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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD431 it is the complementary color #302BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD431 shade: #D4D42C, #E5E63F, #F6F852, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD431 shade: #CFD431, #BEC21E, #ADB00B, #9C9E00 and #8B8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD431 shade: #CED331, #D3AC31, #D38131, #D35531 and #D33131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD431 shade: #CED331, #A2D331, #77D331, #4BD331 and #31D343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD431 shade matches the following richer shades: #CED331, #E1E71D and #F4FC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD431 shade: #CED331, #BBBF45, #A8AB59, #95976D and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD431 shade: #D37F31, #D3AB31, #D1D331, #A5D331 and #7AD331

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD431 shade: #8F931F, #B0B526, #CED331, #D6DA53 and #DEE275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD431 shade: #CFD431, #31D354 and #9531D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD431 shade: #CFD431, #31D1D3 and #D331D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD431 shade: #CFD431, #31D354, #3431D3 and #D331B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD431 shade: #CFD431, #31D385, #3431D3 and #D3317F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

Complementary color

CMYK 77 / 79 / 0 / 19

HEX #302BCE

RGB 48 43 206

HSL 241.84, 0.65%, 0.49%

LAB 31.38, 54.88, -81.38

 

CMYK 0 / 0 / 79 / 17

HEX #D4D42C

RGB 212 212 44

HSL 60, 0.66%, 0.5%

LAB 82.52, -17.96, 75.29

 

CMYK 0 / 0 / 73 / 10

HEX #E5E63F

RGB 229 230 63

HSL 60.36, 0.77%, 0.57%

LAB 88.74, -18.98, 75.78

 

CMYK 1 / 0 / 67 / 3

HEX #F6F852

RGB 246 248 82

HSL 60.72, 0.92%, 0.65%

LAB 94.88, -19.84, 75.64

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

CMYK 2 / 0 / 85 / 24

HEX #BEC21E

RGB 190 194 30

HSL 61.46, 0.73%, 0.44%

LAB 75.84, -18.8, 72.34

 

CMYK 2 / 0 / 94 / 31

HEX #ADB00B

RGB 173 176 11

HSL 61.09, 0.88%, 0.37%

LAB 69.44, -17.5, 69.96

 

CMYK 1 / 0 / 100 / 38

HEX #9C9E00

RGB 156 158 0

HSL 60.76, 1%, 0.31%

LAB 62.95, -15.97, 65.87

 

CMYK 1 / 0 / 100 / 45

HEX #8B8C00

RGB 139 140 0

HSL 60.43, 1%, 0.27%

LAB 56.33, -14.26, 60.38

 

CMYK 2 / 0 / 77 / 17

HEX #CED331

RGB 206 211 49

HSL 61.85, 0.65%, 0.51%

LAB 81.8, -19.82, 73.07

 

CMYK 0 / 18 / 77 / 17

HEX #D3AC31

RGB 211 172 49

HSL 45.56, 0.65%, 0.51%

LAB 71.94, 2.28, 64.2

 

CMYK 0 / 39 / 77 / 17

HEX #D38131

RGB 211 129 49

HSL 29.63, 0.65%, 0.51%

LAB 61.46, 25.43, 54.22

 

CMYK 0 / 60 / 77 / 17

HEX #D35531

RGB 211 85 49

HSL 13.33, 0.65%, 0.51%

LAB 52.47, 47.79, 45.22

 

CMYK 0 / 77 / 77 / 17

HEX #D33131

RGB 211 49 49

HSL 0, 0.65%, 0.51%

LAB 47.32, 61.78, 39.81

 

CMYK 2 / 0 / 77 / 17

HEX #CED331

RGB 206 211 49

HSL 61.85, 0.65%, 0.51%

LAB 81.8, -19.82, 73.07

 

CMYK 23 / 0 / 77 / 17

HEX #A2D331

RGB 162 211 49

HSL 78.15, 0.65%, 0.51%

LAB 78.75, -37.65, 69.15

 

CMYK 44 / 0 / 77 / 17

HEX #77D331

RGB 119 211 49

HSL 94.07, 0.65%, 0.51%

LAB 76.52, -52.92, 66.25

 

CMYK 64 / 0 / 77 / 17

HEX #4BD331

RGB 75 211 49

HSL 110.37, 0.65%, 0.51%

LAB 75.02, -64.65, 64.29

 

CMYK 77 / 0 / 68 / 17

HEX #31D343

RGB 49 211 67

HSL 126.67, 0.65%, 0.51%

LAB 74.6, -67.73, 57.33

 

CMYK 2 / 0 / 77 / 17

HEX #CED331

RGB 206 211 49

HSL 61.85, 0.65%, 0.51%

LAB 81.8, -19.82, 73.07

 

CMYK 3 / 0 / 87 / 9

HEX #E1E71D

RGB 225 231 29

HSL 61.78, 0.81%, 0.51%

LAB 88.57, -22.16, 84.01

 

CMYK 3 / 0 / 97 / 1

HEX #F4FC08

RGB 244 252 8

HSL 61.97, 0.98%, 0.51%

LAB 95.53, -24.58, 92.36

 

