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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE049 it is the complementary color #301FB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE049 shade: #D4E044, #E5F257, #F6FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE049 shade: #CFE049, #BECE36, #ADBC23, #9CAA10 and #8B9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE049 shade: #CFE048, #E0C848, #E09F48, #E07648 and #E04D48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE049 shade: #CFE048, #A6E048, #7DE048, #54E048 and #48E065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE049 shade matches the following richer shades: #CFE048 and #DCF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE049 shade: #CFE048, #C1CF59, #B4BD6B, #A7AC7C and #999B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE049 shade: #E09E48, #E0C748, #D1E048, #A8E048 and #80E048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE049 shade: #A5B61F, #C5DA25, #CFE048, #D8E66B and #E1EC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE049 shade: #CFE049, #48E075 and #B248E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE049 shade: #CFE049, #48D1E0 and #E048D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE049 shade: #CFE049, #48E075, #5748E0 and #E048B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE049 shade: #CFE049, #48E0A3, #5748E0 and #E04885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

Complementary color

CMYK 74 / 83 / 0 / 29

HEX #301FB6

RGB 48 31 182

HSL 246.75, 0.71%, 0.42%

LAB 26.69, 53.21, -75.01

 

CMYK 5 / 0 / 70 / 12

HEX #D4E044

RGB 212 224 68

HSL 64.62, 0.72%, 0.57%

LAB 85.87, -22.81, 70.87

 

CMYK 5 / 0 / 64 / 5

HEX #E5F257

RGB 229 242 87

HSL 65.03, 0.86%, 0.65%

LAB 92.07, -23.51, 70.48

 

CMYK 4 / 0 / 58 / 0

HEX #F6FF6A

RGB 246 255 106

HSL 63.62, 1%, 0.71%

LAB 96.88, -21.74, 68.36

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

CMYK 8 / 0 / 74 / 19

HEX #BECE36

RGB 190 206 54

HSL 66.32, 0.61%, 0.51%

LAB 79.25, -23.83, 68.71

 

CMYK 8 / 0 / 81 / 26

HEX #ADBC23

RGB 173 188 35

HSL 65.88, 0.69%, 0.44%

LAB 72.87, -22.93, 68.09

 

CMYK 8 / 0 / 91 / 33

HEX #9CAA10

RGB 156 170 16

HSL 65.45, 0.83%, 0.36%

LAB 66.41, -21.81, 66.29

 

CMYK 9 / 0 / 100 / 40

HEX #8B9800

RGB 139 152 0

HSL 65.13, 1%, 0.3%

LAB 59.84, -20.48, 62.96

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 0 / 11 / 68 / 12

HEX #E0C848

RGB 224 200 72

HSL 50.53, 0.71%, 0.58%

LAB 80.53, -5.66, 64.34

 

CMYK 0 / 29 / 68 / 12

HEX #E09F48

RGB 224 159 72

HSL 34.34, 0.71%, 0.58%

LAB 70.25, 15.91, 53.55

 

CMYK 0 / 47 / 68 / 12

HEX #E07648

RGB 224 118 72

HSL 18.16, 0.71%, 0.58%

LAB 61.02, 37.61, 43.29

 

CMYK 0 / 66 / 68 / 12

HEX #E04D48

RGB 224 77 72

HSL 1.97, 0.71%, 0.58%

LAB 53.62, 56.78, 34.62

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 26 / 0 / 68 / 12

HEX #A6E048

RGB 166 224 72

HSL 82.89, 0.71%, 0.58%

LAB 82.85, -40.62, 65.38

 

CMYK 44 / 0 / 68 / 12

HEX #7DE048

RGB 125 224 72

HSL 99.08, 0.71%, 0.58%

LAB 80.82, -54.6, 62.63

 

CMYK 63 / 0 / 68 / 12

HEX #54E048

RGB 84 224 72

HSL 115.26, 0.71%, 0.58%

LAB 79.42, -65.36, 60.73

 

CMYK 68 / 0 / 55 / 12

HEX #48E065

RGB 72 224 101

HSL 131.45, 0.71%, 0.58%

LAB 79.4, -64.55, 48.24

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 9 / 0 / 77 / 5

HEX #DCF137

RGB 220 241 55

HSL 66.77, 0.87%, 0.58%

LAB 90.96, -28.21, 80

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 7 / 0 / 57 / 19

HEX #C1CF59

RGB 193 207 89

HSL 67.12, 0.55%, 0.58%

LAB 80, -20.93, 55.83

 

CMYK 5 / 0 / 43 / 26

HEX #B4BD6B

RGB 180 189 107

HSL 66.59, 0.38%, 0.58%

LAB 74.29, -15.52, 40.27

 

