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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD8F4CE it is the complementary color #30270BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD8F4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD8F4CE shade: #D4D8EFCE, #E5EAFFCE, #F6FCFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD8F4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD8F4CE shade: #CFD8F4CE, #BEC6E1CE, #ADB4CECE, #9CA2BBCE and #8B90A8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD8F4CE shade: #CDD6F4, #CECDF4, #D9CDF4, #E3CDF4 and #EDCDF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD8F4CE shade: #CDD6F4 and #CDCDF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD8F4CE shade matches the following richer shades: #CDD6F4, #C8D4F9 and #C3D1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD8F4CE shade: #CDD6F4, #D2D9EF, #D7DCEA, #DCDEE5 and #E1E1E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD8F4CE shade: #CDEBF4, #CDE1F4, #CDD7F4, #CECDF4 and #D8CDF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD8F4CE shade: #8AA0E4, #ABBBEC, #CDD6F4, #EFF2FB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD8F4CE shade: #CFD8F4, #F2CDF4 and #E6F4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD8F4CE shade: #CFD8F4, #F4CDD7 and #D7F4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD8F4CE shade: #CFD8F4, #F2CDF4, #F4EACD and #CFF4CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD8F4CE shade: #CFD8F4, #F4CDEA, #F4EACD and #CDF4D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 3

HEX #CFD8F4CE

RGBA 207 216 244 0.81

HSLA 225.41, 0.63%, 0.88%, 0.81

LABA 86.46, 2.51, -14.71, 0.81

 

Complementary color

CMYK 0 / 15 / 62 / 66

HEX #30270BCE

RGBA 48 39 11 0.81

HSLA 45.41, 0.63%, 0.12%, 0.81

LABA 16.02, 0.13, 18.8, 0.81

 

CMYK 9 / 8 / 0 / 5

HEX #D4D8EFCE

RGBA 212 216 239 0.81

HSLA 231.11, 0.46%, 0.88%, 0.81

LABA 86.67, 3.07, -11.71, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E5EAFFCE

RGBA 229 234 255 0.81

HSLA 228.46, 1%, 0.95%, 0.81

LABA 92.89, 2.3, -10.7, 0.81

 

CMYK 3 / 1 / 0 / 0

HEX #F6FCFFCE

RGBA 246 252 255 0.81

HSLA 200, 1%, 0.98%, 0.81

LABA 98.6, -1.42, -2.13, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 12 / 9 / 0 / 3

HEX #CFD8F4CE

RGBA 207 216 244 0.81

HSLA 225.41, 0.63%, 0.88%, 0.81

LABA 86.46, 2.51, -14.71, 0.81

 

CMYK 13 / 10 / 0 / 10

HEX #BEC6E1CE

RGBA 190 198 225 0.81

HSLA 226.29, 0.37%, 0.81%, 0.81

LABA 80.05, 2.69, -14.33, 0.81

 

CMYK 13 / 10 / 0 / 16

HEX #ADB4CECE

RGBA 173 180 206 0.81

HSLA 227.27, 0.25%, 0.74%, 0.81

LABA 73.53, 2.89, -13.96, 0.81

 

CMYK 13 / 11 / 0 / 22

HEX #9CA2BBCE

RGBA 156 162 187 0.81

HSLA 228.39, 0.19%, 0.67%, 0.81

LABA 66.9, 3.1, -13.59, 0.81

 

CMYK 14 / 12 / 0 / 28

HEX #8B90A8CE

RGBA 139 144 168 0.81

HSLA 229.66, 0.14%, 0.6%, 0.81

LABA 60.13, 3.33, -13.22, 0.81

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 16 / 16 / 0 / 4

HEX #CECDF4

RGB 206 205 244

HSL 241.54, 0.64%, 0.88%

LAB 83.61, 8.02, -19.01

 

CMYK 11 / 16 / 0 / 4

HEX #D9CDF4

RGB 217 205 244

HSL 258.46, 0.64%, 0.88%

LAB 84.46, 11.49, -17.64

 

CMYK 7 / 16 / 0 / 4

HEX #E3CDF4

RGB 227 205 244

HSL 273.85, 0.64%, 0.88%

LAB 85.26, 14.71, -16.35

 

CMYK 3 / 16 / 0 / 4

HEX #EDCDF4

RGB 237 205 244

HSL 289.23, 0.64%, 0.88%

LAB 86.11, 17.96, -15

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 16 / 16 / 0 / 4

HEX #CDCDF4

RGB 205 205 244

HSL 240, 0.64%, 0.88%

LAB 83.53, 7.7, -19.13

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 20 / 15 / 0 / 2

HEX #C8D4F9

RGB 200 212 249

HSL 225.31, 0.8%, 0.88%

LAB 85.1, 3.52, -19.45

 

CMYK 23 / 18 / 0 / 0

HEX #C3D1FE

RGB 195 209 254

HSL 225.76, 0.97%, 0.88%

LAB 84.15, 4.71, -23.56

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 12 / 9 / 0 / 6

HEX #D2D9EF

RGB 210 217 239

HSL 225.52, 0.48%, 0.88%

LAB 86.78, 1.91, -11.57

 

