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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE711 it is the complementary color #3018EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE711 shade: #D4E70C, #E5F91F, #F6FF32, #FFFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE711 shade: #CFE711, #BED500, #ADC300, #9CB100 and #8B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE711 shade: #D0E811, #E8C711, #E88D11, #E85311 and #E81911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE711 shade: #D0E811, #96E811, #5CE811, #22E811 and #11E83B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE711 shade matches the following richer shades: #D0E811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE711 shade: #D0E811, #C1D426, #B1C03A, #A1AC4E and #929862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE711 shade: #E88B11, #E8C511, #D3E811, #9AE811 and #60E811

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE711 shade: #8C9C0C, #AEC20F, #D0E811, #DBF033 and #E1F35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE711 shade: #CFE711, #11E852 and #A811E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE711 shade: #CFE711, #11D3E8 and #E811D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE711 shade: #CFE711, #11E852, #2711E8 and #E811A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE711 shade: #CFE711, #11E892, #2711E8 and #E81167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

Complementary color

CMYK 80 / 90 / 0 / 7

HEX #3018EE

RGB 48 24 238

HSL 246.73, 0.86%, 0.51%

LAB 32.82, 71.16, -97.37

 

CMYK 8 / 0 / 95 / 9

HEX #D4E70C

RGB 212 231 12

HSL 65.21, 0.9%, 0.48%

LAB 87.57, -27.77, 85.01

 

CMYK 8 / 0 / 88 / 2

HEX #E5F91F

RGB 229 249 31

HSL 65.5, 0.95%, 0.55%

LAB 93.67, -28.98, 87.89

 

CMYK 4 / 0 / 80 / 0

HEX #F6FF32

RGB 246 255 50

HSL 62.63, 1%, 0.6%

LAB 96.55, -24.45, 86.93

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

CMYK 11 / 0 / 100 / 16

HEX #BED500

RGB 190 213 0

HSL 66.48, 1%, 0.42%

LAB 81.04, -28.47, 80.42

 

CMYK 11 / 0 / 100 / 24

HEX #ADC300

RGB 173 195 0

HSL 66.77, 1%, 0.38%

LAB 74.77, -27, 75.21

 

CMYK 12 / 0 / 100 / 31

HEX #9CB100

RGB 156 177 0

HSL 67.12, 1%, 0.35%

LAB 68.4, -25.51, 69.9

 

CMYK 13 / 0 / 100 / 38

HEX #8B9F00

RGB 139 159 0

HSL 67.55, 1%, 0.31%

LAB 61.9, -23.99, 64.5

 

CMYK 10 / 0 / 93 / 9

HEX #D0E811

RGB 208 232 17

HSL 66.7, 0.86%, 0.49%

LAB 87.56, -29.82, 84.38

 

CMYK 0 / 14 / 93 / 9

HEX #E8C711

RGB 232 199 17

HSL 50.79, 0.86%, 0.49%

LAB 80.76, -3.47, 80.04

 

CMYK 0 / 39 / 93 / 9

HEX #E88D11

RGB 232 141 17

HSL 34.6, 0.86%, 0.49%

LAB 66.71, 27.06, 69.73

 

CMYK 0 / 64 / 93 / 9

HEX #E85311

RGB 232 83 17

HSL 18.42, 0.86%, 0.49%

LAB 55.46, 55.3, 62

 

CMYK 0 / 89 / 93 / 9

HEX #E81911

RGB 232 25 17

HSL 2.23, 0.86%, 0.49%

LAB 49.36, 72.24, 58.17

 

CMYK 10 / 0 / 93 / 9

HEX #D0E811

RGB 208 232 17

HSL 66.7, 0.86%, 0.49%

LAB 87.56, -29.82, 84.38

 

CMYK 35 / 0 / 93 / 9

HEX #96E811

RGB 150 232 17

HSL 82.88, 0.86%, 0.49%

LAB 84.09, -51.99, 80.16

 

CMYK 60 / 0 / 93 / 9

HEX #5CE811

RGB 92 232 17

HSL 99.07, 0.86%, 0.49%

LAB 81.85, -69.05, 77.41

 

CMYK 85 / 0 / 93 / 9

HEX #22E811

RGB 34 232 17

HSL 115.26, 0.86%, 0.49%

LAB 80.79, -78.22, 76.1

 

CMYK 93 / 0 / 75 / 9

HEX #11E83B

RGB 17 232 59

HSL 131.72, 0.86%, 0.49%

LAB 80.82, -77.37, 66.5

 

CMYK 10 / 0 / 93 / 9

HEX #D0E811

RGB 208 232 17

HSL 66.7, 0.86%, 0.49%

LAB 87.56, -29.82, 84.38

 

CMYK 10 / 0 / 93 / 9

HEX #D0E811

RGB 208 232 17

HSL 66.7, 0.86%, 0.49%

LAB 87.56, -29.82, 84.38

 

