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Color name
HEX #CFB138

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB138 it is the complementary color #304EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB138 shade: #D4B133, #E5C346, #F6D559, #FFE76C and #FFF97F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB138 shade: #CFB138, #BE9F25, #AD8D12, #9C7B00 and #8B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB138 shade: #CFB23A, #CF893A, #CF613A and #CF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB138 shade: #CFB23A, #C5CF3A, #9CCF3A, #74CF3A and #4CCF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB138 shade matches the following richer shades: #CFB23A, #E3BE26 and #F7C912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB138 shade: #CFB23A, #BBA64E, #A89A62, #948E75 and #808289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB138 shade: #CF623A, #CF8A3A, #CFB13A, #C5CF3A and #9DCF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB138 shade: #937D24, #B4992C, #CFB23A, #D7BF5B and #DFCC7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB138 shade: #CFB138, #3ACF3A and #763ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB138 shade: #CFB138, #3ACFB1 and #B13ACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB138 shade: #CFB138, #3ACF3A, #3A58CF and #CF3ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB138 shade: #CFB138, #3ACF67, #3A58CF and #CF3AA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

Complementary color

CMYK 76 / 61 / 0 / 22

HEX #304EC7

RGB 48 78 199

HSL 228.08, 0.61%, 0.48%

LAB 38.2, 32.01, -66.07

 

CMYK 0 / 17 / 76 / 17

HEX #D4B133

RGB 212 177 51

HSL 46.96, 0.65%, 0.52%

LAB 73.34, 0.16, 64.84

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 0 / 13 / 64 / 4

HEX #F6D559

RGB 246 213 89

HSL 47.39, 0.9%, 0.66%

LAB 85.96, -2.13, 63.63

 

CMYK 0 / 9 / 58 / 0

HEX #FFE76C

RGB 255 231 108

HSL 50.2, 1%, 0.71%

LAB 91.46, -6.29, 61.66

 

CMYK 0 / 2 / 50 / 0

HEX #FFF97F

RGB 255 249 127

HSL 57.19, 1%, 0.75%

LAB 96.22, -13.71, 58.61

 

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

CMYK 0 / 16 / 81 / 25

HEX #BE9F25

RGB 190 159 37

HSL 47.84, 0.67%, 0.45%

LAB 66.43, -0.46, 62.43

 

CMYK 0 / 18 / 90 / 32

HEX #AD8D12

RGB 173 141 18

HSL 47.61, 0.81%, 0.37%

LAB 59.87, 1.13, 61.37

 

CMYK 0 / 21 / 100 / 39

HEX #9C7B00

RGB 156 123 0

HSL 47.31, 1%, 0.31%

LAB 53.2, 2.98, 58.89

 

CMYK 0 / 24 / 100 / 45

HEX #8B6900

RGB 139 105 0

HSL 45.32, 1%, 0.27%

LAB 46.43, 5.22, 53.32

 

CMYK 0 / 14 / 72 / 19

HEX #CFB23A

RGB 207 178 58

HSL 48.32, 0.61%, 0.52%

LAB 73.16, -2.23, 61.92

 

CMYK 0 / 34 / 72 / 19

HEX #CF893A

RGB 207 137 58

HSL 31.81, 0.61%, 0.52%

LAB 62.9, 19.81, 51.54

 

CMYK 0 / 53 / 72 / 19

HEX #CF613A

RGB 207 97 58

HSL 15.7, 0.61%, 0.52%

LAB 54.15, 40.93, 42.19

 

CMYK 0 / 72 / 72 / 19

HEX #CF3A3A

RGB 207 58 58

HSL 0, 0.61%, 0.52%

LAB 47.75, 57.95, 34.96

 

CMYK 0 / 14 / 72 / 19

HEX #CFB23A

RGB 207 178 58

HSL 48.32, 0.61%, 0.52%

LAB 73.16, -2.23, 61.92

 

CMYK 5 / 0 / 72 / 19

HEX #C5CF3A

RGB 197 207 58

HSL 64.03, 0.61%, 0.52%

LAB 80.07, -21.23, 68.34

 

CMYK 25 / 0 / 72 / 19

HEX #9CCF3A

RGB 156 207 58

HSL 80.54, 0.61%, 0.52%

LAB 77.28, -37.69, 64.67

 

CMYK 44 / 0 / 72 / 19

HEX #74CF3A

RGB 116 207 58

HSL 96.64, 0.61%, 0.52%

LAB 75.23, -51.75, 61.95

 

CMYK 63 / 0 / 72 / 19

HEX #4CCF3A

RGB 76 207 58

HSL 112.75, 0.61%, 0.52%

LAB 73.85, -62.46, 60.1

 

CMYK 0 / 14 / 72 / 19

HEX #CFB23A

RGB 207 178 58

HSL 48.32, 0.61%, 0.52%

LAB 73.16, -2.23, 61.92

 

CMYK 0 / 16 / 83 / 11

HEX #E3BE26

RGB 227 190 38

HSL 48.25, 0.77%, 0.52%

LAB 78.05, -0.58, 73.57

 

CMYK 0 / 19 / 93 / 3

HEX #F7C912

RGB 247 201 18

HSL 47.95, 0.93%, 0.52%

LAB 82.7, 1.96, 81.98

 

