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Color name
HEX #CFB619

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB619 it is the complementary color #3049E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB619. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB619 shade: #D4B614, #E5C827, #F6DA3A, #FFEC4D and #FFFE60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB619. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB619 shade: #CFB619, #BEA406, #AD9200, #9C8000 and #8B6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB619 shade: #CCB419, #CC8319, #CC5319, #CC2319 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB619 shade: #CCB419, #B5CC19, #84CC19, #54CC19 and #24CC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB619 shade matches the following richer shades: #CCB419 and #DFC107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB619 shade: #CCB419, #BAA62C, #A7993E, #958B51 and #827E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB619 shade: #CC5219, #CC8219, #CCB119, #B7CC19 and #88CC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB619 shade: #837310, #A89315, #CCB419, #E5CB2A and #E9D44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB619 shade: #CFB619, #19CC22 and #6A19CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB619 shade: #CFB619, #19CCB1 and #B119CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB619 shade: #CFB619, #19CC22, #1934CC and #CC19C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB619 shade: #CFB619, #19CC58, #1934CC and #CC198E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

Complementary color

CMYK 79 / 68 / 0 / 10

HEX #3049E6

RGB 48 73 230

HSL 231.76, 0.78%, 0.55%

LAB 39.76, 46.17, -81.32

 

CMYK 0 / 14 / 91 / 17

HEX #D4B614

RGB 212 182 20

HSL 50.63, 0.83%, 0.45%

LAB 74.51, -3.33, 74.03

 

CMYK 0 / 13 / 83 / 10

HEX #E5C827

RGB 229 200 39

HSL 50.84, 0.79%, 0.53%

LAB 80.8, -4.84, 75.7

 

CMYK 0 / 11 / 76 / 4

HEX #F6DA3A

RGB 246 218 58

HSL 51.06, 0.91%, 0.6%

LAB 87.02, -6.16, 76.29

 

CMYK 0 / 7 / 70 / 0

HEX #FFEC4D

RGB 255 236 77

HSL 53.6, 1%, 0.65%

LAB 92.48, -10.59, 75.31

 

CMYK 0 / 0 / 62 / 0

HEX #FFFE60

RGB 255 254 96

HSL 59.62, 1%, 0.69%

LAB 97.22, -18.33, 72.97

 

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

CMYK 0 / 14 / 97 / 25

HEX #BEA406

RGB 190 164 6

HSL 51.52, 0.94%, 0.38%

LAB 67.66, -3.78, 69.9

 

CMYK 0 / 16 / 100 / 32

HEX #AD9200

RGB 173 146 0

HSL 50.64, 1%, 0.34%

LAB 61.17, -1.88, 65.3

 

CMYK 0 / 18 / 100 / 39

HEX #9C8000

RGB 156 128 0

HSL 49.23, 1%, 0.31%

LAB 54.56, 0.18, 59.84

 

CMYK 0 / 21 / 100 / 45

HEX #8B6E00

RGB 139 110 0

HSL 47.48, 1%, 0.27%

LAB 47.8, 2.34, 54.27

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 0 / 36 / 88 / 20

HEX #CC8319

RGB 204 131 25

HSL 35.53, 0.78%, 0.45%

LAB 60.91, 20.62, 61.97

 

CMYK 0 / 59 / 88 / 20

HEX #CC5319

RGB 204 83 25

HSL 19.44, 0.78%, 0.45%

LAB 50.8, 45.45, 53.96

 

CMYK 0 / 83 / 88 / 20

HEX #CC2319

RGB 204 35 25

HSL 3.35, 0.78%, 0.45%

LAB 44.39, 62.93, 48.92

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 11 / 0 / 88 / 20

HEX #B5CC19

RGB 181 204 25

HSL 67.71, 0.78%, 0.45%

LAB 77.92, -27.59, 74.77

 

CMYK 35 / 0 / 88 / 20

HEX #84CC19

RGB 132 204 25

HSL 84.13, 0.78%, 0.45%

LAB 74.93, -46.7, 71.07

 

CMYK 59 / 0 / 88 / 20

HEX #54CC19

RGB 84 204 25

HSL 100.22, 0.78%, 0.45%

LAB 72.98, -61.39, 68.64

 

CMYK 82 / 0 / 88 / 20

HEX #24CC19

RGB 36 204 25

HSL 116.31, 0.78%, 0.45%

LAB 71.98, -69.94, 67.38

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 0 / 13 / 97 / 13

HEX #DFC107

RGB 223 193 7

HSL 51.67, 0.94%, 0.45%

LAB 78.37, -4.38, 79

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 0 / 11 / 76 / 27

HEX #BAA62C

RGB 186 166 44

HSL 51.55, 0.62%, 0.45%

LAB 67.94, -5.7, 61.36

 