CMYK 9 / 0 / 82 / 17

HEX #C1D426

RGB 193 212 38

HSL 66.55, 0.7%, 0.49%

LAB 81.05, -26.09, 74.98

 

CMYK 8 / 0 / 70 / 25

HEX #B1C03A

RGB 177 192 58

HSL 66.72, 0.54%, 0.49%

LAB 74.41, -22.2, 62.31

 

CMYK 6 / 0 / 55 / 33

HEX #A1AC4E

RGB 161 172 78

HSL 67.02, 0.38%, 0.49%

LAB 67.75, -17.46, 46.3

 

CMYK 4 / 0 / 36 / 40

HEX #929862

RGB 146 152 98

HSL 66.67, 0.22%, 0.49%

LAB 61.18, -11.08, 27.73

 

CMYK 0 / 40 / 93 / 9

HEX #E88B11

RGB 232 139 17

HSL 34.05, 0.86%, 0.49%

LAB 66.26, 28.11, 69.42

 

CMYK 0 / 15 / 93 / 9

HEX #E8C511

RGB 232 197 17

HSL 50.23, 0.86%, 0.49%

LAB 80.25, -2.44, 79.66

 

CMYK 9 / 0 / 93 / 9

HEX #D3E811

RGB 211 232 17

HSL 65.86, 0.86%, 0.49%

LAB 87.78, -28.59, 84.64

 

CMYK 34 / 0 / 93 / 9

HEX #9AE811

RGB 154 232 17

HSL 81.77, 0.86%, 0.49%

LAB 84.29, -50.59, 80.4

 

CMYK 59 / 0 / 93 / 9

HEX #60E811

RGB 96 232 17

HSL 97.95, 0.86%, 0.49%

LAB 81.97, -68.1, 77.56

 

CMYK 10 / 0 / 92 / 39

HEX #8C9C0C

RGB 140 156 12

HSL 66.67, 0.86%, 0.33%

LAB 61.11, -21.85, 62.21

 

CMYK 10 / 0 / 92 / 24

HEX #AEC20F

RGB 174 194 15

HSL 66.7, 0.86%, 0.41%

LAB 74.58, -25.91, 73.46

 

CMYK 10 / 0 / 93 / 9

HEX #D0E811

RGB 208 232 17

HSL 66.7, 0.86%, 0.49%

LAB 87.56, -29.82, 84.38

 

CMYK 9 / 0 / 79 / 6

HEX #DBF033

RGB 219 240 51

HSL 66.67, 0.86%, 0.57%

LAB 90.61, -28.29, 80.74

 

CMYK 7 / 0 / 63 / 5

HEX #E1F35A

RGB 225 243 90

HSL 67.06, 0.86%, 0.65%

LAB 92.06, -25.39, 69.22

 

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

CMYK 93 / 0 / 65 / 9

HEX #11E852

RGB 17 232 82

HSL 138.14, 0.86%, 0.49%

LAB 80.98, -75.31, 58.16

 

CMYK 28 / 93 / 0 / 9

HEX #A811E8

RGB 168 17 232

HSL 282.14, 0.86%, 0.49%

LAB 45.01, 80.86, -73.39

 

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

CMYK 93 / 9 / 0 / 9

HEX #11D3E8

RGB 17 211 232

HSL 185.86, 0.86%, 0.49%

LAB 77.6, -34.81, -22.4

 

CMYK 0 / 93 / 9 / 9

HEX #E811D3

RGB 232 17 211

HSL 305.86, 0.86%, 0.49%

LAB 54.3, 87.36, -45.92

 

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

CMYK 93 / 0 / 65 / 9

HEX #11E852

RGB 17 232 82

HSL 138.14, 0.86%, 0.49%

LAB 80.98, -75.31, 58.16

 

CMYK 83 / 93 / 0 / 9

HEX #2711E8

RGB 39 17 232

HSL 246.14, 0.86%, 0.49%

LAB 31.02, 71.12, -96.97

 

CMYK 0 / 93 / 28 / 9

HEX #E811A8

RGB 232 17 168

HSL 317.86, 0.86%, 0.49%

LAB 52.27, 82.13, -24.14

 

CMYK 10 / 0 / 93 / 9

HEX #CFE711

RGB 207 231 17

HSL 66.73, 0.86%, 0.49%

LAB 87.22, -29.76, 84.08

 

CMYK 93 / 0 / 37 / 9

HEX #11E892

RGB 17 232 146

HSL 156, 0.86%, 0.49%

LAB 81.79, -65.61, 29.1

 

CMYK 83 / 93 / 0 / 9

HEX #2711E8

RGB 39 17 232

HSL 246.14, 0.86%, 0.49%

LAB 31.02, 71.12, -96.97

 

CMYK 0 / 93 / 56 / 9

HEX #E81167

RGB 232 17 103

HSL 336, 0.86%, 0.49%

LAB 50.14, 76.43, 11.86

 

Description

Color code: HEX #CFE711 | qconv.com Color code: HEX #CFE711 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 231 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 231 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 93 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 93% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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