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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD8FACE it is the complementary color #302705CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD8FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD8FACE shade: #D4D8F5CE, #E5EAFFCE, #F6FCFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD8FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD8FACE shade: #CFD8FACE, #BEC6E7CE, #ADB4D4CE, #9CA2C1CE and #8B90AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD8FACE shade: #D1D9FA, #D3D1FA, #DED1FA, #EAD1FA and #F5D1FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD8FACE shade: #D1D9FA and #D1D1FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD8FACE shade matches the following richer shades: #D1D9FA and #CDD7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD8FACE shade: #D1D9FA, #D5DCF6, #D9DEF2, #DDE1EE and #E1E3EA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD8FACE shade: #D1F0FA, #D1E5FA, #D1DAFA, #D3D1FA and #DED1FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD8FACE shade: #869DF2, #ACBBF6, #D1D9FA, #F6F8FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD8FACE shade: #CFD8FA, #F9D1FA and #EAFAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD8FACE shade: #CFD8FA, #FAD1DA and #DAFAD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD8FACE shade: #CFD8FA, #F9D1FA, #FAF1D1 and #D2FAD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD8FACE shade: #CFD8FA, #FAD1EE, #FAF1D1 and #D1FADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 11 / 0 / 2

HEX #CFD8FACE

RGBA 207 216 250 0.81

HSLA 227.44, 0.81%, 0.9%, 0.81

LABA 86.64, 3.77, -17.6, 0.81

 

Complementary color

CMYK 0 / 15 / 73 / 66

HEX #302705CE

RGBA 48 39 5 0.81

HSLA 47.44, 0.81%, 0.1%, 0.81

LABA 15.95, -0.35, 21.17, 0.81

 

CMYK 11 / 10 / 0 / 3

HEX #D4D8F5CE

RGBA 212 216 245 0.81

HSLA 232.73, 0.62%, 0.9%, 0.81

LABA 86.85, 4.28, -14.61, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E5EAFFCE

RGBA 229 234 255 0.81

HSLA 228.46, 1%, 0.95%, 0.81

LABA 92.89, 2.3, -10.7, 0.81

 

CMYK 3 / 1 / 0 / 0

HEX #F6FCFFCE

RGBA 246 252 255 0.81

HSLA 200, 1%, 0.98%, 0.81

LABA 98.6, -1.42, -2.13, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 14 / 11 / 0 / 2

HEX #CFD8FACE

RGBA 207 216 250 0.81

HSLA 227.44, 0.81%, 0.9%, 0.81

LABA 86.64, 3.77, -17.6, 0.81

 

CMYK 14 / 12 / 0 / 8

HEX #BEC6E7CE

RGBA 190 198 231 0.81

HSLA 228.29, 0.46%, 0.83%, 0.81

LABA 80.24, 3.98, -17.27, 0.81

 

CMYK 15 / 12 / 0 / 14

HEX #ADB4D4CE

RGBA 173 180 212 0.81

HSLA 229.23, 0.31%, 0.75%, 0.81

LABA 73.73, 4.21, -16.94, 0.81

 

CMYK 16 / 13 / 0 / 20

HEX #9CA2C1CE

RGBA 156 162 193 0.81

HSLA 230.27, 0.23%, 0.68%, 0.81

LABA 67.1, 4.45, -16.62, 0.81

 

CMYK 16 / 14 / 0 / 26

HEX #8B90AECE

RGBA 139 144 174 0.81

HSLA 231.43, 0.18%, 0.61%, 0.81

LABA 60.33, 4.71, -16.32, 0.81

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 16 / 16 / 0 / 2

HEX #D3D1FA

RGB 211 209 250

HSL 242.93, 0.8%, 0.9%

LAB 85.18, 8.71, -19.79

 

CMYK 11 / 16 / 0 / 2

HEX #DED1FA

RGB 222 209 250

HSL 259.02, 0.8%, 0.9%

LAB 86.02, 12.17, -18.42

 

CMYK 6 / 16 / 0 / 2

HEX #EAD1FA

RGB 234 209 250

HSL 276.59, 0.8%, 0.9%

LAB 86.99, 16.01, -16.86

 

CMYK 2 / 16 / 0 / 2

HEX #F5D1FA

RGB 245 209 250

HSL 292.68, 0.8%, 0.9%

LAB 87.93, 19.58, -15.37

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 16 / 16 / 0 / 2

HEX #D1D1FA

RGB 209 209 250

HSL 240, 0.8%, 0.9%

LAB 85.03, 8.09, -20.03

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 19 / 15 / 0 / 0

HEX #CDD7FE

RGB 205 215 254

HSL 227.76, 0.96%, 0.9%

LAB 86.37, 4.54, -20.13

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 13 / 11 / 0 / 4

HEX #D5DCF6

RGB 213 220 246

HSL 227.27, 0.65%, 0.9%

LAB 87.96, 2.71, -13.47

 

CMYK 10 / 8 / 0 / 5

HEX #D9DEF2

RGB 217 222 242

HSL 228, 0.49%, 0.9%

LAB 88.64, 2.13, -10.32

 

