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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD740 it is the complementary color #3028BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD740 shade: #D4D73B, #E5E94E, #F6FB61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD740 shade: #CFD740, #BEC52D, #ADB31A, #9CA107 and #8B8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD740 shade: #CFD742, #D7B742, #D78E42, #D76642 and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD740 shade: #CFD742, #A7D742, #7ED742, #56D742 and #42D755

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD740 shade matches the following richer shades: #CFD742, #E0E92F and #F0FC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD740 shade: #CFD742, #BEC454, #AEB267, #9D9F79 and #8D8D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD740 shade: #D78F42, #D7B742, #CFD742, #A8D742 and #80D742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD740 shade: #9DA323, #BDC52A, #CFD742, #D8DE64 and #E0E586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD740 shade: #CFD740, #42D767 and #A342D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD740 shade: #CFD740, #42CFD7 and #D742CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD740 shade: #CFD740, #42D767, #4942D7 and #D742B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD740 shade: #CFD740, #42D794, #4942D7 and #D74285

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

Complementary color

CMYK 75 / 79 / 0 / 25

HEX #3028BF

RGB 48 40 191

HSL 243.18, 0.65%, 0.45%

LAB 29.18, 51.72, -76.23

 

CMYK 1 / 0 / 73 / 16

HEX #D4D73B

RGB 212 215 59

HSL 61.15, 0.66%, 0.54%

LAB 83.4, -18.86, 71.58

 

CMYK 2 / 0 / 67 / 9

HEX #E5E94E

RGB 229 233 78

HSL 61.55, 0.78%, 0.61%

LAB 89.62, -19.71, 71.4

 

CMYK 2 / 0 / 61 / 2

HEX #F6FB61

RGB 246 251 97

HSL 61.95, 0.95%, 0.68%

LAB 95.77, -20.42, 70.83

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

CMYK 4 / 0 / 77 / 23

HEX #BEC52D

RGB 190 197 45

HSL 62.76, 0.63%, 0.47%

LAB 76.72, -19.81, 69.2

 

CMYK 3 / 0 / 85 / 30

HEX #ADB31A

RGB 173 179 26

HSL 62.35, 0.75%, 0.4%

LAB 70.32, -18.72, 68.09

 

CMYK 3 / 0 / 96 / 37

HEX #9CA107

RGB 156 161 7

HSL 61.95, 0.92%, 0.33%

LAB 63.81, -17.41, 65.55

 

CMYK 3 / 0 / 100 / 44

HEX #8B8F00

RGB 139 143 0

HSL 61.68, 1%, 0.28%

LAB 57.21, -15.84, 61.02

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 0 / 34 / 69 / 16

HEX #D78E42

RGB 215 142 66

HSL 30.6, 0.65%, 0.55%

LAB 65.11, 20.92, 50.48

 

CMYK 0 / 53 / 69 / 16

HEX #D76642

RGB 215 102 66

HSL 14.5, 0.65%, 0.55%

LAB 56.43, 41.9, 40.86

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 22 / 0 / 69 / 16

HEX #A7D742

RGB 167 215 66

HSL 79.33, 0.65%, 0.55%

LAB 80.3, -36.61, 65.03

 

CMYK 41 / 0 / 69 / 16

HEX #7ED742

RGB 126 215 66

HSL 95.84, 0.65%, 0.55%

LAB 78.13, -51.18, 62.12

 

CMYK 60 / 0 / 69 / 16

HEX #56D742

RGB 86 215 66

HSL 111.95, 0.65%, 0.55%

LAB 76.66, -62.33, 60.14

 

CMYK 69 / 0 / 60 / 16

HEX #42D755

RGB 66 215 85

HSL 127.65, 0.65%, 0.55%

LAB 76.32, -64.51, 51.82

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 4 / 0 / 80 / 9

HEX #E0E92F

RGB 224 233 47

HSL 62.9, 0.81%, 0.55%

LAB 89.08, -23.07, 80.58

 

CMYK 5 / 0 / 88 / 1

HEX #F0FC1D

RGB 240 252 29

HSL 63.23, 0.97%, 0.55%

LAB 95.26, -25.96, 89.8

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 3 / 0 / 57 / 23

HEX #BEC454

RGB 190 196 84

HSL 63.21, 0.49%, 0.55%

LAB 76.72, -17.08, 54.32

 

