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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD9F9 it is the complementary color #302606. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD9F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD9F9 shade: #D4D9F4, #E5EBFF, #F6FDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD9F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD9F9 shade: #CFD9F9, #BEC7E6, #ADB5D3, #9CA3C0 and #8B91AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD9F9 shade: #CDD7F9, #CECDF9, #DACDF9, #E6CDF9 and #F2CDF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD9F9 shade: #CDD7F9 and #CDCDF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD9F9 shade matches the following richer shades: #CDD7F9 and #C9D5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD9F9 shade: #CDD7F9, #D2DAF4, #D6DCF0, #DBDFEB and #DFE1E7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD9F9 shade: #CDEFF9, #CDE4F9, #CDD8F9, #CECDF9 and #D9CDF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD9F9 shade: #849DF0, #A8BAF4, #CDD7F9, #F2F5FD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD9F9 shade: #CFD9F9, #F7CDF9 and #EAF9CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD9F9 shade: #CFD9F9, #F9CDD8 and #D8F9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD9F9 shade: #CFD9F9, #F7CDF9, #F9EECD and #CFF9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD9F9 shade: #CFD9F9, #F9CDEE, #F9EECD and #CDF9D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

Complementary color

CMYK 0 / 21 / 88 / 81

HEX #302606

RGB 48 38 6

HSL 45.71, 0.78%, 0.11%

LAB 15.63, 0.41, 20.36

 

CMYK 13 / 11 / 0 / 4

HEX #D4D9F4

RGB 212 217 244

HSL 230.63, 0.59%, 0.89%

LAB 87.07, 3.56, -13.75

 

CMYK 10 / 8 / 0 / 0

HEX #E5EBFF

RGB 229 235 255

HSL 226.15, 1%, 0.95%

LAB 93.14, 1.78, -10.33

 

CMYK 4 / 1 / 0 / 0

HEX #F6FDFF

RGB 246 253 255

HSL 193.33, 1%, 0.98%

LAB 98.85, -1.93, -1.77

 

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

CMYK 17 / 13 / 0 / 10

HEX #BEC7E6

RGB 190 199 230

HSL 226.5, 0.44%, 0.82%

LAB 80.46, 3.23, -16.39

 

CMYK 18 / 14 / 0 / 17

HEX #ADB5D3

RGB 173 181 211

HSL 227.37, 0.3%, 0.75%

LAB 73.96, 3.44, -16.05

 

CMYK 19 / 15 / 0 / 25

HEX #9CA3C0

RGB 156 163 192

HSL 228.33, 0.22%, 0.68%

LAB 67.33, 3.67, -15.72

 

CMYK 20 / 16 / 0 / 32

HEX #8B91AD

RGB 139 145 173

HSL 229.41, 0.17%, 0.61%

LAB 60.57, 3.91, -15.4

 

CMYK 18 / 14 / 0 / 2

HEX #CDD7F9

RGB 205 215 249

HSL 226.36, 0.79%, 0.89%

LAB 86.22, 3.46, -17.73

 

CMYK 17 / 18 / 0 / 2

HEX #CECDF9

RGB 206 205 249

HSL 241.36, 0.79%, 0.89%

LAB 83.77, 9.08, -21.42

 

CMYK 12 / 18 / 0 / 2

HEX #DACDF9

RGB 218 205 249

HSL 257.73, 0.79%, 0.89%

LAB 84.69, 12.83, -19.93

 

CMYK 8 / 18 / 0 / 2

HEX #E6CDF9

RGB 230 205 249

HSL 274.09, 0.79%, 0.89%

LAB 85.67, 16.65, -18.37

 

CMYK 3 / 18 / 0 / 2

HEX #F2CDF9

RGB 242 205 249

HSL 290.45, 0.79%, 0.89%

LAB 86.69, 20.52, -16.72

 

CMYK 18 / 14 / 0 / 2

HEX #CDD7F9

RGB 205 215 249

HSL 226.36, 0.79%, 0.89%

LAB 86.22, 3.46, -17.73

 

CMYK 18 / 18 / 0 / 2

HEX #CDCDF9

RGB 205 205 249

HSL 240, 0.79%, 0.89%

LAB 83.69, 8.77, -21.54

 

CMYK 18 / 14 / 0 / 2

HEX #CDD7F9

RGB 205 215 249

HSL 226.36, 0.79%, 0.89%

LAB 86.22, 3.46, -17.73

 

CMYK 21 / 16 / 0 / 1

HEX #C9D5FD

RGB 201 213 253

HSL 226.15, 0.93%, 0.89%

LAB 85.55, 4.16, -20.87

 

CMYK 18 / 14 / 0 / 2

HEX #CDD7F9

RGB 205 215 249

HSL 226.36, 0.79%, 0.89%

LAB 86.22, 3.46, -17.73

 

