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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB115 it is the complementary color #304EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB115 shade: #D4B110, #E5C323, #F6D536, #FFE749 and #FFF95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB115 shade: #CFB115, #BE9F02, #AD8D00, #9C7B00 and #8B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB115 shade: #D1B215, #D18015, #D14D15, #D11A15 and #D11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB115 shade: #D1B215, #BCD115, #8AD115, #57D115 and #24D115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB115 shade matches the following richer shades: #D1B215 and #E3BF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB115 shade: #D1B215, #BEA627, #AC993A, #998D4C and #87805F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB115 shade: #D14D15, #D17F15, #D1B115, #BED115 and #8CD115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB115 shade: #86720D, #AB9211, #D1B215, #E9CA25 and #EDD34B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB115 shade: #CFB115, #15D11B and #6615D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB115 shade: #CFB115, #15D1B1 and #B115D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB115 shade: #CFB115, #15D11B, #1534D1 and #D115CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB115 shade: #CFB115, #15D153, #1534D1 and #D11592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

Complementary color

CMYK 79 / 67 / 0 / 8

HEX #304EEA

RGB 48 78 234

HSL 230.32, 0.82%, 0.55%

LAB 41.24, 44.55, -81.15

 

CMYK 0 / 17 / 92 / 17

HEX #D4B110

RGB 212 177 16

HSL 49.29, 0.86%, 0.45%

LAB 73.21, -0.77, 73.67

 

CMYK 0 / 15 / 85 / 10

HEX #E5C323

RGB 229 195 35

HSL 49.48, 0.79%, 0.52%

LAB 79.51, -2.38, 75.6

 

CMYK 0 / 13 / 78 / 4

HEX #F6D536

RGB 246 213 54

HSL 49.69, 0.91%, 0.59%

LAB 85.73, -3.77, 76.37

 

CMYK 0 / 9 / 71 / 0

HEX #FFE749

RGB 255 231 73

HSL 52.09, 1%, 0.64%

LAB 91.19, -8.29, 75.47

 

CMYK 0 / 2 / 64 / 0

HEX #FFF95C

RGB 255 249 92

HSL 57.79, 1%, 0.68%

LAB 95.91, -16.15, 73.16

 

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

CMYK 0 / 16 / 99 / 25

HEX #BE9F02

RGB 190 159 2

HSL 50.11, 0.98%, 0.38%

LAB 66.33, -1.16, 69.45

 

CMYK 0 / 18 / 100 / 32

HEX #AD8D00

RGB 173 141 0

HSL 48.9, 1%, 0.34%

LAB 59.83, 0.85, 64.36

 

CMYK 0 / 21 / 100 / 39

HEX #9C7B00

RGB 156 123 0

HSL 47.31, 1%, 0.31%

LAB 53.2, 2.98, 58.89

 

CMYK 0 / 24 / 100 / 45

HEX #8B6900

RGB 139 105 0

HSL 45.32, 1%, 0.27%

LAB 46.43, 5.22, 53.32

 

CMYK 0 / 15 / 90 / 18

HEX #D1B215

RGB 209 178 21

HSL 50.11, 0.82%, 0.45%

LAB 73.19, -2.53, 72.71

 

CMYK 0 / 39 / 90 / 18

HEX #D18015

RGB 209 128 21

HSL 34.15, 0.82%, 0.45%

LAB 60.82, 24.32, 63.22

 

CMYK 0 / 63 / 90 / 18

HEX #D14D15

RGB 209 77 21

HSL 17.87, 0.82%, 0.45%

LAB 50.59, 49.9, 55.58

 

CMYK 0 / 88 / 90 / 18

HEX #D11A15

RGB 209 26 21

HSL 1.6, 0.82%, 0.45%

LAB 44.73, 66.11, 51.36

 

CMYK 0 / 90 / 90 / 18

HEX #D11515

RGB 209 21 21

HSL 0, 0.82%, 0.45%

LAB 44.44, 66.93, 51.15

 

CMYK 0 / 15 / 90 / 18

HEX #D1B215

RGB 209 178 21

HSL 50.11, 0.82%, 0.45%

LAB 73.19, -2.53, 72.71

 

CMYK 10 / 0 / 90 / 18

HEX #BCD115

RGB 188 209 21

HSL 66.7, 0.82%, 0.45%

LAB 79.81, -27.14, 77.16

 

CMYK 34 / 0 / 90 / 18

HEX #8AD115

RGB 138 209 21

HSL 82.66, 0.82%, 0.45%

LAB 76.71, -46.73, 73.37

 

CMYK 58 / 0 / 90 / 18

HEX #57D115

RGB 87 209 21

HSL 98.94, 0.82%, 0.45%

LAB 74.62, -62.48, 70.78

 

CMYK 83 / 0 / 90 / 18

HEX #24D115

RGB 36 209 21

HSL 115.21, 0.82%, 0.45%

LAB 73.57, -71.51, 69.46

 

CMYK 0 / 15 / 90 / 18

HEX #D1B215

RGB 209 178 21

HSL 50.11, 0.82%, 0.45%

LAB 73.19, -2.53, 72.71

 

CMYK 0 / 16 / 99 / 11

HEX #E3BF02

RGB 227 191 2

HSL 50.4, 0.98%, 0.45%

LAB 78.23, -1.66, 79.57

 

