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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFAD55 it is the complementary color #3052AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFAD55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFAD55 shade: #D4AD50, #E5BF63, #F6D176, #FFE389 and #FFF59C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFAD55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFAD55 shade: #CFAD55, #BE9B42, #AD892F, #9C771C and #8B6509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFAD55 shade: #CFAD54, #CF8B54, #CF6A54 and #CF5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFAD55 shade: #CFAD54, #CFCE54, #AFCF54, #8ECF54 and #6DCF54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFAD55 shade matches the following richer shades: #CFAD54, #E0B442 and #F2BC30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFAD55 shade: #CFAD54, #BDA566, #AB9D77, #9A9589 and #888D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFAD55 shade: #CF6A54, #CF8B54, #CFAC54, #CFCD54 and #B0CF54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFAD55 shade: #A2822E, #C39C37, #CFAD54, #D8BC74 and #E1CC94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFAD55 shade: #CFAD55, #5ECF54 and #7B54CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFAD55 shade: #CFAD55, #54CFAC and #AC54CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFAD55 shade: #CFAD55, #5ECF54, #5477CF and #C554CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFAD55 shade: #CFAD55, #54CF6F, #5477CF and #CF54B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

Complementary color

CMYK 72 / 52 / 0 / 33

HEX #3052AA

RGB 48 82 170

HSL 223.28, 0.56%, 0.43%

LAB 37.05, 18.58, -50.9

 

CMYK 0 / 18 / 62 / 17

HEX #D4AD50

RGB 212 173 80

HSL 42.27, 0.61%, 0.57%

LAB 72.54, 3.82, 52

 

CMYK 0 / 17 / 57 / 10

HEX #E5BF63

RGB 229 191 99

HSL 42.46, 0.71%, 0.64%

LAB 78.94, 2.84, 50.79

 

CMYK 0 / 15 / 52 / 4

HEX #F6D176

RGB 246 209 118

HSL 42.66, 0.88%, 0.71%

LAB 85.25, 1.99, 49.55

 

CMYK 0 / 11 / 46 / 0

HEX #FFE389

RGB 255 227 137

HSL 45.76, 1%, 0.77%

LAB 90.78, -1.9, 47.28

 

CMYK 0 / 4 / 39 / 0

HEX #FFF59C

RGB 255 245 156

HSL 53.94, 1%, 0.81%

LAB 95.57, -9.01, 44.03

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

CMYK 0 / 18 / 65 / 25

HEX #BE9B42

RGB 190 155 66

HSL 43.06, 0.49%, 0.5%

LAB 65.58, 3.09, 50.18

 

CMYK 0 / 21 / 73 / 32

HEX #AD892F

RGB 173 137 47

HSL 42.86, 0.57%, 0.43%

LAB 58.96, 4.34, 51.11

 

CMYK 0 / 24 / 82 / 39

HEX #9C771C

RGB 156 119 28

HSL 42.66, 0.7%, 0.36%

LAB 52.23, 5.86, 51.45

 

CMYK 0 / 27 / 94 / 45

HEX #8B6509

RGB 139 101 9

HSL 42.46, 0.88%, 0.29%

LAB 45.38, 7.72, 50.47

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD54

RGB 207 173 84

HSL 43.41, 0.56%, 0.57%

LAB 72.09, 1.97, 49.48

 

CMYK 0 / 33 / 59 / 19

HEX #CF8B54

RGB 207 139 84

HSL 26.83, 0.56%, 0.57%

LAB 63.65, 20.34, 39.58

 

CMYK 0 / 49 / 59 / 19

HEX #CF6A54

RGB 207 106 84

HSL 10.73, 0.56%, 0.57%

LAB 56.3, 37.95, 30.53

 

CMYK 0 / 59 / 59 / 19

HEX #CF5454

RGB 207 84 84

HSL 0, 0.56%, 0.57%

LAB 52.11, 48.73, 25.18

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD54

RGB 207 173 84

HSL 43.41, 0.56%, 0.57%

LAB 72.09, 1.97, 49.48

 

CMYK 0 / 0 / 59 / 19

HEX #CFCE54

RGB 207 206 84

HSL 59.51, 0.56%, 0.57%

LAB 80.77, -15.08, 59.17

 

CMYK 15 / 0 / 59 / 19

HEX #AFCF54

RGB 175 207 84

HSL 75.61, 0.56%, 0.57%

LAB 78.68, -28.51, 56.21

 

CMYK 31 / 0 / 59 / 19

HEX #8ECF54

RGB 142 207 84

HSL 91.71, 0.56%, 0.57%

LAB 76.69, -40.91, 53.43

 

CMYK 47 / 0 / 59 / 19

HEX #6DCF54

RGB 109 207 84

HSL 107.8, 0.56%, 0.57%

LAB 75.15, -51.63, 51.27

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD54

RGB 207 173 84

HSL 43.41, 0.56%, 0.57%

LAB 72.09, 1.97, 49.48

 

