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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE559 it is the complementary color #301AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE559 shade: #D4E554, #E5F767, #F6FF7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE559 shade: #CFE559, #BED346, #ADC133, #9CAF20 and #8B9D0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE559 shade: #CFE557, #E5D557, #E5AF57, #E58957 and #E56257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE559 shade: #CFE557, #A8E557, #82E557, #5CE557 and #57E579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE559 shade matches the following richer shades: #CFE557 and #D9F548

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE559 shade: #CFE557, #C4D567, #B9C577, #AEB686 and #A4A696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE559 shade: #E5AF57, #E5D457, #D0E557, #AAE557 and #84E557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE559 shade: #AFCA20, #C4DF34, #CFE557, #D9EA7B and #E3F09F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE559 shade: #CFE559, #57E589 and #C157E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE559 shade: #CFE559, #57D0E5 and #E557D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE559 shade: #CFE559, #57E589, #6D57E5 and #E557B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE559 shade: #CFE559, #57E5B3, #6D57E5 and #E55789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

Complementary color

CMYK 71 / 84 / 0 / 35

HEX #301AA6

RGB 48 26 166

HSL 249.43, 0.73%, 0.38%

LAB 24.07, 50.65, -69.76

 

CMYK 7 / 0 / 63 / 10

HEX #D4E554

RGB 212 229 84

HSL 67.03, 0.74%, 0.61%

LAB 87.33, -24.29, 66.32

 

CMYK 7 / 0 / 58 / 3

HEX #E5F767

RGB 229 247 103

HSL 67.5, 0.9%, 0.69%

LAB 93.52, -24.83, 65.56

 

CMYK 4 / 0 / 52 / 0

HEX #F6FF7A

RGB 246 255 122

HSL 64.06, 1%, 0.74%

LAB 97.03, -20.53, 61.64

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

CMYK 10 / 0 / 67 / 17

HEX #BED346

RGB 190 211 70

HSL 68.94, 0.62%, 0.55%

LAB 80.73, -25.4, 64.45

 

CMYK 10 / 0 / 74 / 24

HEX #ADC133

RGB 173 193 51

HSL 68.45, 0.58%, 0.48%

LAB 74.36, -24.72, 64.63

 

CMYK 11 / 0 / 82 / 31

HEX #9CAF20

RGB 156 175 32

HSL 67.97, 0.69%, 0.41%

LAB 67.9, -23.86, 64.06

 

CMYK 11 / 0 / 92 / 38

HEX #8B9D0D

RGB 139 157 13

HSL 67.5, 0.85%, 0.33%

LAB 61.34, -22.77, 62.2

 

CMYK 10 / 0 / 62 / 10

HEX #CFE557

RGB 207 229 87

HSL 69.3, 0.73%, 0.62%

LAB 86.99, -26.09, 64.64

 

CMYK 0 / 7 / 62 / 10

HEX #E5D557

RGB 229 213 87

HSL 53.24, 0.73%, 0.62%

LAB 84.45, -9.3, 62.41

 

CMYK 0 / 24 / 62 / 10

HEX #E5AF57

RGB 229 175 87

HSL 37.18, 0.73%, 0.62%

LAB 74.83, 10.4, 51.77

 

CMYK 0 / 40 / 62 / 10

HEX #E58957

RGB 229 137 87

HSL 21.13, 0.73%, 0.62%

LAB 65.93, 30.61, 41.4

 

CMYK 0 / 57 / 62 / 10

HEX #E56257

RGB 229 98 87

HSL 4.65, 0.73%, 0.62%

LAB 58.11, 50.18, 31.82

 

CMYK 10 / 0 / 62 / 10

HEX #CFE557

RGB 207 229 87

HSL 69.3, 0.73%, 0.62%

LAB 86.99, -26.09, 64.64

 

CMYK 27 / 0 / 62 / 10

HEX #A8E557

RGB 168 229 87

HSL 85.77, 0.73%, 0.62%

LAB 84.51, -40.99, 61.23

 

CMYK 43 / 0 / 62 / 10

HEX #82E557

RGB 130 229 87

HSL 101.83, 0.73%, 0.62%

LAB 82.63, -53.77, 58.63

 

CMYK 60 / 0 / 62 / 10

HEX #5CE557

RGB 92 229 87

HSL 117.89, 0.73%, 0.62%

LAB 81.29, -63.9, 56.76

 

CMYK 62 / 0 / 47 / 10

HEX #57E579

RGB 87 229 121

HSL 134.37, 0.73%, 0.62%

LAB 81.54, -60.67, 41.44

 

CMYK 10 / 0 / 62 / 10

HEX #CFE557

RGB 207 229 87

HSL 69.3, 0.73%, 0.62%

LAB 86.99, -26.09, 64.64

 

CMYK 11 / 0 / 71 / 4

HEX #D9F548

RGB 217 245 72

HSL 69.71, 0.9%, 0.62%

LAB 91.92, -30.52, 75.53

 

CMYK 10 / 0 / 62 / 10

HEX #CFE557

RGB 207 229 87

HSL 69.3, 0.73%, 0.62%

LAB 86.99, -26.09, 64.64

 

