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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE724 it is the complementary color #3018DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE724 shade: #D4E71F, #E5F932, #F6FF45, #FFFF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE724 shade: #CFE724, #BED511, #ADC300, #9CB100 and #8B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE724 shade: #CEE723, #E7CA23, #E79523, #E76023 and #E72B23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE724 shade: #CEE723, #9AE723, #65E723, #30E723 and #23E74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE724 shade matches the following richer shades: #CEE723 and #DDFA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE724 shade: #CEE723, #BFD336, #B1BF4A, #A2AB5E and #939772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE724 shade: #E79523, #E7C923, #D0E723, #9BE723 and #67E723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE724 shade: #92A412, #B4CA16, #CEE723, #D7EB48 and #DFEF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE724 shade: #CFE724, #23E761 and #AF23E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE724 shade: #CFE724, #23D0E7 and #E723D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE724 shade: #CFE724, #23E761, #3A23E7 and #E723A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE724 shade: #CFE724, #23E79B, #3A23E7 and #E7236E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

Complementary color

CMYK 78 / 89 / 0 / 14

HEX #3018DB

RGB 48 24 219

HSL 247.38, 0.8%, 0.48%

LAB 30.39, 66.17, -90.55

 

CMYK 8 / 0 / 87 / 9

HEX #D4E71F

RGB 212 231 31

HSL 65.7, 0.81%, 0.51%

LAB 87.61, -27.47, 82.48

 

CMYK 8 / 0 / 80 / 2

HEX #E5F932

RGB 229 249 50

HSL 66.03, 0.94%, 0.59%

LAB 93.73, -28.5, 84.01

 

CMYK 4 / 0 / 73 / 0

HEX #F6FF45

RGB 246 255 69

HSL 62.9, 1%, 0.64%

LAB 96.63, -23.78, 81.74

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

CMYK 11 / 0 / 92 / 16

HEX #BED511

RGB 190 213 17

HSL 67.04, 0.85%, 0.45%

LAB 81.06, -28.28, 78.77

 

CMYK 11 / 0 / 100 / 24

HEX #ADC300

RGB 173 195 0

HSL 66.77, 1%, 0.38%

LAB 74.77, -27, 75.21

 

CMYK 12 / 0 / 100 / 31

HEX #9CB100

RGB 156 177 0

HSL 67.12, 1%, 0.35%

LAB 68.4, -25.51, 69.9

 

CMYK 13 / 0 / 100 / 38

HEX #8B9F00

RGB 139 159 0

HSL 67.55, 1%, 0.31%

LAB 61.9, -23.99, 64.5

 

CMYK 11 / 0 / 85 / 9

HEX #CEE723

RGB 206 231 35

HSL 67.65, 0.8%, 0.52%

LAB 87.19, -29.82, 81.2

 

CMYK 0 / 13 / 85 / 9

HEX #E7CA23

RGB 231 202 35

HSL 51.12, 0.8%, 0.52%

LAB 81.48, -5.11, 77.3

 

CMYK 0 / 35 / 85 / 9

HEX #E79523

RGB 231 149 35

HSL 34.9, 0.8%, 0.52%

LAB 68.46, 22.74, 66.58

 

CMYK 0 / 58 / 85 / 9

HEX #E76023

RGB 231 96 35

HSL 18.67, 0.8%, 0.52%

LAB 57.54, 49.56, 57.46

 

CMYK 0 / 81 / 85 / 9

HEX #E72B23

RGB 231 43 35

HSL 2.45, 0.8%, 0.52%

LAB 50.5, 68.74, 51.5

 

CMYK 11 / 0 / 85 / 9

HEX #CEE723

RGB 206 231 35

HSL 67.65, 0.8%, 0.52%

LAB 87.19, -29.82, 81.2

 

CMYK 33 / 0 / 85 / 9

HEX #9AE723

RGB 154 231 35

HSL 83.57, 0.8%, 0.52%

LAB 84.04, -49.75, 77.27

 

CMYK 56 / 0 / 85 / 9

HEX #65E723

RGB 101 231 35

HSL 99.8, 0.8%, 0.52%

LAB 81.86, -66.02, 74.53

 

CMYK 79 / 0 / 85 / 9

HEX #30E723

RGB 48 231 35

HSL 116.02, 0.8%, 0.52%

LAB 80.68, -75.94, 73.04

 

CMYK 85 / 0 / 68 / 9

HEX #23E74A

RGB 35 231 74

HSL 131.94, 0.8%, 0.52%

LAB 80.74, -74.65, 61.11

 

CMYK 11 / 0 / 85 / 9

HEX #CEE723

RGB 206 231 35

HSL 67.65, 0.8%, 0.52%

LAB 87.19, -29.82, 81.2

 

CMYK 12 / 0 / 94 / 2

HEX #DDFA0F

RGB 221 250 15

HSL 67.4, 0.96%, 0.52%

LAB 93.35, -32.9, 89.44

 

CMYK 11 / 0 / 85 / 9

HEX #CEE723

RGB 206 231 35

HSL 67.65, 0.8%, 0.52%

LAB 87.19, -29.82, 81.2

 

