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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFDB5E it is the complementary color #3024A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFDB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFDB5E shade: #D4DB59, #E5ED6C, #F6FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFDB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFDB5E shade: #CFDB5E, #BEC94B, #ADB738, #9CA525 and #8B9312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFDB5E shade: #CEDA5C, #DAC45C, #DAA25C, #DA805C and #DA5F5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFDB5E shade: #CEDA5C, #ACDA5C, #8ADA5C, #68DA5C and #5CDA72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFDB5E shade matches the following richer shades: #CEDA5C, #DBEA4C and #E8FA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFDB5E shade: #CEDA5C, #C1CA6C, #B4BA7D, #A7A98D and #9A999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFDB5E shade: #DAA15C, #DAC35C, #CFDA5C, #AEDA5C and #8CDA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFDB5E shade: #ACBA2A, #C4D23B, #CEDA5C, #D8E17E and #E2E9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFDB5E shade: #CFDB5E, #5CDA80 and #B25CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFDB5E shade: #CFDB5E, #5CCFDA and #DA5CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFDB5E shade: #CFDB5E, #5CDA80, #675CDA and #DA5CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFDB5E shade: #CFDB5E, #5CDAA5, #675CDA and #DA5C91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

Complementary color

CMYK 70 / 78 / 0 / 37

HEX #3024A1

RGB 48 36 161

HSL 245.76, 0.63%, 0.39%

LAB 25.15, 44.31, -64.93

 

CMYK 3 / 0 / 59 / 14

HEX #D4DB59

RGB 212 219 89

HSL 63.23, 0.64%, 0.6%

LAB 84.68, -19.12, 61.41

 

CMYK 3 / 0 / 54 / 7

HEX #E5ED6C

RGB 229 237 108

HSL 63.72, 0.78%, 0.68%

LAB 90.92, -19.66, 60.49

 

CMYK 4 / 0 / 50 / 0

HEX #F6FF7F

RGB 246 255 127

HSL 64.22, 1%, 0.75%

LAB 97.08, -20.12, 59.46

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

CMYK 5 / 0 / 63 / 21

HEX #BEC94B

RGB 190 201 75

HSL 65.24, 0.54%, 0.54%

LAB 78.01, -20.21, 59.62

 

CMYK 5 / 0 / 69 / 28

HEX #ADB738

RGB 173 183 56

HSL 64.72, 0.53%, 0.47%

LAB 71.58, -19.52, 60.14

 

CMYK 5 / 0 / 78 / 35

HEX #9CA525

RGB 156 165 37

HSL 64.22, 0.63%, 0.4%

LAB 65.05, -18.66, 60.06

 

CMYK 5 / 0 / 88 / 42

HEX #8B9312

RGB 139 147 18

HSL 63.72, 0.78%, 0.32%

LAB 58.41, -17.57, 58.89

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 0 / 10 / 58 / 15

HEX #DAC45C

RGB 218 196 92

HSL 49.52, 0.63%, 0.61%

LAB 79.13, -4.86, 54.04

 

CMYK 0 / 26 / 58 / 15

HEX #DAA25C

RGB 218 162 92

HSL 33.33, 0.63%, 0.61%

LAB 70.54, 13.09, 44.03

 

CMYK 0 / 41 / 58 / 15

HEX #DA805C

RGB 218 128 92

HSL 17.14, 0.63%, 0.61%

LAB 62.61, 31.34, 34.35

 

CMYK 0 / 56 / 58 / 15

HEX #DA5F5C

RGB 218 95 92

HSL 1.43, 0.63%, 0.61%

LAB 55.95, 48.04, 25.85

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 21 / 0 / 58 / 15

HEX #ACDA5C

RGB 172 218 92

HSL 81.9, 0.63%, 0.61%

LAB 81.67, -34.14, 55.99

 

CMYK 37 / 0 / 58 / 15

HEX #8ADA5C

RGB 138 218 92

HSL 98.1, 0.63%, 0.61%

LAB 79.79, -46.24, 53.36

 

CMYK 52 / 0 / 58 / 15

HEX #68DA5C

RGB 104 218 92

HSL 114.29, 0.63%, 0.61%

LAB 78.38, -56.41, 51.36

 

CMYK 58 / 0 / 48 / 15

HEX #5CDA72

RGB 92 218 114

HSL 130.48, 0.63%, 0.61%

LAB 78.25, -56.52, 40.75

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 6 / 0 / 68 / 8

HEX #DBEA4C

RGB 219 234 76

HSL 65.7, 0.79%, 0.61%

LAB 89.12, -24.34, 71.39

 

