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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD236 it is the complementary color #302DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD236 shade: #D4D231, #E5E444, #F6F657, #FFFF6A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD236 shade: #CFD236, #BEC023, #ADAE10, #9C9C00 and #8B8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD236 shade: #CFD237, #D2AB37, #D28137, #D25837 and #D23737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD236 shade: #CFD237, #A5D237, #7CD237, #52D237 and #37D247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD236 shade matches the following richer shades: #CFD237, #E2E624 and #F5F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD236 shade: #CFD237, #BCBE4B, #A9AA5F, #969673 and #838287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD236 shade: #D28237, #D2AB37, #CFD237, #A6D237 and #7DD237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD236 shade: #939522, #B4B729, #CFD237, #D7D959 and #DFE17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD236 shade: #CFD236, #37D259 and #9737D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD236 shade: #CFD236, #37CFD2 and #D237CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD236 shade: #CFD236, #37D259, #3A37D2 and #D237B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD236 shade: #CFD236, #37D287, #3A37D2 and #D23782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

Complementary color

CMYK 76 / 78 / 0 / 21

HEX #302DC9

RGB 48 45 201

HSL 241.15, 0.63%, 0.48%

LAB 31.17, 52.32, -78.81

 

CMYK 0 / 1 / 77 / 17

HEX #D4D231

RGB 212 210 49

HSL 59.26, 0.65%, 0.51%

LAB 82.01, -16.8, 73.43

 

CMYK 0 / 0 / 70 / 10

HEX #E5E444

RGB 229 228 68

HSL 59.63, 0.76%, 0.58%

LAB 88.24, -17.78, 73.63

 

CMYK 0 / 0 / 65 / 4

HEX #F6F657

RGB 246 246 87

HSL 60, 0.9%, 0.65%

LAB 94.39, -18.61, 73.29

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

CMYK 1 / 0 / 82 / 25

HEX #BEC023

RGB 190 192 35

HSL 60.76, 0.69%, 0.45%

LAB 75.31, -17.66, 70.71

 

CMYK 1 / 0 / 91 / 32

HEX #ADAE10

RGB 173 174 16

HSL 60.38, 0.83%, 0.37%

LAB 68.89, -16.41, 68.83

 

CMYK 0 / 0 / 100 / 39

HEX #9C9C00

RGB 156 156 0

HSL 60, 1%, 0.31%

LAB 62.38, -14.93, 65.45

 

CMYK 0 / 1 / 100 / 45

HEX #8B8A00

RGB 139 138 0

HSL 59.57, 1%, 0.27%

LAB 55.75, -13.19, 59.95

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 0 / 19 / 74 / 18

HEX #D2AB37

RGB 210 171 55

HSL 44.9, 0.63%, 0.52%

LAB 71.63, 2.63, 61.66

 

CMYK 0 / 39 / 74 / 18

HEX #D28137

RGB 210 129 55

HSL 28.65, 0.63%, 0.52%

LAB 61.38, 25.27, 51.45

 

CMYK 0 / 58 / 74 / 18

HEX #D25837

RGB 210 88 55

HSL 12.77, 0.63%, 0.52%

LAB 52.9, 46.28, 42.53

 

CMYK 0 / 74 / 74 / 18

HEX #D23737

RGB 210 55 55

HSL 0, 0.63%, 0.52%

LAB 47.89, 59.79, 36.99

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 21 / 0 / 74 / 18

HEX #A5D237

RGB 165 210 55

HSL 77.42, 0.63%, 0.52%

LAB 78.68, -35.74, 67.24

 

CMYK 41 / 0 / 74 / 18

HEX #7CD237

RGB 124 210 55

HSL 93.29, 0.63%, 0.52%

LAB 76.47, -50.56, 64.34

 

CMYK 61 / 0 / 74 / 18

HEX #52D237

RGB 82 210 55

HSL 109.55, 0.63%, 0.52%

LAB 74.93, -62.37, 62.3

 

CMYK 74 / 0 / 66 / 18

HEX #37D247

RGB 55 210 71

HSL 126.19, 0.63%, 0.52%

LAB 74.42, -66.17, 55.57

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 2 / 0 / 84 / 10

HEX #E2E624

RGB 226 230 36

HSL 61.24, 0.8%, 0.52%

LAB 88.4, -21.11, 82.59

 

CMYK 2 / 0 / 94 / 2

HEX #F5F910

RGB 245 249 16

HSL 61.03, 0.95%, 0.52%

LAB 94.82, -22.69, 91.23

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 1 / 0 / 61 / 25

HEX #BCBE4B

RGB 188 190 75

HSL 61.04, 0.47%, 0.52%

LAB 74.84, -15.55, 56.17

 

