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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFAD47 it is the complementary color #3052B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFAD47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFAD47 shade: #D4AD42, #E5BF55, #F6D168, #FFE37B and #FFF58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFAD47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFAD47 shade: #CFAD47, #BE9B34, #AD8921, #9C770E and #8B6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFAD47 shade: #D0AE49, #D08A49, #D06549 and #D04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFAD47 shade: #D0AE49, #CDD049, #A9D049, #84D049 and #60D049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFAD47 shade matches the following richer shades: #D0AE49, #E3B736 and #F5C123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFAD47 shade: #D0AE49, #BDA55B, #AB9C6E, #989280 and #868993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFAD47 shade: #D06649, #D08A49, #D0AE49, #CED049 and #AAD049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFAD47 shade: #9D8029, #BE9B31, #D0AE49, #D8BD69 and #E1CB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFAD47 shade: #CFAD47, #4FD049 and #7849D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFAD47 shade: #CFAD47, #49D0AE and #AE49D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFAD47 shade: #CFAD47, #4FD049, #496AD0 and #C949D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFAD47 shade: #CFAD47, #49D06A, #496AD0 and #D049AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

Complementary color

CMYK 74 / 55 / 0 / 28

HEX #3052B8

RGB 48 82 184

HSL 225, 0.59%, 0.45%

LAB 38.06, 23.84, -57.53

 

CMYK 0 / 18 / 69 / 17

HEX #D4AD42

RGB 212 173 66

HSL 43.97, 0.63%, 0.55%

LAB 72.41, 2.98, 58.09

 

CMYK 0 / 17 / 63 / 10

HEX #E5BF55

RGB 229 191 85

HSL 44.17, 0.73%, 0.62%

LAB 78.8, 1.86, 57.12

 

CMYK 0 / 15 / 58 / 4

HEX #F6D168

RGB 246 209 104

HSL 44.37, 0.89%, 0.69%

LAB 85.09, 0.9, 56

 

CMYK 0 / 11 / 52 / 0

HEX #FFE37B

RGB 255 227 123

HSL 47.27, 1%, 0.74%

LAB 90.61, -3.13, 53.79

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58E

RGB 255 245 142

HSL 54.69, 1%, 0.78%

LAB 95.38, -10.42, 50.58

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 0 / 18 / 73 / 25

HEX #BE9B34

RGB 190 155 52

HSL 44.78, 0.57%, 0.47%

LAB 65.47, 2.31, 56.12

 

CMYK 0 / 21 / 81 / 32

HEX #AD8921

RGB 173 137 33

HSL 44.57, 0.68%, 0.4%

LAB 58.87, 3.75, 56.36

 

CMYK 0 / 24 / 91 / 39

HEX #9C770E

RGB 156 119 14

HSL 44.37, 0.84%, 0.33%

LAB 52.17, 5.47, 55.44

 

CMYK 0 / 27 / 100 / 45

HEX #8B6500

RGB 139 101 0

HSL 43.6, 1%, 0.27%

LAB 45.35, 7.54, 52.58

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 0 / 34 / 65 / 18

HEX #D08A49

RGB 208 138 73

HSL 28.89, 0.59%, 0.55%

LAB 63.4, 20.54, 44.95

 

CMYK 0 / 51 / 65 / 18

HEX #D06549

RGB 208 101 73

HSL 12.44, 0.59%, 0.55%

LAB 55.28, 40.13, 35.44

 

CMYK 0 / 65 / 65 / 18

HEX #D04949

RGB 208 73 73

HSL 0, 0.59%, 0.55%

LAB 50.28, 53.2, 29.33

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 1 / 0 / 65 / 18

HEX #CDD049

RGB 205 208 73

HSL 61.33, 0.59%, 0.55%

LAB 81.06, -17.6, 63.98

 

CMYK 19 / 0 / 65 / 18

HEX #A9D049

RGB 169 208 73

HSL 77.33, 0.59%, 0.55%

LAB 78.48, -32.16, 60.49

 

CMYK 37 / 0 / 65 / 18

HEX #84D049

RGB 132 208 73

HSL 93.78, 0.59%, 0.55%

LAB 76.37, -45.77, 57.61

 

CMYK 54 / 0 / 65 / 18

HEX #60D049

RGB 96 208 73

HSL 109.78, 0.59%, 0.55%

LAB 74.88, -56.72, 55.55

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 0 / 19 / 76 / 11

HEX #E3B736

RGB 227 183 54

HSL 44.74, 0.76%, 0.55%

LAB 76.35, 3.6, 67.13

 