CMYK 2 / 0 / 42 / 30

HEX #AEB267

RGB 174 178 103

HSL 63.2, 0.33%, 0.55%

LAB 70.75, -12.73, 37.77

 

CMYK 1 / 0 / 24 / 38

HEX #9D9F79

RGB 157 159 121

HSL 63.16, 0.17%, 0.55%

LAB 64.44, -7.22, 19.65

 

CMYK 0 / 0 / 1 / 45

HEX #8D8D8C

RGB 141 141 140

HSL 60, 0%, 0.55%

LAB 58.61, -0.19, 0.53

 

CMYK 0 / 33 / 69 / 16

HEX #D78F42

RGB 215 143 66

HSL 31.01, 0.65%, 0.55%

LAB 65.35, 20.38, 50.73

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 22 / 0 / 69 / 16

HEX #A8D742

RGB 168 215 66

HSL 78.93, 0.65%, 0.55%

LAB 80.36, -36.23, 65.11

 

CMYK 40 / 0 / 69 / 16

HEX #80D742

RGB 128 215 66

HSL 95.03, 0.65%, 0.55%

LAB 78.22, -50.53, 62.24

 

CMYK 4 / 0 / 79 / 36

HEX #9DA323

RGB 157 163 35

HSL 62.81, 0.65%, 0.39%

LAB 64.55, -17.28, 60.26

 

CMYK 4 / 0 / 79 / 23

HEX #BDC52A

RGB 189 197 42

HSL 63.1, 0.65%, 0.47%

LAB 76.63, -20.34, 69.96

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 3 / 0 / 55 / 13

HEX #D8DE64

RGB 216 222 100

HSL 62.95, 0.65%, 0.63%

LAB 85.89, -18.16, 58.05

 

CMYK 2 / 0 / 41 / 10

HEX #E0E586

RGB 224 229 134

HSL 63.16, 0.65%, 0.71%

LAB 88.74, -15.35, 45.65

 

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

CMYK 69 / 0 / 52 / 16

HEX #42D767

RGB 66 215 103

HSL 134.9, 0.65%, 0.55%

LAB 76.52, -62.21, 43.79

 

CMYK 24 / 69 / 0 / 16

HEX #A342D7

RGB 163 66 215

HSL 279.06, 0.65%, 0.55%

LAB 47.74, 63.1, -59.32

 

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

CMYK 69 / 4 / 0 / 16

HEX #42CFD7

RGB 66 207 215

HSL 183.22, 0.65%, 0.55%

LAB 76.49, -34.16, -14.88

 

CMYK 0 / 69 / 4 / 16

HEX #D742CF

RGB 215 66 207

HSL 303.22, 0.65%, 0.55%

LAB 54.92, 72.84, -42.85

 

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

CMYK 69 / 0 / 52 / 16

HEX #42D767

RGB 66 215 103

HSL 134.9, 0.65%, 0.55%

LAB 76.52, -62.21, 43.79

 

CMYK 66 / 69 / 0 / 16

HEX #4942D7

RGB 73 66 215

HSL 242.82, 0.65%, 0.55%

LAB 38.23, 47.74, -75.21

 

CMYK 0 / 69 / 17 / 16

HEX #D742B2

RGB 215 66 178

HSL 314.9, 0.65%, 0.55%

LAB 53.55, 68.56, -28.25

 

CMYK 4 / 0 / 70 / 16

HEX #CFD740

RGB 207 215 64

HSL 63.18, 0.65%, 0.55%

LAB 83.04, -20.7, 69.39

 

CMYK 69 / 0 / 31 / 16

HEX #42D794

RGB 66 215 148

HSL 153.02, 0.65%, 0.55%

LAB 77.22, -54.36, 21.98

 

CMYK 66 / 69 / 0 / 16

HEX #4942D7

RGB 73 66 215

HSL 242.82, 0.65%, 0.55%

LAB 38.23, 47.74, -75.21

 

CMYK 0 / 69 / 38 / 16

HEX #D74285

RGB 215 66 133

HSL 333.02, 0.65%, 0.55%

LAB 51.88, 63.07, -4.21

 

Description

Color code: HEX #CFD740 | qconv.com Color code: HEX #CFD740 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 215 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 215 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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