CMYK 0 / 8 / 63 / 35

HEX #A7993E

RGB 167 153 62

HSL 52, 0.46%, 0.45%

LAB 62.8, -6.18, 48.35

 

CMYK 0 / 7 / 46 / 42

HEX #958B51

RGB 149 139 81

HSL 51.18, 0.3%, 0.45%

LAB 57.51, -4.77, 32.26

 

CMYK 0 / 3 / 23 / 49

HEX #827E64

RGB 130 126 100

HSL 52, 0.13%, 0.45%

LAB 52.5, -3.05, 14.73

 

CMYK 0 / 60 / 88 / 20

HEX #CC5219

RGB 204 82 25

HSL 19.11, 0.78%, 0.45%

LAB 50.62, 45.91, 53.82

 

CMYK 0 / 36 / 88 / 20

HEX #CC8219

RGB 204 130 25

HSL 35.2, 0.78%, 0.45%

LAB 60.67, 21.16, 61.78

 

CMYK 0 / 13 / 88 / 20

HEX #CCB119

RGB 204 177 25

HSL 50.95, 0.78%, 0.45%

LAB 72.46, -4.13, 71.16

 

CMYK 10 / 0 / 88 / 20

HEX #B7CC19

RGB 183 204 25

HSL 67.04, 0.78%, 0.45%

LAB 78.07, -26.75, 74.95

 

CMYK 33 / 0 / 88 / 20

HEX #88CC19

RGB 136 204 25

HSL 82.79, 0.78%, 0.45%

LAB 75.13, -45.26, 71.33

 

CMYK 0 / 12 / 88 / 49

HEX #837310

RGB 131 115 16

HSL 51.65, 0.78%, 0.29%

LAB 48.42, -3.99, 50.83

 

CMYK 0 / 13 / 88 / 34

HEX #A89315

RGB 168 147 21

HSL 51.43, 0.78%, 0.37%

LAB 61, -4.36, 61.39

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

CMYK 0 / 11 / 82 / 10

HEX #E5CB2A

RGB 229 203 42

HSL 51.66, 0.78%, 0.53%

LAB 81.59, -6.29, 75.58

 

CMYK 0 / 9 / 66 / 9

HEX #E9D44F

RGB 233 212 79

HSL 51.82, 0.78%, 0.61%

LAB 84.47, -7.61, 65.84

 

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

CMYK 88 / 0 / 83 / 20

HEX #19CC22

RGB 25 204 34

HSL 123.02, 0.78%, 0.45%

LAB 71.9, -70.57, 65.29

 

CMYK 48 / 88 / 0 / 20

HEX #6A19CC

RGB 106 25 204

HSL 267.15, 0.78%, 0.45%

LAB 34.23, 66.25, -75.33

 

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

CMYK 88 / 0 / 13 / 20

HEX #19CCB1

RGB 25 204 177

HSL 170.95, 0.78%, 0.45%

LAB 73.91, -47.38, 1.75

 

CMYK 13 / 88 / 0 / 20

HEX #B119CC

RGB 177 25 204

HSL 290.95, 0.78%, 0.45%

LAB 44.8, 75.98, -57.62

 

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

CMYK 88 / 0 / 83 / 20

HEX #19CC22

RGB 25 204 34

HSL 123.02, 0.78%, 0.45%

LAB 71.9, -70.57, 65.29

 

CMYK 88 / 75 / 0 / 20

HEX #1934CC

RGB 25 52 204

HSL 230.95, 0.78%, 0.45%

LAB 31.86, 48.18, -79.45

 

CMYK 0 / 88 / 4 / 20

HEX #CC19C3

RGB 204 25 195

HSL 303.02, 0.78%, 0.45%

LAB 48.85, 79.2, -45.67

 

CMYK 0 / 12 / 88 / 19

HEX #CFB619

RGB 207 182 25

HSL 51.76, 0.78%, 0.45%

LAB 74.06, -5.42, 72.55

 

CMYK 88 / 0 / 57 / 20

HEX #19CC58

RGB 25 204 88

HSL 141.12, 0.78%, 0.45%

LAB 72.29, -65.62, 45.62

 

CMYK 88 / 75 / 0 / 20

HEX #1934CC

RGB 25 52 204

HSL 230.95, 0.78%, 0.45%

LAB 31.86, 48.18, -79.45

 

CMYK 0 / 88 / 30 / 20

HEX #CC198E

RGB 204 25 142

HSL 320.78, 0.78%, 0.45%

LAB 46.29, 72.43, -18.24

 

Description

Color code: HEX #CFB619 | qconv.com Color code: HEX #CFB619 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 182 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 182 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 88 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 88% 19% C M Y K

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