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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFAC99 it is the complementary color #305366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFAC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFAC99 shade: #D4AC94, #E5BEA7, #F6D0BA, #FFE2CD and #FFF4E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFAC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFAC99 shade: #CFAC99, #BE9A86, #AD8873, #9C7660 and #8B644D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFAC99 shade: #D0AD9A, #D09F9A and #D09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFAC99 shade: #D0AD9A, #D0BC9A, #D0CA9A, #C7D09A and #B9D09A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFAC99 shade matches the following richer shades: #D0AD9A, #DCAA8E, #E8A682 and #F4A377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFAC99 shade: #D0AD9A, #C4B1A6, #B8B4B2, #ACB8BE and #A0BBCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFAC99 shade: #D09AA4, #D09F9A, #D0AD9A, #D0BB9A and #D0C99A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFAC99 shade: #B58062, #C2967E, #D0AD9A, #DDC4B6 and #EADBD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFAC99 shade: #CFAC99, #B2D09A and #9A9DD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFAC99 shade: #CFAC99, #9AD0AD and #AD9AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFAC99 shade: #CFAC99, #B2D09A, #9ABDD0 and #B89AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFAC99 shade: #CFAC99, #A2D09A, #9ABDD0 and #C89AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

Complementary color

CMYK 53 / 19 / 0 / 60

HEX #305366

RGB 48 83 102

HSL 201.11, 0.36%, 0.29%

LAB 33.51, -6.74, -14.9

 

CMYK 0 / 19 / 30 / 17

HEX #D4AC94

RGB 212 172 148

HSL 22.5, 0.43%, 0.71%

LAB 73.31, 11.12, 17.85

 

CMYK 0 / 17 / 27 / 10

HEX #E5BEA7

RGB 229 190 167

HSL 22.26, 0.54%, 0.78%

LAB 79.77, 10.57, 16.83

 

CMYK 0 / 15 / 24 / 4

HEX #F6D0BA

RGB 246 208 186

HSL 22, 0.77%, 0.85%

LAB 86.13, 10.07, 15.88

 

CMYK 0 / 11 / 20 / 0

HEX #FFE2CD

RGB 255 226 205

HSL 25.2, 1%, 0.9%

LAB 91.71, 6.74, 13.9

 

CMYK 0 / 4 / 12 / 0

HEX #FFF4E0

RGB 255 244 224

HSL 38.71, 1%, 0.94%

LAB 96.55, 0.42, 10.94

 

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

CMYK 0 / 19 / 29 / 25

HEX #BE9A86

RGB 190 154 134

HSL 21.43, 0.3%, 0.64%

LAB 66.35, 10.43, 15.56

 

CMYK 0 / 21 / 34 / 32

HEX #AD8873

RGB 173 136 115

HSL 21.72, 0.26%, 0.56%

LAB 59.64, 11.06, 16.66

 

CMYK 0 / 24 / 38 / 39

HEX #9C7660

RGB 156 118 96

HSL 22, 0.24%, 0.49%

LAB 52.81, 11.81, 17.88

 

CMYK 0 / 28 / 45 / 45

HEX #8B644D

RGB 139 100 77

HSL 22.26, 0.29%, 0.42%

LAB 45.82, 12.69, 19.24

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 24 / 26 / 18

HEX #D09F9A

RGB 208 159 154

HSL 5.56, 0.36%, 0.71%

LAB 69.85, 17.45, 9.64

 

CMYK 0 / 26 / 26 / 18

HEX #D09A9A

RGB 208 154 154

HSL 0, 0.36%, 0.71%

LAB 68.65, 20.17, 7.92

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 10 / 26 / 18

HEX #D0BC9A

RGB 208 188 154

HSL 37.78, 0.36%, 0.71%

LAB 77.11, 1.84, 19.81

 

CMYK 0 / 3 / 26 / 18

HEX #D0CA9A

RGB 208 202 154

HSL 53.33, 0.36%, 0.71%

LAB 80.73, -5.48, 24.77

 

CMYK 4 / 0 / 26 / 18

HEX #C7D09A

RGB 199 208 154

HSL 70, 0.36%, 0.71%

LAB 81.61, -11.96, 25.86

 

CMYK 11 / 0 / 26 / 18

HEX #B9D09A

RGB 185 208 154

HSL 85.56, 0.36%, 0.71%

LAB 80.6, -17.13, 24.32

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 23 / 35 / 14

HEX #DCAA8E

RGB 220 170 142

HSL 21.54, 0.53%, 0.71%

LAB 73.49, 14.55, 21.49

 

CMYK 0 / 28 / 44 / 9

HEX #E8A682

RGB 232 166 130

HSL 21.18, 0.69%, 0.71%

LAB 73.57, 20.07, 28.29

 

