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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD110 it is the complementary color #302EEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD110 shade: #D4D10B, #E5E31E, #F6F531, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD110 shade: #CFD110, #BEBF00, #ADAD00, #9C9B00 and #8B8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD110 shade: #CFD110, #D19F10, #D16B10, #D13710 and #D11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD110 shade: #CFD110, #9BD110, #67D110, #33D110 and #10D121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD110 shade matches the following richer shades: #CFD110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD110 shade: #CFD110, #BDBF22, #ABAC34, #999A46 and #888858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD110 shade: #D16A10, #D19D10, #D1D110, #9DD110 and #6AD110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD110 shade: #83840A, #A9AA0D, #CFD110, #ECEE1C and #EFF142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD110 shade: #CFD110, #10D136 and #8310D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD110 shade: #CFD110, #10D1D1 and #D110D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD110 shade: #CFD110, #10D136, #1010D1 and #D110AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD110 shade: #CFD110, #10D170, #1010D1 and #D11070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

Complementary color

CMYK 80 / 81 / 0 / 6

HEX #302EEF

RGB 48 46 239

HSL 240.62, 0.86%, 0.56%

LAB 35.62, 63.42, -93.27

 

CMYK 0 / 1 / 95 / 17

HEX #D4D10B

RGB 212 209 11

HSL 59.1, 0.9%, 0.44%

LAB 81.63, -17.17, 80.61

 

CMYK 0 / 1 / 87 / 10

HEX #E5E31E

RGB 229 227 30

HSL 59.4, 0.79%, 0.51%

LAB 87.82, -18.54, 83.37

 

CMYK 0 / 0 / 80 / 4

HEX #F6F531

RGB 246 245 49

HSL 59.7, 0.92%, 0.58%

LAB 93.93, -19.73, 84.93

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 1 / 0 / 100 / 25

HEX #BEBF00

RGB 190 191 0

HSL 60.31, 1%, 0.37%

LAB 74.96, -17.78, 75.93

 

CMYK 0 / 0 / 100 / 32

HEX #ADAD00

RGB 173 173 0

HSL 60, 1%, 0.34%

LAB 68.59, -16.12, 70.64

 

CMYK 0 / 1 / 100 / 39

HEX #9C9B00

RGB 156 155 0

HSL 59.62, 1%, 0.31%

LAB 62.09, -14.41, 65.24

 

CMYK 0 / 1 / 100 / 45

HEX #8B8900

RGB 139 137 0

HSL 59.14, 1%, 0.27%

LAB 55.46, -12.66, 59.74

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 0 / 24 / 92 / 18

HEX #D19F10

RGB 209 159 16

HSL 44.46, 0.86%, 0.44%

LAB 68.31, 7.48, 69.86

 

CMYK 0 / 49 / 92 / 18

HEX #D16B10

RGB 209 107 16

HSL 28.29, 0.86%, 0.44%

LAB 56.2, 35.36, 61.03

 

CMYK 0 / 74 / 92 / 18

HEX #D13710

RGB 209 55 16

HSL 12.12, 0.86%, 0.44%

LAB 47.4, 58.45, 55.01

 

CMYK 0 / 92 / 92 / 18

HEX #D11010

RGB 209 16 16

HSL 0, 0.86%, 0.44%

LAB 44.18, 67.55, 52.95

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 26 / 0 / 92 / 18

HEX #9BD110

RGB 155 209 16

HSL 76.79, 0.86%, 0.44%

LAB 77.64, -40.49, 75.23

 

CMYK 51 / 0 / 92 / 18

HEX #67D110

RGB 103 209 16

HSL 92.95, 0.86%, 0.44%

LAB 75.15, -58.29, 72.17

 

CMYK 76 / 0 / 92 / 18

HEX #33D110

RGB 51 209 16

HSL 109.12, 0.86%, 0.44%

LAB 73.77, -69.76, 70.46

 

CMYK 92 / 0 / 84 / 18

HEX #10D121

RGB 16 209 33

HSL 125.28, 0.86%, 0.44%

LAB 73.43, -72.59, 66.89

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 1 / 0 / 82 / 25

HEX #BDBF22

RGB 189 191 34

HSL 60.76, 0.7%, 0.44%

LAB 74.95, -17.62, 70.62

 

CMYK 1 / 0 / 70 / 33

HEX #ABAC34

RGB 171 172 52

HSL 60.5, 0.54%, 0.44%

LAB 68.32, -15.02, 58.37

 