CMYK 3 / 0 / 28 / 33

HEX #A7AC7C

RGB 167 172 124

HSL 66.25, 0.22%, 0.58%

LAB 68.88, -9.78, 24.17

 

CMYK 1 / 0 / 9 / 39

HEX #999B8D

RGB 153 155 141

HSL 68.57, 0.07%, 0.58%

LAB 63.46, -3.32, 7.09

 

CMYK 0 / 29 / 68 / 12

HEX #E09E48

RGB 224 158 72

HSL 33.95, 0.71%, 0.58%

LAB 70.01, 16.44, 53.29

 

CMYK 0 / 11 / 68 / 12

HEX #E0C748

RGB 224 199 72

HSL 50.13, 0.71%, 0.58%

LAB 80.27, -5.15, 64.07

 

CMYK 7 / 0 / 68 / 12

HEX #D1E048

RGB 209 224 72

HSL 65.92, 0.71%, 0.58%

LAB 85.67, -23.82, 69.16

 

CMYK 25 / 0 / 68 / 12

HEX #A8E048

RGB 168 224 72

HSL 82.11, 0.71%, 0.58%

LAB 82.97, -39.88, 65.54

 

CMYK 43 / 0 / 68 / 12

HEX #80E048

RGB 128 224 72

HSL 97.89, 0.71%, 0.58%

LAB 80.94, -53.67, 62.8

 

CMYK 9 / 0 / 83 / 29

HEX #A5B61F

RGB 165 182 31

HSL 66.75, 0.71%, 0.42%

LAB 70.56, -23.5, 66.88

 

CMYK 10 / 0 / 83 / 15

HEX #C5DA25

RGB 197 218 37

HSL 66.96, 0.71%, 0.5%

LAB 82.99, -27.33, 76.98

 

CMYK 8 / 0 / 68 / 12

HEX #CFE048

RGB 207 224 72

HSL 66.71, 0.71%, 0.58%

LAB 85.53, -24.63, 68.96

 

CMYK 6 / 0 / 53 / 10

HEX #D8E66B

RGB 216 230 107

HSL 66.83, 0.71%, 0.66%

LAB 88.09, -21.5, 57.44

 

CMYK 5 / 0 / 40 / 7

HEX #E1EC8E

RGB 225 236 142

HSL 67.02, 0.71%, 0.74%

LAB 90.76, -17.56, 44.3

 

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

CMYK 68 / 0 / 48 / 12

HEX #48E075

RGB 72 224 117

HSL 137.76, 0.71%, 0.58%

LAB 79.6, -62.29, 40.88

 

CMYK 21 / 68 / 0 / 12

HEX #B248E0

RGB 178 72 224

HSL 281.84, 0.71%, 0.58%

LAB 51.25, 65.54, -58.69

 

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

CMYK 68 / 7 / 0 / 12

HEX #48D1E0

RGB 72 209 224

HSL 185.92, 0.71%, 0.58%

LAB 77.5, -31.68, -18.19

 

CMYK 0 / 68 / 7 / 12

HEX #E048D1

RGB 224 72 209

HSL 305.92, 0.71%, 0.58%

LAB 57.16, 73.1, -40.36

 

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

CMYK 68 / 0 / 48 / 12

HEX #48E075

RGB 72 224 117

HSL 137.76, 0.71%, 0.58%

LAB 79.6, -62.29, 40.88

 

CMYK 61 / 68 / 0 / 12

HEX #5748E0

RGB 87 72 224

HSL 245.92, 0.71%, 0.58%

LAB 41.28, 49, -75.32

 

CMYK 0 / 68 / 21 / 12

HEX #E048B2

RGB 224 72 178

HSL 318.16, 0.71%, 0.58%

LAB 55.78, 68.67, -24.69

 

CMYK 8 / 0 / 67 / 12

HEX #CFE049

RGB 207 224 73

HSL 66.75, 0.71%, 0.58%

LAB 85.53, -24.58, 68.6

 

CMYK 68 / 0 / 27 / 12

HEX #48E0A3

RGB 72 224 163

HSL 155.92, 0.71%, 0.58%

LAB 80.37, -53.81, 18.49

 

CMYK 61 / 68 / 0 / 12

HEX #5748E0

RGB 87 72 224

HSL 245.92, 0.71%, 0.58%

LAB 41.28, 49, -75.32

 

CMYK 0 / 68 / 41 / 12

HEX #E04885

RGB 224 72 133

HSL 335.92, 0.71%, 0.58%

LAB 54.21, 63.4, -0.6

 

Description

Color code: HEX #CFE049 | qconv.com Color code: HEX #CFE049 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 224 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 224 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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