CMYK 14 / 11 / 0 / 4

HEX #D2DAF4

RGB 210 218 244

HSL 225.88, 0.61%, 0.89%

LAB 87.18, 2.4, -13.61

 

CMYK 11 / 8 / 0 / 6

HEX #D6DCF0

RGB 214 220 240

HSL 226.15, 0.46%, 0.89%

LAB 87.86, 1.82, -10.45

 

CMYK 7 / 5 / 0 / 8

HEX #DBDFEB

RGB 219 223 235

HSL 225, 0.29%, 0.89%

LAB 88.84, 0.9, -6.32

 

CMYK 3 / 3 / 0 / 9

HEX #DFE1E7

RGB 223 225 231

HSL 225, 0.14%, 0.89%

LAB 89.54, 0.43, -3.17

 

CMYK 18 / 4 / 0 / 2

HEX #CDEFF9

RGB 205 239 249

HSL 193.64, 0.79%, 0.89%

LAB 92.38, -8.95, -8.52

 

CMYK 18 / 8 / 0 / 2

HEX #CDE4F9

RGB 205 228 249

HSL 208.64, 0.79%, 0.89%

LAB 89.54, -3.32, -12.75

 

CMYK 18 / 13 / 0 / 2

HEX #CDD8F9

RGB 205 216 249

HSL 225, 0.79%, 0.89%

LAB 86.47, 2.94, -17.35

 

CMYK 17 / 18 / 0 / 2

HEX #CECDF9

RGB 206 205 249

HSL 241.36, 0.79%, 0.89%

LAB 83.77, 9.08, -21.42

 

CMYK 13 / 18 / 0 / 2

HEX #D9CDF9

RGB 217 205 249

HSL 256.36, 0.79%, 0.89%

LAB 84.61, 12.51, -20.06

 

CMYK 45 / 35 / 0 / 6

HEX #849DF0

RGB 132 157 240

HSL 226.11, 0.78%, 0.73%

LAB 65.99, 12.66, -44.43

 

CMYK 31 / 24 / 0 / 4

HEX #A8BAF4

RGB 168 186 244

HSL 225.79, 0.78%, 0.81%

LAB 76.05, 6.94, -30.77

 

CMYK 18 / 14 / 0 / 2

HEX #CDD7F9

RGB 205 215 249

HSL 226.36, 0.79%, 0.89%

LAB 86.22, 3.46, -17.73

 

CMYK 4 / 3 / 0 / 1

HEX #F2F5FD

RGB 242 245 253

HSL 223.64, 0.73%, 0.97%

LAB 96.52, 0.46, -4.19

 

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

CMYK 1 / 18 / 0 / 2

HEX #F7CDF9

RGB 247 205 249

HSL 297.27, 0.79%, 0.89%

LAB 87.13, 22.15, -16.02

 

CMYK 6 / 0 / 18 / 2

HEX #EAF9CD

RGB 234 249 205

HSL 80.45, 0.79%, 0.89%

LAB 95.85, -12.35, 19.49

 

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

CMYK 0 / 18 / 13 / 2

HEX #F9CDD8

RGB 249 205 216

HSL 345, 0.79%, 0.89%

LAB 86.39, 17.19, 0.39

 

CMYK 13 / 0 / 18 / 2

HEX #D8F9CD

RGB 216 249 205

HSL 105, 0.79%, 0.89%

LAB 94.64, -18.54, 17.61

 

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

CMYK 1 / 18 / 0 / 2

HEX #F7CDF9

RGB 247 205 249

HSL 297.27, 0.79%, 0.89%

LAB 87.13, 22.15, -16.02

 

CMYK 0 / 4 / 18 / 2

HEX #F9EECD

RGB 249 238 205

HSL 45, 0.79%, 0.89%

LAB 94.18, -1.54, 17.32

HEX #F9EECD

CMYK 17 / 0 / 18 / 2

HEX #CFF9CD

RGB 207 249 205

HSL 117.27, 0.79%, 0.89%

LAB 94.07, -21.54, 16.73

HEX #CFF9CD

CMYK 17 / 13 / 0 / 2

HEX #CFD9F9

RGB 207 217 249

HSL 225.71, 0.78%, 0.89%

LAB 86.86, 3.03, -16.74

 

CMYK 0 / 18 / 4 / 2

HEX #F9CDEE

RGB 249 205 238

HSL 315, 0.79%, 0.89%

LAB 86.98, 20.85, -10.4

 

CMYK 0 / 4 / 18 / 2

HEX #F9EECD

RGB 249 238 205

HSL 45, 0.79%, 0.89%

LAB 94.18, -1.54, 17.32

HEX #F9EECD

CMYK 18 / 0 / 13 / 2

HEX #CDF9D8

RGB 205 249 216

HSL 135, 0.79%, 0.89%

LAB 94.18, -20.29, 11.21

HEX #CDF9D8

Description

Color code: HEX #CFD9F9 | qconv.com Color code: HEX #CFD9F9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 217 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 217 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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