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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE157 it is the complementary color #301EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE157 shade: #D4E152, #E5F365, #F6FF78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE157 shade: #CFE157, #BECF44, #ADBD31, #9CAB1E and #8B990B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE157 shade: #CFE156, #E1CE56, #E1A856, #E18356 and #E15D56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE157 shade: #CFE156, #A9E156, #84E156, #5EE156 and #56E173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE157 shade matches the following richer shades: #CFE156 and #DBF146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE157 shade: #CFE156, #C3D166, #B7C176, #ABB186 and #9FA196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE157 shade: #E1A756, #E1CC56, #D1E156, #ACE156 and #87E156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE157 shade: #ADC222, #C5DB33, #CFE156, #D9E779 and #E3EE9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE157 shade: #CFE157, #56E182 and #BA56E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE157 shade: #CFE157, #56D1E1 and #E156D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE157 shade: #CFE157, #56E182, #6656E1 and #E156B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE157 shade: #CFE157, #56E1AC, #6656E1 and #E1568B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

Complementary color

CMYK 71 / 82 / 0 / 34

HEX #301EA8

RGB 48 30 168

HSL 247.83, 0.7%, 0.39%

LAB 24.9, 49.47, -69.58

 

CMYK 6 / 0 / 64 / 12

HEX #D4E152

RGB 212 225 82

HSL 65.45, 0.7%, 0.6%

LAB 86.23, -22.5, 65.96

 

CMYK 6 / 0 / 58 / 5

HEX #E5F365

RGB 229 243 101

HSL 65.92, 0.86%, 0.67%

LAB 92.44, -23.07, 65.21

 

CMYK 4 / 0 / 53 / 0

HEX #F6FF78

RGB 246 255 120

HSL 64, 1%, 0.74%

LAB 97.01, -20.7, 62.5

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

CMYK 8 / 0 / 67 / 19

HEX #BECF44

RGB 190 207 68

HSL 67.34, 0.59%, 0.54%

LAB 79.61, -23.59, 64.08

 

CMYK 8 / 0 / 74 / 26

HEX #ADBD31

RGB 173 189 49

HSL 66.86, 0.59%, 0.47%

LAB 73.22, -22.86, 64.22

 

CMYK 9 / 0 / 82 / 33

HEX #9CAB1E

RGB 156 171 30

HSL 66.38, 0.7%, 0.39%

LAB 66.74, -21.94, 63.58

 

CMYK 9 / 0 / 93 / 40

HEX #8B990B

RGB 139 153 11

HSL 65.92, 0.87%, 0.32%

LAB 60.15, -20.8, 61.58

 

CMYK 8 / 0 / 62 / 12

HEX #CFE156

RGB 207 225 86

HSL 67.77, 0.7%, 0.61%

LAB 85.9, -24.25, 63.88

 

CMYK 0 / 8 / 62 / 12

HEX #E1CE56

RGB 225 206 86

HSL 51.8, 0.7%, 0.61%

LAB 82.28, -7.48, 60.39

 

CMYK 0 / 25 / 62 / 12

HEX #E1A856

RGB 225 168 86

HSL 35.4, 0.7%, 0.61%

LAB 72.68, 12.38, 49.69

 

CMYK 0 / 42 / 62 / 12

HEX #E18356

RGB 225 131 86

HSL 19.42, 0.7%, 0.61%

LAB 64.09, 32.11, 39.59

 

CMYK 0 / 59 / 62 / 12

HEX #E15D56

RGB 225 93 86

HSL 3.02, 0.7%, 0.61%

LAB 56.59, 51.01, 30.34

 

CMYK 8 / 0 / 62 / 12

HEX #CFE156

RGB 207 225 86

HSL 67.77, 0.7%, 0.61%

LAB 85.9, -24.25, 63.88

 

CMYK 25 / 0 / 62 / 12

HEX #A9E156

RGB 169 225 86

HSL 84.17, 0.7%, 0.61%

LAB 83.42, -38.93, 60.47

 

CMYK 41 / 0 / 62 / 12

HEX #84E156

RGB 132 225 86

HSL 100.14, 0.7%, 0.61%

LAB 81.53, -51.64, 57.85

 

CMYK 58 / 0 / 62 / 12

HEX #5EE156

RGB 94 225 86

HSL 116.55, 0.7%, 0.61%

LAB 80.12, -62.13, 55.89

 

CMYK 62 / 0 / 49 / 12

HEX #56E173

RGB 86 225 115

HSL 132.52, 0.7%, 0.61%

LAB 80.22, -60.29, 42.69

 

CMYK 8 / 0 / 62 / 12

HEX #CFE156

RGB 207 225 86

HSL 67.77, 0.7%, 0.61%

LAB 85.9, -24.25, 63.88

 

CMYK 9 / 0 / 71 / 5

HEX #DBF146

RGB 219 241 70

HSL 67.72, 0.86%, 0.61%

LAB 90.97, -27.96, 75.33

 

CMYK 8 / 0 / 62 / 12

HEX #CFE156

RGB 207 225 86

HSL 67.77, 0.7%, 0.61%

LAB 85.9, -24.25, 63.88

 

