 76.59, -23.91

 

CMYK 10 / 0 / 79 / 9

HEX #CFE730

RGB 207 231 48

HSL 67.87, 0.79%, 0.55%

LAB 87.31, -29.03, 78.29

 

CMYK 78 / 0 / 30 / 9

HEX #32E7A1

RGB 50 231 161

HSL 156.8, 0.79%, 0.55%

LAB 82.06, -59.81, 21.8

 

CMYK 69 / 78 / 0 / 9

HEX #4732E7

RGB 71 50 231

HSL 246.96, 0.79%, 0.55%

LAB 36.73, 60.73, -86.86

 

CMYK 0 / 78 / 48 / 9

HEX #E73277

RGB 231 50 119

HSL 337.13, 0.79%, 0.55%

LAB 52.51, 71.17, 5.47

 

Description

Color code: HEX #CFE730 | qconv.com Color code: HEX #CFE730 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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