CMYK 0 / 20 / 71 / 12

HEX #E0B442

RGB 224 180 66

HSL 43.29, 0.72%, 0.57%

LAB 75.38, 4.42, 61.51

 

CMYK 0 / 22 / 80 / 5

HEX #F2BC30

RGB 242 188 48

HSL 43.3, 0.88%, 0.57%

LAB 79.07, 7.19, 72.16

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD54

RGB 207 173 84

HSL 43.41, 0.56%, 0.57%

LAB 72.09, 1.97, 49.48

 

CMYK 0 / 13 / 46 / 26

HEX #BDA566

RGB 189 165 102

HSL 43.45, 0.4%, 0.57%

LAB 68.52, 0.22, 35.77

 

CMYK 0 / 8 / 30 / 33

HEX #AB9D77

RGB 171 157 119

HSL 43.85, 0.24%, 0.57%

LAB 65.04, -0.84, 21.77

 

CMYK 0 / 3 / 11 / 40

HEX #9A9589

RGB 154 149 137

HSL 42.35, 0.08%, 0.57%

LAB 61.8, -0.34, 6.98

 

CMYK 12 / 9 / 0 / 39

HEX #888D9B

RGB 136 141 155

HSL 224.21, 0.09%, 0.57%

LAB 58.65, 1.11, -8.04

 

CMYK 0 / 49 / 59 / 19

HEX #CF6A54

RGB 207 106 84

HSL 10.73, 0.56%, 0.57%

LAB 56.3, 37.95, 30.53

 

CMYK 0 / 33 / 59 / 19

HEX #CF8B54

RGB 207 139 84

HSL 26.83, 0.56%, 0.57%

LAB 63.65, 20.34, 39.58

 

CMYK 0 / 17 / 59 / 19

HEX #CFAC54

RGB 207 172 84

HSL 42.93, 0.56%, 0.57%

LAB 71.83, 2.51, 49.19

 

CMYK 0 / 1 / 59 / 19

HEX #CFCD54

RGB 207 205 84

HSL 59.02, 0.56%, 0.57%

LAB 80.5, -14.58, 58.88

 

CMYK 15 / 0 / 59 / 19

HEX #B0CF54

RGB 176 207 84

HSL 75.12, 0.56%, 0.57%

LAB 78.75, -28.12, 56.3

 

CMYK 0 / 20 / 72 / 36

HEX #A2822E

RGB 162 130 46

HSL 43.45, 0.56%, 0.41%

LAB 55.93, 3.22, 48.1

 

CMYK 0 / 20 / 72 / 24

HEX #C39C37

RGB 195 156 55

HSL 43.29, 0.56%, 0.49%

LAB 66.26, 4.12, 55.85

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD54

RGB 207 173 84

HSL 43.41, 0.56%, 0.57%

LAB 72.09, 1.97, 49.48

 

CMYK 0 / 13 / 46 / 15

HEX #D8BC74

RGB 216 188 116

HSL 43.2, 0.56%, 0.65%

LAB 77.18, 0.53, 39.97

 

CMYK 0 / 9 / 34 / 12

HEX #E1CC94

RGB 225 204 148

HSL 43.64, 0.56%, 0.73%

LAB 82.56, -0.74, 30.61

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

CMYK 55 / 0 / 59 / 19

HEX #5ECF54

RGB 94 207 84

HSL 115.12, 0.56%, 0.57%

LAB 74.6, -55.75, 50.49

 

CMYK 41 / 59 / 0 / 19

HEX #7B54CF

RGB 123 84 207

HSL 259.02, 0.56%, 0.57%

LAB 45.71, 43.77, -58.25

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

CMYK 59 / 0 / 17 / 19

HEX #54CFAC

RGB 84 207 172

HSL 162.93, 0.56%, 0.57%

LAB 75.75, -42.6, 7.24

 

CMYK 17 / 59 / 0 / 19

HEX #AC54CF

RGB 172 84 207

HSL 282.93, 0.56%, 0.57%

LAB 51.4, 55.3, -48.81

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

CMYK 55 / 0 / 59 / 19

HEX #5ECF54

RGB 94 207 84

HSL 115.12, 0.56%, 0.57%

LAB 74.6, -55.75, 50.49

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 5 / 59 / 0 / 19

HEX #C554CF

RGB 197 84 207

HSL 295.12, 0.56%, 0.57%

LAB 54.78, 61.51, -43.24

 

CMYK 0 / 16 / 59 / 19

HEX #CFAD55

RGB 207 173 85

HSL 43.28, 0.56%, 0.57%

LAB 72.1, 2.05, 49.02

 

CMYK 59 / 0 / 46 / 19

HEX #54CF6F

RGB 84 207 111

HSL 133.17, 0.56%, 0.57%

LAB 74.61, -54.58, 37.6

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 0 / 59 / 13 / 19

HEX #CF54B4

RGB 207 84 180

HSL 313.17, 0.56%, 0.57%

LAB 54.97, 59.64, -27.32

 

Description

Color code: HEX #CFAD55 | qconv.com Color code: HEX #CFAD55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 173 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 173 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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