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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFCC69 it is the complementary color #303396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFCC69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFCC69 shade: #D4CC64, #E5DE77, #F6F08A, #FFFF9D and #FFFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFCC69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFCC69 shade: #CFCC69, #BEBA56, #ADA843, #9C9630 and #8B841D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFCC69 shade: #CFCC68, #CFB068, #CF9468, #CF7968 and #CF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFCC69 shade: #CFCC68, #B6CF68, #9BCF68, #7FCF68 and #68CF6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFCC69 shade matches the following richer shades: #CFCC68, #DFDB58 and #EFEB48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFCC69 shade: #CFCC68, #BFBD78, #AFAE88, #9F9F98 and #8F90A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFCC69 shade: #CF9568, #CFB068, #CFCC68, #B7CF68 and #9CCF68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFCC69 shade: #AEAA37, #C5C248, #CFCC68, #D9D787 and #E3E1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFCC69 shade: #CFCC69, #68CF79 and #A268CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFCC69 shade: #CFCC69, #68CFCC and #CC68CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFCC69 shade: #CFCC69, #68CF79, #686BCF and #CF68BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFCC69 shade: #CFCC69, #68CF98, #686BCF and #CF689F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

Complementary color

CMYK 68 / 66 / 0 / 41

HEX #303396

RGB 48 51 150

HSL 238.24, 0.52%, 0.39%

LAB 27.29, 31.68, -54.69

 

CMYK 0 / 4 / 53 / 17

HEX #D4CC64

RGB 212 204 100

HSL 55.71, 0.57%, 0.61%

LAB 80.8, -10.81, 52.11

 

CMYK 0 / 3 / 48 / 10

HEX #E5DE77

RGB 229 222 119

HSL 56.18, 0.68%, 0.68%

LAB 87.11, -11.36, 50.97

 

CMYK 0 / 2 / 44 / 4

HEX #F6F08A

RGB 246 240 138

HSL 56.67, 0.86%, 0.75%

LAB 93.34, -11.83, 49.81

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

CMYK 0 / 2 / 55 / 25

HEX #BEBA56

RGB 190 186 86

HSL 57.69, 0.44%, 0.54%

LAB 74.02, -11.85, 50.35

 

CMYK 0 / 3 / 61 / 32

HEX #ADA843

RGB 173 168 67

HSL 57.17, 0.44%, 0.47%

LAB 67.5, -11.17, 51.36

 

CMYK 0 / 4 / 69 / 39

HEX #9C9630

RGB 156 150 48

HSL 56.67, 0.53%, 0.4%

LAB 60.86, -10.31, 52.08

 

CMYK 0 / 5 / 79 / 45

HEX #8B841D

RGB 139 132 29

HSL 56.18, 0.65%, 0.33%

LAB 54.11, -9.24, 52.16

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 0 / 15 / 50 / 19

HEX #CFB068

RGB 207 176 104

HSL 41.94, 0.52%, 0.61%

LAB 73.1, 2.03, 40.81

 

CMYK 0 / 29 / 50 / 19

HEX #CF9468

RGB 207 148 104

HSL 25.63, 0.52%, 0.61%

LAB 66.09, 17.12, 31.99

 

CMYK 0 / 42 / 50 / 19

HEX #CF7968

RGB 207 121 104

HSL 9.9, 0.52%, 0.61%

LAB 59.83, 31.74, 23.82

 

CMYK 0 / 50 / 50 / 19

HEX #CF6868

RGB 207 104 104

HSL 0, 0.52%, 0.61%

LAB 56.25, 40.63, 19.01

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 12 / 0 / 50 / 19

HEX #B6CF68

RGB 182 207 104

HSL 74.56, 0.52%, 0.61%

LAB 79.37, -23.98, 47.97

 

CMYK 25 / 0 / 50 / 19

HEX #9BCF68

RGB 155 207 104

HSL 90.29, 0.52%, 0.61%

LAB 77.63, -34.19, 45.47

 

CMYK 39 / 0 / 50 / 19

HEX #7FCF68

RGB 127 207 104

HSL 106.6, 0.52%, 0.61%

LAB 76.15, -43.8, 43.32

 

CMYK 50 / 0 / 47 / 19

HEX #68CF6D

RGB 104 207 109

HSL 122.91, 0.52%, 0.61%

LAB 75.25, -49.94, 39.54

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 0 / 2 / 61 / 13

HEX #DFDB58

RGB 223 219 88

HSL 58.22, 0.68%, 0.61%

LAB 85.53, -14.7, 63.01

 

CMYK 0 / 2 / 70 / 6

HEX #EFEB48

RGB 239 235 72

HSL 58.56, 0.84%, 0.61%

LAB 90.89, -16.9, 75.08

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 0 / 1 / 37 / 25

HEX #BFBD78

RGB 191 189 120

HSL 58.31, 0.36%, 0.61%

LAB 75.34, -9.67, 35.15

 

