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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB227 it is the complementary color #304DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB227 shade: #D4B222, #E5C435, #F6D648, #FFE85B and #FFFA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB227 shade: #CFB227, #BEA014, #AD8E01, #9C7C00 and #8B6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB227 shade: #CEB127, #CE8427, #CE5727, #CE2A27 and #CE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB227 shade: #CEB127, #BDCE27, #91CE27, #64CE27 and #37CE27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB227 shade matches the following richer shades: #CEB127 and #E1BE13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB227 shade: #CEB127, #BAA43B, #A6974F, #928A63 and #7E7D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB227 shade: #CE5627, #CE8327, #CEAF27, #C0CE27 and #93CE27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB227 shade: #88751A, #AB9321, #CEB127, #DBC143 and #E2CC66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB227 shade: #CFB227, #27CE2A and #6D27CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB227 shade: #CFB227, #27CEAF and #AF27CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB227 shade: #CFB227, #27CE2A, #2746CE and #CE27CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB227 shade: #CFB227, #27CE5C, #2746CE and #CE2799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

Complementary color

CMYK 78 / 64 / 0 / 15

HEX #304DD8

RGB 48 77 216

HSL 229.64, 0.68%, 0.52%

LAB 39.4, 38.81, -73.92

 

CMYK 0 / 16 / 84 / 17

HEX #D4B222

RGB 212 178 34

HSL 48.54, 0.72%, 0.48%

LAB 73.52, -0.94, 70.23

 

CMYK 0 / 14 / 77 / 10

HEX #E5C435

RGB 229 196 53

HSL 48.75, 0.77%, 0.55%

LAB 79.84, -2.34, 70.76

 

CMYK 0 / 13 / 71 / 4

HEX #F6D648

RGB 246 214 72

HSL 48.97, 0.91%, 0.62%

LAB 86.08, -3.55, 70.57

 

CMYK 0 / 9 / 64 / 0

HEX #FFE85B

RGB 255 232 91

HSL 51.59, 1%, 0.68%

LAB 91.56, -7.87, 69

 

CMYK 0 / 2 / 57 / 0

HEX #FFFA6E

RGB 255 250 110

HSL 57.93, 1%, 0.72%

LAB 96.31, -15.5, 66.23

 

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

CMYK 0 / 16 / 89 / 25

HEX #BEA014

RGB 190 160 20

HSL 49.41, 0.81%, 0.41%

LAB 66.63, -1.45, 67

 

CMYK 0 / 18 / 99 / 32

HEX #AD8E01

RGB 173 142 1

HSL 49.19, 0.99%, 0.34%

LAB 60.1, 0.32, 64.39

 

CMYK 0 / 21 / 100 / 39

HEX #9C7C00

RGB 156 124 0

HSL 47.69, 1%, 0.31%

LAB 53.47, 2.42, 59.08

 

CMYK 0 / 24 / 100 / 45

HEX #8B6A00

RGB 139 106 0

HSL 45.76, 1%, 0.27%

LAB 46.71, 4.64, 53.51

 

CMYK 0 / 14 / 81 / 19

HEX #CEB127

RGB 206 177 39

HSL 49.58, 0.68%, 0.48%

LAB 72.7, -2.89, 67.93

 

CMYK 0 / 36 / 81 / 19

HEX #CE8427

RGB 206 132 39

HSL 33.41, 0.68%, 0.48%

LAB 61.46, 21.32, 57.99

 

CMYK 0 / 58 / 81 / 19

HEX #CE5727

RGB 206 87 39

HSL 17.25, 0.68%, 0.48%

LAB 51.93, 44.67, 49.25

 

CMYK 0 / 80 / 81 / 19

HEX #CE2A27

RGB 206 42 39

HSL 1.08, 0.68%, 0.48%

LAB 45.53, 62.03, 43.13

 

CMYK 0 / 81 / 81 / 19

HEX #CE2727

RGB 206 39 39

HSL 0, 0.68%, 0.48%

LAB 45.25, 62.83, 42.86

 

CMYK 0 / 14 / 81 / 19

HEX #CEB127

RGB 206 177 39

HSL 49.58, 0.68%, 0.48%

LAB 72.7, -2.89, 67.93

 

CMYK 8 / 0 / 81 / 19

HEX #BDCE27

RGB 189 206 39

HSL 66.11, 0.68%, 0.48%

LAB 79.1, -24.83, 72.94

 

CMYK 30 / 0 / 81 / 19

HEX #91CE27

RGB 145 206 39

HSL 81.92, 0.68%, 0.48%

LAB 76.26, -42.33, 69.34

 

CMYK 51 / 0 / 81 / 19

HEX #64CE27

RGB 100 206 39

HSL 98.08, 0.68%, 0.48%

LAB 74.19, -57.27, 66.69

 

CMYK 73 / 0 / 81 / 19

HEX #37CE27

RGB 55 206 39

HSL 114.25, 0.68%, 0.48%

LAB 72.96, -67.36, 65.11

 

CMYK 0 / 14 / 81 / 19

HEX #CEB127

RGB 206 177 39

HSL 49.58, 0.68%, 0.48%

LAB 72.7, -2.89, 67.93

 

CMYK 0 / 16 / 92 / 12

HEX #E1BE13

RGB 225 190 19

HSL 49.81, 0.84%, 0.48%

LAB 77.8, -1.83, 77.24

 

