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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFBADC it is the complementary color #304523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFBADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFBADC shade: #D4BAD7, #E5CCEA, #F6DEFD and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFBADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFBADC shade: #CFBADC, #BEA8C9, #AD96B6, #9C84A3 and #8B7290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFBADC shade: #CFBBDC, #D9BBDC, #DCBBD7, #DCBBCE and #DCBBC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFBADC shade: #CFBBDC, #C6BBDC, #BDBBDC and #BBBBDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFBADC shade matches the following richer shades: #CFBBDC, #D1B2E5, #D3AAED, #D5A2F5 and #D79AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFBADC shade: #CFBBDC, #CEC3D4, #CCCBCC, #CAD3C4 and #C8DCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFBADC shade: #BDBBDC, #C6BBDC, #CFBBDC, #D8BBDC and #DCBBD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFBADC shade: #A984C1, #BC9FCF, #CFBBDC, #E2D6EA and #F6F2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFBADC shade: #CFBADC, #DCBBC1 and #BBDCC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFBADC shade: #CFBADC, #DCCFBB and #BBDCCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFBADC shade: #CFBADC, #DCBBC1, #C8DCBB and #BBDCD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFBADC shade: #CFBADC, #DCBFBB, #C8DCBB and #BBD8DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

Complementary color

CMYK 30 / 0 / 49 / 73

HEX #304523

RGB 48 69 35

HSL 97.06, 0.33%, 0.2%

LAB 26.75, -15.58, 17.92

 

CMYK 1 / 13 / 0 / 16

HEX #D4BAD7

RGB 212 186 215

HSL 293.79, 0.27%, 0.79%

LAB 78.47, 14.37, -11.13

 

CMYK 2 / 13 / 0 / 8

HEX #E5CCEA

RGB 229 204 234

HSL 290, 0.42%, 0.86%

LAB 84.89, 13.99, -11.59

 

CMYK 3 / 12 / 0 / 1

HEX #F6DEFD

RGB 246 222 253

HSL 286.45, 0.89%, 0.93%

LAB 91.2, 13.64, -12.04

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

CMYK 5 / 16 / 0 / 21

HEX #BEA8C9

RGB 190 168 201

HSL 280, 0.23%, 0.72%

LAB 71.67, 14.05, -13.88

 

CMYK 5 / 18 / 0 / 29

HEX #AD96B6

RGB 173 150 182

HSL 283.13, 0.18%, 0.65%

LAB 65.02, 14.48, -13.47

 

CMYK 4 / 19 / 0 / 36

HEX #9C84A3

RGB 156 132 163

HSL 286.45, 0.14%, 0.58%

LAB 58.24, 14.94, -13.06

 

CMYK 3 / 21 / 0 / 44

HEX #8B7290

RGB 139 114 144

HSL 290, 0.12%, 0.51%

LAB 51.31, 15.46, -12.65

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 1 / 15 / 0 / 14

HEX #D9BBDC

RGB 217 187 220

HSL 294.55, 0.32%, 0.8%

LAB 79.31, 16.45, -12.54

 

CMYK 0 / 15 / 2 / 14

HEX #DCBBD7

RGB 220 187 215

HSL 309.09, 0.32%, 0.8%

LAB 79.42, 16.55, -9.64

 

CMYK 0 / 15 / 6 / 14

HEX #DCBBCE

RGB 220 187 206

HSL 325.45, 0.32%, 0.8%

LAB 79.16, 14.95, -5.16

 

CMYK 0 / 15 / 10 / 14

HEX #DCBBC5

RGB 220 187 197

HSL 341.82, 0.32%, 0.8%

LAB 78.92, 13.41, -0.66

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 10 / 15 / 0 / 14

HEX #C6BBDC

RGB 198 187 220

HSL 260, 0.32%, 0.8%

LAB 77.71, 10.15, -15.1

 

CMYK 14 / 15 / 0 / 14

HEX #BDBBDC

RGB 189 187 220

HSL 243.64, 0.32%, 0.8%

LAB 77, 7.24, -16.24

 

CMYK 15 / 15 / 0 / 14

HEX #BBBBDC

RGB 187 187 220

HSL 240, 0.32%, 0.8%

LAB 76.84, 6.59, -16.48

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 9 / 22 / 0 / 10

HEX #D1B2E5

RGB 209 178 229

HSL 276.47, 0.5%, 0.8%

LAB 76.71, 20.44, -21.38

 

CMYK 11 / 28 / 0 / 7

HEX #D3AAED

RGB 211 170 237

HSL 276.72, 0.65%, 0.8%

LAB 75.27, 27.06, -27.9

 

CMYK 13 / 34 / 0 / 4

HEX #D5A2F5

RGB 213 162 245

HSL 276.87, 0.81%, 0.8%

LAB 73.92, 33.67, -34.3

 