CMYK 0 / 21 / 86 / 4

HEX #F5C123

RGB 245 193 35

HSL 45.14, 0.91%, 0.55%

LAB 80.56, 5.53, 77.1

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 0 / 13 / 52 / 26

HEX #BDA55B

RGB 189 165 91

HSL 45.31, 0.43%, 0.55%

LAB 68.38, -0.83, 41.25

 

CMYK 0 / 9 / 36 / 33

HEX #AB9C6E

RGB 171 156 110

HSL 45.25, 0.27%, 0.55%

LAB 64.61, -1.46, 26.12

 

CMYK 0 / 4 / 16 / 40

HEX #989280

RGB 152 146 128

HSL 45, 0.1%, 0.55%

LAB 60.6, -0.97, 10.34

 

CMYK 9 / 7 / 0 / 42

HEX #868993

RGB 134 137 147

HSL 226.15, 0.06%, 0.55%

LAB 57.14, 0.96, -5.72

 

CMYK 0 / 51 / 65 / 18

HEX #D06649

RGB 208 102 73

HSL 12.89, 0.59%, 0.55%

LAB 55.48, 39.63, 35.68

 

CMYK 0 / 34 / 65 / 18

HEX #D08A49

RGB 208 138 73

HSL 28.89, 0.59%, 0.55%

LAB 63.4, 20.54, 44.95

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 1 / 0 / 65 / 18

HEX #CED049

RGB 206 208 73

HSL 60.89, 0.59%, 0.55%

LAB 81.13, -17.19, 64.08

 

CMYK 18 / 0 / 65 / 18

HEX #AAD049

RGB 170 208 73

HSL 76.89, 0.59%, 0.55%

LAB 78.54, -31.77, 60.57

 

CMYK 0 / 18 / 74 / 38

HEX #9D8029

RGB 157 128 41

HSL 45, 0.59%, 0.39%

LAB 54.83, 1.8, 48.95

 

CMYK 0 / 18 / 74 / 25

HEX #BE9B31

RGB 190 155 49

HSL 45.11, 0.59%, 0.47%

LAB 65.45, 2.17, 57.29

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE49

RGB 208 174 73

HSL 44.89, 0.59%, 0.55%

LAB 72.34, 1.13, 54.86

 

CMYK 0 / 13 / 51 / 15

HEX #D8BD69

RGB 216 189 105

HSL 45.41, 0.59%, 0.63%

LAB 77.29, -1.01, 45.62

 

CMYK 0 / 10 / 39 / 12

HEX #E1CB8A

RGB 225 203 138

HSL 44.83, 0.59%, 0.71%

LAB 82.14, -1.38, 35.23

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 62 / 0 / 65 / 18

HEX #4FD049

RGB 79 208 73

HSL 117.33, 0.59%, 0.55%

LAB 74.35, -60.84, 54.83

 

CMYK 42 / 65 / 0 / 18

HEX #7849D0

RGB 120 73 208

HSL 260.89, 0.59%, 0.55%

LAB 43.23, 49.41, -62.85

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 65 / 0 / 16 / 18

HEX #49D0AE

RGB 73 208 174

HSL 164.89, 0.59%, 0.55%

LAB 75.81, -44.53, 6.21

 

CMYK 16 / 65 / 0 / 18

HEX #AE49D0

RGB 174 73 208

HSL 284.89, 0.59%, 0.55%

LAB 49.88, 61.04, -51.8

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 62 / 0 / 65 / 18

HEX #4FD049

RGB 79 208 73

HSL 117.33, 0.59%, 0.55%

LAB 74.35, -60.84, 54.83

 

CMYK 65 / 49 / 0 / 18

HEX #496AD0

RGB 73 106 208

HSL 225.33, 0.59%, 0.55%

LAB 47.34, 20.81, -56.39

 

CMYK 3 / 65 / 0 / 18

HEX #C949D0

RGB 201 73 208

HSL 296.89, 0.59%, 0.55%

LAB 53.75, 67.24, -45.41

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 65 / 0 / 49 / 18

HEX #49D06A

RGB 73 208 106

HSL 134.67, 0.59%, 0.55%

LAB 74.55, -57.99, 39.94

 

CMYK 65 / 49 / 0 / 18

HEX #496AD0

RGB 73 106 208

HSL 225.33, 0.59%, 0.55%

LAB 47.34, 20.81, -56.39

 

CMYK 0 / 65 / 16 / 18

HEX #D049AE

RGB 208 73 174

HSL 315.11, 0.59%, 0.55%

LAB 53.2, 63.6, -26.56

 

Description

Color code: HEX #CFAD47 | qconv.com Color code: HEX #CFAD47 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 173 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 173 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 66 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 66% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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