CMYK 0 / 33 / 51 / 4

HEX #F4A377

RGB 244 163 119

HSL 21.12, 0.85%, 0.71%

LAB 74.04, 25.35, 35.02

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 10 / 15 / 23

HEX #C4B1A6

RGB 196 177 166

HSL 22, 0.2%, 0.71%

LAB 73.5, 4.98, 8.09

 

CMYK 0 / 2 / 3 / 28

HEX #B8B4B2

RGB 184 180 178

HSL 20, 0.04%, 0.71%

LAB 73.58, 1.05, 1.51

 

CMYK 9 / 3 / 0 / 25

HEX #ACB8BE

RGB 172 184 190

HSL 200, 0.12%, 0.71%

LAB 74.04, -2.95, -4.47

 

CMYK 21 / 7 / 0 / 21

HEX #A0BBCA

RGB 160 187 202

HSL 201.43, 0.28%, 0.71%

LAB 74.37, -5.89, -10.62

 

CMYK 0 / 26 / 21 / 18

HEX #D09AA4

RGB 208 154 164

HSL 348.89, 0.36%, 0.71%

LAB 68.9, 21.64, 2.71

 

CMYK 0 / 24 / 26 / 18

HEX #D09F9A

RGB 208 159 154

HSL 5.56, 0.36%, 0.71%

LAB 69.85, 17.45, 9.64

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 10 / 26 / 18

HEX #D0BB9A

RGB 208 187 154

HSL 36.67, 0.36%, 0.71%

LAB 76.85, 2.37, 19.45

 

CMYK 0 / 3 / 26 / 18

HEX #D0C99A

RGB 208 201 154

HSL 52.22, 0.36%, 0.71%

LAB 80.47, -4.97, 24.42

 

CMYK 0 / 29 / 46 / 29

HEX #B58062

RGB 181 128 98

HSL 21.69, 0.36%, 0.55%

LAB 58.17, 16.82, 24.42

 

CMYK 0 / 23 / 35 / 24

HEX #C2967E

RGB 194 150 126

HSL 21.18, 0.36%, 0.63%

LAB 65.58, 13.17, 19

 

CMYK 0 / 17 / 26 / 18

HEX #D0AD9A

RGB 208 173 154

HSL 21.11, 0.36%, 0.71%

LAB 73.3, 9.86, 14.52

 

CMYK 0 / 11 / 18 / 13

HEX #DDC4B6

RGB 221 196 182

HSL 21.54, 0.36%, 0.79%

LAB 80.87, 6.58, 10.24

 

CMYK 0 / 6 / 10 / 8

HEX #EADBD3

RGB 234 219 211

HSL 20.87, 0.35%, 0.87%

LAB 88.38, 3.8, 5.77

 

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

CMYK 14 / 0 / 26 / 18

HEX #B2D09A

RGB 178 208 154

HSL 93.33, 0.36%, 0.71%

LAB 80.13, -19.67, 23.59

 

CMYK 26 / 25 / 0 / 18

HEX #9A9DD0

RGB 154 157 208

HSL 236.67, 0.36%, 0.71%

LAB 66.17, 10.16, -26.39

 

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

CMYK 26 / 0 / 17 / 18

HEX #9AD0AD

RGB 154 208 173

HSL 141.11, 0.36%, 0.71%

LAB 79.04, -24.56, 11.79

 

CMYK 17 / 26 / 0 / 18

HEX #AD9AD0

RGB 173 154 208

HSL 261.11, 0.36%, 0.71%

LAB 66.94, 17.75, -25.07

 

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

CMYK 14 / 0 / 26 / 18

HEX #B2D09A

RGB 178 208 154

HSL 93.33, 0.36%, 0.71%

LAB 80.13, -19.67, 23.59

 

CMYK 26 / 9 / 0 / 18

HEX #9ABDD0

RGB 154 189 208

HSL 201.11, 0.36%, 0.71%

LAB 74.71, -7.43, -13.41

 

CMYK 12 / 26 / 0 / 18

HEX #B89AD0

RGB 184 154 208

HSL 273.33, 0.36%, 0.71%

LAB 67.91, 21.27, -23.49

 

CMYK 0 / 17 / 26 / 19

HEX #CFAC99

RGB 207 172 153

HSL 21.11, 0.36%, 0.71%

LAB 72.94, 9.87, 14.54

 

CMYK 22 / 0 / 26 / 18

HEX #A2D09A

RGB 162 208 154

HSL 111.11, 0.36%, 0.71%

LAB 79.11, -25.28, 22.04

 

CMYK 26 / 9 / 0 / 18

HEX #9ABDD0

RGB 154 189 208

HSL 201.11, 0.36%, 0.71%

LAB 74.71, -7.43, -13.41

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD0

RGB 200 154 208

HSL 291.11, 0.36%, 0.71%

LAB 69.43, 26.48, -21.04

 

Description

Color code: HEX #CFAC99 | qconv.com Color code: HEX #CFAC99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 172 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 172 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 26 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 26% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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