CMYK 15 / 39 / 0 / 1

HEX #D79AFD

RGB 215 154 253

HSL 276.97, 0.96%, 0.8%

LAB 72.66, 40.25, -40.58

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 3 / 8 / 0 / 17

HEX #CEC3D4

RGB 206 195 212

HSL 278.82, 0.17%, 0.8%

LAB 80.13, 6.94, -7.1

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCC

RGB 204 203 204

HSL 300, 0.01%, 0.8%

LAB 81.79, 0.53, -0.38

 

CMYK 4 / 0 / 7 / 17

HEX #CAD3C4

RGB 202 211 196

HSL 96, 0.15%, 0.8%

LAB 83.51, -5.77, 6.36

 

CMYK 9 / 0 / 15 / 14

HEX #C8DCBB

RGB 200 220 187

HSL 96.36, 0.32%, 0.8%

LAB 85.53, -12.61, 13.98

 

CMYK 14 / 15 / 0 / 14

HEX #BDBBDC

RGB 189 187 220

HSL 243.64, 0.32%, 0.8%

LAB 77, 7.24, -16.24

 

CMYK 10 / 15 / 0 / 14

HEX #C6BBDC

RGB 198 187 220

HSL 260, 0.32%, 0.8%

LAB 77.71, 10.15, -15.1

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 2 / 15 / 0 / 14

HEX #D8BBDC

RGB 216 187 220

HSL 292.73, 0.32%, 0.8%

LAB 79.22, 16.12, -12.68

 

CMYK 0 / 15 / 2 / 14

HEX #DCBBD7

RGB 220 187 215

HSL 309.09, 0.32%, 0.8%

LAB 79.42, 16.55, -9.64

 

CMYK 12 / 32 / 0 / 24

HEX #A984C1

RGB 169 132 193

HSL 276.39, 0.33%, 0.64%

LAB 60.59, 25.62, -26.45

 

CMYK 9 / 23 / 0 / 19

HEX #BC9FCF

RGB 188 159 207

HSL 276.25, 0.33%, 0.72%

LAB 69.46, 19.58, -20.54

 

CMYK 6 / 15 / 0 / 14

HEX #CFBBDC

RGB 207 187 220

HSL 276.36, 0.32%, 0.8%

LAB 78.45, 13.12, -13.91

 

CMYK 3 / 9 / 0 / 8

HEX #E2D6EA

RGB 226 214 234

HSL 276, 0.32%, 0.88%

LAB 87.1, 7.72, -8.32

 

CMYK 1 / 2 / 0 / 3

HEX #F6F2F8

RGB 246 242 248

HSL 280, 0.3%, 0.96%

LAB 95.94, 2.4, -2.42

 

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

CMYK 0 / 15 / 12 / 14

HEX #DCBBC1

RGB 220 187 193

HSL 349.09, 0.32%, 0.8%

LAB 78.81, 12.75, 1.35

 

CMYK 15 / 0 / 12 / 14

HEX #BBDCC2

RGB 187 220 194

HSL 132.73, 0.32%, 0.8%

LAB 84.82, -15.82, 9.16

 

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

CMYK 0 / 6 / 15 / 14

HEX #DCCFBB

RGB 220 207 187

HSL 36.36, 0.32%, 0.8%

LAB 83.67, 1.21, 11.55

 

CMYK 15 / 0 / 6 / 14

HEX #BBDCCF

RGB 187 220 207

HSL 156.36, 0.32%, 0.8%

LAB 85.13, -13.39, 2.74

 

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

CMYK 0 / 15 / 12 / 14

HEX #DCBBC1

RGB 220 187 193

HSL 349.09, 0.32%, 0.8%

LAB 78.81, 12.75, 1.35

 

CMYK 9 / 0 / 15 / 14

HEX #C8DCBB

RGB 200 220 187

HSL 96.36, 0.32%, 0.8%

LAB 85.53, -12.61, 13.98

 

CMYK 15 / 0 / 3 / 14

HEX #BBDCD6

RGB 187 220 214

HSL 169.09, 0.32%, 0.8%

LAB 85.3, -12.01, -0.71

 

CMYK 6 / 15 / 0 / 14

HEX #CFBADC

RGB 207 186 220

HSL 277.06, 0.33%, 0.8%

LAB 78.2, 13.66, -14.28

 

CMYK 0 / 13 / 15 / 14

HEX #DCBFBB

RGB 220 191 187

HSL 7.27, 0.32%, 0.8%

LAB 79.65, 9.64, 5.8

 

CMYK 9 / 0 / 15 / 14

HEX #C8DCBB

RGB 200 220 187

HSL 96.36, 0.32%, 0.8%

LAB 85.53, -12.61, 13.98

 

CMYK 15 / 2 / 0 / 14

HEX #BBD8DC

RGB 187 216 220

HSL 187.27, 0.32%, 0.8%

LAB 84.4, -8.75, -5.21

 

Description

Color code: HEX #CFBADC | qconv.com Color code: HEX #CFBADC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 186 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 186 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 15 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 15% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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