CMYK 0 / 14 / 81 / 19

HEX #CEB127

RGB 206 177 39

HSL 49.58, 0.68%, 0.48%

LAB 72.7, -2.89, 67.93

 

CMYK 0 / 12 / 68 / 27

HEX #BAA43B

RGB 186 164 59

HSL 49.61, 0.52%, 0.48%

LAB 67.51, -3.91, 55.18

 

CMYK 0 / 9 / 52 / 35

HEX #A6974F

RGB 166 151 79

HSL 49.66, 0.36%, 0.48%

LAB 62.34, -4.19, 39.57

 

CMYK 0 / 5 / 32 / 43

HEX #928A63

RGB 146 138 99

HSL 49.79, 0.19%, 0.48%

LAB 57.26, -3.32, 22.01

 

CMYK 0 / 1 / 6 / 51

HEX #7E7D76

RGB 126 125 118

HSL 52.5, 0.03%, 0.48%

LAB 52.3, -0.97, 3.94

 

CMYK 0 / 58 / 81 / 19

HEX #CE5627

RGB 206 86 39

HSL 16.89, 0.68%, 0.48%

LAB 51.75, 45.15, 49.08

 

CMYK 0 / 36 / 81 / 19

HEX #CE8327

RGB 206 131 39

HSL 33.05, 0.68%, 0.48%

LAB 61.22, 21.86, 57.78

 

CMYK 0 / 15 / 81 / 19

HEX #CEAF27

RGB 206 175 39

HSL 48.86, 0.68%, 0.48%

LAB 72.18, -1.84, 67.47

 

CMYK 7 / 0 / 81 / 19

HEX #C0CE27

RGB 192 206 39

HSL 65.03, 0.68%, 0.48%

LAB 79.33, -23.58, 73.22

 

CMYK 29 / 0 / 81 / 19

HEX #93CE27

RGB 147 206 39

HSL 81.2, 0.68%, 0.48%

LAB 76.37, -41.58, 69.48

 

CMYK 0 / 14 / 81 / 47

HEX #88751A

RGB 136 117 26

HSL 49.64, 0.68%, 0.32%

LAB 49.53, -2.42, 48.93

 

CMYK 0 / 14 / 81 / 33

HEX #AB9321

RGB 171 147 33

HSL 49.57, 0.68%, 0.4%

LAB 61.34, -2.64, 58.48

 

CMYK 0 / 14 / 81 / 19

HEX #CEB127

RGB 206 177 39

HSL 49.58, 0.68%, 0.48%

LAB 72.7, -2.89, 67.93

 

CMYK 0 / 12 / 69 / 14

HEX #DBC143

RGB 219 193 67

HSL 49.74, 0.68%, 0.56%

LAB 78.23, -4.44, 63.84

 

CMYK 0 / 10 / 55 / 11

HEX #E2CC66

RGB 226 204 102

HSL 49.35, 0.68%, 0.64%

LAB 82.01, -4.9, 52.89

 

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

CMYK 81 / 0 / 80 / 19

HEX #27CE2A

RGB 39 206 42

HSL 121.08, 0.68%, 0.48%

LAB 72.72, -69.38, 63.96

 

CMYK 47 / 81 / 0 / 19

HEX #6D27CE

RGB 109 39 206

HSL 265.15, 0.68%, 0.48%

LAB 36.29, 62.67, -73.09

 

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

CMYK 81 / 0 / 15 / 19

HEX #27CEAF

RGB 39 206 175

HSL 168.86, 0.68%, 0.48%

LAB 74.62, -47.73, 3.87

 

CMYK 15 / 81 / 0 / 19

HEX #AF27CE

RGB 175 39 206

HSL 288.86, 0.68%, 0.48%

LAB 45.66, 72.91, -57.41

 

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

CMYK 81 / 0 / 80 / 19

HEX #27CE2A

RGB 39 206 42

HSL 121.08, 0.68%, 0.48%

LAB 72.72, -69.38, 63.96

 

CMYK 81 / 66 / 0 / 19

HEX #2746CE

RGB 39 70 206

HSL 228.86, 0.68%, 0.48%

LAB 36.5, 38.84, -72.94

 

CMYK 0 / 81 / 1 / 19

HEX #CE27CB

RGB 206 39 203

HSL 301.08, 0.68%, 0.48%

LAB 50.55, 78.08, -47.56

 

CMYK 0 / 14 / 81 / 19

HEX #CFB227

RGB 207 178 39

HSL 49.64, 0.68%, 0.48%

LAB 73.06, -2.98, 68.27

 

CMYK 81 / 0 / 55 / 19

HEX #27CE5C

RGB 39 206 92

HSL 139.04, 0.68%, 0.48%

LAB 73.12, -64.46, 44.77

 

CMYK 81 / 66 / 0 / 19

HEX #2746CE

RGB 39 70 206

HSL 228.86, 0.68%, 0.48%

LAB 36.5, 38.84, -72.94

 

CMYK 0 / 81 / 26 / 19

HEX #CE2799

RGB 206 39 153

HSL 319.04, 0.68%, 0.48%

LAB 48.1, 71.29, -22.05

 

Description

Color code: HEX #CFB227 | qconv.com Color code: HEX #CFB227 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 178 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 178 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 81 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 81% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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