CMYK 0 / 14 / 72 / 19

HEX #CFB23A

RGB 207 178 58

HSL 48.32, 0.61%, 0.52%

LAB 73.16, -2.23, 61.92

 

CMYK 0 / 11 / 58 / 27

HEX #BBA64E

RGB 187 166 78

HSL 48.44, 0.44%, 0.52%

LAB 68.31, -3.29, 47.52

 

CMYK 0 / 8 / 42 / 34

HEX #A89A62

RGB 168 154 98

HSL 48, 0.29%, 0.52%

LAB 63.6, -3.04, 31.23

 

CMYK 0 / 4 / 21 / 42

HEX #948E75

RGB 148 142 117

HSL 48.39, 0.13%, 0.52%

LAB 58.91, -2.1, 14.14

 

CMYK 7 / 5 / 0 / 46

HEX #808289

RGB 128 130 137

HSL 226.67, 0.04%, 0.52%

LAB 54.41, 0.7, -4.03

 

CMYK 0 / 53 / 72 / 19

HEX #CF623A

RGB 207 98 58

HSL 16.11, 0.61%, 0.52%

LAB 54.35, 40.43, 42.41

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A3A

RGB 207 138 58

HSL 32.21, 0.61%, 0.52%

LAB 63.13, 19.27, 51.79

 

CMYK 0 / 14 / 72 / 19

HEX #CFB13A

RGB 207 177 58

HSL 47.92, 0.61%, 0.52%

LAB 72.9, -1.7, 61.66

 

CMYK 5 / 0 / 72 / 19

HEX #C5CF3A

RGB 197 207 58

HSL 64.03, 0.61%, 0.52%

LAB 80.07, -21.23, 68.34

 

CMYK 24 / 0 / 72 / 19

HEX #9DCF3A

RGB 157 207 58

HSL 80.13, 0.61%, 0.52%

LAB 77.34, -37.31, 64.75

 

CMYK 0 / 15 / 76 / 42

HEX #937D24

RGB 147 125 36

HSL 48.11, 0.61%, 0.36%

LAB 52.95, -1.36, 48.79

 

CMYK 0 / 15 / 76 / 29

HEX #B4992C

RGB 180 153 44

HSL 48.09, 0.61%, 0.44%

LAB 63.89, -1.42, 57.35

 

CMYK 0 / 14 / 72 / 19

HEX #CFB23A

RGB 207 178 58

HSL 48.32, 0.61%, 0.52%

LAB 73.16, -2.23, 61.92

 

CMYK 0 / 11 / 58 / 16

HEX #D7BF5B

RGB 215 191 91

HSL 48.39, 0.61%, 0.6%

LAB 77.56, -3.6, 52.64

 

CMYK 0 / 9 / 44 / 13

HEX #DFCC7C

RGB 223 204 124

HSL 48.48, 0.61%, 0.68%

LAB 82.02, -4.16, 42.15

 

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

CMYK 72 / 0 / 72 / 19

HEX #3ACF3A

RGB 58 207 58

HSL 120, 0.61%, 0.52%

LAB 73.44, -65.9, 59.55

 

CMYK 43 / 72 / 0 / 19

HEX #763ACF

RGB 118 58 207

HSL 264.16, 0.61%, 0.52%

LAB 40.22, 56.3, -67.19

 

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

CMYK 72 / 0 / 14 / 19

HEX #3ACFB1

RGB 58 207 177

HSL 167.92, 0.61%, 0.52%

LAB 75.26, -45.57, 3.77

 

CMYK 14 / 72 / 0 / 19

HEX #B13ACF

RGB 177 58 207

HSL 287.92, 0.61%, 0.52%

LAB 48.11, 67.51, -54.04

 

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

CMYK 72 / 0 / 72 / 19

HEX #3ACF3A

RGB 58 207 58

HSL 120, 0.61%, 0.52%

LAB 73.44, -65.9, 59.55

 

CMYK 72 / 57 / 0 / 19

HEX #3A58CF

RGB 58 88 207

HSL 227.92, 0.61%, 0.52%

LAB 41.82, 29.68, -64.78

 

CMYK 0 / 72 / 0 / 19

HEX #CF3ACF

RGB 207 58 207

HSL 300, 0.61%, 0.52%

LAB 52.73, 73.74, -46.4

 

CMYK 0 / 14 / 73 / 19

HEX #CFB138

RGB 207 177 56

HSL 48.08, 0.61%, 0.52%

LAB 72.89, -1.8, 62.41

 

CMYK 72 / 0 / 50 / 19

HEX #3ACF67

RGB 58 207 103

HSL 138.12, 0.61%, 0.52%

LAB 73.87, -60.71, 40.49

 

CMYK 72 / 57 / 0 / 19

HEX #3A58CF

RGB 58 88 207

HSL 227.92, 0.61%, 0.52%

LAB 41.82, 29.68, -64.78

 

CMYK 0 / 72 / 22 / 19

HEX #CF3AA2

RGB 207 58 162

HSL 318.12, 0.61%, 0.52%

LAB 50.57, 67.18, -23.59

 

Description

Color code: HEX #CFB138 | qconv.com Color code: HEX #CFB138 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 177 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 177 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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