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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFBF27 it is the complementary color #3040D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFBF27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFBF27 shade: #D4BF22, #E5D135, #F6E348, #FFF55B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFBF27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFBF27 shade: #CFBF27, #BEAD14, #AD9B01, #9C8900 and #8B7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFBF27 shade: #CEBE27, #CE9127, #CE6427, #CE3727 and #CE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFBF27 shade: #CEBE27, #B1CE27, #84CE27, #57CE27 and #2ACE27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFBF27 shade matches the following richer shades: #CEBE27 and #E1CE13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFBF27 shade: #CEBE27, #BAAE3B, #A69E4F, #928E63 and #7E7E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFBF27 shade: #CE6427, #CE9127, #CEBD27, #B2CE27 and #85CE27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFBF27 shade: #887E1A, #AB9E21, #CEBE27, #DBCD43 and #E2D666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFBF27 shade: #CFBF27, #27CE38 and #7A27CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFBF27 shade: #CFBF27, #27CEBD and #BD27CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFBF27 shade: #CFBF27, #27CE38, #2738CE and #CE27BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFBF27 shade: #CFBF27, #27CE6A, #2738CE and #CE278B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

Complementary color

CMYK 78 / 70 / 0 / 15

HEX #3040D8

RGB 48 64 216

HSL 234.29, 0.68%, 0.52%

LAB 36.47, 46.71, -78.75

 

CMYK 0 / 10 / 84 / 17

HEX #D4BF22

RGB 212 191 34

HSL 52.92, 0.72%, 0.48%

LAB 76.91, -7.69, 73.06

 

CMYK 0 / 9 / 77 / 10

HEX #E5D135

RGB 229 209 53

HSL 53.18, 0.77%, 0.55%

LAB 83.19, -8.97, 73.82

 

CMYK 0 / 8 / 71 / 4

HEX #F6E348

RGB 246 227 72

HSL 53.45, 0.91%, 0.62%

LAB 89.39, -10.08, 73.82

 

CMYK 0 / 4 / 64 / 0

HEX #FFF55B

RGB 255 245 91

HSL 56.34, 1%, 0.68%

LAB 94.87, -14.27, 72.47

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

CMYK 0 / 9 / 89 / 25

HEX #BEAD14

RGB 190 173 20

HSL 54, 0.81%, 0.41%

LAB 70.1, -8.32, 69.72

 

CMYK 0 / 10 / 99 / 32

HEX #AD9B01

RGB 173 155 1

HSL 53.72, 0.99%, 0.34%

LAB 63.61, -6.71, 66.9

 

CMYK 0 / 12 / 100 / 39

HEX #9C8900

RGB 156 137 0

HSL 52.69, 1%, 0.31%

LAB 57.04, -4.79, 61.59

 

CMYK 0 / 14 / 100 / 45

HEX #8B7700

RGB 139 119 0

HSL 51.37, 1%, 0.27%

LAB 50.31, -2.78, 56.03

 

CMYK 0 / 8 / 81 / 19

HEX #CEBE27

RGB 206 190 39

HSL 54.25, 0.68%, 0.48%

LAB 76.13, -9.63, 70.9

 

CMYK 0 / 30 / 81 / 19

HEX #CE9127

RGB 206 145 39

HSL 38.08, 0.68%, 0.48%

LAB 64.58, 14.26, 60.78

 

CMYK 0 / 51 / 81 / 19

HEX #CE6427

RGB 206 100 39

HSL 21.92, 0.68%, 0.48%

LAB 54.43, 38.27, 51.58

 

CMYK 0 / 73 / 81 / 19

HEX #CE3727

RGB 206 55 39

HSL 5.75, 0.68%, 0.48%

LAB 46.98, 57.99, 44.54

 

CMYK 0 / 81 / 81 / 19

HEX #CE2727

RGB 206 39 39

HSL 0, 0.68%, 0.48%

LAB 45.25, 62.83, 42.86

 

CMYK 0 / 8 / 81 / 19

HEX #CEBE27

RGB 206 190 39

HSL 54.25, 0.68%, 0.48%

LAB 76.13, -9.63, 70.9

 

CMYK 14 / 0 / 81 / 19

HEX #B1CE27

RGB 177 206 39

HSL 70.42, 0.68%, 0.48%

LAB 78.25, -29.78, 71.86

 

CMYK 36 / 0 / 81 / 19

HEX #84CE27

RGB 132 206 39

HSL 86.59, 0.68%, 0.48%

LAB 75.57, -47.04, 68.46

 

CMYK 58 / 0 / 81 / 19

HEX #57CE27

RGB 87 206 39

HSL 102.75, 0.68%, 0.48%

LAB 73.75, -60.75, 66.13

 

CMYK 80 / 0 / 81 / 19

HEX #2ACE27

RGB 42 206 39

HSL 118.92, 0.68%, 0.48%

LAB 72.75, -69.19, 64.84

 

CMYK 0 / 8 / 81 / 19

HEX #CEBE27

RGB 206 190 39

HSL 54.25, 0.68%, 0.48%

LAB 76.13, -9.63, 70.9

 

CMYK 0 / 8 / 92 / 12

HEX #E1CE13

RGB 225 206 19

HSL 54.47, 0.84%, 0.48%

LAB 81.95, -10.01, 80.39

 