CMYK 7 / 5 / 0 / 7

HEX #DDE1EE

RGB 221 225 238

HSL 225.88, 0.33%, 0.9%

LAB 89.58, 1.09, -6.8

 

CMYK 4 / 3 / 0 / 8

HEX #E1E3EA

RGB 225 227 234

HSL 226.67, 0.18%, 0.9%

LAB 90.27, 0.61, -3.65

 

CMYK 16 / 4 / 0 / 2

HEX #D1F0FA

RGB 209 240 250

HSL 194.63, 0.8%, 0.9%

LAB 92.92, -8.03, -8.21

 

CMYK 16 / 8 / 0 / 2

HEX #D1E5FA

RGB 209 229 250

HSL 210.73, 0.8%, 0.9%

LAB 90.09, -2.4, -12.42

 

CMYK 16 / 13 / 0 / 2

HEX #D1DAFA

RGB 209 218 250

HSL 226.83, 0.8%, 0.9%

LAB 87.29, 3.33, -16.61

 

CMYK 16 / 16 / 0 / 2

HEX #D3D1FA

RGB 211 209 250

HSL 242.93, 0.8%, 0.9%

LAB 85.18, 8.71, -19.79

 

CMYK 11 / 16 / 0 / 2

HEX #DED1FA

RGB 222 209 250

HSL 259.02, 0.8%, 0.9%

LAB 86.02, 12.17, -18.42

 

CMYK 45 / 35 / 0 / 5

HEX #869DF2

RGB 134 157 242

HSL 227.22, 0.81%, 0.74%

LAB 66.21, 13.73, -45.17

 

CMYK 30 / 24 / 0 / 4

HEX #ACBBF6

RGB 172 187 246

HSL 227.84, 0.8%, 0.82%

LAB 76.66, 8.02, -30.9

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 3 / 2 / 0 / 0

HEX #F6F8FE

RGB 246 248 254

HSL 225, 0.8%, 0.98%

LAB 97.58, 0.42, -3.11

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 14 / 0 / 2

HEX #CFD8FA

RGB 207 216 250

HSL 227.44, 0.81%, 0.9%

LAB 86.64, 3.77, -17.6

 

CMYK 0 / 16 / 0 / 2

HEX #F9D1FA

RGB 249 209 250

HSL 298.54, 0.8%, 0.9%

LAB 88.28, 20.88, -14.81

 

CMYK 6 / 0 / 16 / 2

HEX #EAFAD1

RGB 234 250 209

HSL 83.41, 0.8%, 0.9%

LAB 96.19, -12.23, 17.92

 

CMYK 17 / 14 / 0 / 2

HEX #CFD8FA

RGB 207 216 250

HSL 227.44, 0.81%, 0.9%

LAB 86.64, 3.77, -17.6

 

CMYK 0 / 16 / 13 / 2

HEX #FAD1DA

RGB 250 209 218

HSL 346.83, 0.8%, 0.9%

LAB 87.48, 15.76, 0.93

 

CMYK 13 / 0 / 16 / 2

HEX #DAFAD1

RGB 218 250 209

HSL 106.83, 0.8%, 0.9%

LAB 95.11, -17.69, 16.24

 

CMYK 17 / 14 / 0 / 2

HEX #CFD8FA

RGB 207 216 250

HSL 227.44, 0.81%, 0.9%

LAB 86.64, 3.77, -17.6

 

CMYK 0 / 16 / 0 / 2

HEX #F9D1FA

RGB 249 209 250

HSL 298.54, 0.8%, 0.9%

LAB 88.28, 20.88, -14.81

 

CMYK 0 / 4 / 16 / 2

HEX #FAF1D1

RGB 250 241 209

HSL 46.83, 0.8%, 0.9%

LAB 95.09, -2.11, 16.55

 

CMYK 16 / 0 / 16 / 2

HEX #D2FAD1

RGB 210 250 209

HSL 118.54, 0.8%, 0.9%

LAB 94.6, -20.36, 15.45

 

CMYK 17 / 14 / 0 / 2

HEX #CFD8FA

RGB 207 216 250

HSL 227.44, 0.81%, 0.9%

LAB 86.64, 3.77, -17.6

 

CMYK 0 / 16 / 5 / 2

HEX #FAD1EE

RGB 250 209 238

HSL 317.56, 0.8%, 0.9%

LAB 88.02, 19.09, -8.85

 

CMYK 0 / 4 / 16 / 2

HEX #FAF1D1

RGB 250 241 209

HSL 46.83, 0.8%, 0.9%

LAB 95.09, -2.11, 16.55

 

CMYK 16 / 0 / 12 / 2

HEX #D1FADD

RGB 209 250 221

HSL 137.56, 0.8%, 0.9%

LAB 94.8, -18.59, 9.55

 

Description

Color code: HEX #CFD8FACE | qconv.com Color code: HEX #CFD8FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 216 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 216 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 11 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 11% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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