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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE72D it is the complementary color #3018D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE72D shade: #D4E728, #E5F93B, #F6FF4E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE72D shade: #CFE72D, #BED51A, #ADC307, #9CB100 and #8B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE72D shade: #CEE62D, #E6CC2D, #E69A2D, #E6682D and #E6362D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE72D shade: #CEE62D, #9CE62D, #6BE62D, #39E62D and #2DE654

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE72D shade matches the following richer shades: #CEE62D and #DDF91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE72D shade: #CEE62D, #C0D340, #B2C053, #A4AD66 and #969A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE72D shade: #E6992D, #E6CB2D, #D1E62D, #9FE62D and #6EE62D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE72D shade: #99AD14, #BAD219, #CEE62D, #D7EB52 and #E0EF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE72D shade: #CFE72D, #2DE668 and #B22DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE72D shade: #CFE72D, #2DD1E6 and #E62DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE72D shade: #CFE72D, #2DE668, #432DE6 and #E62DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE72D shade: #CFE72D, #2DE69F, #432DE6 and #E62D74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

Complementary color

CMYK 77 / 89 / 0 / 18

HEX #3018D2

RGB 48 24 210

HSL 247.74, 0.79%, 0.46%

LAB 29.25, 63.76, -87.24

 

CMYK 8 / 0 / 83 / 9

HEX #D4E728

RGB 212 231 40

HSL 65.97, 0.8%, 0.53%

LAB 87.63, -27.25, 80.67

 

CMYK 8 / 0 / 76 / 2

HEX #E5F93B

RGB 229 249 59

HSL 66.32, 0.94%, 0.6%

LAB 93.76, -28.18, 81.64

 

CMYK 4 / 0 / 69 / 0

HEX #F6FF4E

RGB 246 255 78

HSL 63.05, 1%, 0.65%

LAB 96.68, -23.37, 78.84

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

CMYK 11 / 0 / 88 / 16

HEX #BED51A

RGB 190 213 26

HSL 67.38, 0.78%, 0.47%

LAB 81.08, -28.11, 77.42

 

CMYK 11 / 0 / 96 / 24

HEX #ADC307

RGB 173 195 7

HSL 67.02, 0.93%, 0.4%

LAB 74.78, -26.92, 74.48

 

CMYK 12 / 0 / 100 / 31

HEX #9CB100

RGB 156 177 0

HSL 67.12, 1%, 0.35%

LAB 68.4, -25.51, 69.9

 

CMYK 13 / 0 / 100 / 38

HEX #8B9F00

RGB 139 159 0

HSL 67.55, 1%, 0.31%

LAB 61.9, -23.99, 64.5

 

CMYK 10 / 0 / 80 / 10

HEX #CEE62D

RGB 206 230 45

HSL 67.78, 0.79%, 0.54%

LAB 86.95, -29.06, 78.72

 

CMYK 0 / 11 / 80 / 10

HEX #E6CC2D

RGB 230 204 45

HSL 51.57, 0.79%, 0.54%

LAB 81.95, -6.28, 75.11

 

CMYK 0 / 33 / 80 / 10

HEX #E69A2D

RGB 230 154 45

HSL 35.35, 0.79%, 0.54%

LAB 69.56, 19.94, 64.19

 

CMYK 0 / 55 / 80 / 10

HEX #E6682D

RGB 230 104 45

HSL 19.14, 0.79%, 0.54%

LAB 58.89, 45.71, 54.43

 

CMYK 0 / 77 / 80 / 10

HEX #E6362D

RGB 230 54 45

HSL 2.92, 0.79%, 0.54%

LAB 51.44, 65.72, 47.33

 

CMYK 10 / 0 / 80 / 10

HEX #CEE62D

RGB 206 230 45

HSL 67.78, 0.79%, 0.54%

LAB 86.95, -29.06, 78.72

 

CMYK 32 / 0 / 80 / 10

HEX #9CE62D

RGB 156 230 45

HSL 84, 0.79%, 0.54%

LAB 83.89, -48.27, 74.84

 

CMYK 53 / 0 / 80 / 10

HEX #6BE62D

RGB 107 230 45

HSL 99.89, 0.79%, 0.54%

LAB 81.79, -63.69, 72.15

 

CMYK 75 / 0 / 80 / 10

HEX #39E62D

RGB 57 230 45

HSL 116.11, 0.79%, 0.54%

LAB 80.55, -73.99, 70.55

 

CMYK 80 / 0 / 63 / 10

HEX #2DE654

RGB 45 230 84

HSL 132.65, 0.79%, 0.54%

LAB 80.62, -72.38, 57.01

 

CMYK 10 / 0 / 80 / 10

HEX #CEE62D

RGB 206 230 45

HSL 67.78, 0.79%, 0.54%

LAB 86.95, -29.06, 78.72

 

CMYK 11 / 0 / 90 / 2

HEX #DDF91A

RGB 221 249 26

HSL 67.53, 0.95%, 0.54%

LAB 93.1, -32.29, 87.96

 

CMYK 10 / 0 / 80 / 10

HEX #CEE62D

RGB 206 230 45

HSL 67.78, 0.79%, 0.54%

LAB 86.95, -29.06, 78.72

 