CMYK 7 / 0 / 76 / 2

HEX #E8FA3C

RGB 232 250 60

HSL 65.68, 0.95%, 0.61%

LAB 94.25, -27.41, 81.87

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 4 / 0 / 47 / 21

HEX #C1CA6C

RGB 193 202 108

HSL 65.74, 0.47%, 0.61%

LAB 78.85, -16.77, 45.6

 

CMYK 3 / 0 / 33 / 27

HEX #B4BA7D

RGB 180 186 125

HSL 65.9, 0.31%, 0.61%

LAB 73.74, -11.86, 30.29

 

CMYK 1 / 0 / 17 / 34

HEX #A7A98D

RGB 167 169 141

HSL 64.29, 0.14%, 0.61%

LAB 68.4, -5.63, 14.24

 

CMYK 2 / 3 / 0 / 38

HEX #9A999D

RGB 154 153 157

HSL 255, 0.02%, 0.61%

LAB 63.41, 1.14, -1.97

 

CMYK 0 / 26 / 58 / 15

HEX #DAA15C

RGB 218 161 92

HSL 32.86, 0.63%, 0.61%

LAB 70.29, 13.63, 43.74

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 5 / 0 / 58 / 15

HEX #CFDA5C

RGB 207 218 92

HSL 65.24, 0.63%, 0.61%

LAB 84.06, -20.44, 59.33

 

CMYK 20 / 0 / 58 / 15

HEX #AEDA5C

RGB 174 218 92

HSL 80.95, 0.63%, 0.61%

LAB 81.79, -33.39, 56.17

 

CMYK 36 / 0 / 58 / 15

HEX #8CDA5C

RGB 140 218 92

HSL 97.14, 0.63%, 0.61%

LAB 79.89, -45.57, 53.5

 

CMYK 8 / 0 / 77 / 27

HEX #ACBA2A

RGB 172 186 42

HSL 65.83, 0.63%, 0.45%

LAB 72.27, -22.11, 65.55

 

CMYK 7 / 0 / 72 / 18

HEX #C4D23B

RGB 196 210 59

HSL 65.56, 0.63%, 0.53%

LAB 80.82, -23.06, 68.69

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 4 / 0 / 44 / 12

HEX #D8E17E

RGB 216 225 126

HSL 65.45, 0.62%, 0.69%

LAB 86.98, -17.31, 47.21

 

CMYK 3 / 0 / 31 / 9

HEX #E2E9A0

RGB 226 233 160

HSL 65.75, 0.62%, 0.77%

LAB 90.31, -13.6, 34.78

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

CMYK 58 / 0 / 41 / 15

HEX #5CDA80

RGB 92 218 128

HSL 137.14, 0.63%, 0.61%

LAB 78.45, -54.33, 34.04

 

CMYK 18 / 58 / 0 / 15

HEX #B25CDA

RGB 178 92 218

HSL 280.95, 0.63%, 0.61%

LAB 54.22, 55.18, -50.53

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

CMYK 58 / 5 / 0 / 15

HEX #5CCFDA

RGB 92 207 218

HSL 185.24, 0.63%, 0.61%

LAB 77.26, -29.22, -15.27

 

CMYK 0 / 58 / 5 / 15

HEX #DA5CCF

RGB 218 92 207

HSL 305.24, 0.63%, 0.61%

LAB 59.03, 63.38, -36.34

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

CMYK 58 / 0 / 41 / 15

HEX #5CDA80

RGB 92 218 128

HSL 137.14, 0.63%, 0.61%

LAB 78.45, -54.33, 34.04

 

CMYK 53 / 58 / 0 / 15

HEX #675CDA

RGB 103 92 218

HSL 245.24, 0.63%, 0.61%

LAB 46.45, 38.19, -63.44

 

CMYK 0 / 58 / 17 / 15

HEX #DA5CB6

RGB 218 92 182

HSL 317.14, 0.63%, 0.61%

LAB 57.98, 59.49, -23.7

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5E

RGB 207 219 94

HSL 65.76, 0.63%, 0.61%

LAB 84.35, -20.77, 58.78

 

CMYK 58 / 0 / 24 / 15

HEX #5CDAA5

RGB 92 218 165

HSL 154.76, 0.63%, 0.61%

LAB 79.12, -47.31, 15.77

 

CMYK 53 / 58 / 0 / 15

HEX #675CDA

RGB 103 92 218

HSL 245.24, 0.63%, 0.61%

LAB 46.45, 38.19, -63.44

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C91

RGB 218 92 145

HSL 334.76, 0.63%, 0.61%

LAB 56.69, 54.55, -4.15

 

Description

Color code: HEX #CFDB5E | qconv.com Color code: HEX #CFDB5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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