CMYK 1 / 0 / 55 / 40

HEX #999A46

RGB 153 154 70

HSL 60.71, 0.38%, 0.44%

LAB 61.93, -12.19, 43.28

 

CMYK 0 / 0 / 35 / 47

HEX #888858

RGB 136 136 88

HSL 60, 0.21%, 0.44%

LAB 55.63, -7.84, 25.82

 

CMYK 0 / 49 / 92 / 18

HEX #D16A10

RGB 209 106 16

HSL 27.98, 0.86%, 0.44%

LAB 55.99, 35.87, 60.89

 

CMYK 0 / 25 / 92 / 18

HEX #D19D10

RGB 209 157 16

HSL 43.83, 0.86%, 0.44%

LAB 67.8, 8.55, 69.49

 

CMYK 0 / 0 / 92 / 18

HEX #D1D110

RGB 209 209 16

HSL 60, 0.86%, 0.44%

LAB 81.4, -18.39, 79.78

 

CMYK 25 / 0 / 92 / 18

HEX #9DD110

RGB 157 209 16

HSL 76.17, 0.86%, 0.44%

LAB 77.76, -39.72, 75.37

 

CMYK 49 / 0 / 92 / 18

HEX #6AD110

RGB 106 209 16

HSL 92.02, 0.86%, 0.44%

LAB 75.27, -57.41, 72.31

 

CMYK 1 / 0 / 92 / 48

HEX #83840A

RGB 131 132 10

HSL 60.49, 0.86%, 0.28%

LAB 53.33, -13.49, 56.08

 

CMYK 1 / 0 / 92 / 33

HEX #A9AA0D

RGB 169 170 13

HSL 60.38, 0.86%, 0.36%

LAB 67.44, -16.17, 68

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 1 / 0 / 88 / 7

HEX #ECEE1C

RGB 236 238 28

HSL 60.57, 0.86%, 0.52%

LAB 91.26, -20.98, 86.67

 

CMYK 1 / 0 / 73 / 5

HEX #EFF142

RGB 239 241 66

HSL 60.69, 0.86%, 0.6%

LAB 92.42, -20.07, 78.55

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 92 / 0 / 74 / 18

HEX #10D136

RGB 16 209 54

HSL 131.81, 0.86%, 0.44%

LAB 73.53, -71.29, 60.89

 

CMYK 37 / 92 / 0 / 18

HEX #8310D1

RGB 131 16 209

HSL 275.75, 0.86%, 0.44%

LAB 37.48, 72.01, -72.76

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 92 / 0 / 0 / 18

HEX #10D1D1

RGB 16 209 209

HSL 180, 0.86%, 0.44%

LAB 76.26, -40.93, -12.06

 

CMYK 0 / 92 / 0 / 18

HEX #D110D1

RGB 209 16 209

HSL 300, 0.86%, 0.44%

LAB 50.13, 83.25, -51.66

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 92 / 0 / 74 / 18

HEX #10D136

RGB 16 209 54

HSL 131.81, 0.86%, 0.44%

LAB 73.53, -71.29, 60.89

 

CMYK 92 / 92 / 0 / 18

HEX #1010D1

RGB 16 16 209

HSL 240, 0.86%, 0.44%

LAB 26.97, 64.96, -90.49

 

CMYK 0 / 92 / 19 / 18

HEX #D110AA

RGB 209 16 170

HSL 312.12, 0.86%, 0.44%

LAB 48.04, 77.97, -32.22

 

CMYK 1 / 0 / 92 / 18

HEX #CFD110

RGB 207 209 16

HSL 60.62, 0.86%, 0.44%

LAB 81.24, -19.24, 79.58

 

CMYK 92 / 0 / 46 / 18

HEX #10D170

RGB 16 209 112

HSL 149.84, 0.86%, 0.44%

LAB 74.11, -64.1, 36.24

 

CMYK 92 / 92 / 0 / 18

HEX #1010D1

RGB 16 16 209

HSL 240, 0.86%, 0.44%

LAB 26.97, 64.96, -90.49

 

CMYK 0 / 92 / 46 / 18

HEX #D11070

RGB 209 16 112

HSL 330.16, 0.86%, 0.44%

LAB 45.77, 71.94, -0.55

 

Description

Color code: HEX #CFD110 | qconv.com Color code: HEX #CFD110 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 209 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 209 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 92 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 92% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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