CMYK 8 / 0 / 52 / 16

HEX #C4D567

RGB 196 213 103

HSL 69.27, 0.57%, 0.62%

LAB 82, -21.49, 51.81

 

CMYK 6 / 0 / 40 / 23

HEX #B9C577

RGB 185 197 119

HSL 69.23, 0.4%, 0.62%

LAB 77.03, -16.25, 37.72

 

CMYK 4 / 0 / 26 / 29

HEX #AEB686

RGB 174 182 134

HSL 70, 0.25%, 0.62%

LAB 72.35, -10.89, 23.56

 

CMYK 1 / 0 / 10 / 35

HEX #A4A696

RGB 164 166 150

HSL 67.5, 0.08%, 0.62%

LAB 67.55, -3.64, 8.03

 

CMYK 0 / 24 / 62 / 10

HEX #E5AF57

RGB 229 175 87

HSL 37.18, 0.73%, 0.62%

LAB 74.83, 10.4, 51.77

 

CMYK 0 / 7 / 62 / 10

HEX #E5D457

RGB 229 212 87

HSL 52.82, 0.73%, 0.62%

LAB 84.19, -8.79, 62.13

 

CMYK 9 / 0 / 62 / 10

HEX #D0E557

RGB 208 229 87

HSL 68.87, 0.73%, 0.62%

LAB 87.06, -25.69, 64.74

 

CMYK 26 / 0 / 62 / 10

HEX #AAE557

RGB 170 229 87

HSL 84.93, 0.73%, 0.62%

LAB 84.62, -40.26, 61.39

 

CMYK 42 / 0 / 62 / 10

HEX #84E557

RGB 132 229 87

HSL 100.99, 0.73%, 0.62%

LAB 82.72, -53.15, 58.75

 

CMYK 13 / 0 / 84 / 21

HEX #AFCA20

RGB 175 202 32

HSL 69.53, 0.73%, 0.46%

LAB 76.96, -28.94, 72.38

 

CMYK 12 / 0 / 77 / 13

HEX #C4DF34

RGB 196 223 52

HSL 69.47, 0.73%, 0.54%

LAB 84.36, -29.57, 74.24

 

CMYK 10 / 0 / 62 / 10

HEX #CFE557

RGB 207 229 87

HSL 69.3, 0.73%, 0.62%

LAB 86.99, -26.09, 64.64

 

CMYK 7 / 0 / 47 / 8

HEX #D9EA7B

RGB 217 234 123

HSL 69.19, 0.73%, 0.7%

LAB 89.41, -21.61, 51.63

 

CMYK 5 / 0 / 34 / 6

HEX #E3F09F

RGB 227 240 159

HSL 69.63, 0.73%, 0.78%

LAB 92.2, -16.8, 37.77

 

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

CMYK 62 / 0 / 40 / 10

HEX #57E589

RGB 87 229 137

HSL 141.13, 0.73%, 0.62%

LAB 81.77, -58.1, 33.82

 

CMYK 16 / 62 / 0 / 10

HEX #C157E5

RGB 193 87 229

HSL 284.79, 0.73%, 0.62%

LAB 55.9, 63.36, -53.95

 

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

CMYK 62 / 9 / 0 / 10

HEX #57D0E5

RGB 87 208 229

HSL 188.87, 0.73%, 0.62%

LAB 77.75, -27.46, -20.45

 

CMYK 0 / 62 / 9 / 10

HEX #E557D0

RGB 229 87 208

HSL 308.87, 0.73%, 0.62%

LAB 59.91, 68.47, -35.42

 

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

CMYK 62 / 0 / 40 / 10

HEX #57E589

RGB 87 229 137

HSL 141.13, 0.73%, 0.62%

LAB 81.77, -58.1, 33.82

 

CMYK 52 / 62 / 0 / 10

HEX #6D57E5

RGB 109 87 229

HSL 249.3, 0.73%, 0.62%

LAB 46.61, 45.53, -69.39

 

CMYK 0 / 62 / 22 / 10

HEX #E557B3

RGB 229 87 179

HSL 321.13, 0.73%, 0.62%

LAB 58.72, 64.29, -20.69

 

CMYK 10 / 0 / 61 / 10

HEX #CFE559

RGB 207 229 89

HSL 69.43, 0.73%, 0.62%

LAB 87.01, -25.95, 63.84

 

CMYK 62 / 0 / 22 / 10

HEX #57E5B3

RGB 87 229 179

HSL 158.87, 0.73%, 0.62%

LAB 82.55, -49.82, 13.21

 

CMYK 52 / 62 / 0 / 10

HEX #6D57E5

RGB 109 87 229

HSL 249.3, 0.73%, 0.62%

LAB 46.61, 45.53, -69.39

 

CMYK 0 / 62 / 40 / 10

HEX #E55789

RGB 229 87 137

HSL 338.87, 0.73%, 0.62%

LAB 57.35, 59.28, 1.71

 

Description

Color code: HEX #CFE559 | qconv.com Color code: HEX #CFE559 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 229 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 229 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 61 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 61% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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