CMYK 9 / 0 / 70 / 17

HEX #C0D340

RGB 192 211 64

HSL 67.76, 0.63%, 0.54%

LAB 80.83, -24.93, 66.84

 

CMYK 7 / 0 / 57 / 25

HEX #B2C053

RGB 178 192 83

HSL 67.71, 0.46%, 0.54%

LAB 74.69, -20.09, 52.24

 

CMYK 5 / 0 / 41 / 32

HEX #A4AD66

RGB 164 173 102

HSL 67.61, 0.3%, 0.54%

LAB 68.56, -14.31, 35.37

 

CMYK 3 / 0 / 21 / 40

HEX #969A79

RGB 150 154 121

HSL 67.27, 0.14%, 0.54%

LAB 62.49, -7.27, 16.88

 

CMYK 0 / 33 / 80 / 10

HEX #E6992D

RGB 230 153 45

HSL 35.03, 0.79%, 0.54%

LAB 69.32, 20.47, 63.98

 

CMYK 0 / 12 / 80 / 10

HEX #E6CB2D

RGB 230 203 45

HSL 51.24, 0.79%, 0.54%

LAB 81.69, -5.77, 74.89

 

CMYK 9 / 0 / 80 / 10

HEX #D1E62D

RGB 209 230 45

HSL 66.81, 0.79%, 0.54%

LAB 87.16, -27.85, 78.99

 

CMYK 31 / 0 / 80 / 10

HEX #9FE62D

RGB 159 230 45

HSL 83.03, 0.79%, 0.54%

LAB 84.05, -47.19, 75.04

 

CMYK 52 / 0 / 80 / 10

HEX #6EE62D

RGB 110 230 45

HSL 98.92, 0.79%, 0.54%

LAB 81.89, -62.88, 72.29

 

CMYK 12 / 0 / 88 / 32

HEX #99AD14

RGB 153 173 20

HSL 67.84, 0.79%, 0.38%

LAB 67.06, -24.5, 66.01

 

CMYK 11 / 0 / 88 / 18

HEX #BAD219

RGB 186 210 25

HSL 67.78, 0.79%, 0.46%

LAB 79.96, -28.37, 76.57

 

CMYK 10 / 0 / 80 / 10

HEX #CEE62D

RGB 206 230 45

HSL 67.78, 0.79%, 0.54%

LAB 86.95, -29.06, 78.72

 

CMYK 9 / 0 / 65 / 8

HEX #D7EB52

RGB 215 235 82

HSL 67.84, 0.79%, 0.62%

LAB 89.15, -26.08, 69.07

 

CMYK 6 / 0 / 50 / 6

HEX #E0EF77

RGB 224 239 119

HSL 67.5, 0.79%, 0.7%

LAB 91.19, -21.67, 55.75

 

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

CMYK 80 / 0 / 55 / 10

HEX #2DE668

RGB 45 230 104

HSL 139.14, 0.79%, 0.54%

LAB 80.82, -69.95, 48.45

 

CMYK 23 / 80 / 0 / 10

HEX #B22DE6

RGB 178 45 230

HSL 283.14, 0.79%, 0.54%

LAB 48.33, 76.19, -66.8

 

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

CMYK 80 / 9 / 0 / 10

HEX #2DD1E6

RGB 45 209 230

HSL 186.81, 0.79%, 0.54%

LAB 77.2, -32.87, -21.9

 

CMYK 0 / 80 / 9 / 10

HEX #E62DD1

RGB 230 45 209

HSL 306.81, 0.79%, 0.54%

LAB 55.38, 82.24, -43.09

 

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

CMYK 80 / 0 / 55 / 10

HEX #2DE668

RGB 45 230 104

HSL 139.14, 0.79%, 0.54%

LAB 80.82, -69.95, 48.45

 

CMYK 71 / 80 / 0 / 10

HEX #432DE6

RGB 67 45 230

HSL 247.14, 0.79%, 0.54%

LAB 35.56, 62.39, -88.22

 

CMYK 0 / 80 / 25 / 10

HEX #E62DAC

RGB 230 45 172

HSL 318.81, 0.79%, 0.54%

LAB 53.68, 77.48, -24.34

 

CMYK 10 / 0 / 81 / 9

HEX #CFE72D

RGB 207 231 45

HSL 67.74, 0.79%, 0.54%

LAB 87.29, -29.13, 79.05

 

CMYK 80 / 0 / 31 / 10

HEX #2DE69F

RGB 45 230 159

HSL 156.97, 0.79%, 0.54%

LAB 81.65, -60.36, 22.27

 

CMYK 71 / 80 / 0 / 10

HEX #432DE6

RGB 67 45 230

HSL 247.14, 0.79%, 0.54%

LAB 35.56, 62.39, -88.22

 

CMYK 0 / 80 / 50 / 10

HEX #E62D74

RGB 230 45 116

HSL 336.97, 0.79%, 0.54%

LAB 51.79, 71.96, 6.23

 

Description

Color code: HEX #CFE72D | qconv.com Color code: HEX #CFE72D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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