CMYK 2 / 0 / 77 / 17

HEX #CED331

RGB 206 211 49

HSL 61.85, 0.65%, 0.51%

LAB 81.8, -19.82, 73.07

 

CMYK 2 / 0 / 64 / 25

HEX #BBBF45

RGB 187 191 69

HSL 61.97, 0.49%, 0.51%

LAB 74.99, -16.87, 58.83

 

CMYK 2 / 0 / 48 / 33

HEX #A8AB59

RGB 168 171 89

HSL 62.2, 0.33%, 0.51%

LAB 68.15, -13.01, 41.55

 

CMYK 1 / 0 / 28 / 41

HEX #95976D

RGB 149 151 109

HSL 62.86, 0.17%, 0.51%

LAB 61.33, -7.83, 21.95

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 0 / 40 / 77 / 17

HEX #D37F31

RGB 211 127 49

HSL 28.89, 0.65%, 0.51%

LAB 61, 26.51, 53.78

 

CMYK 0 / 19 / 77 / 17

HEX #D3AB31

RGB 211 171 49

HSL 45.19, 0.65%, 0.51%

LAB 71.69, 2.82, 63.97

 

CMYK 1 / 0 / 77 / 17

HEX #D1D331

RGB 209 211 49

HSL 60.74, 0.65%, 0.51%

LAB 82.04, -18.56, 73.37

 

CMYK 22 / 0 / 77 / 17

HEX #A5D331

RGB 165 211 49

HSL 77.04, 0.65%, 0.51%

LAB 78.93, -36.48, 69.38

 

CMYK 42 / 0 / 77 / 17

HEX #7AD331

RGB 122 211 49

HSL 92.96, 0.65%, 0.51%

LAB 76.65, -51.96, 66.42

 

CMYK 3 / 0 / 79 / 42

HEX #8F931F

RGB 143 147 31

HSL 62.07, 0.65%, 0.35%

LAB 58.79, -15.35, 55.88

 

CMYK 3 / 0 / 79 / 29

HEX #B0B526

RGB 176 181 38

HSL 62.1, 0.65%, 0.43%

LAB 71.16, -18.06, 65.85

 

CMYK 2 / 0 / 77 / 17

HEX #CED331

RGB 206 211 49

HSL 61.85, 0.65%, 0.51%

LAB 81.8, -19.82, 73.07

 

CMYK 2 / 0 / 62 / 15

HEX #D6DA53

RGB 214 218 83

HSL 61.78, 0.65%, 0.59%

LAB 84.52, -18.22, 63.79

 

CMYK 2 / 0 / 48 / 11

HEX #DEE275

RGB 222 226 117

HSL 62.2, 0.65%, 0.67%

LAB 87.59, -16.31, 52.35

 

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

CMYK 77 / 0 / 60 / 17

HEX #31D354

RGB 49 211 84

HSL 132.96, 0.65%, 0.51%

LAB 74.75, -65.92, 50.38

 

CMYK 29 / 77 / 0 / 17

HEX #9531D3

RGB 149 49 211

HSL 277.04, 0.65%, 0.51%

LAB 43.2, 66.27, -64.47

 

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

CMYK 77 / 1 / 0 / 17

HEX #31D1D3

RGB 49 209 211

HSL 180.74, 0.65%, 0.51%

LAB 76.65, -38.19, -12.52

 

CMYK 0 / 77 / 1 / 17

HEX #D331D1

RGB 211 49 209

HSL 300.74, 0.65%, 0.51%

LAB 52.56, 77.5, -47.76

 

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

CMYK 77 / 0 / 60 / 17

HEX #31D354

RGB 49 211 84

HSL 132.96, 0.65%, 0.51%

LAB 74.75, -65.92, 50.38

 

CMYK 75 / 77 / 0 / 17

HEX #3431D3

RGB 52 49 211

HSL 241.11, 0.65%, 0.51%

LAB 33.2, 53.69, -81.25

 

CMYK 0 / 77 / 17 / 17

HEX #D331B0

RGB 211 49 176

HSL 312.96, 0.65%, 0.51%

LAB 50.9, 72.74, -31.27

 

CMYK 2 / 0 / 77 / 17

HEX #CFD431

RGB 207 212 49

HSL 61.84, 0.65%, 0.51%

LAB 82.15, -19.89, 73.41

 

CMYK 77 / 0 / 37 / 17

HEX #31D385

RGB 49 211 133

HSL 151.11, 0.65%, 0.51%

LAB 75.41, -58.2, 27.29

 

CMYK 75 / 77 / 0 / 17

HEX #3431D3

RGB 52 49 211

HSL 241.11, 0.65%, 0.51%

LAB 33.2, 53.69, -81.25

 

CMYK 0 / 77 / 40 / 17

HEX #D3317F

RGB 211 49 127

HSL 331.11, 0.65%, 0.51%

LAB 48.98, 67, -4.96

 

Description

Color code: HEX #CFD431 | qconv.com Color code: HEX #CFD431 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 212 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 212 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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