CMYK 0 / 1 / 22 / 31

HEX #AFAE88

RGB 175 174 136

HSL 58.46, 0.2%, 0.61%

LAB 70.29, -6.01, 19.69

 

CMYK 0 / 0 / 4 / 38

HEX #9F9F98

RGB 159 159 152

HSL 60, 0.04%, 0.61%

LAB 65.31, -1.31, 3.64

 

CMYK 15 / 14 / 0 / 34

HEX #8F90A8

RGB 143 144 168

HSL 237.6, 0.13%, 0.61%

LAB 60.44, 4.67, -12.72

 

CMYK 0 / 28 / 50 / 19

HEX #CF9568

RGB 207 149 104

HSL 26.21, 0.52%, 0.61%

LAB 66.34, 16.58, 32.31

 

CMYK 0 / 15 / 50 / 19

HEX #CFB068

RGB 207 176 104

HSL 41.94, 0.52%, 0.61%

LAB 73.1, 2.03, 40.81

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 12 / 0 / 50 / 19

HEX #B7CF68

RGB 183 207 104

HSL 73.98, 0.52%, 0.61%

LAB 79.44, -23.59, 48.07

 

CMYK 25 / 0 / 50 / 19

HEX #9CCF68

RGB 156 207 104

HSL 89.71, 0.52%, 0.61%

LAB 77.69, -33.83, 45.55

 

CMYK 0 / 2 / 68 / 32

HEX #AEAA37

RGB 174 170 55

HSL 57.98, 0.52%, 0.45%

LAB 68.04, -12.52, 57.01

 

CMYK 0 / 2 / 63 / 23

HEX #C5C248

RGB 197 194 72

HSL 58.56, 0.52%, 0.53%

LAB 76.63, -13.99, 59.57

 

CMYK 0 / 1 / 50 / 19

HEX #CFCC68

RGB 207 204 104

HSL 58.25, 0.52%, 0.61%

LAB 80.43, -12.5, 49.69

 

CMYK 0 / 1 / 38 / 15

HEX #D9D787

RGB 217 215 135

HSL 58.54, 0.52%, 0.69%

LAB 84.54, -10.99, 39.72

 

CMYK 0 / 1 / 26 / 11

HEX #E3E1A7

RGB 227 225 167

HSL 58, 0.52%, 0.77%

LAB 88.43, -8.33, 28.71

 

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

CMYK 50 / 0 / 42 / 19

HEX #68CF79

RGB 104 207 121

HSL 129.9, 0.52%, 0.61%

LAB 75.42, -48.14, 33.73

 

CMYK 22 / 50 / 0 / 19

HEX #A268CF

RGB 162 104 207

HSL 273.79, 0.52%, 0.61%

LAB 54.12, 42.35, -44.57

 

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

CMYK 50 / 0 / 1 / 19

HEX #68CFCC

RGB 104 207 204

HSL 178.25, 0.52%, 0.61%

LAB 77.24, -30.59, -7.73

 

CMYK 1 / 50 / 0 / 19

HEX #CC68CF

RGB 204 104 207

HSL 298.25, 0.52%, 0.61%

LAB 59.2, 54.01, -36.23

 

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

CMYK 50 / 0 / 42 / 19

HEX #68CF79

RGB 104 207 121

HSL 129.9, 0.52%, 0.61%

LAB 75.42, -48.14, 33.73

 

CMYK 50 / 48 / 0 / 19

HEX #686BCF

RGB 104 107 207

HSL 238.25, 0.52%, 0.61%

LAB 49.45, 25.94, -52.32

 

CMYK 0 / 50 / 8 / 19

HEX #CF68BE

RGB 207 104 190

HSL 309.9, 0.52%, 0.61%

LAB 58.87, 51.92, -27.05

 

CMYK 0 / 1 / 49 / 19

HEX #CFCC69

RGB 207 204 105

HSL 58.24, 0.52%, 0.61%

LAB 80.44, -12.42, 49.23

 

CMYK 50 / 0 / 27 / 19

HEX #68CF98

RGB 104 207 152

HSL 147.96, 0.52%, 0.61%

LAB 75.97, -42.56, 18.31

 

CMYK 50 / 48 / 0 / 19

HEX #686BCF

RGB 104 107 207

HSL 238.25, 0.52%, 0.61%

LAB 49.45, 25.94, -52.32

 

CMYK 0 / 50 / 23 / 19

HEX #CF689F

RGB 207 104 159

HSL 327.96, 0.52%, 0.61%

LAB 57.72, 47.12, -10.94

 

Description

Color code: HEX #CFCC69 | qconv.com Color code: HEX #CFCC69 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 204 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 204 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 49 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 49% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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