CMYK 0 / 8 / 81 / 19

HEX #CEBE27

RGB 206 190 39

HSL 54.25, 0.68%, 0.48%

LAB 76.13, -9.63, 70.9

 

CMYK 0 / 6 / 68 / 27

HEX #BAAE3B

RGB 186 174 59

HSL 54.33, 0.52%, 0.48%

LAB 70.19, -9.18, 57.93

 

CMYK 0 / 5 / 52 / 35

HEX #A69E4F

RGB 166 158 79

HSL 54.48, 0.36%, 0.48%

LAB 64.26, -7.95, 41.85

 

CMYK 0 / 3 / 32 / 43

HEX #928E63

RGB 146 142 99

HSL 54.89, 0.19%, 0.48%

LAB 58.38, -5.53, 23.49

 

CMYK 0 / 0 / 6 / 51

HEX #7E7E76

RGB 126 126 118

HSL 60, 0.03%, 0.48%

LAB 52.58, -1.55, 4.35

 

CMYK 0 / 51 / 81 / 19

HEX #CE6427

RGB 206 100 39

HSL 21.92, 0.68%, 0.48%

LAB 54.43, 38.27, 51.58

 

CMYK 0 / 30 / 81 / 19

HEX #CE9127

RGB 206 145 39

HSL 38.08, 0.68%, 0.48%

LAB 64.58, 14.26, 60.78

 

CMYK 0 / 8 / 81 / 19

HEX #CEBD27

RGB 206 189 39

HSL 53.89, 0.68%, 0.48%

LAB 75.86, -9.12, 70.67

 

CMYK 14 / 0 / 81 / 19

HEX #B2CE27

RGB 178 206 39

HSL 70.06, 0.68%, 0.48%

LAB 78.32, -29.38, 71.95

 

CMYK 35 / 0 / 81 / 19

HEX #85CE27

RGB 133 206 39

HSL 86.23, 0.68%, 0.48%

LAB 75.62, -46.69, 68.53

 

CMYK 0 / 7 / 81 / 47

HEX #887E1A

RGB 136 126 26

HSL 54.55, 0.68%, 0.32%

LAB 52.1, -7.45, 51.23

 

CMYK 0 / 8 / 81 / 33

HEX #AB9E21

RGB 171 158 33

HSL 54.35, 0.68%, 0.4%

LAB 64.34, -8.54, 61.13

 

CMYK 0 / 8 / 81 / 19

HEX #CEBE27

RGB 206 190 39

HSL 54.25, 0.68%, 0.48%

LAB 76.13, -9.63, 70.9

 

CMYK 0 / 6 / 69 / 14

HEX #DBCD43

RGB 219 205 67

HSL 54.47, 0.68%, 0.56%

LAB 81.36, -10.57, 66.97

 

CMYK 0 / 5 / 55 / 11

HEX #E2D666

RGB 226 214 102

HSL 54.19, 0.68%, 0.64%

LAB 84.6, -9.98, 55.89

 

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

CMYK 81 / 0 / 73 / 19

HEX #27CE38

RGB 39 206 56

HSL 126.11, 0.68%, 0.48%

LAB 72.8, -68.39, 59.52

 

CMYK 41 / 81 / 0 / 19

HEX #7A27CE

RGB 122 39 206

HSL 269.82, 0.68%, 0.48%

LAB 37.92, 64.43, -70.34

 

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

CMYK 81 / 0 / 8 / 19

HEX #27CEBD

RGB 39 206 189

HSL 173.89, 0.68%, 0.48%

LAB 74.98, -43.99, -3.15

 

CMYK 8 / 81 / 0 / 19

HEX #BD27CE

RGB 189 39 206

HSL 293.89, 0.68%, 0.48%

LAB 47.91, 75.41, -53.67

 

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

CMYK 81 / 0 / 73 / 19

HEX #27CE38

RGB 39 206 56

HSL 126.11, 0.68%, 0.48%

LAB 72.8, -68.39, 59.52

 

CMYK 81 / 73 / 0 / 19

HEX #2738CE

RGB 39 56 206

HSL 233.89, 0.68%, 0.48%

LAB 33.38, 47.31, -78.07

 

CMYK 0 / 81 / 8 / 19

HEX #CE27BD

RGB 206 39 189

HSL 306.11, 0.68%, 0.48%

LAB 49.79, 76.03, -40.66

 

CMYK 0 / 8 / 81 / 19

HEX #CFBF27

RGB 207 191 39

HSL 54.29, 0.68%, 0.48%

LAB 76.48, -9.71, 71.24

 

CMYK 81 / 0 / 49 / 19

HEX #27CE6A

RGB 39 206 106

HSL 144.07, 0.68%, 0.48%

LAB 73.29, -62.37, 38.23

 

CMYK 81 / 73 / 0 / 19

HEX #2738CE

RGB 39 56 206

HSL 233.89, 0.68%, 0.48%

LAB 33.38, 47.31, -78.07

 

CMYK 0 / 81 / 33 / 19

HEX #CE278B

RGB 206 39 139

HSL 324.07, 0.68%, 0.48%

LAB 47.54, 69.69, -14.48

 

Description

Color code: HEX #CFBF27 | qconv.com Color code: HEX #CFBF27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 191 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 191 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 81 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 81% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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