CMYK 8 / 6 / 0 / 8

HEX #D7DCEA

RGB 215 220 234

HSL 224.21, 0.31%, 0.88%

LAB 87.76, 0.96, -7.43

 

CMYK 4 / 3 / 0 / 10

HEX #DCDEE5

RGB 220 222 229

HSL 226.67, 0.15%, 0.88%

LAB 88.5, 0.62, -3.66

 

CMYK 0 / 0 / 0 / 12

HEX #E1E1E0

RGB 225 225 224

HSL 60, 0.02%, 0.88%

LAB 89.51, -0.17, 0.48

 

CMYK 16 / 4 / 0 / 4

HEX #CDEBF4

RGB 205 235 244

HSL 193.85, 0.64%, 0.88%

LAB 91.2, -7.95, -7.66

 

CMYK 16 / 8 / 0 / 4

HEX #CDE1F4

RGB 205 225 244

HSL 209.23, 0.64%, 0.88%

LAB 88.62, -2.81, -11.49

 

CMYK 16 / 12 / 0 / 4

HEX #CDD7F4

RGB 205 215 244

HSL 224.62, 0.64%, 0.88%

LAB 86.06, 2.41, -15.32

 

CMYK 16 / 16 / 0 / 4

HEX #CECDF4

RGB 206 205 244

HSL 241.54, 0.64%, 0.88%

LAB 83.61, 8.02, -19.01

 

CMYK 11 / 16 / 0 / 4

HEX #D8CDF4

RGB 216 205 244

HSL 256.92, 0.64%, 0.88%

LAB 84.38, 11.17, -17.77

 

CMYK 39 / 30 / 0 / 11

HEX #8AA0E4

RGB 138 160 228

HSL 225.33, 0.63%, 0.72%

LAB 66.63, 9.09, -36.81

 

CMYK 28 / 21 / 0 / 7

HEX #ABBBEC

RGB 171 187 236

HSL 225.23, 0.63%, 0.8%

LAB 76.23, 5.31, -26.18

 

CMYK 16 / 12 / 0 / 4

HEX #CDD6F4

RGB 205 214 244

HSL 226.15, 0.64%, 0.88%

LAB 85.81, 2.93, -15.7

 

CMYK 5 / 4 / 0 / 2

HEX #EFF2FB

RGB 239 242 251

HSL 225, 0.6%, 0.96%

LAB 95.51, 0.65, -4.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 11 / 0 / 4

HEX #CFD8F4

RGB 207 216 244

HSL 225.41, 0.63%, 0.88%

LAB 86.46, 2.51, -14.71

 

CMYK 1 / 16 / 0 / 4

HEX #F2CDF4

RGB 242 205 244

HSL 296.92, 0.64%, 0.88%

LAB 86.54, 19.6, -14.3

 

CMYK 6 / 0 / 16 / 4

HEX #E6F4CD

RGB 230 244 205

HSL 81.54, 0.64%, 0.88%

LAB 94.28, -11.27, 17.25

 

CMYK 15 / 11 / 0 / 4

HEX #CFD8F4

RGB 207 216 244

HSL 225.41, 0.63%, 0.88%

LAB 86.46, 2.51, -14.71

 

CMYK 0 / 16 / 12 / 4

HEX #F4CDD7

RGB 244 205 215

HSL 344.62, 0.64%, 0.88%

LAB 85.91, 15.28, 0.17

 

CMYK 12 / 0 / 16 / 4

HEX #D7F4CD

RGB 215 244 205

HSL 104.62, 0.64%, 0.88%

LAB 93.26, -16.43, 15.66

 

CMYK 15 / 11 / 0 / 4

HEX #CFD8F4

RGB 207 216 244

HSL 225.41, 0.63%, 0.88%

LAB 86.46, 2.51, -14.71

 

CMYK 1 / 16 / 0 / 4

HEX #F2CDF4

RGB 242 205 244

HSL 296.92, 0.64%, 0.88%

LAB 86.54, 19.6, -14.3

 

CMYK 0 / 4 / 16 / 4

HEX #F4EACD

RGB 244 234 205

HSL 44.62, 0.64%, 0.88%

LAB 92.79, -1.3, 15.3

 

CMYK 15 / 0 / 16 / 4

HEX #CFF4CD

RGB 207 244 205

HSL 116.92, 0.64%, 0.88%

LAB 92.74, -19.11, 14.86

 

CMYK 15 / 11 / 0 / 4

HEX #CFD8F4

RGB 207 216 244

HSL 225.41, 0.63%, 0.88%

LAB 86.46, 2.51, -14.71

 

CMYK 0 / 16 / 4 / 4

HEX #F4CDEA

RGB 244 205 234

HSL 315.38, 0.64%, 0.88%

LAB 86.42, 18.48, -9.16

 

CMYK 0 / 4 / 16 / 4

HEX #F4EACD

RGB 244 234 205

HSL 44.62, 0.64%, 0.88%

LAB 92.79, -1.3, 15.3

 

CMYK 16 / 0 / 12 / 4

HEX #CDF4D7

RGB 205 244 215

HSL 135.38, 0.64%, 0.88%

LAB 92.83, -18.02, 9.8

 

Description

Color code: HEX #CFD8F4CE | qconv.com Color code: HEX #CFD8F4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 216 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 216 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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