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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFCFAF3F it is the complementary color #3030503F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFCFAF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFCFAF3F shade: #D4CFAA3F, #E5E1BD3F, #F6F3D03F, #FFFFE33F and #FFFFF63F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFCFAF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFCFAF3F shade: #CFCFAF3F, #BEBD9C3F, #ADAB893F, #9C99763F and #8B87633F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFCFAF3F shade: #CFCFAF, #CFC7AF, #CFBEAF, #CFB5AF and #CFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFCFAF3F shade: #CFCFAF, #C7CFAF, #BECFAF, #B5CFAF and #AFCFB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFCFAF3F shade matches the following richer shades: #CFCFAF, #DADAA5, #E4E49B, #EEEE90 and #F8F886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFCFAF3F shade: #CFCFAF, #C5C5BA, #BBBBC4, #B0B0CE and #A6A6D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFCFAF3F shade: #CFBEAF, #CFC7AF, #CFCFAF, #C7CFAF and #BECFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFCFAF3F shade: #B0B07C, #C0C096, #CFCFAF, #DFDFC9 and #EEEEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFCFAF3F shade: #CFCFAF, #AFCFB6 and #C2AFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFCFAF3F shade: #CFCFAF, #AFCFCF and #CFAFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFCFAF3F shade: #CFCFAF, #AFCFB6, #AFAFCF and #CFAFC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFCFAF3F shade: #CFCFAF, #AFCFBF, #AFAFCF and #CFAFBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 4 / 5

HEX #CFCFAF3F

RGBA 207 207 175 0.25

HSLA 60, 0.25%, 0.75%, 0.25

LABA 82.37, -5.39, 15.94, 0.25

 

Complementary color

CMYK 10 / 10 / 0 / 17

HEX #3030503F

RGBA 48 48 80 0.25

HSLA 240, 0.25%, 0.25%, 0.25

LABA 21.29, 9.1, -19.6, 0.25

 

CMYK 0 / 1 / 5 / 4

HEX #D4CFAA3F

RGBA 212 207 170 0.25

HSLA 52.86, 0.33%, 0.75%, 0.25

LABA 82.66, -4.3, 19.04, 0.25

 

CMYK 0 / 0 / 4 / 3

HEX #E5E1BD3F

RGBA 229 225 189 0.25

HSLA 54, 0.43%, 0.82%, 0.25

LABA 89.01, -4.51, 18.13, 0.25

 

CMYK 0 / 0 / 4 / 1

HEX #F6F3D03F

RGBA 246 243 208 0.25

HSLA 55.26, 0.68%, 0.89%, 0.25

LABA 95.27, -4.69, 17.26, 0.25

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFE33F

RGBA 255 255 227 0.25

HSLA 60, 1%, 0.95%, 0.25

LABA 99.35, -4.64, 13.39, 0.25

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF63F

RGBA 255 255 246 0.25

HSLA 60, 1%, 0.98%, 0.25

LABA 99.78, -1.54, 4.28, 0.25

 

CMYK 0 / 0 / 4 / 5

HEX #CFCFAF3F

RGBA 207 207 175 0.25

HSLA 60, 0.25%, 0.75%, 0.25

LABA 82.37, -5.39, 15.94, 0.25

 

CMYK 0 / 0 / 4 / 6

HEX #BEBD9C3F

RGBA 190 189 156 0.25

HSLA 58.24, 0.21%, 0.68%, 0.25

LABA 75.91, -5.22, 16.85, 0.25

 

CMYK 0 / 0 / 5 / 8

HEX #ADAB893F

RGBA 173 171 137 0.25

HSLA 56.67, 0.18%, 0.61%, 0.25

LABA 69.34, -5.03, 17.81, 0.25

 

CMYK 0 / 0 / 6 / 10

HEX #9C99763F

RGBA 156 153 118 0.25

HSLA 55.26, 0.16%, 0.54%, 0.25

LABA 62.64, -4.81, 18.84, 0.25

 

CMYK 0 / 1 / 7 / 11

HEX #8B87633F

RGBA 139 135 99 0.25

HSLA 54, 0.17%, 0.47%, 0.25

LABA 55.8, -4.55, 19.95, 0.25

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 0 / 4 / 15 / 19

HEX #CFC7AF

RGB 207 199 175

HSL 45, 0.25%, 0.75%

LAB 80.3, -1.23, 13.01

 

CMYK 0 / 8 / 15 / 19

HEX #CFBEAF

RGB 207 190 175

HSL 28.13, 0.25%, 0.75%

LAB 77.99, 3.52, 9.74

 