CMYK 9 / 0 / 74 / 17

HEX #BFD336

RGB 191 211 54

HSL 67.64, 0.64%, 0.52%

LAB 80.7, -25.83, 70.1

 

CMYK 7 / 0 / 61 / 25

HEX #B1BF4A

RGB 177 191 74

HSL 67.18, 0.48%, 0.52%

LAB 74.26, -20.7, 55.72

 

CMYK 5 / 0 / 45 / 33

HEX #A2AB5E

RGB 162 171 94

HSL 67.01, 0.31%, 0.52%

LAB 67.74, -14.98, 38.41

 

CMYK 3 / 0 / 25 / 41

HEX #939772

RGB 147 151 114

HSL 66.49, 0.15%, 0.52%

LAB 61.27, -7.9, 19.06

 

CMYK 0 / 35 / 85 / 9

HEX #E79523

RGB 231 149 35

HSL 34.9, 0.8%, 0.52%

LAB 68.46, 22.74, 66.58

 

CMYK 0 / 13 / 85 / 9

HEX #E7C923

RGB 231 201 35

HSL 50.82, 0.8%, 0.52%

LAB 81.23, -4.6, 77.09

 

CMYK 10 / 0 / 85 / 9

HEX #D0E723

RGB 208 231 35

HSL 67.04, 0.8%, 0.52%

LAB 87.33, -29.01, 81.37

 

CMYK 33 / 0 / 85 / 9

HEX #9BE723

RGB 155 231 35

HSL 83.27, 0.8%, 0.52%

LAB 84.09, -49.4, 77.34

 

CMYK 55 / 0 / 85 / 9

HEX #67E723

RGB 103 231 35

HSL 99.18, 0.8%, 0.52%

LAB 81.92, -65.51, 74.61

 

CMYK 11 / 0 / 89 / 36

HEX #92A412

RGB 146 164 18

HSL 67.4, 0.8%, 0.36%

LAB 63.92, -23.11, 63.62

 

CMYK 11 / 0 / 89 / 21

HEX #B4CA16

RGB 180 202 22

HSL 67.33, 0.8%, 0.44%

LAB 77.28, -27.11, 74.74

 

CMYK 11 / 0 / 85 / 9

HEX #CEE723

RGB 206 231 35

HSL 67.65, 0.8%, 0.52%

LAB 87.19, -29.82, 81.2

 

CMYK 9 / 0 / 69 / 8

HEX #D7EB48

RGB 215 235 72

HSL 67.36, 0.8%, 0.6%

LAB 89.08, -26.64, 72.69

 

CMYK 7 / 0 / 54 / 6

HEX #DFEF6D

RGB 223 239 109

HSL 67.38, 0.8%, 0.68%

LAB 91.02, -22.91, 60.04

 

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

CMYK 85 / 0 / 58 / 9

HEX #23E761

RGB 35 231 97

HSL 138.98, 0.8%, 0.52%

LAB 80.95, -72.12, 51.74

 

CMYK 24 / 85 / 0 / 9

HEX #AF23E7

RGB 175 35 231

HSL 282.86, 0.8%, 0.52%

LAB 47.09, 78.44, -69.4

 

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

CMYK 85 / 10 / 0 / 9

HEX #23D0E7

RGB 35 208 231

HSL 187.04, 0.8%, 0.52%

LAB 76.82, -32.82, -23.03

 

CMYK 0 / 85 / 10 / 9

HEX #E723D0

RGB 231 35 208

HSL 307.04, 0.8%, 0.52%

LAB 54.81, 84.32, -43.42

 

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

CMYK 85 / 0 / 58 / 9

HEX #23E761

RGB 35 231 97

HSL 138.98, 0.8%, 0.52%

LAB 80.95, -72.12, 51.74

 

CMYK 75 / 85 / 0 / 9

HEX #3A23E7

RGB 58 35 231

HSL 247.04, 0.8%, 0.52%

LAB 33.71, 66.16, -91.88

 

CMYK 0 / 85 / 27 / 9

HEX #E723A9

RGB 231 35 169

HSL 318.98, 0.8%, 0.52%

LAB 53.01, 79.46, -23.6

 

CMYK 10 / 0 / 84 / 9

HEX #CFE724

RGB 207 231 36

HSL 67.38, 0.8%, 0.52%

LAB 87.26, -29.39, 81.08

 

CMYK 85 / 0 / 33 / 9

HEX #23E79B

RGB 35 231 155

HSL 156.73, 0.8%, 0.52%

LAB 81.77, -62.41, 24.48

 

CMYK 75 / 85 / 0 / 9

HEX #3A23E7

RGB 58 35 231

HSL 247.04, 0.8%, 0.52%

LAB 33.71, 66.16, -91.88

 

CMYK 0 / 85 / 52 / 9

HEX #E7236E

RGB 231 35 110

HSL 337.04, 0.8%, 0.52%

LAB 51.06, 73.97, 8.85

 

Description

Color code: HEX #CFE724 | qconv.com Color code: HEX #CFE724 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 84 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 84% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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