CMYK 0 / 15 / 90 / 18

HEX #D1B215

RGB 209 178 21

HSL 50.11, 0.82%, 0.45%

LAB 73.19, -2.53, 72.71

 

CMYK 0 / 13 / 79 / 25

HEX #BEA627

RGB 190 166 39

HSL 50.46, 0.66%, 0.45%

LAB 68.29, -4.13, 63.46

 

CMYK 0 / 11 / 66 / 33

HEX #AC993A

RGB 172 153 58

HSL 50, 0.5%, 0.45%

LAB 63.23, -4.23, 50.74

 

CMYK 0 / 8 / 50 / 40

HEX #998D4C

RGB 153 141 76

HSL 50.65, 0.34%, 0.45%

LAB 58.36, -4.64, 36.03

 

CMYK 0 / 5 / 30 / 47

HEX #87805F

RGB 135 128 95

HSL 49.5, 0.17%, 0.45%

LAB 53.4, -2.86, 18.91

 

CMYK 0 / 63 / 90 / 18

HEX #D14D15

RGB 209 77 21

HSL 17.87, 0.82%, 0.45%

LAB 50.59, 49.9, 55.58

 

CMYK 0 / 39 / 90 / 18

HEX #D17F15

RGB 209 127 21

HSL 33.83, 0.82%, 0.45%

LAB 60.59, 24.86, 63.05

 

CMYK 0 / 15 / 90 / 18

HEX #D1B115

RGB 209 177 21

HSL 49.79, 0.82%, 0.45%

LAB 72.93, -2.01, 72.51

 

CMYK 9 / 0 / 90 / 18

HEX #BED115

RGB 190 209 21

HSL 66.06, 0.82%, 0.45%

LAB 79.96, -26.31, 77.34

 

CMYK 33 / 0 / 90 / 18

HEX #8CD115

RGB 140 209 21

HSL 82.02, 0.82%, 0.45%

LAB 76.82, -46.01, 73.5

 

CMYK 0 / 15 / 90 / 47

HEX #86720D

RGB 134 114 13

HSL 50.08, 0.82%, 0.29%

LAB 48.43, -2.07, 51.71

 

CMYK 0 / 15 / 90 / 33

HEX #AB9211

RGB 171 146 17

HSL 50.26, 0.82%, 0.37%

LAB 61.01, -2.54, 62.39

 

CMYK 0 / 15 / 90 / 18

HEX #D1B215

RGB 209 178 21

HSL 50.11, 0.82%, 0.45%

LAB 73.19, -2.53, 72.71

 

CMYK 0 / 13 / 84 / 9

HEX #E9CA25

RGB 233 202 37

HSL 50.51, 0.82%, 0.53%

LAB 81.67, -4.2, 77.06

 

CMYK 0 / 11 / 68 / 7

HEX #EDD34B

RGB 237 211 75

HSL 50.37, 0.82%, 0.61%

LAB 84.54, -5.65, 67.61

 

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

CMYK 90 / 0 / 87 / 18

HEX #15D11B

RGB 21 209 27

HSL 121.91, 0.82%, 0.45%

LAB 73.44, -72.56, 68.21

 

CMYK 51 / 90 / 0 / 18

HEX #6615D1

RGB 102 21 209

HSL 265.85, 0.82%, 0.45%

LAB 33.91, 68, -78.78

 

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

CMYK 90 / 0 / 15 / 18

HEX #15D1B1

RGB 21 209 177

HSL 169.79, 0.82%, 0.45%

LAB 75.41, -49.67, 3.92

 

CMYK 15 / 90 / 0 / 18

HEX #B115D1

RGB 177 21 209

HSL 289.79, 0.82%, 0.45%

LAB 44.92, 77.48, -60.32

 

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

CMYK 90 / 0 / 87 / 18

HEX #15D11B

RGB 21 209 27

HSL 121.91, 0.82%, 0.45%

LAB 73.44, -72.56, 68.21

 

CMYK 90 / 75 / 0 / 18

HEX #1534D1

RGB 21 52 209

HSL 230.11, 0.82%, 0.45%

LAB 32.3, 49.73, -81.62

 

CMYK 0 / 90 / 3 / 18

HEX #D115CB

RGB 209 21 203

HSL 301.91, 0.82%, 0.45%

LAB 49.98, 81.8, -48.44

 

CMYK 0 / 14 / 90 / 19

HEX #CFB115

RGB 207 177 21

HSL 50.32, 0.82%, 0.45%

LAB 72.74, -2.89, 72.28

 

CMYK 90 / 0 / 60 / 18

HEX #15D153

RGB 21 209 83

HSL 139.79, 0.82%, 0.45%

LAB 73.79, -68.1, 49.64

 

CMYK 90 / 75 / 0 / 18

HEX #1534D1

RGB 21 52 209

HSL 230.11, 0.82%, 0.45%

LAB 32.3, 49.73, -81.62

 

CMYK 0 / 90 / 30 / 18

HEX #D11592

RGB 209 21 146

HSL 320.11, 0.82%, 0.45%

LAB 47.19, 74.55, -19.19

 

Description

Color code: HEX #CFB115 | qconv.com Color code: HEX #CFB115 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 177 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 177 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 90 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 90% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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