CMYK 7 / 0 / 51 / 18

HEX #C3D166

RGB 195 209 102

HSL 67.85, 0.54%, 0.61%

LAB 80.83, -20.01, 50.88

 

CMYK 5 / 0 / 39 / 24

HEX #B7C176

RGB 183 193 118

HSL 68, 0.38%, 0.61%

LAB 75.77, -15.12, 36.6

 

CMYK 3 / 0 / 24 / 31

HEX #ABB186

RGB 171 177 134

HSL 68.37, 0.22%, 0.61%

LAB 70.75, -9.43, 21.35

 

CMYK 1 / 0 / 7 / 37

HEX #9FA196

RGB 159 161 150

HSL 70.91, 0.06%, 0.61%

LAB 65.8, -2.77, 5.47

 

CMYK 0 / 26 / 62 / 12

HEX #E1A756

RGB 225 167 86

HSL 34.96, 0.7%, 0.61%

LAB 72.44, 12.92, 49.41

 

CMYK 0 / 9 / 62 / 12

HEX #E1CC56

RGB 225 204 86

HSL 50.94, 0.7%, 0.61%

LAB 81.76, -6.46, 59.83

 

CMYK 7 / 0 / 62 / 12

HEX #D1E156

RGB 209 225 86

HSL 66.91, 0.7%, 0.61%

LAB 86.05, -23.45, 64.08

 

CMYK 24 / 0 / 62 / 12

HEX #ACE156

RGB 172 225 86

HSL 82.88, 0.7%, 0.61%

LAB 83.6, -37.82, 60.71

 

CMYK 40 / 0 / 62 / 12

HEX #87E156

RGB 135 225 86

HSL 98.85, 0.7%, 0.61%

LAB 81.66, -50.69, 58.03

 

CMYK 11 / 0 / 82 / 24

HEX #ADC222

RGB 173 194 34

HSL 67.88, 0.7%, 0.45%

LAB 74.56, -25.88, 69.81

 

CMYK 10 / 0 / 77 / 14

HEX #C5DB33

RGB 197 219 51

HSL 67.86, 0.7%, 0.53%

LAB 83.32, -27.32, 73.61

 

CMYK 8 / 0 / 62 / 12

HEX #CFE156

RGB 207 225 86

HSL 67.77, 0.7%, 0.61%

LAB 85.9, -24.25, 63.88

 

CMYK 6 / 0 / 48 / 9

HEX #D9E779

RGB 217 231 121

HSL 67.64, 0.7%, 0.69%

LAB 88.58, -20.35, 51.58

 

CMYK 5 / 0 / 34 / 7

HEX #E3EE9C

RGB 227 238 156

HSL 68.05, 0.71%, 0.77%

LAB 91.63, -16.18, 38.53

 

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

CMYK 62 / 0 / 42 / 12

HEX #56E182

RGB 86 225 130

HSL 138.99, 0.7%, 0.61%

LAB 80.43, -57.96, 35.57

 

CMYK 17 / 62 / 0 / 12

HEX #BA56E1

RGB 186 86 225

HSL 283.17, 0.7%, 0.61%

LAB 54.59, 61.39, -53.84

 

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

CMYK 62 / 7 / 0 / 12

HEX #56D1E1

RGB 86 209 225

HSL 186.91, 0.7%, 0.61%

LAB 77.88, -29.27, -18.11

 

CMYK 0 / 62 / 7 / 12

HEX #E156D1

RGB 225 86 209

HSL 306.91, 0.7%, 0.61%

LAB 59.22, 68.02, -37.11

 

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

CMYK 62 / 0 / 42 / 12

HEX #56E182

RGB 86 225 130

HSL 138.99, 0.7%, 0.61%

LAB 80.43, -57.96, 35.57

 

CMYK 55 / 62 / 0 / 12

HEX #6656E1

RGB 102 86 225

HSL 246.91, 0.7%, 0.61%

LAB 45.52, 43.66, -68.92

 

CMYK 0 / 62 / 20 / 12

HEX #E156B5

RGB 225 86 181

HSL 318.99, 0.7%, 0.61%

LAB 58.04, 63.88, -22.94

 

CMYK 8 / 0 / 61 / 12

HEX #CFE157

RGB 207 225 87

HSL 67.83, 0.7%, 0.61%

LAB 85.91, -24.18, 63.48

 

CMYK 62 / 0 / 24 / 12

HEX #56E1AC

RGB 86 225 172

HSL 157.12, 0.7%, 0.61%

LAB 81.19, -49.89, 14.96

 

CMYK 55 / 62 / 0 / 12

HEX #6656E1

RGB 102 86 225

HSL 246.91, 0.7%, 0.61%

LAB 45.52, 43.66, -68.92

 

CMYK 0 / 62 / 38 / 12

HEX #E1568B

RGB 225 86 139

HSL 337.12, 0.7%, 0.61%

LAB 56.61, 58.69, -0.62

 

Description

Color code: HEX #CFE157 | qconv.com Color code: HEX #CFE157 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 225 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 225 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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