CMYK 1 / 0 / 44 / 33

HEX #A9AA5F

RGB 169 170 95

HSL 60.8, 0.31%, 0.52%

LAB 68.03, -11.47, 38.39

 

CMYK 0 / 0 / 23 / 41

HEX #969673

RGB 150 150 115

HSL 60, 0.14%, 0.52%

LAB 61.25, -6.01, 18.53

 

CMYK 3 / 4 / 0 / 47

HEX #838287

RGB 131 130 135

HSL 252, 0.02%, 0.52%

LAB 54.6, 1.38, -2.57

 

CMYK 0 / 38 / 74 / 18

HEX #D28237

RGB 210 130 55

HSL 29.03, 0.63%, 0.52%

LAB 61.6, 24.73, 51.69

 

CMYK 0 / 19 / 74 / 18

HEX #D2AB37

RGB 210 171 55

HSL 44.9, 0.63%, 0.52%

LAB 71.63, 2.63, 61.66

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 21 / 0 / 74 / 18

HEX #A6D237

RGB 166 210 55

HSL 77.03, 0.63%, 0.52%

LAB 78.74, -35.35, 67.32

 

CMYK 40 / 0 / 74 / 18

HEX #7DD237

RGB 125 210 55

HSL 92.9, 0.63%, 0.52%

LAB 76.51, -50.23, 64.4

 

CMYK 1 / 0 / 77 / 42

HEX #939522

RGB 147 149 34

HSL 61.04, 0.63%, 0.36%

LAB 59.72, -14.49, 55.88

 

CMYK 2 / 0 / 78 / 28

HEX #B4B729

RGB 180 183 41

HSL 61.27, 0.63%, 0.44%

LAB 72.05, -17.23, 65.89

 

CMYK 1 / 0 / 74 / 18

HEX #CFD237

RGB 207 210 55

HSL 61.16, 0.63%, 0.52%

LAB 81.64, -18.67, 71.09

 

CMYK 1 / 0 / 59 / 15

HEX #D7D959

RGB 215 217 89

HSL 60.94, 0.63%, 0.6%

LAB 84.38, -16.92, 61.15

 

CMYK 1 / 0 / 45 / 12

HEX #DFE17B

RGB 223 225 123

HSL 61.18, 0.63%, 0.68%

LAB 87.47, -14.86, 49.38

 

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

CMYK 74 / 0 / 58 / 18

HEX #37D259

RGB 55 210 89

HSL 133.16, 0.63%, 0.52%

LAB 74.59, -64.13, 47.97

 

CMYK 28 / 74 / 0 / 18

HEX #9737D2

RGB 151 55 210

HSL 277.16, 0.63%, 0.52%

LAB 44.18, 64.17, -62.28

 

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

CMYK 74 / 1 / 0 / 18

HEX #37CFD2

RGB 55 207 210

HSL 181.16, 0.63%, 0.52%

LAB 76.13, -36.94, -12.76

 

CMYK 0 / 74 / 1 / 18

HEX #D237CF

RGB 210 55 207

HSL 301.16, 0.63%, 0.52%

LAB 52.88, 75.29, -46.12

 

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

CMYK 74 / 0 / 58 / 18

HEX #37D259

RGB 55 210 89

HSL 133.16, 0.63%, 0.52%

LAB 74.59, -64.13, 47.97

 

CMYK 72 / 74 / 0 / 18

HEX #3A37D2

RGB 58 55 210

HSL 241.16, 0.63%, 0.52%

LAB 34.57, 50.68, -78.4

 

CMYK 0 / 74 / 16 / 18

HEX #D237B0

RGB 210 55 176

HSL 313.16, 0.63%, 0.52%

LAB 51.35, 70.74, -30.58

 

CMYK 1 / 0 / 74 / 18

HEX #CFD236

RGB 207 210 54

HSL 61.15, 0.63%, 0.52%

LAB 81.63, -18.71, 71.41

 

CMYK 74 / 0 / 36 / 18

HEX #37D287

RGB 55 210 135

HSL 150.97, 0.63%, 0.52%

LAB 75.24, -56.67, 26.04

 

CMYK 72 / 74 / 0 / 18

HEX #3A37D2

RGB 58 55 210

HSL 241.16, 0.63%, 0.52%

LAB 34.57, 50.68, -78.4

 

CMYK 0 / 74 / 38 / 18

HEX #D23782

RGB 210 55 130

HSL 330.97, 0.63%, 0.52%

LAB 49.55, 65.19, -5.95

 

Description

Color code: HEX #CFD236 | qconv.com Color code: HEX #CFD236 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 210 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 210 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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