CMYK 0 / 13 / 15 / 19

HEX #CFB5AF

RGB 207 181 175

HSL 11.25, 0.25%, 0.75%

LAB 75.7, 8.33, 6.47

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFAF

RGB 207 175 175

HSL 0, 0.25%, 0.75%

LAB 74.2, 11.57, 4.31

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 4 / 0 / 15 / 19

HEX #C7CFAF

RGB 199 207 175

HSL 75, 0.25%, 0.75%

LAB 81.76, -8.29, 14.99

 

CMYK 8 / 0 / 15 / 19

HEX #BECFAF

RGB 190 207 175

HSL 91.88, 0.25%, 0.75%

LAB 81.11, -11.51, 13.98

 

CMYK 13 / 0 / 15 / 19

HEX #B5CFAF

RGB 181 207 175

HSL 108.75, 0.25%, 0.75%

LAB 80.48, -14.67, 13.01

 

CMYK 15 / 0 / 14 / 19

HEX #AFCFB2

RGB 175 207 178

HSL 125.63, 0.25%, 0.75%

LAB 80.15, -16.21, 10.89

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 0 / 0 / 24 / 15

HEX #DADAA5

RGB 218 218 165

HSL 60, 0.42%, 0.75%

LAB 85.89, -8.42, 26.17

 

CMYK 0 / 0 / 32 / 11

HEX #E4E49B

RGB 228 228 155

HSL 60, 0.57%, 0.75%

LAB 89.09, -10.97, 35.71

 

CMYK 0 / 0 / 39 / 7

HEX #EEEE90

RGB 238 238 144

HSL 60, 0.73%, 0.75%

LAB 92.28, -13.34, 45.45

 

CMYK 0 / 0 / 46 / 3

HEX #F8F886

RGB 248 248 134

HSL 60, 0.89%, 0.75%

LAB 95.5, -15.35, 54.38

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 0 / 0 / 6 / 23

HEX #C5C5BA

RGB 197 197 186

HSL 60, 0.09%, 0.75%

LAB 79.24, -1.96, 5.5

 

CMYK 5 / 5 / 0 / 23

HEX #BBBBC4

RGB 187 187 196

HSL 240, 0.07%, 0.75%

LAB 76.13, 1.71, -4.54

 

CMYK 15 / 15 / 0 / 19

HEX #B0B0CE

RGB 176 176 206

HSL 240, 0.23%, 0.75%

LAB 72.72, 6.05, -15.16

 

CMYK 24 / 24 / 0 / 15

HEX #A6A6D9

RGB 166 166 217

HSL 240, 0.4%, 0.75%

LAB 69.75, 10.9, -25.78

 

CMYK 0 / 8 / 15 / 19

HEX #CFBEAF

RGB 207 190 175

HSL 28.13, 0.25%, 0.75%

LAB 77.99, 3.52, 9.74

 

CMYK 0 / 4 / 15 / 19

HEX #CFC7AF

RGB 207 199 175

HSL 45, 0.25%, 0.75%

LAB 80.3, -1.23, 13.01

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 4 / 0 / 15 / 19

HEX #C7CFAF

RGB 199 207 175

HSL 75, 0.25%, 0.75%

LAB 81.76, -8.29, 14.99

 

CMYK 8 / 0 / 15 / 19

HEX #BECFAF

RGB 190 207 175

HSL 91.88, 0.25%, 0.75%

LAB 81.11, -11.51, 13.98

 

CMYK 0 / 0 / 30 / 31

HEX #B0B07C

RGB 176 176 124

HSL 60, 0.25%, 0.59%

LAB 70.69, -8.35, 26.72

 

CMYK 0 / 0 / 22 / 25

HEX #C0C096

RGB 192 192 150

HSL 60, 0.25%, 0.67%

LAB 76.74, -6.93, 21.24

 

CMYK 0 / 0 / 15 / 19

HEX #CFCFAF

RGB 207 207 175

HSL 60, 0.25%, 0.75%

LAB 82.37, -5.39, 15.94

 

CMYK 0 / 0 / 10 / 13

HEX #DFDFC9

RGB 223 223 201

HSL 60, 0.26%, 0.83%

LAB 88.3, -3.76, 10.78

 

CMYK 0 / 0 / 5 / 7

HEX #EEEEE3

RGB 238 238 227

HSL 60, 0.24%, 0.91%

LAB 93.83, -1.9, 5.31

 

Description

Color code: HEX #CFCFAF3F | qconv.com Color code: HEX #CFCFAF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 207 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 207 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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